Showing posts with label a storm of swords. Show all posts
Showing posts with label a storm of swords. Show all posts

Monday, 29 June 2015

A Song of Facts and Figures: A Storm of Swords






A Storm of Swords
Writing Period: 1997/98-April 2000 (very approx.)
Originally Published: 8 August 2000 (UK), November 2000 (USA)

Word Count: 424,000
Manuscript Page Count: 1,521
Hardcover Page Count: 975
Paperback Page Count: 1008 (US one-volume), 1178 (UK two-volume)

Chapters: 82
POV Characters: 10 + Prologue + Epilogue

As with A Clash of Kings, A Storm of Swords was not supposed to exist in George R.R. Martin's original plan for A Song of Ice and Fire. The original plan was for a trilogy consisting of the civil war-focused A Game of Thrones, the Daenerys-focused A Dance with Dragons and the North-focused The Winds of Winter. The original Game of Thrones was expected to cover not just the set-up for the War of the Five Kings, but the full struggle itself, culminating in the Red Wedding.

During the writing, Martin discovered that this wasn't really working. In the event it took three books and almost 4,000 manuscript pages (rather than the 700-800 he'd originally thought) to get through this material. Of course, this was a much-expanded version of the story he'd originally conceived with numerous differences. These included expanding the cast of POV characters in every book (Swords adds Samwell Tarly and Jaime Lannister to the roster), covering perspectives such as the ironborn in more detail than originally planned and bringing in many small-but-popular bit-part players absent from the original outline, such as Bronn.

A Storm of Swords was - and remains - the longest book in the Song of Ice and Fire sequence, but it was almost certainly the fastest-written (although it's impossible to be sure due to the heavy overlap of writing between Swords and A Clash of Kings). When A Clash of Kings was completed, hundreds of pages were left over for A Storm of Swords, including (according to some reports) Tyrion Lannister's complete story arc for the latter. Martin wrote like a man possessed through Swords, reportedly even cramming in some work over Christmas 1999 to help get the thing done as fast as possible. Martin reported that the book was completed in April 2000 and it hit the shelves in the UK in August, although it was actually on some bookshelves in the last week of July. For such a big book, this was a very rapid turn-around.

The reason for the sheer length of Swords was that Martin had made a crucial decision during the writing process. His original plan had been for weeks or even months to pass between chapters, so the characters would grow up a lot through the first book or two of the series. In the event this did not place, and between them the first three books in the series cover rather less than two years of time. Unhappy with the impact this had on some storylines (Martin, at least at one early stage, had considered a love triangle forming between a grown-up Arya, Jon and Tyrion as a plot point for the later books), Martin made a fateful and, in hindsight, unwise decision: there would be a "jump forwards" of about five years between A Storm of Swords and the fourth book in the series, A Dance with Dragons. As a result, A Storm of Swords had to conclude pretty much all of the storylines-in-progress so that Martin could pick them up again five years later, with either no cliffhangers or ones that could be easily explored later on in flashback. This required every story put in motion in A Game of Thrones to either be finished, cut off or plateaued by the end of Swords, put into stasis for five years until the next book could pick up on them.

On release, A Storm of Swords easily became the most critically-acclaimed book in the series. It was also the first volume to hit the New York Times bestseller list and was nominated for the Hugo Award for Best Novel, a prize it missed out on to Harry Potter and the Goblet of Fire. With the book completed, Martin set to work on A Dance with Dragons, unaware that this book was going to take slightly longer than its predecessors to get on the shelves.


A Plethora of Pages
A Storm of Swords is one of the largest fantasy novels ever published. The book is over 424,000 words in length and there are very few notable SF or fantasy books which are larger. Here are a few of them:

The Stand: Stephen King's apocalyptic SF/horror epic clocks in at 462,000 words.
The Naked God: The concluding volume of Peter F. Hamilton's Night's Dawn Trilogy is 469,000 words long, making it comfortably the largest space opera ever written.
The Lord of the Rings: J.R.R. Tolkien's fantasy saga - the whole thing - tops out at 473,000 words.
To Green Angel Tower: The final book of Tad Williams's Memory, Sorrow and Thorn trilogy is a mind-boggling 520,000 words in length, making it one of the longest single novels in the English language. Memory, Sorrow and Thorn was a key influence on A Song of Ice and Fire, and several references to it can be found hidden in Martin's work.

Friday, 7 March 2014

New ASoIaF TV tie-in editions revealed

HarperCollins Voyager and Bantam Spectra have revealed their new tie-in editions for the new season of Game of Thrones, and they are taking rather different approaches to it.




First up is HarperCollins, who are using their fourth paperback volume for the job. A Storm of Swords Part 2: Blood and Gold, appropriately is the second half of A Storm of Swords. For the cover, they have surprisingly gone with a re-coloured version of last year's HBO logo rather than the current year's. With each season having its own logo, there was no need to re-use last year's one.

With the UK paperback volumes of ASoIaF split into seven volumes (so far), they have enough books to cover most of the series, and of course more than enough when The Winds of Winter comes out.


For the USA we have Bantam's cover for A Feast for Crows, which does feature this year's logo. This is a little bit more awkward, as after this Bantam only have their one-volume paperback edition of A Dance with Dragons for next year and then they run out of books to match up with seasons. The Winds of Winter may be out in hardcover in late 2015 or early 2016 (hopefully), but based on the last two books it likely won't be released in paperback until after the show concludes (in 2018 at the latest).

Tuesday, 18 February 2014

New SONG OF ICE AND FIRE covers for the UK

HarperCollins Voyager have unveiled new cover art for the Song of Ice and Fire novels by George R.R. Martin.

Click to embiggen.


The new books emphasise landforms and geography, unlike the previous covers which featured military and medieval iconography.

They're striking, but to my mind don't quite capture the feel of the series. In particular, A Clash of Kings featuring (presumably) the Red Waste on the cover is a little odd given that only one chapter takes place there. It's also mildly disappointing that Voyager still haven't recombined A Storm of Swords and A Dance with Dragons into a single paperback volume each, given how many larger or comparable novels out there are available in one paperback volume (The Wise Man's Fear, The Naked God, Atlas Shrugged, The Lord of the Rings, Diana Gabaldon's novels etc). I'm also hoping that the Game of Thrones tie-in note are stickers and not part of the cover, as they are rather incongruous. The current paperback set rather subtly and elegantly notes the GoT reference in a small section on the back cover, which is a better idea.

The new covers will be available alongside the previous ones and will not replace them outright.

Friday, 5 July 2013

Neil Marshall returns to direct GAME OF THRONES

Neil Marshall will be returning to direct the final episode of Game of Thrones's fourth season, according to Empire Online.



Marshall directed the penultimate episode of Season 2, Blackwater, which was very well-received (and is probably the most critically-acclaimed episode of the show to date). Marshall is known for his feature film work, having directed films including The Descent, Dog Soldiers and Centurion.

