Showing posts with label terry pratchett. Show all posts
Showing posts with label terry pratchett. Show all posts

Friday, 17 January 2020

Terry Pratchett's daughter and writing assistant throw shade at THE WATCH TV series

The first publicity photographs from The Watch, a BBC America series "loosely inspired" by Terry Pratchett's Discworld novels, were released this morning and in just a few hours have prompted a massive backlash from fans of the series. Beloved characters and settings have been changed for no immediately discernible reason, resulting in a storm of protest from readers.


In an amusingly-timed move, Terry Pratchett's daughter (and respected video game writer) Rhianna Pratchett and his former assistant and partner in Narrativia Productions, Rob Wilkins, both tweeted a link to a 2004 interview with Ursula Le Guin, where she eviscerated the Sci-Fi Channel's appalling mini-series based on her Earthsea novels which changed the source material for no reason.

Unfortunately, with production drawing to a close on the eight-part series, it's far too late for BBC America to change course and produce a more faithful adaptation of the books. As a result, it's likely that fans will now have to wait even longer for a decent version to appear in the future.

BBC America release first publicity images for Terry Pratchett's THE WATCH

BBC America has released the first publicity images for Terry Pratchett's The Watch and, well, yikes.


In this first image, Sybil Ramkin (Lara Rossi) appears to have either set someone on fire or are watching them on fire, plummeting through a hole in an Ankh-Morpork street. If you're thinking, "This never happens in the books," and "Why is a middle-aged, stout woman now a smoking hot vigilante?" you are not alone.


In this second image, we meet Constable Angua (Marama Corlett) and Constable Carrot (Adam Hugill) of the Ankh-Morpork City Watch, although they seem to have lost their armour. Carrot at least looks spot on, if a few years older than the character.


In this image, Sam Vimes (Richard Dormer) and Angua (Marama Corlett) visit an Ankh-Morpork market. This image is the clearest example of a major shift in the setting aesthetic. Whilst the books are set in a late medieval/early Renaissance-level city slowly transitioning into a steampunk one (albeit over the course of forty books), the series looks set to open in a full Victoriana environment, with no traditional armour and the Watch characters wearing lanyards in lieu of a uniform.


This image shows Carcer Dun (Sam Adewunmi) up to no good. His guards appear to have parachuted in from a mid-franchise Final Fantasy video game, but okay.


Angua (Marama Corlett) and Constable Cheery (Jo Eaton-Kent), the latter of whom doesn't appear to have a beard. Or be a dwarf.

The TV show has attracted negative coverage for its decision to only be "loosely inspired" by the books and instead pursue their own path with regards to casting, writing and setting. These images are not likely to improve this.

Saturday, 30 November 2019

Monstrous Development: The Controversy of BBC America's THE WATCH

BBC America are currently shooting the first season of The Watch, a new fantasy TV show based on Terry Pratchett’s Discworld novels, specifically the “City Watch” sub-series which begins with Guards! Guards!


This is not the first time the Discworld has been depicted on-screen. In the 1990s it was adapted as three video games (Discworld, Discworld II and Discworld Noir) and two animated series from Cosgrove Hall, Wyrd Sisters and Soul Music. In the 2000s four of the books were adapted by Sky One in the UK as live-action dramas: Hogfather, The Colour of Magic, The Light Fantastic and Going Postal. The quality of these projects was “variable,” ranging from okay to disappointing.

The Watch is different. It has a far higher budget and it’s an ongoing show meant to last for multiple seasons. It aims to bring the city of Ankh-Morpork to life in detail and with a large cast of characters. What it is not planning to do, however, is adapt the books.

Instead, The Watch is “loosely inspired by” the novels and will instead create and tell original stories involving characters based on – to varying degrees of fealty – Pratchett’s characters, but not actually meant to be them. Based on the information we have so far, the storyline borrows elements from Guards! Guards!, Men at Arms and Night Watch, but will craft an original story by mixing and matching elements from those books together.

Fans are, it has to be said, baffled and increasingly angry over the direction the adaptation is taking.

This is not new ground for BBC America. In 2016 and 2017 they aired a two-season adaptation of the Douglas Adams novel series Dirk Gently’s Holistic Detective Agency. This was likewise “inspired by” the books, not a direct adaptation. However, in this case the “loose inspiration” idea made more sense. Dirk Gently has been adapted to the screen and to radio several times previously, so a direct adaptation was not really necessary and may have indeed been redundant. In addition, the show was being shot and made in the United States, so an all-new story set in the States (whilst keeping Dirk as a slightly mad Englishman) made casting a lot easier. The first episode even includes a namecheck of the events of the first novel, positing the TV show as a sequel to the books, although Dirk in the show is a much younger character and has a different backstory to Dirk in the books, but this is not an outrageous change.

Of course, that show got away with it because Dirk Gently is relatively obscure, only consists of two very short novels, has a small cast of characters (of whom only Dirk appears in the show) and is relatively thin on backstory, lore and worldbuilding.

Discworld, on the other hand, is one of the biggest-selling fantasy series of all time, with over 90 million books sold worldwide. It has an ardently passionate fanbase who have been waiting for an ongoing Discworld TV series for almost forty years, and its worldbuilding, backstory and cast of characters is utterly immense. Whilst Dirk Gently needed bulking out to work as a TV show, Discworld very definitely does not.


The Books

The City Watch prominently feature in eight of Pratchett’s forty-one Discworld novels: Guards! Guards! (1989), Men at Arms (1993), Feet of Clay (1996), Jingo (1997), The Fifth Elephant (1999), Night Watch (2002), Thud! (2005) and Snuff (2011). Watch characters also play prominent roles in several of the other novels set in Ankh-Morpork, including Moving Pictures (1990) and Raising Steam (2013), as well as Monstrous Regiment (2003).

The City Watch of Ankh-Morpork are something of a joke, lacking real power and mostly just keeping themselves to themselves. Its commanding officer, Captain Sam Vimes, is a drunk who just tries to have a quiet life. The Watch are invigorated by the arrival of Carrot Ironfoundersson, a human raised by dwarfs who may also the long-missing, uncrowned king of Ankh-Morpork (something that interests him not at all). Carrot’s straightforward approach to dealing with crime – such as trying to arrest the head of the Thieves’ Guild – bemuses Vimes but also reminds him that his job has serious responsibilities. When a crazed religious cult unleashes a dragon on the city, it falls to Vimes, his motley crew of constables and a new ally, Sybil Ramkin, an expert on dragons, to save the city. When he succeeds, he is rewarded with more responsibility by Lord Vetinari, the Patrician of Ankh-Morpork.

