I read 33 new releases (out of 83 book reviews overall) this year, a distinct improvement on last year (when I read 20 new releases). The cream of the crop this year:
1. The Silent Land by Graham Joyce
This is a short, quiet novel that focuses on two characters who find themselves alone in a strange environment. Haunting and unsettling, those with a passing familiarity with genre fiction should work out what's going on pretty quickly, but watching the characters do the same is fascinating, culminating in an emotionally powerful conclusion.
2. Under Heaven by Guy Gavriel Kay
Kay's best novel for a decade and a half, a tale of Imperial China and different factions whose rivalries are exposed by the gift of two hundred beautiful horses to a young nobleman.
3. Warriors, edited by George R.R. Martin and Gardner Dozois
A high-quality collection, lacking a single duff tale. Robin Hobb, Robert Silverberg and Tad Williams return to their best form, whilst Martin delivers his first original ASoIaF fiction in half a decade. An impressive collection.
4. Corvus by Paul Kearney
Kearney's delivers his sequel to my top book of 2008, The Ten Thousand. Corvus is an even stronger novel, better-paced with more of a tight focus and less slavish following of the historical inspiration (here Alexander the Great compared to the Anabasis).
5. Terminal World by Alastair Reynolds
One of my favourite Reynolds books, an intoxicating mash-up of hard SF, planetary romance, steampunk and the New Weird, with an underlying mystery that is constantly developed and then left for the reader to answer.
6. The Quantum Thief by Hannu Rajaniemi
The SF debut of the year, a hard SF heist tale told with energy, vigour and intelligence.
7. The Passage by Justin Cronin
Cronin manages to wring the last dregs of interest out of the vampire well with this huge story of the end of the world and how humanity survives centuries in the future. It's overlong, there are pacing problems and the total shift in cast a third of the way into the book is jarring, but Cronin's writing skills are impressive here as he delivers the finest piece of apocalyptic horror since The Stand.
8. The Evolutionary Void by Peter F. Hamilton
Hamilton concludes both The Void Trilogy and the larger story begun back in The Commonwealth Saga with aplomb and delivers possibly his best long-series ending to date. The novel's musings on chaos theory and the unpredictable consequences of time travel are fascinating.
9. The Black Lung Captain by Chris Wooding
Wooding's follow-up to Retribution Falls is a likewise breezy steampunk romp through a world of duelling societies and airship combat. Relentlessly entertaining.
10. Stonewielder by Ian Cameron Esslemont
Esslemont continues his novel-by-novel improvement as he plays catch-up to his friend Steven Erikson. With Stonewielder Esslemont delivers the most engaging Malazan novel in some years, resolving long-standing questions and mysteries and helping set up Erikson's forthcoming grand finale to the series.
City of Ruin by Mark Charan Newton narrowly missed out on a Top 10 position. This novel represents a significant improvement over his previous book, Nights of Villjamur, melding a traditional epic fantasy war narrative with a strong dose of the Weird, with improved characterisation. Likewise King of the Crags by Stephen Deas is a notable improvement over The Adamantine Palace.
Veteran by Gavin Smith, Wolfsangel by M.D. Lachlan and Farlander by Col Buchanan are very promising debut novels from talented new writers. All three have their sophomore books out in 2011 (War in Heaven, Fenrir and Stands a Shadow respectively) and it'll be interesting to see how they develop.
Adam Roberts and Ian McDonald delivered fine new novels, New Model Army and The Dervish House, although arguably both lacked some of the sparkle of their previous novels. Still, both raised interesting ideas and online discussion about their work (the plausability of the military force as described for the former and the realism of the depiction of 21st Century Turkey in the lattter).
Annoyingly, I missed out on a lot of female writers this year. I read some older works (Helen Oyeyemi's White is For Witching, a 2009 release, was haunting and fascinating, whilst my first encounter with C.J. Cherryh, via Downbelow Station, didn't work out as well) but otherwise I received few review copies from female writers this year and only got round to reading one 2010 release from a female author, Carrie Ryan's decent The Dead-Tossed Waves (though I did receive a couple more which I didn't get round to). This appears to be a recurring problem and something I should take up with publishers as well as re-prioritising my to-read list.
Paul Hoffman's The Left Hand of God was a very weak novel, displaying an impressive lack of originality, pacing or convincing characterisation. Sam Sykes's Tome of the Undergates displayed a lot of potential but was unable to overcome uneven pacing and constant repetition of redundant information. The Japanese Devil Fish Girl shows glimmers of originality but Robert Rankin falls back on stock gags (some of them two decades old) and characters way too easily, making for an oddly dull read. Peter Brett's The Desert Spear was a come-down after the entertaining opening of The Painted Man. Considerably longer, considerably duller and featuring some very questionable use of rape, this was a disappointment given Brett's evident writing ability elsewhere. China Mieville's Kraken was also unusually uneven given his normal high standards.
This was quite a good year by recent standards, with a number of high-quality releases. SF definitely saw a bit of a resurgence this year, whilst epic fantasy seemed to have a bit of a rough time (though Kearney and Esslemont delivered good books and, just below the Top 10, Sanderson's Way of Kings was promising).