Warning: spoilers under the cut for those who have not read the books.


Sunday, 23 June 2013

Game of Thrones: Season 3, Episodes 6-10

The second half of the third season of Game of Thrones is more inconsistent than the first. After the strongest five-episode run in the history of the series (seven, if you count the last two episodes of Season 2), the show suddenly screeches into fillersville and some of the worst excesses of Season 2 come back to haunt the viewer: characters wheel-spinning for episodes on end and lots of characters tramping around Northern Irish woods and vaguely hoping it looks like they are thousands of miles apart from one another.



The Climb is the weakest episode of the season, though it still has some very strong moments such as the barbed confrontation between Olenna Tyrell and Tywin Lannister. Diana Rigg and Charles Dance bring their all to this scene of courtesy and threats and it pays off very well. The actual Wall-climbing sequences are visually hugely impressive, amongst the best things the show has ever done, but the saccharine final image and the uncharacteristically awful CGI in the final shot let down the hard work elsewhere. Aiden Gillen, whose performance as Littlefinger has been underwhelming throughout the whole series so far, gets a rare opportunity to shine in the role during his closing monologue, which is one of the more disturbing scenes the series has done. However, in the middle we have a whole load of random scenes thrown together to see what sticks, and it doesn't really work.

George R.R. Martin has written the two best episodes of the whole show so far, so it's a bit disappointing that The Bear and the Maiden Fair does not rank on the same level. It's solid, and certainly a welcome improvement on The Climb, but it lacks the oomph of his other episodes. The stand-out scene of the episode, Jaime Lannister's Big Damn Hero moment, was even moved over from another episode. Dany's confrontation with the Yunkish envoy is also very good (with some exceptional dragon CGI). Theon's appearance may be one torture scene too many for people (but fortunately the last one of the season), although it does confirm what the novels only later vaguely infer. Gendry standing in for Edric Storm is also a good example of a change from the books that is economical and makes sense, though the route Melisandre takes him to get back to Dragonstone - going hundreds of miles out of their way to King's Landing - does not.


Second Sons is also pretty decent, with the titular mercenaries being well-introduced. Ed Skrein nails Daario's arrogance and it's good they dropped his flamboyant appearance from the books (one of the more unconvincing elements in the books is Daenerys falling for a blue-haired ponce), although I'm not sure going for the long-haired pretty boy look was a viable replacement. Tyrion's wedding is a suitably grim affair, the Dragonstone scenes are very well-done (Liam Cunningham is killing it this year as Davos) and the long-awaited 'Sam the Slayer' scene is handled well.

The Rains of Castamere is the most talked-about episode of TV drama this year, and it's easy to see why. The build-up to the infamous Red Wedding is handled well, with some great tonal variations (especially due to David Bradley's superb performance as the loathsome Walder Frey) and a late-building sense of dread. The concluding ten minutes is one of the best sequences in the history of the show, with Michelle Fairley, Richard Madden and Michael McElhatton all delivering stand-out performances. Both Jon and (thankfully) Bran's stories also suddenly kick into high gear. We also get a great action sequence as three of Dany's retainers storm the gates of Yunkai to great effect. Whilst it's not quite as well-paced and measured as And Now His Watch is Ended, it's not far off and of course the final scene is even more powerful and impressive.


Mhysa, the season finale, has to settle for merely being a well-written epilogue. There's an interesting feeling of melancholy as certain characters cross paths for what might be the only time in the whole series (Sam and Bran, most notably) and others take hugely significant decisions (the Dragonstone scenes avoid repetition from earlier storylines and get Stannis's story onto a different track). Other storylines are let down by the promise of more filler and wheel-spinning: Arya looks set to spend most of Season 4 yet again traipsing around the Riverlands. Pairing her with the Hound for longer than in the book is a really good idea, but I'm not sure I can take a whole season of it. The revelation of Ramsay Snow's true name and nature, and Theon's final capitulation to his will is a terrific scene (though it doesn't quite justify the static nature of their story through the whole season), as is the brief ironborn sequence on Pyke. Unfortunately, another key scene - where Tywin lies the smackdown on Joffrey - is underwhelming, with none of the normally-reliable actors hitting the highs of the corresponding book scene. Some terrific and iconic dialogue, such as where Tyrion and Tywin share for a moment the horror that they may have put a new Mad King on the throne and Tywin ominously hints he won't let that come to pass, is also lost, which is a shame.

The most awkward moment of the episode is in Daenerys's storyline. After a strong and decisive start to her storyline this season, it just tails off at the end, not helped by that awkward crowd-surfing scene with its unintended-but-still-uncomfortable overtones of the great white saviour. This can be subverted by what's coming up in Daenerys's storyline, but for now it feels like a really weak way to end the season compared to the very obvious alternative option.


306: The Climb (***)
307: The Bear and the Maiden Fair (***½)
308: Second Sons (****)
309: The Rains of Castamere (*****)
310: Mhysa (****½)

Forthcoming: Season 4 of Game of Thrones will start airing in March or April of 2014. Season 3 should be released on DVD and Blu-Ray in February or March 2014.

Monday, 6 May 2013

Game of Thrones: Season 3, Episodes 1-5

The first half of the third season of Game of Thrones - adapting the first chunk of the novel A Storm of Swords - is a major improvement on the second season. Last year, the need to compress the massive Clash of Kings into just ten episodes, bringing in many new characters, locations and storylines whilst servicing the existing characters (and in some cases, such as with Daenerys, Robb and Jon, bringing in lots of new material to make up for their lack of material in the book), resulted in a season that was disjointed, muddied and with pacing that was all over the place. Whilst individual scenes were well-written and well-acted, the show as a whole suffered (apart from the final two episodes, particularly Blackwater, which were excellent).

Season 3 money shot alert!

With Season 3, the producers have ten episodes to adapt a lot less material from a book (A Storm of Swords has been split over the third and fourth seasons), meaning that we get more of a strong focus on storylines and on characters. Thematic elements, which fell by the wayside in the crammed second season, have been allowed to re-emerge. Changes to the story feel a bit more natural and organic this year, and overall the series has regained some of the strengths of the first season. It's also benefited from the confidence installed by the popular success of the second season, particularly the much more ambitious and frequent use of CGI to flesh out the world. The success of the third season (so far) is all the more notable because they've had to bring in a lot of new characters, such as Olenna Tyrell, Thoros of Myr and the Reeds, and integrate them into the already-packed storyline.

It hasn't been completely plain sailing, of course. In particular, the third season cops some flak from the mistakes of the second. By reducing the complexity of the military movements of Robb, Tywin and Edmure's armies in the second season, the producers removed much of the motivations for Edmure Tully's actions in the third (not to mention the producers are now paying for not introducing the Blackfish and Edmure in the first season; the people I watch the show with who are not book-readers were pretty much lost by this development). Thus the show needs to back up and unconvincingly retcon the military actions of House Tully from last season. In addition, the writers have rather badly messed up the clarity of the storylines relating to House Frey and House Karstark, resulting in the entire Robb/Catelyn side of the story descending into a mess (and Michelle Fairley is a superb actress, but her constant state of grief for numerous episodes in a row is a little wearying).