Over the subsequent books, the Ankh-Morpork police force becomes a huge force for good in the city, stamping out crime, eliminating threats to the Patrician and ensuring order (to what degree this was unintended or part of a long-gestating masterplan by the infamously devious Patrician is open to question). Every time a threat arises, Vimes and his team are able to defeat it, if not without great cost. The City Watch becomes larger and more diverse, inducting vampires, zombies and trolls into its ranks, and helps the city become the thriving, semi-Victorian steampunk metropolis it is by the final few books in the series.


The TV Show
The information we have from the TV show is incomplete so far, but it does have several significant changes from the books.

The first is that many of the later recruits to the Watch are present from Day One: in fact, Cheery the dwarf and Angua the werewolf are already in the Watch when Carrot arrives. Angua is assigned to mentor Carrot and show him the ropes, which is a change from the books (where the reverse is true).

There’s also a curious line that “crime has been legalised,” which is not quite accurate. The Thieves’ Guild is licensed but has to operate within strict rules or face punishment. Freelance thieves and criminals remain illegal, so there’s still plenty for the Watch to do. This may have been a simplification of the plot in the books for a TV audience, or a sign of a major change to the worldbuilding.

In the biggest and arguably the most outrageous change, it’s been revealed that Lady Sybil Ramkin is no longer a formidable, somewhat rotund woman in early middle age, but now a younger, athletic “vigilante,” which has sparked some comparisons with Batman. Lady Sybil in the books is impressive as a character who operates within society rules but is also able to achieve results. She is also a rare example of a fantasy heroine who is middle-aged, not stunning attractive but still brave, capable and resourceful. Turning her into Batman in order to further "empower" the character feels derivative and lazy.

In a similar note, Cut-Me-Own-Throat-Dibbler, a street informant usually found selling dubious meat products to crowds watching whatever chaos is unfolding, has now been recast as some kind of intelligence agent with an army of freelance spies and thugs at his command, sort of like a working-class Varys from Game of Thrones. This is the absolute inverse of the repugnant character from the books.

Another concern is the publicity line confirming that the TV series will not be directly adapting any of the books but instead being inspired by them to create an original storyline. With the greatest of respect, this is always an act of stunning hubris by TV scriptwriters. The main writer of The Watch, Simon Allen, does not have a particularly distinguished CV, having written episodes of the BBC’s indifferent Musketeers show and light, disposable fare like New Tricks. I think it’s fair to say that he is not a good a writer as Sir Terry Pratchett, one of the greatest fantasists and satirists of all time. Thinking you can improve on Pratchett is extremely unwise.

It’s frustrating because the casting has, so far, been interesting. Richard Dormer (Ser Beric from Game of Thrones) as Sam Vimes is superb casting, and the formidably talented Anna Chancellor as a gender-swapped Patrician Vetinari is a fantastic notion, one I think Pratchett would have approved of. Some fans have expressed disdain for gender-swapping or race-changing characters, but given Pratchett's own views on the subject (and Ankh-Morpork's bustling cosmopolitanism) I suspect he would not have given a flying toss about any of those kind of changes.

The changes to the themes, characters, storylines and the very morality of the Discworld books are much more concerning, and I suspect would have set alarm bells blaring for the author.


Why buy the rights and then not adapt the books?
This is the question I suspect a lot of people are asking right now. Peter Jackson didn’t option The Lord of the Rings and turn it into a movie where Frodo Baggins is a ninja and Aragorn rides a Harley Davidson (no matter how interesting that might have been). Even Benioff and Weiss didn’t option Game of Thrones and turn it into a relationship drama about Ned and Cat’s marriage, and before the HBO show Martin’s novels were – especially compared to Pratchett – relatively obscure. Benioff and Weiss of course ran into trouble when they ran out of source material and had to create original material of their own, but that wasn't entirely in their control (although they should have still done a better job and not severely rushed the last two seasons, to be clear).

It feels like there isn’t an answer to the question that really makes sense. Simply adapting Guards! Guards! and maybe Men at Arms as the first season, maybe with some stand-alone new episodes thrown into the mix, is a fantastic idea. You can do some interesting casting if you want – seriously, Chancellor should kill it as Vetinari – but taking some of the strong, interesting female characters Pratchett created and turning them into clichés is pointless and insulting.

Even worse, the rumblings of discontent by Discworld fans is something you really don’t want to happen. Just as Game of Thrones did everything right (at least in the early production phase) and won a lot of support from book fans who spread word-of-mouth about the TV show and helped turn it into the biggest thing in television, The Watch is actively annoying and angering the millions of Pratchett fans who wanted a more faithful adaptation, and there are far, far more of them then there were fans of Martin before the show launched. This is something that could actively backfire in BBC America’s face when the show launches late next year.

Could it be that The Watch ends up being a pretty good piece of television? Maybe. But if writer Simon Allen wanted to create an original fantasy police TV show, he should have gone and created his own one. Optioning Terry Pratchett's fantastic novels and then refusing to use the stories in them the way the author intended is baffling and disrespectful.

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Tuesday, 19 November 2019

More cast announced for Terry Pratchett's WATCH TV series

BBC America has announced more casting news for The Watch, its TV series based on Terry Pratchett's Discworld novels (more specifically, the ones focusing on the Ankh-Morpork City Watch). BBC America had previously confirmed that the series will be made up of original stories loosely inspired by the books, and this seems to be the case with the casting announcements made today.


Patrician Vetinari, Cut-Me-Own-Throat-Dibbler (now named "Throat") and the head of the Assassins' Guild, Dr. Cruces, are male characters from the books who have been cast with actresses: Anna Chancellor, Ruth Madeley and Ingrid Oliver respectively. Anna Chancellor in particular is a superb actress with tremendous presence and form and could play the Patrician very well, although the move does continue down the path of moving the TV series very far indeed from the books.

James Fleet has been cast as the Archchancellor of Unseen University (which one is unknown). The minor character of Lupine Wonse, also male in the books, will be played by Bianca Simone Mannie. Hakeem Kae-Kazim has been cast as John Keel, Sam Vimes' mentor in the Watch when he was younger.

Filming on The Watch started back in September in South Africa and the series is expected to debut in the second half of 2020.

Monday, 30 September 2019

Filming of Terry Pratchett's THE WATCH begins

Shooting has commenced on the BBC America TV series The Watch, "inspired by" Terry Pratchett's Discworld novels revolving around the Ankh-Morpork City Watch.



The new TV series will be a reinterpretation of the City Watch books (Guards! Guards!, Men at Arms, Feet of Clay, Jingo, Night Watch, Thud and Snuff), featuring some of the same characters but, in some cases, in dramatically different circumstances. The TV series will also not be directly adapting the books, instead creating original stories.

Fan reaction to the news has been mixed. Some of the casting, particularly Richard Dormer (Game of Thrones' Ser Beric) as Captain Sam Vimes, has been highly praised, but other casting decisions have been criticised, particularly the decision to turn the middle-aged and stout Lady Sybil into a young, Catwoman-like vigilante.\

The Watch is expected to air on BBC America in late 2020.


Wednesday, 11 September 2019

THE WATCH TV series casts Vimes and other castmembers, confirms it will only be a "loose" adaptation

BBC America's City Watch TV series, based on Terry Pratchett's Discworld novels, has added several major new roles to its cast.



Richard Dormer, best-known to fantasy fans for playing the role of Lord Beric Dondarrion in HBO's Game of Thrones, has been cast as Sam Vimes, the commanding officer of the Ankh-Morpork City Watch. One of Pratchett's most iconic characters, Vimes is the alcoholic, cynical commanding officer with a hint of a conscience who finds himself drawn back into real police work. The previously-announced Adam Hugill is playing Carrot and Jo Eaton-Kent (The Romanoffs, Don't Forget the Driver) is playing Constable Cheery Littlebottom, a dwarfish member of the Watch.


Maltese actress Marama Corlett (Guardians of the Galaxy, Blood Drive, The City and The City) is playing Angua, a werewolf member of the Watch. Lara Rossi (Crossing Lines, Iron Sky 2) has been cast as Lady Sybil Ramkin, whilst Sam Adewunmi (Luck Man, Doctor Who) has been cast as villain Carcer Dun.

The casting seems promising, although the formal BBC press release seems to drive a stake through the heart of those hoping for a faithful adaptation of the novels. It confirms a number of major changes to both the worldbuilding (crime has been formally "legalised" in Ankh-Morpork, apparently) and to characters, with Lady Sybil now apparently being a vigilante, which is presumably why they cast her considerably younger than in the novels.

It appears that this will be following in the footsteps of BBC America's Dirk Gently TV series in being more "inspired loosely by the books" then actually adapting them, which is a bold and possibly controversial choice (moreso with the considerably better-known and better-selling Discworld series).

The Watch starts shooting on location in South Africa on 30 September 2019 and will air in late 2020.

Tuesday, 11 June 2019

Terry Pratchett's AMAZING MAURICE AND HIS EDUCATED RODENTS optioned for film

The Amazing Maurice and His Educated Rodents, the first Discworld novel for children by the late Terry Pratchett, is getting an animated film adaptation.


Toby Genkel (Richard the Stork, Oops! Noah is Gone and Legends of Valhalla: Thor) is directing from a script by Terry Rossio (Aladdin, Shrek). It will be a German-Irish co-production with a budget of around $15 million.

The previous adaptations of the Discworld series include live-action mini-series based on four of the novels (The Colour of Magic, The Light Fantastic, Hogfather and Going Postal) and animated mini-series based on another two (Wyrd Sisters and Soul Music), along with three video games, a soundtrack album, numerous graphic novels and more. A new live-action series based on the City Watch sub-series is currently in pre-production at the BBC.

Tuesday, 4 June 2019

Good Omens

The End Times have arrived. The world is counting down to destruction and the legions of hell and heaven are massing their armies. The demon Crowley and angel Aziraphale are old enemies, so old they're also actually good friends. Faced with the annihilation of humanity and the end of their cushy life of teas at the Ritz and long drives in Crowley's Bentley, they make a pact to help avert the apocalypse and let the human race survive. The problem is that there's been a bit of a mix-up with the Antichrist and now no-one knows where he is. Fortunately, one woman knows exactly what's going on. Less fortunately, she died in the 17th Century.


Good Omens is a six-part television adaptation of Terry Pratchett and Neil Gaiman's 1990 novel of the same name. The history of getting the novel to the screen is itself epic, with Terry Gilliam trying for years to develop it for both film and TV before giving up. Unfortunately, it took the untimely and far-too-early death of Sir Terry in 2015 to spur the project forwards and finally get it made. Neil Gaiman himself wrote the script, updating it for the modern day, removing elements from the book that didn't work (or were too expensive) and introducing new scenes to make the story work better on screen.

At the heart of Good Omens is the relationship between Aziraphale and Crowley, played to note perfection by Michael Sheen (Masters of Sex, Twilight) and David Tennant (Doctor Who). This relationship is the fulcrum around which the show revolves and it is excellently handled throughout, with the two characters engaging in both humorous banter, mutual support and affectionate sniping at one another like an old married couple. The series highlight is the opening of the third episode, which dedicates a full half of its runtime to exploring the characters' backstory and relationship across six thousand years of human history. Sheen and Tennant's chemistry is palpable and a constant delight.

This relationship is central to the show's success, but it can also feel like a crutch. The other performances are also mostly excellent, but the characterisation feels flatter. Some of this is inherited from the book, such as the feeling that Anathema Device (Adria Arjona) and Newton Pulsifer (Jack Whitehall) should really be the protagonists but the writers realised the demon/angel conflict was far more interesting and pivoted to focus on them. Anathema and Newton remain somewhat underdeveloped on TV as well, despite the best efforts of the actors to make them work, which is an issue when they play a vital role in the resolution of the story. Similarly, the young gang of children feel undercooked as well. Ideally we'd get a Stranger Things vibe going on with them but instead their storyline comes across as bland.

Another slight misstep is the presence of God as the narrator, voiced by Frances McDormand. In some scenes this is effective, but in too many others it's incongruous, over-explaining jokes that don't need explaining or dragging scenes out far too long. Having God explain how the babies get mixed up is an odd choice when we can visually see what's going on and it doesn't need expansion. Good Omens has occasionally been criticised for being a bit too Douglas Adams-like in tone and voice, and the narrator doing the same job as the Hitch-Hiker's Guide to the Galaxy (but with far less in-universe justification) certainly contributes to that feeling. The pacing feels like it could be either a little tighter or a little looser. At four or five hours the end-of-the-world countdown tension would have been stronger, but the story would have needed to have been cut a lot more; at nine or ten we've have had more time to develop the secondary characters. But at six hours, enough to polish off in a couple of evenings, it's hard to complain.