Elsewhere, the storyline perks up considerably. In Astapor Daenerys takes charge of her own destiny and Emilia Clarke's acting takes a major step up from her wheel-spinning arc in the second season. The re-addition of Ian McElhinney to the cast as Ser Barristan Selmy is also a major plus, creating an interesting dynamic with Iain Glen's Ser Jorah Mormont that both actors spark off with aplomb. Even the dragons have more to do, and Nathalie Emmanuel's Missandei appears to be a solid replacement for the ill-advised dispatch of Irri at the end of the second season. The translation scenes (where the slave-masters of Astapor insult Daenerys without being aware she can speak their language) bring an element of black humour to the story which is appreciated at this stage.


The Brotherhood Without Banners part of the story has also lived up to its billing, particularly with the superb casting of Paul Kaye as Thoros of Myr (one of those left-field choices that has worked out brilliantly) and Richard Dormer's able performance as Ser Beric Dondarrion. The sequences in King's Landing are as watchable as ever, and are even taken up a notch by the arrival of Dame Diana Rigg as Olenna Tyrell, the Queen of Thorns. Rigg's performance is awesome, combining intelligence with a dangerous cunning, and she lifts every scene she is in. The Dragonstone scenes are also good, with Stephen Dillane making even the defeated Stannis seem sympathetic, especially once we get to see his disturbing home life (fleshed out by an excellent turn from Tara Fitzgerald as the demented Selyse and a charming performance from Kerry Ingram as their disfigured daughter, Shireen).

The scenes beyond the Wall are a little lacking, however. Ciaran Hinds makes for a great Mance Rayder, but the character is lacking some of the nuance from the novels. Mackenzie Crook has so far been under-utilised as Orell and Kristofer Hivju is one of those casting ideas which looks awesome in theory but hasn't quite worked out in practice yet (though it's still early days for him). Speaking of which, the master of 'good on paper but lacking in practice' remains Aidan Gillen's stilted and uncomfortable performance as Littlefinger. Given Gillen's evident acting talents from other projects, the blame for this can perhaps be placed on the writing (TV Littlefinger is a considerably less complex and far more obviously villainous character than in the novels). However, Gillen's decision to adopt a Christian Bale, Batman-style grow for his voice is presumably his own and adds an unwelcome element in incomprehensible surreality to what is already the show's Achilles' heel.

Despite these issues, the show as a whole has definitely rediscovered some form this season, benefiting from a tighter focus on characters and storylines and less sprawl (or, rather, less sprawl-per-episode). This season has already given us one of the very best episodes of the series so far with And Now His Watch is Ended, in which the pacing is excellent, the action beats are measured and the performances are stunning. The following episode is almost as good, and with Nikolaj Coster-Waldau's angry confession of why he really killed the Mad King, the show may have found its best-acted single scene to date.

301: Valar Dohaeris (****)
302: Dark Wings, Dark Words (****½)
303: Walk of Punishment (****½)
304: And Now His Watch is Ended (*****)
305: Kissed by Fire (****½)

Forthcoming: The Climb (5/5/13), The Bear and the Maiden Fair (12/5/13), Second Sons (19/5/13), The Rains of Castamere (2/6/13), Mhysa (9/6/13)

Note: there will be an extra one-week break between episodes eight and nine to accommodate the Memorial Weekend holiday in the United States (last year the show took a major ratings hit from it, so HBO is skipping it this year).

Monday, 3 December 2012

GAME OF THRONES Season 3 preview

HBO has aired a preview of the third season of Game of Thrones, which will start airing on 31 March 2013.



The video gives us our first good glimpse at a number of new characters in costume and make-up (screencaps from Westeros.org):


Clive Russell as Ser Brynden 'the Blackfish' Tully, Catelyn's uncle.


 Tobias Menzies as Ser Edmure Tully, Catelyn's younger brother and heir to Riverrun.


Nathalie Emmanuel as Missandei, a translator from Astapor.


Dame Diana Rigg as Lady Olenna Tyrell, the 'Queen of Thorns'.


Richard Dormer as Ser Beric Donarrion (replacing David Michael Scott, who played the character in one episode of Season 1).


Ellie Kendrick as Meera Reed, whose father was one of Ned Stark's oldest and closest friends.


Another shot of Meera, this time with her brother Jojen, played by Thomas Brodie-Sangster.

Looking pretty good so far. The promos also confirm that, after a lot of hand-wringing last season, Daenerys looks like she'll be kicking some backside this year. Also, what appears to be the set-up for a wedding or celebration. Interesting stuff.

Wednesday, 14 November 2012

HBO unveils GAME OF THRONES Season 3 poster

Early days, so not much info so far apart from the already-confirmed airing date:


The image has a few nice features to it. The three swords are clearly a reference to it being the third season and the reason for the swords as a motif is because the season is based on A Storm of Swords (or rather, the first two-thirds of it or so). The backdrop might also be a reference to the Wall, which will figure prominently as a destination this season (at least, if it goes by the book).

As for when we'll see the first footage, I'd put my money on a teaser of some kind after the finale of the third season of Boardwalk Empire, which airs in the USA on 2 December.

Thursday, 19 April 2012

Mapping Daenerys's journey in A SONG OF ICE AND FIRE

With the arrival of the semi-canon world map produced by HBO for the Game of Thrones TV series, it is now possible to - at least roughly - chart the journey undertaken by Daenerys Targaryen in the Song of Ice and Fire novels. This has long been a subject of much discussion amongst book fans due to the absence of maps of the eastern continent in the books.

Note that if you are only familiar with the TV series, this article contains significant spoilers for later events from the books.


Note that the scale on the above map is approximate, and all distances given are approximate as well. It's also worth noting that the HBO map (on which the above is based and which in turn was based on George R.R. Martin's rough draft map) is canon only up to (roughly) Vaes Tolorro. The precise location of Qarth and the shape of the landmass around it will be clarified in The Lands of Ice and Fire (due in October), though I doubt the distance will be radically different.

A Game of Thrones
Pentos - Norvos: 550 miles (approx.)
Norvos - Qohor: 500 miles (approx.)
Qohor - Vaes Dothrak: 2,255 miles (approx.)
Vaes Dothrak - Lhazar: 1,000 miles (approx.)