Fortunately, everything else is pretty much on fire. Nick Offerman and Jon Hamm do a huge amount with small roles, and the production design, visual effects and location filming are all superb. There's a joy in the attention to detail as the centuries roll by and the protagonists' fashions change only moderately. Most of the jokes land on screen as well as they did in print, and there is a sense of enjoyment from seeing something so quintessentially British (occasionally veering towards tweeness, but being intercepted before it gets there) being rolled out for the entire world on a massive budget and being handled so well.

Good Omens (****) certainly isn't a flawless adaptation, but it is fun, doesn't outstay its welcome and its lead performances are for the ages, even if the rest of the characters sometimes struggle to keep up. It is available to watch now on Amazon Prime.

Wednesday, 6 March 2019

Amazon release full trailer for GOOD OMENS

Amazon have released the full trailer for their Good Omens mini-series, based on the 1990 novel by Sir Terry Pratchett and Neil Gaiman.


The six-episode mini-series, which stars David Tennant, Michael Sheen, Jon Hamm, Jack Whitehall, Miranda Richardson and Nick Offerman, will debut on Amazon Prime Video on 31 May.



Wednesday, 13 February 2019

Amazon confirms GOOD OMENS release date and adds Benedict Cumberbatch to cast

Amazon have confirmed that Good Omens, a six-part mini-series based on the novel by Neil Gaiman and Terry Pratchett, will be released worldwide on Amazon Prime on 31 May this year. The BBC, who co-produced the series will also show the series in November.


Amazon have also released the title sequence in full (see above) and confirmed that Benedict Cumberbatch has joined the cast, voicing an effects-driven version of the devil who shows up in the final episode.

The series was written and produced by Neil Gaiman, fulfilling a promise he made to Terry Pratchett before the latter's passing in 2015.

Wednesday, 31 October 2018

BBC America greenlights Terry Pratchett's THE WATCH

BBC America has formally greenlit The Watch, an ongoing TV series based on the late Sir Terry Pratchett's Discworld novel series.


The TV show will focus on the Ankh-Morpork City Watch, an initially downtrodden and ineffectual police force which, over the course of many books, becomes an effective force for law and order on the streets of the city. The TV series will include characters such as Samuel Vimes, Carrot, Nobby, Angua, Cheery and Sybil Rankin, alongside appearances by Death himself.

It is believed that the series will mix in new and original stories with adaptations of the City Watch novels (starting with Guards! Guards!), although the precise format has yet to be revealed.

BBC America is pairing with Pratchett's own production company Narrativia to make the series, with Simon Allen (The Musketeers) on board as head writer. The first season will consist of eight episodes, expected to debut in late 2019 or early 2020.

Saturday, 28 July 2018

Sales of A SONG OF ICE AND FIRE overtake THE WHEEL OF TIME and DISCWORLD

It's been coming for a while, but now the latest sales figures appear to confirm it's happened: sales of George R.R. Martin's A Song of Ice and Fire fantasy series have surpassed those of Robert Jordan's Wheel of Time sequence, meaning that A Song of Ice and Fire is now the most popular epic fantasy series published since The Lord of the Rings (at least arguably).


Of course, with only five volumes available compared to The Wheel of Time's fourteen, A Song of Ice and Fire has had far more readers than Wheel of Time for some time (roughly 18 million to 6.5 million), but the overtaking in terms of outright sales remains a significant and impressive achievement.

The first Wheel of Time novel, The Eye of the World, was published in 1990 by Tor Books and was a massive hit, shifting 40,000 copies of the first-run hardcover. The later novels did even better, and every book in the series from The Path of Daggers (1998) through A Memory of Light (2013) hit #1 on The New York Times bestseller list in the week of release. As of Robert Jordan's sad passing in 2007, the series had sold 44 million copies in North America and roughly 70 million worldwide. Brandon Sanderson completed the final three books in the series, with global sales of the series surpassing 80 million by 2014 (according to Jordan's French publishers) and increasing further. Current estimates suggest sales of between 85 and 90 million.

A Song of Ice and Fire, in contrast, was a slow but steady grower. The first book in the series, A Game of Thrones (1996), did not sell well on release and only started doing better with the paperback edition (ironically, apparently due to a Robert Jordan cover quote, with George R.R. Martin himself crediting a cross-pollination of fans of both series for helping increase his story's popularity). The second novel in the series, A Clash of Kings (1998), brushed the lower reaches of the bestseller lists but it only started hitting the big time with the third volume, A Storm of Swords (2000), which reached #11 on the New York Times list.

By the time A Feast for Crows was released in 2005, the popularity and profile of the series had boomed and it had sold over 5 million copies. Despite increasing delays between books, the popularity of the series continued to increase. As of the release of A Dance with Dragons in 2011, the series had sold well over 12 million copies worldwide. That same year, the HBO TV series Game of Thrones, based on the books, was launched and this resulted in a titanic explosion of sales. A Song of Ice and Fire sold over 9 million copies in 2011 by itself and sales continued to accelerate dramatically. Overall sales of the series hit 58 million in April 2015 and 70 million in August 2016, on the twentieth anniversary of the first book's publication.

Industry sales figures now show that A Song of Ice and Fire has sold 45 million copies in the United States alone. The publishing rule of thumb is that global sales once a book series has exceeded c. 20 million copies (with a film or TV adaptation available) are more than double that of the US. We can therefore declare with overwhelming confidence that A Song of Ice and Fire has sold more than 90 million copies worldwide, putting Martin just ahead of not just Jordan, but also the late Sir Terry Pratchett, whose 41 Discworld novels have sold more than 85 million copies worldwide since 1983.

Remarkably, A Song of Ice and Fire's success has spread to the spin-off material, with companion volume The World of Ice and Fire reportedly selling more than 1 million copies since its publication in 2014 as well. Sales of The Wheel of Time's first companion volume (1997's World of Robert Jordan's The Wheel of Time) were apparently much more modest and of the second volume (2015's Wheel of Time Companion) very poor in comparison.

This impressive achievement may only be temporary, however. Amazon is developing a Wheel of Time television series and we can expect an impressive boom in sales for that series when that finally hits the air (most likely in 2020 or 2021), whilst sales of A Song of Ice and Fire are likely to start tailing off once the TV series stops airing next year. And of course, although ASoIaF's achievement is noteworthy, it still has a way to go to catch up on J.K. Rowling's 600 million copies of Harry Potter sold.

The scale of A Song of Ice and Fire's achievement should not be underestimated, however, and this will explain the increased eagerness the publishers have to get their hands on The Winds of Winter.

Thursday, 22 March 2018

RIP Jan Kantůrek

Jan Kantůrek, a Czech translator of science fiction, fantasy and other genre novels and comics, has passed away at the age of 69.


Kantůrek began his publishing career in 1975, working for Artia Publishing in Prague, in what was then Czechoslovakia. In 1990 he switched to working for Aventinum Publishing's marketing department, which involved him using his English language skills. In 1992 he became a full-time translator. He gained early acclaim for his work on the Conan the Barbarian books by Robert E. Howard (and other authors, such as L. Sprague de Camp).

However, Kantůrek gained his largest success in adapting Terry Pratchett's Discworld novels into Czech. Pratchett's novels, which feature puns, wordplay and historical references which may be obscure outside the UK and US, are notoriously had to translate and early on Pratchett saw his translators as collaborators, seeking out the best-recommended in each language who could not only literally translate the books, but also find alternative references and historical nods that would make sense to those audiences. This required an extraordinary level of trust by the author. Kantůrek gained Pratchett's approval early on, and was allowed to supplant Pratchett's footnotes with his own commenting on the action from a Czech perspective.


The following lines are very painful, but they must be heard. Jan Kantůrek, one of the best domestic translators he gave in Czech life Terry Pratchett's Discworld, and the second chairman of Jules Verne Club, died yesterday. My condolences to the family and all his loved ones. Thank you so much for the amazing work, Master, and we still believe that one day turtles will learn to fly :(❣️


Condolences to Mr. Kantůrek's family and friends. The work of translating SFF is an oft-overlooked but essential part of the process, bringing authors' work to a much larger audience across the world. But all accounts, Jan Kantůrek was one of the best.

Saturday, 17 March 2018

The Dogs of Science Fiction and Fantasy

A couple of years ago, I took a look at The Cats of Science Fiction and Fantasy. However, dogs feel a bit overlooked in the SFF field. Mention cats and everyone immediately thinks of Greebo from Discworld, Jones from the Alien franchise or Spot from Star Trek. Dogs initially seemed a bit less prominent. Fortunately, a few social media appeals later and it turns out that there's a lot of dogs out there holding up the canine end in speculative fiction.

Note that this is a list of dogs only, not shapeshifting beings who take dog form or wolves (who could be a separate list altogether).

Huan battles Carcharoth, Hound of Sauron. Art by Ted Naismith.

The most powerful dog on this list (probably) is Huan, the Hound of the Valar in J.R.R. Tolkien's Middle-earth legendarium. Formerly the companion of Orome the Huntsman, he was gifted to Celegorm of the Noldor, the greatest of the elven hunters. He was an enormous dog, the size of a small pony, and a tracker beyond compare. When the Noldor betrayed the Ban of the Valar and pursued the fleeing Morgoth to Middle-earth, Huan went with Celegorm and committed many great deeds both on hunts and in battle. However, the years of war made Celegorm cruel and heartless. When he tried to subdue the elven princess Luthien during her quest to rescue her lover Beren, Huan betrayed his master and joined Luthien's quest. Many great deeds were then done, but Huan's crowning moment of glory came in the assault on Morgoth's prison, commanded by his lieutenant Sauron (yup, the same one from The Lord of the Rings). Huan defeated Sauron in combat, proving that the Fellowship of the Ring's mission would have been a lot easier had they brought a magical demigod/dog (demidog?) with them. Later, Huan did battle with his opposite number, the dark wolf Carcharoth, and saved Beren from the beast. Carcharoth was killed, but Huan was mortally wounded in battle. Using his little-used power of speech, Huan wished Beren and Luthien well before dying.

Huan appears in The Silmarillion, Unfinished Tales and The Children of Hurin by J.R.R. Tolkien. He was a very good dog.


Gaspode the (self-proclaimed) Wonder Dog is a flea-bitten mongrel living on the streets of Ankh-Morpork. Due to too many years spent fishing food out of the back alleys behind the magical Unseen University, Gaspode acquired the power of intelligence and speech, which he used to great advantage, most notably his trademark greeting of saying the word "Woof!", which confused passers-by into feeding him. Gaspode harboured his secret carefully, but from time to time people discovered the truth about him and provided him with food and shelter. At one point Gaspode was offered a warm new home with a living family, but found that he enjoyed living on the streets so much he didn't want to leave them and ran away again.

Gaspode was friends and allies with Laddie, a beautiful and impeccably-groomed dog with a nose for finding people stuck down wells or hanging off cliffs and rescuing them at the last moment. Laddie was charismatic, handsome, dumber than a box of frogs that had eaten stupid pills (even by dog standards) and generally credited with whatever heroic feat Gaspode had masterminded, to the latter's profound annoyance. Gaspode tolerated Laddie's presence mainly because it radically increased the quality of food he could cream off passers-by.

Gaspod was named after "The Famous Gaspode", a dog noted for lying by his master's grave and howling in despair night after night before dying of a broken heart. Or possibly because his tail was trapped under the headstone and he starved to death. As Gaspode would say, "That just goes to show."

Gaspode appears in the Discworld novels Moving Pictures, Men at Arms, Soul Music, Feet of Clay, Hogfather, The Fifth Elephant and The Truth. Laddie appears in Moving Pictures. They are both good dogs.


Krypto, sometimes called "Superdog", is an ally and sometimes-described "pet" of Prince Kal-El, better known as Superman. He was test-fired into space by Kal-El's father, Jor-El, to test the spacecraft technology that later brought Kal-El to Earth after Krypton's destruction. Due to a malfunction, Krypto's spacecraft did not arrive on Earth until many years after Kal-El's arrival. Because of their shared Kryptonian heritage, Krypto gained powers comparable to Superman, including flight and super-strength. Krypto also gained increased intelligence to near-human-like levels and had a superior sense of smell to Superman.

Technically Krypto is an alien dog-analogue, rather than a dog himself. However, Smallville gives Krypto a new origin as a terrestrial dog who gets his powers from a different source.

Krypto appears, of course, in numerous Superman comics, animated series and spin-offs. His first appearance was in March 1955 in Adventure Comics #210 and he continues to appear in the comics to this day, sometimes in his own title. He is a very good alien dog.


Dogmeat is the name given to a number of canines in post-apocalyptic Earth. The first Dogmeat was encountered by the Vault Dweller in a junkyard in 2161 and became his constant companion in his mission to save Vault 13 from running out of water. In 2241 the Chosen One met another dog called Dogmeat, ostensibly the same one despite the passage of eighty years.