A Game of Thrones opens with Daenerys and her brother Viserys living in the Free City of Pentos as guests of Magister Illyrio Mopatis. Mopatis and Viserys arrange the marriage of Daenerys to Khal Drogo of the Dothraki. They then leave Pentos for the Dothraki city of Vaes Dothrak, which lies approximately 3,000 miles to the east, on the far side of the Dothraki sea. The khalasar travels via the Valyrian straight roads for maximum speed, passing through the Free Cities of Norvos and Qohor along the way. They then leave the Valyrian roads and strike out through the vast Forest of Qohor (taking two weeks to cross it) before arriving on the far western edge of the Dothraki sea. The route they take across the sea is unclear, as the HBO map reveals the presence of a large river and an area of lakes in the midst of the Dothraki sea. The Dothraki may have had to have gone around or simply crossed straight through the middle.

Drogo and Daenerys then spend a period of time - several weeks at the very least but possibly months - in Vaes Dothrak (where Viserys meets his gold crown-assisted end). Drogo's khalasar then strikes south for the lands of the Lhazareen, where he plans to take many slaves and herd them downriver to Meereen to sell them to fund an invasion of Westeros. As we know, this doesn't exactly work out as, thanks to Mirri Maz Duur, Drogo is reduced to the state of a vegetable, forcing Daenerys to put him out of his misery. The book ends with the hatching of Dany's dragons somewhere south of the Lhazareen lands, on the edge of the Red Waste.

A Clash of Kings
Lhazar - Vaes Tolorro: 850 miles (approx.)
Vaes Tolorro - Qarth: 450 miles (approx.)

Compared to her long trip in the first book, A Clash of Kings sees Daenerys facing a much shorter - but far harder - journey. She and her much-reduced khalasar have to cross the Red Waste, a forbidding landscape of arid plains and deserts which stretches southwards for over a thousand miles. Fortunately, her khalasar finds refuge in the abandoned city of Vaes Tolorro (and fans can debate the plausibility of Dany's followers surviving a journey of over 800 miles through harsh terrain with limited supplies) and is able to regroup before completing the journey to Qarth, the great city which guards the straits linking the Summer Sea to the Jade Sea.

At the end of the novel, Daenerys and her followers board Illyrio's ship, planning to return to Pentos by sea.

A Storm of Swords
Qarth - Astapor: 2,500 miles (approx. by sea)
Astapor - Yunkai: 225 miles (approx.)
Yunkai - Meereen: 163 miles (definite)

Obviously, the plan to return home by sea doesn't exactly work out. Thanks to Ser Jorah Mormont's "It sounded like a good idea at the time," plan to stop off at Slaver's Bay to hire an army of Unsullied, Daenerys ends up fighting a war she never really planned, liberating tens of thousands of slaves but also bringing massive amounts of death and destruction to the lands of Slaver's Bay. This culminates in her plan to remain in Meereen and learn the art of rulership.

A Dance with Dragons
Meereen - 'Dragonstone': Unknown, probably a few hundred miles.

Daenerys spends most of the novel in Meereen trying to work out how to extricate herself and her followers from the quagmire she has inadvertently stumbled into, and ends up being paralysed by indecision. However, towards the end of the novel she does make a final journey of several hundred miles on the back of her largest dragon, Drogon, into the southern edge of the Dothraki sea. There she finds refuge on an isolated hill she dubs 'Dragonstone' in memory of the island of her birth. Some time after that, she encounters a Dothraki khalasar with her dragon at her side. And that's where she'll stay until The Winds of Winter reveals what happens next.

Total: 8,466 miles (with a fairly large error margin of a few hundred miles either way by this point)


The map also raises some interesting questions about what will happen next. We know there will be a huge battle at Meereen between its besiegers and defenders, with the ironborn (and their magic horn of dragon summoning) and the mercenaries Tyrion is trying to woo as unpredictable elements. Whether Daenerys returns home by land or sea (or air!), she may find her job has already been done for her, as ten thousand warriors of the Golden Company have already begun their own invasion of Westeros following her (alleged) nephew, Aegon VI. How exactly that unfolds will be fascinating to watch (though I doubt we'll see it soon).

Thursday, 30 June 2011

A Song of Ice and Fire So Far Part 4: Swords and Crows

This post concludes my look at the story so far for A Song of Ice and Fire, ahead of the arrival of the fifth book.

Note, if you are watching the TV series alone this article contains spoilers of such magnitude that your eyeballs will be sucked out of their sockets and catapulted into low orbit where they will hit the International Space Station and make it explode. Do not read on unless you want the entire future outcome of the TV series spoiled for you in detail.


A Storm of Swords
The newly-allied Lannisters and Tyrells have smashed Stannis Baratheon's attempt to take the Iron Throne, destroying much of his army and navy in a huge battle on the Blackwater Rush and the surrounding shores. King Joffrey Baratheon gave thanks to his new allies and agreed to uphold the bargain brokered by Littlefinger: he set aside Sansa Stark and became betrothed to marry Margaery Tyrell instead. Curious as to what sort of man Joffrey was, Margaery's grandmother, the noted 'Queen of Thorns', interrogated Sansa closely on Joffrey's character and nature, and was not impressed by what she had heard.

At the Fist of the First Men, the gathered strength of the Night's Watch waited for word from Qhorin Halfhand and Jon Snow, but they came under attack by both wights and the Others themselves. Samwell Tarly, to his own shock, killed an Other with an obsidian blade, part of a cache found under the Fist. The Night's Watch retreated to Craster's Keep, home of the wildling Craster who was a friend of the Watch, but there some of Lord Commander Mormont's men turned on him and murdered him. Craster was also killed. Chaos erupted and the Watch scattered. Sam escaped with one of Craster's daughter-wives, Gilly, and they fled south to the Wall. News of the disasters reached Castle Black, and Maester Aemon sent out ravens to the various kings begging for aid.

The original UK cover of the one-volume Storm of Swords (and Part 1 of the two-volume edition), art by Jim Burns.

Meanwhile, Catelyn Stark had decided to unilaterally release Jaime Lannister from imprisonment in Riverrun in return for Jaime ensuring that Arya and Sansa were returned to her, banking on Brienne of Tarth to escort Jaime to King's Landing and her daughters back. However, Cat's actions angered her brother, Edmure, who sent men to recapture Jaime. Jaime and Brienne escaped, sinking one of the riverboats pursuing them, but were apprehended by the Brave Companions, sellswords who had served Lord Tywin Lannister who had gone over to the Starks. The leader of the Companions, Vargo Hoat, cut off Jaime's sword hand on a whim and made Brienne fight a bear for his amusement, though Jaime intervened and, even one-handed, killed the bear. At Harrenhal, Lord Roose Bolton made clear his displeasure at Hoat's actions. Jaime was treated most courteously by Lord Roose, who had sent a large number of troops south-east to sack Duskendale, a bold but foolish move due to the proximity of King's Landing and the large Tyrell and Lannister armies. Roose allowed Jaime and Brienne to return to King's Landing, escorted by Qyburn, a maester of dubious repute. Before departing, Jaime asked Roose to pass on his regards to Robb Stark.

Returning to Riverrun from their campaign in the Westerlands, Robb Stark and Brynden Tully expressed their displeasure to Edmure. Edmure was supposed to allow the Lannister armies to pursue Robb and fall into a trap which would have either destroyed them or left them too far west to aid King's Landing when Stannis attacked. Edmure was angry in turn, as no-one bothered to fill him on the plan. The news of Winterfell's destruction - which Ramsay Snow had blamed on Theon Greyjoy, who was now his prisoner at the Dreadfort - filled the northmen with disquiet and Robb reluctantly agreed that he needs to abandon the military campaign in the south. He must withdraw to the North, retake Winterfell and make further plans from there. Unfortunately, this meant abandoning the Riverlands to the Tyrells and Lannisters. The river lords vowed to fight on in his name. Unfortunately, Robb's plan has been complicated by an unforeseen event: after being wounded in the assault on the Crag, the stronghold of House Westerling, and hearing of the deaths of his two brothers, Robb was 'comforted' by Jeyne Westerling. Robb married her out of honour, but in doing so broke his marriage contract with the Freys. As a result, House Frey had withdrawn its troops back to the Twins. In addition, Robb was forced to execute Lord Rickard Karstark for plotting to murder Jaime Lannister whilst he was a prison, losing him the support of the Karstarks as well.

The original art of the second volume of A Storm of Swords, by Jim Burns.

Arya Stark and her friends, fleeing north from Harrenhal, ran into the Brotherhood Without Banners, a group of 'outlaw' knights and fighters led by Lord Beric Dondarrion and the red priest, Thoros of Myr, as well as containing some of Lord Eddard's household guard from Winterfell. They were sent out by Eddard Stark to arrest Gregor Clegane before the Lannister coup. Bereft of orders from Eddard and not recognising the authority of Joffrey, they had fought against the Lannister armies in the Riverlands as an independent unit, mostly concerned with protecting the smallfolk. The Brotherhood welcomed Arya into their ranks, but were reluctant to go to Riverrun and hand her over to Catelyn and Robb, not wanting to officially ally with Robb's forces. They also encountered Sandor Clegane, who had fled the Blackwater in terror. They prepared to execute Sandor for his own crimes, but he demanded trial by battle and killed Beric. Astonishingly, Thoros was able to resurrect Beric using magic, though Beric seemed more distant and withdrawn afterwards. They let Sandor go. After marching around the Riverlands a few times, Arya got tired and broke off to head to Riverrun by herself, but Sandor Clegane caught her. He decided to take her home himself and collect a reward.

At Dragonstone, Stannis Baratheon was in a grim mood. The storm lords had gone over to Joffrey, leaving him with only a handful of troops and a few ships left. Any realistic chance of him claiming the Iron Throne appeared to be gone, and it was only a matter of time before the Tyrells and Lannisters assaulted Dragonstone and Storm's End directly. He debated strategy with Davos Seaworth, whom he had made his new Hand, and with the red priest Melisandre, to no avail. Davos decided to learn how to read, helped by Stannis' maester, whilst Melisandre drew some of Stannis' blood and vowed that she could curse Robb Stark, Balon Greyjoy and Joffrey Baratheon to ensure their deaths.

The current UK cover for A Storm of Swords, Part 1, art by Larry Rostant.

Robb Stark's host joined with Roose Bolton's army. Robb was aghast to hear that a large number of Stark troops were killed in a futile assault on Duskendale, which Roose blamed firmly on the impudence of their commanders. Robb noted that the ironborn had taken Moat Cailin, blocking the way back into the North, and that Moat Cailin had never fallen to assault from the south. He decided to send Lady Maege Mormont and Lord Galbart Glover into the Neck to find Greywater Watch, the stronghold of Lord Howland Reed, his father's best friend, and use the Reeds' knowledge to outflank the castle. He also needed to win back the Freys, which he planned to do by offering Edmure's hand in marriage in place of his own and making an abject apology to Lord Walder. Maege and Galbart depart, and the remainder of Robb's host headed for the Twins.

Walder Frey accepted Robb's proposal and a great feast was held to celebrate the wedding. However, during the ceremony Catelyn noticed that the Bolton and Frey men had secretly armed and armoured themselves. She tried to warn Robb, but the Boltons and Freys turned on the Stark forces and butchered them, though not without sustaining some losses themselves. Roose Bolton sent Robb Stark regards from Jaime Lannister and stabbed him through the chest, killing him. Catelyn took a hostage, an idiot grandson of Walder Frey's, and trid to bargain to no avail. She killed her hostage and was killed in turn by the Frey troops.

The current UK cover art for Part 2, by Larry Rostant.

News of the 'Red Wedding' began to spread and Sandor and Arya turned away from the Twins and fled down the Trident. They found several troops loyal to Sandor's brother Gregor in an inn and kill them, but Sandor was badly wounded. Arya harshly left him to die and made her way down the river to the mouth, where she found a Braavosi merchant ship at anchor. Using a phrase and a coin given to her by Jaqen H'Ghar, Arya was able to convince the crew to take her to safety beyond the Narrow Sea.

At Pyke on the Iron Islands, Balon Greyjoy was swept off a rope bridge by a high wave, killing him. The next day, his brother Euron, the infamous pirate and reaver known as the Crow's Eye, sailed into Lordsport, sat himself down in Pyke Castle and declared himself King in his brother's place. Thus act pulled the Greyjoys back from their various conquests: Asha Greyjoy returning from Deepwood Motte and Victarion back from Moat Cailin. To avoid the threat of an internal feud over the Driftwood Chair, the priest Aeron Greyjoy called a kingsmoot to decide on the new king. To Aeron's horror, the godless Euron won the moot and was confirmed as king after producing a horn from Valyria that he claimed could control dragons. Victarion reluctantly sweared loyalty to Euron, whilst Asha fled back to Deepwood Motte with her loyal retainers and Aeron began gathering opponents to Euron unhappy with his lack of piety to the Drowned God.

The original American cover of Swords, art by Stephen Youll.

At King's Landing, news of Robb and Balon's deaths reached the capital and was met with jubilation, with the expectation of total victory now close at hand. Lord Tywin took over as Hand of the King from the wounded Tyrion, whom he now married to Sansa Stark to give the Lannisters a claim to Winterfell. However, Tyrion, feeling sorry for the captive Sansa, refused to consummate the marriage. The rest of the castle rapidly learned of this and he became a laughing stock. In an attempt to win the Vale to their cause, Littlefinger volunteered to marry Lysa Arryn, who had been infatuated with him since childhood, and set out for the Eyrie. Shortly after this Oberyn Martell, the Red Viper, arrived at the city with a number of Dornish retainers to take up the small council seat promised to House Martell by Tyrion, and also to claim Gregor Clegane's head for the rape and murder of his sister Elia during the Sack of King's Landing.