A third Dogmeat was found by the Lone Wanderer in 2277 in the Capital Wasteland near Washington, DC, living in a scrapyard near the entrance to Vault 108. A fourth Dogmeat was found by the Sole Survivor in the Commonwealth surrounding the ruins of Boston. This last Dogmeat could be customised with armour and accessories to be more effective in battle.

All of the Dogmeats were loyal, fierce companions who aided their masters in battle, could sniff out supplies and identify threats.

Dogmeat, of course, appears in Fallout, Fallout 2, Fallout 3 and Fallout 4. They were all very good dogs.


Rex is a Mk. III Cyberhound, Leo Support Model, a fusion of canine and robot, living in the city of New Vegas, Nevada, as the pet/bodyguard of the King. During the war between Caesar's Legion and the New California Republic, the King allowed Rex to join the Courier during her battle to save the Mojave Wasteland. Rex was initially old and decrepit, but over the course of her adventures the Courier could upgrade and repair Rex's systems and restore him to full health.

During the Courier's visit to the Big MT she also encountered a similar Cyberdog named Roxie. Roxie and Rex later met, joined forces and constructed a litter of Cyberpuppies, a collection of Boston terrifiers that brought woe to their enemies.

Rex appears in Fallout: New Vegas as that game's stand-in for Dogmeat. Roxie appears in the New Vegas expansion Old World Blues. Both are, naturally, very good (cyber)dogs.


Dug is a golden retriever owned by Charles Muntz, capable of speech thanks to a special invention. He lives to find The Bird and is a Great Tracker. He is not keen on The Hole and dislikes being made to wear The Cone of Shame. He hides under The Porch because he loves you, even though he's only just met you.

SQUIRREL!!!

Dug appears in the Pixar movie Up (after a cameo appearance in the preceding movie, Ratatouille). He is a very good dog.


Gromit is a beagle who is the best friend and pet of the cheese-obsessed eccentric inventor Wallace. Despite their master/pet relationship, Gromit is highly intelligent and a very capable engineer. He is also far better at thinking on his feet than Wallace and usually is the one to come up with a solution to the problems unleashed by Wallace's latest and most insane invention. Gromit shares Wallace's obsession with cheese, to the point of helping him construct a spacecraft to travel to the Moon to investigate claims of it being made of cheese (it was).

Gromit is also an accomplished pilot and driver, and has a taste for classical literature, philosophy and art. He is something of a Renaissance dog. He also has a NASA prototype rover named after him. He is also a good dog, despite his curious aversion to penguins.

Delirium, her sister Death and Barnabas. Art by Colleen Doran,

Barnabas is a dog adopted by Destruction, one of the godlike beings known as the Endless. Due to his lengthy exposure to Destruction, he gained the ability to speak and was known to have a taste for fine art that led him to being critical of Destruction's dabbling. When Dream and Delirium finally found Destruction after a long search, Destruction gave Barnabas to Delirium as a pet. Despite early misgivings, Barnabas came to love his eccentric new mistress, whilst he gave Delirium a focus and helped soothe her more troubled episodes.

Barnabas appears in Neil Gaiman's Sandman graphic novel series, first appearing in Brief Lives. He is a very good dog.


The Hounds of Darkness, Shadow and Light are canine-like beings native to the Warrens. They are incredibly powerful, savage and unreasoning in battle, but they are also focused on their objective and will generally not deviate from that to target innocents. The Hounds answer to the masters of their respective Warrens.

The Hounds of Shadow were servants of Shadowthrone (before he took control of the Throne of Shadow, they were agents in the service of the warren itself, and apparently allied to the mysterious being known as Edgewalker) and Cotillion. They numbered eight, two of whom were killed in battle with Anomander Rake. It was later revealed that they once answered to the Tiste Edur and refused to face them in battle, even when ordered to do so by Cotillion.

The Hounds of Darkness - the Deragoth - are believed to have originated as the D'ivers form of Dessimbelackis, the powerful human sorcerer and king whose downfall heralded the end of the First Empire. However, early reports of the Hounds suggest they were extant half a million years ago, long before Dessimbelackis was allegedly born. This paradox has not been addressed.

The Hounds of Light were servants of the arrogant and haughty Tiste Liosan, and may have been created by them in response to the creation of the Hounds of Shadow, due to the Tiste Liosan being terrible rip-off merchants. The Liosan managed to get most of the Hounds of Light killed in a foolish attempt to kill Anomander Rake in Darujhistan; the sole survivor turned on his former masters and allied with the Malazan wanderer Kiska for a time.

The Hounds appear in Steven Erikson and Ian Esslemont's Malazan novels. They are sometimes good dogs, but are powerful and unpredictable beings who should be best treated with caution.


Vincent is one of the survivors of Oceanic Flight 815 when it crashes on the mysterious Island on 22 September 2004. The pet of Walt Lloyd, Vincent proved his value to his fellow survivors on many occasions, usually by sniffing out trouble or supplies.

After Walt's kidnapping by the Others (after which he never saw Vincent again), Vincent was looked after by several of the other survivors: Shannon and then (after Shannon's death) Claire and Hurley. After the Island was moved backwards and forwards in time, Vincent found his forever home with Rose and Bernard, who chose to remain on the Island (due to Rose's cancer, which the Island's powers halted from spreading).

Vincent, of course, is a regular character on the TV series Lost. Most notably, he appears in both the opening and closing scenes of the entire series, bookending the whole story. Vincent is the only character on Lost to appear in so many episodes but not get a flashback; a webisode named So It Begins is presented from Vincent's POV but is meant to be a prequel to the whole series, not a traditional flashback.

Vincent was definitely a good dog.


Porthos is a beagle belonging to Captain Jonathan Archer and a crewmember of the original NX-01 Enterprise. Noted for his love of cheese, Porthos was a surprisingly effective crewman, frequently spotting alien infiltrators and lifeforms before the human crewmembers did and facing down a Ferengi boarding party (who showed him respect due to his impressive ear size).

According to some reports, 22nd Century science allowed Porthos to live to be over a hundred years old and was present with his master when the USS Enterprise NCC-1701 was launched, although this historical fact is disputed, with some claiming that the dog in question was a descendant of Porthos's.

Porthos was a regular character on Star Trek: Enterprise and can be categorised as a very good dog. The universal translator was not effective on him.


Ein is a crewdog about the starship Bebop. He was recruited into the crew by Spike. Despite his traditional dog-like demeanour, such as his enjoyment of being petted and called a good boy, Ein possesses extraordinary intelligence. He is shown driving a car, using the Internet and plays shogi to an impressive level. He is also shown to be skilled in cyber-espionage, hacking into a complex computer system.

It's unclear how Ein become so hyper-intelligent, but he keeps his intelligence a secret from the rest of the crew. Only Ed and, later (in the manga only), Spike, become aware of his true capabilities.

Ein appears in Cowboy Bebop, both the anime and manga series, and is a very good dog.


Kemlo Caesar appears to be a humanoid dog or genetically-altered human, but in fact is an ordinary doberman who poses as a humanoid thanks to an elaborate exoskeleton (usually hidden by clothing). However, he does possess human-level intelligence and the ability to speak. A police sergeant in Precinct 10, he is noted for his kindness and trustworthiness, and often gets people to open up to him, possibly a result of the unconscious bond between humanity and dogs.

Kemlo is a recurring character in Alan Moore's comic series Top Ten. He is a very good, and surprisingly empathetic, hyperdog.


Kezef the Chaos Hound is one of the most feared canines in the Dungeons and Dragons multiverse. His precise origins are obscure, but he appears to particularly despise the Faithful, those people who venerate or extol one god above the others. Although the entire multiverse is his stomping ground, various events drew his attention to the world of Toril and the region known as the Forgotten Realms. Kezef caused tremendous damage in the Realms, including maiming the god Tyr, before he discovered his true nemesis: the god of thieves, Mask. Mask only defeated Kezef with the help of a tremendously powerful artefact, Houndsbane. Kezef is also the enemy of Gond Wonderbringer, who once imprisoned him for centuries through a ruse. Kezef also has a complex and unreliable history of alliances with the dark god Cyric the Mad.

Kezef appears in the Forgotten Realms novels Prince of Lies and Crucible: The Trial of Cyric the Mad by James Lowder, and is also referenced in numerous game materials. He is a bad dog.


The newest entry on this list, Midnight is a dog who gained the power of speech as the honourable ally of the superhero group known as the Flag Five. Midnight survived the destruction of the Flag Five by the villain known as the Terror and became a celebrity, both for his status as a talking dog but also for his struggles with his faith; his eventual embracing of atheism was related in a book and an accompanying book tour. He reluctantly allied with his former rival, Overkill, and the Tick to help defeat the Terror. After the Terror's downfall, Midnight warned the Tick and Arthur that certain forces would now be keeping their eye on them and to tread carefully.

Midnight is a brand new character in the Amazon Studios version of The Tick, although he was inspired by Speak, an animal rescued by the Tick in the 1990s animated series. After a mental episode exacerbated by hallucinogens in which he came to believe that Speak could talk and fly, the Tick discovered that Speak was in fact a misidentified capybara, the world's largest rodent. Midnight should not be confused with the Evil Midnight Bomber What Bombs At Midnight. He is sort of a good dog, but also kind of arrogant and annoying.


Ambrosius is the canine mount of Sir Didymus, the illogically heroic knight who guards the Bog of Eternal Stench near the Goblin City for no immediately-obvious reason. Both are recruited by Sarah during her quest to enter the city, defeat the Goblin King and rescue her baby brother.

Ambrosius is cowardly and dislikes battle and danger, which makes him a suboptimal battle steed. Ambrosius has much better common sense than his master. Despite not being able to speak and is apparently subservient to Didymus despite them being the same species, Ambrosius is fairly intelligent.

Ambrosius appears in the film Labyrinth and is a very good, if slightly unreliable, dog.


Of course, there are many other dogs in speculative fiction. Honourable mentions must go to:

  • Astro from The Jetsons.
  • Seymour from Futurama.
  • Kazak the Space Hound from the novels Sirens of Titan and Breakfast of Champions by Kurt Vonnegut.
  • Blood from A Boy and His Dog by Harlan Ellison (the inspiration for Fallout's Dogmeat).
  • Einstein and his 1955 counterpoint Copernicus, from the Back to the Future movies.
  • Cujo from the novel Cujo by Stephen King.
  • Rags from the Woody Allen movie Sleeper.
  • Bandit from Grant Morrison's graphic novel We3.
  • Cosmo the Spacedog from the Guardians of the Galaxy comics (with a cameo in the films).
  • Brain from Inspector Gadget.
  • Nosy, Fitz's first dog and Wit-bond in The Farseer Trilogy by Robin Hobb.
  • Fluffy, the triple-headed guardian dog from the Harry Potter books by J.K. Rowling.
  • Toto from the Oz books by Frank L. Baum.
  • Ace the Bathound from the Batman comic books.
  • Toby the Ghost-Detecting Dog from Ben Aaronovitch's Rivers of London novels.
  • Mouse from The Dresden Files by Jim Butcher.
  • Bear from Person of Interest.
  • The Dog of Tears from the novel Blindness by Jose Saramago and its film adaptation.
  • Rowf and Snitter from the Richard Adams novel The Plague Dogs.
  • D-Dog from Metal Gear Solid V
  • Snowy from the Tintin comics and graphic novels. Among other things, he was the first dog to fly to the Moon and successfully return to Earth.
  • The Littlest Hobo from the TV series The Littlest Hobo. Possibly slightly spurious as SF, but in one episode a scientist concluded that the Littlest Hobo had superior and possibly inexplicable super-intelligence compared to the ordinary dog.

The following are not dogs, but are dog-like or dog-appearing beings.

  • Muffit and his fellow Daggits from the original Battlestar Galactica. These are robotic dogs built to entertain the children of the Colonial Fleet, because this is a good use of limited resources. Muffit was, weirdly, played by a female chimp in a very uncomfortable costume.
  • K9, a robot dog built by Professor Marius in the year 5000. He is adopted by the time-travelling Gallifreyan Time Lord known as the Doctor. At least four distinct K9 robots have been built over the years, appearing intermittently in Doctor Who, a spin-off pilot called K9 and Company and The Sarah-Jane Adventures. A different version of the same character appeared in an Australian children's series, K9, in 2010.
  • Targs are the Klingon version of dogs in Star Trek, similarly serving variously as pets, hunting companions and (rarely) food. They first appeared in the movie Star Trek III: The Search for Spock and subsequently appeared or were mentioned in Star Trek: The Next Generation and Deep Space Nine. Both Worf and Martok had pet Targs when they were younger. Martok's Targ was "accidentally" lost when his wife Sirella moved into his house.
  • Lockjaw was an Inhuman transformed into a gigantic dog by exposure to the Terrigen mists in the Marvel Inhumans series. Weirdly, despite his origins as a sapient being, Lockjaw seems to prefer being a dog and in no hurry to be transformed back. He's probably the best thing in the terrible ABC television version of the franchise.
  • Sirius Black from Harry Potter likes turning into a dog for his own amusement. To each his own.
  • Ravage and Nightstalker from Transformers and Beast Wars are sometimes misidentified as dogs, but they are in fact jaguars.