The marriage of Joffrey and Margaery was held, and Joffrey and Tyrion clashed several times during the feast. Joffrey suddenly began choking and then died, apparently the result of poison. Cersei had Tyrion seized and charged with the crime, whilst Sansa, aided by Littlefinger (who had secretly remained behind whilst everyone thought he was in the Vale), escapes the city by ship. Tyrion considered asking for trial by battle, but knew that Cersei would name Gregor her champion, a prospect that scared off most potential champions, including Bronn. Oberyn Martell had no such fears, however, and in a fierce battle he was almost victorious, using a poisoned spear to badly wound Gregor. Gregor was still able to kill Oberyn by smashing his skull, and Tyrion was condemned to death.

The cover of the first part of the two-volumed limited edition, with art by Charles Vess. This is the unused Meisha Merlin edition of the book; the SubPress version has the same art but different lettering.

Jaime and Brienne reached King's Landing to find the situation volatile. The Dornish were furious with Oberyn's death, whilst Tywin had to negotiate a new marriage pact for Margaery, this time with Joffrey's young brother Tommen. In addition, Ser Loras Tyrell believed that Brienne was responsible for Renly's death, and ordered her locked up. Jaime found both Sansa and Arya missing, so was unable to send them back to Catelyn, which of course was moot once news of her death was known. Fed up with being told what to do by his father and sister, Jaime resolved to be the best Lord Commander of the Kingsguard he could be. To start with, he convinced Loras to release Brienne. Giving her the reforged Valyrian steel sword Oathkeeper (reforged from Eddard's own sword, Ice), Jaime asked her to travel the Riverlands, find Arya and Sansa and get them to safety, somewhere.

On Dragonstone, Davos Seaworth, fearing that Melisandre would demand the life of King Robert's bastard son Edric Storm to fuel her magic, sent Edric away in secret. He then took Aemon's letter from the Night's Watch to Stannis and Melisandre and read it to them. Melisandre, who believed a great war was raging between R'hllor, Lord of Light, and the Great Other, the god of dark and cold, realised that the struggle had already begun beyond the Wall. She convinced Stannis to take ship for Eastwatch-by-the-Sea with all his remaining strength. His remaining five thousand men were not enough to continue his claim for the throne in the south, but could make all the difference on the Wall.

Jon Snow, a captive of the wildlings, was taken by Mance Rayder, the King Beyond the Wall, and convinced him of his newfound loyalty. Rayder in turn revealed that the wildling clans and tribes had been driven south by the invasion of the Others. Rayder was looking for the Horn of Winter, the legendary artifact that could bring down the Wall, though he planned to take it intact to use as a defensive fortification. To this end, he ordered Jon and a group of wildlings to scale the Wall, loop round and take the almost-unmanned Castle Black from the south and allow the wildlings through. However, once over the Wall, Jon fled back to Castle Black and raised the small garrison, organising a defence that saw most of the raiding party killed, including his lover Ygritte. Jon began preparing defenses against the main wildling assault, aided by the survivors of the massacre on the Fist of the First Men who were trickling back in.

Bran Stark, fleeing the sack of Winterfell, headed north with his loyal servant Hodor and the two children of Howland Reed, Meera and Jojen. Jojen had the 'greensight' and determined that Bran must go north of the Wall and find the three-eyed crow who had spoken to him in his dreams. They reached the Wall at the castle known as the Nightfort but could find no way through until Samwell Tarly and Gilly came through the gate. They had been escorted to the Nightfort by a strange warrior named Coldhands, who was expecting Bran and his friends. Samwell and Gilly returned to Castle Black, having agreed not to speak of the incident, whilst the enigmatic Coldhands led Bran north.

The cover of the second volume of the Subterranean Press limited edition, art by Charles Vess.

The wildlings assaulted the Wall in force, using giants, mammoths, siege weapons and battering rams. Despite some minor successes, they were halted by Jon's defenses. Jon's work was nearly undone when Alliser Thorne and Janos Slynt arrived from King's Landing and had him arrested for the alleged murder of Qhorin Halfhand. They sent him out as a suicidal assassin to kill Mance Rayder under a flag of true, but instead the wildling army was routed by the arrival of Stannis' five thousand troops. Mance Rayder was captured and some of his commanders agreed to bend the knee to Stannis. The Night's Watch held its vote for a new Lord Commander and, thanks to some negotiations carried out by Samwell Tarly, Jon Snow was elected Lord Commander, to the utter fury of Thorne and Slynt. Stannis offered to legitimise Jon and make him Lord of Winterfell, but Jon refused.

In the far east, Daenerys Targaryen was returning to Pentos from Qarth on a ship arranged by Magister Illyrio. However, Ser Jorah Mormont convinced her to sail into Slaver's Bay and try to buy an army of Unsullied, the famous warrior-eunuchs of Astapor. Sickened by the misery of the slave trade she saw, Daenerys unleashed her dragons to kill the slave-masters of the city and freed all of the slaves. Aware that two other great slave cities lie on the coast, she took her followers to Yunkai and forced them to free their slaves as well, though the city's rulers remained in command. The rulers of Meereen, the largest and greatest of the slave cities, did not prove so cooperative. She discovered that Whitebeard was really Ser Barristan Selmy and that Ser Jorah had been sending intelligence back to King's Landing as late as Qarth. To make amends, they led a suicidal mission into Meereen via the sewers and were able to open the gates and allow her army to enter the city. Daenerys took control of Meereen, but learned that the council of rulers she'd left in Astapor had been overthrown by a tyrant, Cleon the Great, who had vowed to rule in her name. Aware that the same thing could happen to Meereen, she decided against pressing on immediately to Westeros. Instead she would stay and rule, and learn how to become a queen.

In King's Landing, Jaime and Varys released Tyrion from his prison cell and agreed to help him escape. However, on the way through a secret passage Tyrion discovered the tunnel connected to his father's quarters in the Tower of the Hand. There, he discovered that his father had been sleeping with a whore Tyrion himself had fallen in love with, Shae. He killed them both in a fury before leaving the city on a ship arranged by Varys.

At the Eyrie, Sansa found a new home, but also a new threat, as her aunt was insanely jealous of her even talking to Littlefinger. Sansa learned in one of her aunt's diatribes that Lysa had poisoned Jon Arryn and blamed it on the Lannisters at Littlefinger's urging. Littlefinger, aware that Lysa is going insane, pushes her thousands of feet to her death and blames it on the court singer, Marillion.

Finally, the Brotherhood Without Banners found Catelyn Stark's body in the Trident, some miles downriver from the Twins. They pulled her ashore and Beric was able to restore her to life, but only at the cost of his own existence. Catelyn, now dubbed 'Lady Stoneheart' by the Brotherhood, commanded them to seek out and murder all of those who had a hand in the Red Wedding.

The unused UK cover art for Crows, art by Jim Burns.

A Feast for Crows
In Oldtown Pate, a novice at the Citadel, was killed by an assailant who resembled Jaqen H'Ghar. Jaqen, apologetic about the need to kill him, took on Pate's face and infiltrated the Citadel for purposes unknown.

In King's Landing the funeral of Tywin Lannister was held. Cersei, the Queen Regent, asked her uncle Kevan to serve as King's Hand and Kevan agreed, but only if she would return to Casterly Rock and leave him to govern the realm. She angrily rejected his insinuation that she was an incompetent ruler. She named the biddable Harys Swyft as Hand and installed the small council with her own minions: Gyles Rosby as master of coin, the sellsail Aurane Waters as master of ships and the sinister Maester Qyburn as master of whisperers, since Varys had vanished. She also had the Tower of the Hand burned down. Qyburn had been trying to keep Gregor Clegane alive and requested Cersei's permission to carry out certain experiments on him he thought might be useful. She agreed.

The current UK edition, cover art by Larry Rostant.

At the Wall, Samwell Tarly was told by Jon that he must travel to Oldtown and become a maester at the Citadel, with a special focus on finding out as much as possible about the Others from the library there. Gilly and Maester Aemon would go with him, as would Mance Rayder's baby son, swapped with Gilly's newborn son, to protect them from Melisandre's fires. They took ship from Eastwatch and travelled to the Free City of Braavos. However, Aemon fell ill and they were stuck in the city for weeks waiting for him to recover. One of their escorts, Dareon, abandoned the mission in favour of making money and getting drunk in the taverns of the city. Samwell found a ship from the Summer Isles whose captain called in at Qarth and saw Daenerys Targaryen and her dragons there. The captain agreed to take Samwell's party on to Oldtown. Aemon realised that Daenerys must be the true Prince Who Was Promised, with her dragons as her sword of flame, and resolved to travel to Meereen to offer her counsel. Instead, he died at sea. Gilly comforted Sam and they become lovers.

In Braavos, Arya found refuge at the House of Black and White, the temple Jaqen served. She discovered that the House was dedicated to the Many-Faced God, the god of death, and served by the Faceless Men, the elite and infamous order of assassins. The priests agreed to train her in their ways, but insisted she must leave the identity of Arya Stark behind. She tried to do so, becoming Cat of the Canals, but upon finding Dareon, a deserter from the Night's Watch, her Stark heritage reasserted itself and she executed him for desertion and oathbreaking. The priests, annoyed by her lapse, took her sight away in punishment.

The unused US cover art for Crows, by Stephen Youll.

In the Riverlands, Brienne searched for Arya and Sansa to no avail. She found some assistance from Pod, Tyrion's former squire, and Ser Hyle Hunt. They found several surviving members of the Brave Companions and killed them all. At a septry in the mouth in the Trident, she learned from a holy brother that Arya Stark was seen taking ship for places unknown, and that 'the Hound' had been found nearby and had died. However, another warrior had taken on the name of the Hound, sacked a nearby town and was causing havoc in the area. Brienne found and killed him, but in turn she and her friends were captured by the Brotherhood Without Banners and taken before Lady Stoneheart, the resurrected Catelyn. Catelyn determined that Brienn had betrayed her mission by letting Jaime go free without finding her daughters first, and threatened to hang Brienne if she didn't kill Jaime. When Brienne refused, Catelyn had her hanged, but as she did so, Brienne screamed out a word.

Paxter Redwyne's fleet from the Arbor, loyal to Lord Mace Tyrell, put Dragonstone under siege whilst Mace's army did the same to Storm's End. Cersei had the High Septon, a vain man whom Tyrion had installed, assassinated, but was dismayed to find his replacement a religious martinet. However, Cersei then discovered that the new High Septon could be reasoned with and they reached a deal: the Faith of the Seven would forgive the crown its massive debt if in return Cersei would restore the warrior orders of the Faith Militant, which had been disbanded after a war lasting a dozen years against Kings Aenys, Maegor and Jaehaerys. To Pycelle's horror, Cersei agreed, and soon the Warrior's Sons and the Poor Fellows were armed once more.

At the Eyrie, the lords of the Vale confronted Littlefinger, angry with his position as Lord Protector of the Vale. One of the lords became angry and bared steel at the meeting in violation of custom, allowing Littlefinger to shame the lords of the Vale into agreeing to let him remain Lord Protector for one year. Sansa realised that Littlefinger set the whole thing up. Impressed, Littlefinger told her more of his scheme. Little Robert Arryn was sickly and weak. His heir was Harry Hardyng, a popular young knight and warrior. If Harry were to marry Sansa, that would give Sansa an army with which to retake Winterfell. With snow falling more thickly about the Eyrie, the court of the Vale removed itself to the more clement location of the Gates of the Moon, located at the base of the mountain.

The first part of the SubPress limited edition, art by Tom Canty.

Jaime Lannister rode to Riverrun with a number of men, including Ser Ilyn Payne and Ser Ronnet Connington, though he grows tired of the latter and sent him off to deliver Wylis Manderly, a former hostage now released since House Manderly has returned to the king's peace, to Maidenpool, from where he could take ship for White Harbour. At Riverrun Jaime forced Ser Brynden Tully to surrender the castle, but Brynden escaped by the river. The Freys took possession of the castle, their reward for the Red Wedding, and Edmure Tully was sent back to Casterly Rock as a captive. Jaime then saw snow falling across the Riverlands and realised, with horror for there was no time to gather another harvest, winter had arrived.

The ironborn launched a fresh campaign, invading and capturing all of the Shield Isles and raiding heavily along the coast of the Reach. King Euron summoned his brother Victarion and told him he was sending Victarion and the Iron Fleet to Slaver's Bay. There they would seize Daenerys Targaryen and her dragons using the magic horn, and bring her back to Westeros to be Euron's wife, after which he would use the dragons to conquer the entire continent. Victarion agreed, but secretly planned to betray Euron by taking Daenerys for himself. The Iron Fleet set out for Meereen.

At King's Landing, word of the ironborn attacks reached Margaery Tyrell, who angrily demanded that Cersei send help. Cersei had become increasingly tired of the Tyrells and their demands and refused to break the siege of Dragonstone. Ser Loras volunteered to take the castle. If he succeeded quickly, Cersei agreed that Paxter Redwyne's fleet could return to the west coast and fight the ironborn. Ser Loras set out and Dragonstone indeed fell, but at the cost of Ser Loras being severely wounded. Neverthless, Redwyne's fleet set out for home, as agreed.

The second part of the SubPress limited edition, art by Tom Canty.