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Thursday, 1 March 2018

BBC commissions DISCWORLD TV series THE WATCH

After being in development hell for several years, BBC Studios has greenlit a fresh Discworld TV series. Entitled The Watch, it will focus on the Ankh-Morpork City Watch under the command of Sam Vimes. A six-episode first season has been given the go-ahead.


The Watch has been in development at the production company Pratchett founded before his passing, Narrativia. It was previously believed that the show would start off by adapting the novel Guards! Guards!, which introduces Vimes and the Watch, before mixing up original, new adventures and adaptations of the other novels featuring the same cast of characters: Men at Arms, Feet of Clay, Jingo, Jingo, The Fifth ElephantNight Watch, Thud!, and Snuff.

Rhianna Pratchett, Terry's daughter and a respected writer in her own right (including her recent work on the Tomb Raider relaunch), will work on the show as a producer and possible writer. Simon Allen (The Musketeers) will also be involved as a writer.

BBC Studios is a division of BBC Enterprises which can develop projects both by the BBC itself and outside broadcasters. The deal comes about after a very successful collaboration between Narrativia and the BBC on the Good Omens TV series, written by Neil Gaiman and based on his and Pratchett's novel, which recently wrapped shooting and will air in early 2019.

Sky Television previously produced live-action adaptations of four Discworld novels: Hogfather (2006), The Colour of Magic (2008), The Light Fantastic (2008) and Going Postal (2010). Prior to that, Cosgrove Hall produced animated adaptations of two other books: Wyrd Sisters (1998) and Soul Music (1997).

Friday, 15 September 2017

GOOD OMENS enters production, gets first picture and new castmembers

Terry Pratchett and Neil Gaiman's 1990 novel Good Omens is being adapted as a BBC mini-series, as previously revealed, and it officially entered production yesterday with the first read-through of the script. Director Douglas Mackinnon tweeted a (sadly quite small) photograph to celebrate.


Good Omens stars David Tenannt as the demon Crowley and Michael Sheen as the angel Aziraphale, former enemies-turned-friends who decide to team up to stop the Apocalypse. Jack Whitehall and Miranda Richardson have also joined the project, as witch-hunter Pulsifer and Madame Tracy respectively. Michael McKean has also been cast as Sergeant Shadwell, with Adria Arjona playing the splendidly-named Anathema Device, Nina Sosanya playing Sister Mary Loquacious of the Chattering Order of St. Beryl, Ned Dennehy playing Hastur and Ariyon Bakare playing Ligur.

Good Omens will be a six-episode mini-series produced by the BBC with Amazon as international distributors. It is expected to air in 2019.

Wednesday, 30 August 2017

Terry Pratchett's unfinished novels destroyed by steamroller

On Terry Pratchett's explicit instructions, the last novel he was working on at the time of his death and notes, fragments and outlines for several more books have all been destroyed. A six-and-a-half-ton steamroller named "Lord Jericho" was used to flatten the hard drive containing the notes and outlines.


The famously prolific Pratchett - he wrote 41 novels in his Discworld series alone between 1983 and 2015 - usually worked on several projects simultaneously. He did not want his unfinished work being used to churn out more books after his death to make money, hence the instruction to his assistant and literary executor Rob to make sure no-one could do so.

Details on the in-progress works are scarce, but it is believed that Raising Taxes - a fourth and possibly concluding Moist von Lipwig novel - was among the ideas Pratchett had sketched out. He'd originally planned this to be the third Lipwig book, but superseded it with Raising Steam.

Pratchett fans will no doubt be happy that his last wishes were respected, but it is still intriguing that we'll never know where Pratchett planned to take his signature creation next.

Before his death, Pratchett did give his daughter Rihanna (a long-term writer in journalism and video game writing) tacit permission to write Discworld novels, but she chose not to pursue this idea. Instead, she is working on adaptations of Pratchett's work for the screen, such as the long-gestating City Watch TV series.

Tuesday, 15 August 2017

David Tennant and Michael Sheen to star in GOOD OMENS

In possibly the best and most appropriate casting news ever, British actors Michael Sheen (Masters of Sex, Frost/Nixon, Twilight) and David Tennant (Doctor Who, Jessica Jones) have been tapped to play the leading roles in the Amazon/BBC adaptation of Terry Pratchett and Neil Gaiman's 1990 novel Good Omens.


Sheen will play the angel Aziraphale and Tennant will play his redoubtable friend, the demon Crowley. The story revolves around the end of the world and the emergence of the Antichrist, but as the forces of good and evil ready themselves for battle, Aziraphale and Crowley realise that actually the world is kind of fine as it is and join forces to stop the end of everything.

Pratchett's own Narrativia Productions, now run by his daughter Rihanna, will co-produce the series alongside Amazon and the BBC. It will be a six-episode mini-series.

Saturday, 11 February 2017

Terry Pratchett documentary airing tonight in the UK

The BBC are airing a new documentary about Sir Terry Pratchett tonight in the UK. Entitled Back in Black, the documentary will explore his battle against Alzheimer's as well as his larger life story. Pratchett was in the middle of writing his autobiography when he passed away in early 2015 and sadly never got to finish it, so this documentary will instead explore his life in greater depth.


The documentary airs tonight (11 February) at 9pm on BBC2.

Thursday, 19 January 2017

BBC and Amazon join forces on GOOD OMENS TV series

The classic fantasy novel Good Omens, co-written by Neil Gaiman and the late Sir Terry Pratchett, is being brought to television as a co-production between the BBC and Amazon Studios, under the supervision of Narrativia, the production company set up by Pratchett before his death.


Gaiman will write the series and serve as executive produce and showrunner. Caroline Skinner and Chris Sussman will produce for the BBC and Rob Wilkins and Rod Brown for Narrativa. The series will consist of six hour-long episodes and will debut on the BBC and Amazon Prime in 2018.

The novel, originally published in 1990, tells the story of the Apocalypse, with the forces of good and evil preparing for the final showdown with Earth caught in the middle. However, both angel Aziraphale and demon Crowley have gotten used to life on Earth and decide to join forces to halt the Apocalypse. This means tracking down the Antichrist, who has gone missing. Much confusion and hilarity results.