Deciding that Margaery was an unsuitable wife for her son, Cersei set out to discredit Margaery by insinuating that she was not a virgin to the newly-powerful High Septon. The High Septon had Margaery imprisoned and examined, and it was confirmed she was indeed not a virgin (though Cersei herself noted that such a thing is not uncommon amongst young noblewomen who spend a lot of time riding horses). Cersei's plan spectacularly backfired when the High Septon puts the false accusers of Margaery to torture and discovered the plot, and so he had Cersei imprisoned as well. Mace Tyrell lifted the siege of Storm's End and raced back to the city. Cersei sent for Jaime, but he refused to return to the capital. Qyburn offered another choice: his experiments on Gregor had been completed (despite his head being sent back to Dorne to appease Prince Doran for Oberyn's death) and now a mighty champion stood ready to defend the queen in a trial by battle. However, Cersei knew that only knights of the Kingsguard could defend the royal family, and the Kingsguard were all still alive. During the chaos, Aurane Waters absconded with the newly-rebuilt Royal Fleet.

In Dorne, Princess Myrcella Baratheon, betrothed to Prince Trystane, fell into a conspiracy set in motion by Princess Arianne Martell, heir to the throne of Dorne. To avenge themselves upon the Lannisters, Arianne planned to declare Myrcella Queen of the Seven Kingdoms (by Dornish law, Myrcella would have a superior claim to the throne to Tommen), with Dorne - as yet untouched by the war - backing her. She had even convinced Myrcelle's bodyguard, Ser Arys Oakheart, a knight of the Kingsguard, to back the plan. However, the plan was discovered by Prince Doran. There was a struggle and Myrcella was injured by one of Arianne's allies, Ser Gerold Dayne, the Darkstar, whilst Ser Arys was killed by Doran's captain of the guard, Areo Hotah.

Taken back to Sunspear as a prisoner, Arianne was confronted by her father. He told her that the Martells were playing a long game designed to get revenge for the deaths of Elia and Oberyn. Arianne had been secretly promised in marriage to Viserys Targaryen (though he had not been told of the plan) since she was young. At the right time, Viserys would have crossed to Dorne with an army from the eastern continent and they would have made a play for the Iron Throne. However, Viserys' death changed all of that. As a result Arianne's brother Quentyn was now on his way to Meereen to win Daenerys' hand in marriage and bring her - and her soldiers and her dragons - back to Dorne to fulfil the plan and help them destroy the Lannisters once and for all.

Samwell and Gilly finally reached Oldtown, though the ironborn campaign had continued, with them raiding Oldtown and conquering a stretch of the Arbor as well. Samwell arrived at the Citadel and met Archmaester Marwyn, seen as a maverick by the other maesters for his interest is in the 'higher mysteries' or magic. Marwyn revealed that in the last few months the old Valyrian candles, used to help them communicate across vast distances, had suddenly started working again. When Samwell told him about Daenerys, Aemon and the Prince Who Was Promised, Marwyn realised that these events were all connected. He took ship for Meereen, telling Samwell to learn as fast and as hard as possible and get back to the Wall, where he would be needed. He commended Samwell to the care of two young students: Alleras (who is almost certainly Sarella, one of Oberyn Martell's bastard daughters, in the Citadel for purposes unknown)...and a boy named Pate.


SourcesThe novels.
The 'Dunk and Egg' prequel novellas.
The RPGs published by Guardians of Order and Green Ronin.
Information directly from George R.R. Martin collected at the So Spake Martin site on Westeros.

Monday, 25 January 2010

Wertzone Classics: A Storm of Swords by George R.R. Martin

The Battle of the Blackwater has radically shifted the balance of power in the War of the Five Kings. The Lannisters and Tyrells are now allied together, granting the boy-king Joffrey a vast army against which it appears that Robb Stark, the King in the North, and his allies cannot stand. In the distant lands beyond the Wall, Jon Snow has infiltrated the wildlings to learn more about their plans and objectives, but finds his loyalties torn when he learns that even the free folk have their own codes of honour. And, far beyond the eastern seas, Daenerys Targaryen attempts to hire an army of warriors to her cause from the stinking cities of Slaver's Bay, and decides to bring justice and freedom to these lands, despite it delaying her return home to Westeros.


A Storm of Swords is both the third volume of A Song of Ice and Fire and, individually, the finest work of epic fantasy published since at least The Silmarillion in 1977. George R.R. Martin's writing skills in the first book were good, better in the second and hit impressive new heights here in the third, with growing layers of description and writing giving the Seven Kingdoms more colour and more depth with each passing volume. The characterisation remains strong, and in A Storm of Swords Martin delivers one of his masterstrokes by upgrading the hitherto villainous and reprehensible Jaime Lannister to full POV status. By taking us into the head of one of the 'bad guys' and showing us what makes him tick without descending into cliche (Jaime is still a dangerous and somewhat unpleasant character), Martin achieves some very fine character description and growth.


Elsewhere, Swords gives us some of the most out-and-out memorable moments in fantasy fiction in a long time. The duel between the Red Viper and the Mountain That Rides, several confrontations between Tyrion and his father, two certain weddings, the epic battle of the Wall, Bran and his companions' journey northwards and much more all resonate very strongly indeed. There is also some very nice subtlety, such as Meera's 'story' which is clearly not just a story, and Daenerys' realisation that having royal blood isn't enough, she must also earn her crown through experience and wisdom nicely subverts some of the more dubious cliches of fantasy fiction centering on noble families ruling through 'divine right' alone.

There is one slight cause for concern: Martin's writing definitely becomes more descriptive with each passing novel, contributing to their growing sizes and page-counts. Arguably not much more happens, in terms of sheer important incidents, in Storm than in Thrones, but the book is over a third longer. Whilst the pacing and writing quality remains superb in this volume, this growth in size and depth does evoke troubling memories of what happened to Robert Jordan's Wheel of Time series around its sixth volume. Also, whilst it's not a problem for Storm, the decision to hold back some story developments from the end of Storm (where they chronologically belong, such as the ironborn kingsmoot and so on) for the then-planned five-year-gap (and later inserted into Feast instead) does contribute to some of the writing issues in the two subsequent novels, and their resultingly epic writing times. On the plus side, this does result in Storm having a very strong and somewhat final ending. It's certainly not a full resolution of all the stories in progress, but those stories are 'plateaued' or put on hold in a manner that does not demand immediate resolution (probably why the wait for Feast was not as onerous for many fans as the one for Dance is at the moment). For those put off from reading A Song of Ice and Fire so far due to its incomplete status, the fact that you can read the first three books alone and reach a natural pausing point rather than a cliffhanger may be useful information.


A Storm of Swords (*****) is an excellent fantasy novel, rich in memorable characters, classic moments, fierce battles, quieter moments of reflection and some almost stomach-churning moments of genuine shock and betrayal. It remains unmatched among modern epic fantasy novels (although some have come close to unseating it) for combining a sheer epic scope and a real sense of humanity at the same time. It is available now in the USA. Annoyingly, in the UK it was split into two volumes for paperback publication, entitled Steel and Snow and Blood and Gold.