The Pacific

August 1942. The United States Marine Corps lands in force on the island of Guadalcanal and begins the long, gruelling campaign of 'island-hopping'. Over the next three years they will take the fight against Japanese forces on islands all across the western Pacific, drawing ever closer to the Japanese home islands and victory.


The Pacific is HBO's companion series to their acclaimed 2001 series Band of Brothers. Like the earlier series, The Pacific follows American soldiers across a single theatre of war (albeit a far vaster one). Unlike Band of Brothers, which was able to concentrate on a single company of the 10st Airborne and cover its journey in some detail (the whole series, bar the opening training sequence, only spanned nine months), The Pacific is rather diffuse in its focus. It covers a period of three years and the almost modular nature of the war in the Pacific (multiple major battles raging simultaneously on islands hundreds of miles apart) means it is impossible to focus on one unit throughout the whole war. The series copes with the problem by dividing the narrative into three storylines following three marines (John Basilone, Bob Leckie and Eugene Sledge), but this ultimately proves to be a move with mixed success.

Plaudits first. The Pacific is visually stunning. Filmed on location on Australia's Pacific coast, the series employs impressive location filming, practical special effects and CGI enhancements to depict WWII combat on-screen more viscerally and in a more convincing manner even than Band of Brothers. The Pacific really does look and sound like a movie, especially on Blu-Ray, and as an audio/visual experience is always impressive. The lead actors - Joseph Mazzello, James Badge Dale and Jon Seda as Sledge, Leckie and Basilone respectively - are impressive and are lent able support by the likes of William Sadler (as the infamous Colonel 'Chesty' Puller) and Rami Malek, who gives an offbeat but fascinating performance as 'Snafu' Shelton. In terms of direction, production values and acting, the series is overwhelmingly impressive.

The issues arise from structural choices for the series. The Pacific War was a very different beast to the Western Front of WWII in Europe, spanning vaster distances and featuring the marines, navy and army fighting simultaneously on different fronts. An immediate drawback of only having ten episodes to tell this story is that other units and services outside the Marine Corps get short shrift. None of the immense naval battles in the theatre (Midway, the Coral Sea etc) are really mentioned and the massive American bombing campaign against Japan is not featured. There are some nods to the other services (the Battle of Savo Island is briefly watched by the marines from the shore; aerial assaults on Japanese positions are occasionally shown) but the focus is squarely on the marines.

Even this is problematic. To get across the scale of the conflict, HBO conflates three separate stories together. John Basilone's story allows them to show life on the home front (Basilone was sent home after Guadalcanal, initially serving as a PR representative to raise money for the war and later as a marine instructor before returning to the field during the battle for Iwo Jima), whilst Bob Leckie is used to cover the initial stages of the fighting and also the role of Australia in the conflict. After Leckie is wounded and forced to return home, Eugene Sledge steps up as our principal POV character and we see most of the latter stages of the war through his eyes. This baton-passing approach to the narrative sounds good but ultimately feels disjointed, as the three soldiers' paths never cross (aside a fictitious brief meeting between Sledge and Leckie). It also complicates things by giving us three different sets of supporting characters to also get to know, which is a tall order for just ten episodes.

Which isn't to say that what we are left with is still not compelling. The actors do a great job of selling their characters' respective storylines: Leckie is left on the front lines a little too long and begins suffering from battle fatigue; Basilone is tired of being hailed a hero at home whilst his friends are still fighting and is anxious to return to the front; and Sledge is angry at missing out the start of the war due to poor health and is keen to prove himself, only to ultimately start losing perspective as the gruelling months of combat unfold. These are familiar storylines, but are given added depth and weight by being true (all three marines are real, and Leckie and Sledge's memoirs provide the basis for the series).

The overwhelming feeling of the series is one of despair. The fighting is savage and without quarter, and the marines often feel that their fighting and dying over specks of land in the middle of nowhere is pointless. There is a lack of any type of grand strategic overview which is true to the experience of the soldiers on the ground. Notably, there is no equivalent to the Why We Fight episode of Band of Brothers (where the 101st liberates a concentration camp and their horrific experiences harden their resolve to help destroy the Nazi regime). The marines are left feeling bereft of a purpose, which makes the horrors they experience strike home even harder. It's no wonder that many of them are shown breaking down or needing urgent time away from the front to reorient themselves. HBO should be congratulated for not downplaying these angles, but it often makes for very hard viewing.

The Pacific (****) is ultimately worth watching. It's a stunning production that makes some hard comments about war and its ultimate savagery, even when a war is worth fighting. It doesn't glorify war and shows its horrors in full force, which can make for hard viewing, but the superior acting and writing make it compelling. Structurally the series is disjointed, and would have benefitted from a tighter focus on maybe just one or two of the marines featured. Extending it to three stretches the story almost to breaking point. However, once you adjust to the structural issues the series is an impressive piece of work. It is available now on DVD (UK, USA) and Blu-Ray (UK, USA).

Wertzone Classics: Band of Brothers

Filmed in 2000 and transmitted in 2001, Band of Brothers is a 10-part mini-series which remains the most expensive TV series ever made (at least until the budget for its new companion series, The Pacific, is revealed). The series was developed by Steven Spielberg as a continuation of the themes and ideas he explored in his hit 1998 movie, Saving Private Ryan. Whilst the film's running time meant that only a small portion of the Second World War could be depicted, the greater scope and length afforded to a series meant that more of the conflict could be shown and the characters' story arcs would be more satisfying. Also, it was decided that, unlike the purely fictitious Saving Private Ryan, the TV companion piece would be based on true events and real soldiers. The rights to the book Band of Brothers by Stephen Ambrose were purchased and Ambrose and the surviving soldiers portrayed in the book were brought in to consult on the project.


Band of Brothers opens in 1942, shortly after the formation of the 101st Airborne Division by the US Army. The first episode follows the training of Easy Company at Toccoa, Georgia, over the course of a year. They are placed in the care of Captain Herbert Sobel (Friends' David Schwimmer) who trains them far harder than the other men of the 101st, with the result that soon the company has a reputation as the best company in the division. However, Sobel's methods make him highly unpopular with the men, especially when it is revealed that his nerves fail him in field exercises. The unit is shipped to England to train and prepare for D-Day, but Sobel's limitations are eventually recognised and he is relieved of command. The second episode has the 101st parachute into Normandy just ahead of the beach landings. When Easy Company's commanding officer is killed during the drop, it falls to Lt. Richard Winters (Damien Lewis) to assume command and lead a daring attack on a German artillery position targeting the beaches. Winters becomes the closest thing to a central character and is one of only a few characters to appear in every episode.

What initially impresses about Band of Brothers is its authenticity. Its production values would be impressive for a movie, but for a TV series they are stunning. But where the series really works is its focus on the characters. Whilst some events are dramatised or compressed for timing reasons, pretty much everything that happens in the series is based on a true event and every one of the main characters is based on a real person. This makes the series unpredictable and strongly emotionally resonant: if a character is wounded or killed without warning, it is because his real-life counterpart was wounded or killed at that point of the war. This is also why every single actor brings his A-game to his role: when the person you are playing is actually going to be watching your performance, or if he has passed away and his friends are, then you definitely need to be on top form.

The producers seemed to realise early on that simply having ten episodes of non-stop carnage would get boring pretty quickly, so each episode is built around different characters and premises, and the individual episode directors are allowed to indulge their own artistic styles somewhat more than is normal on a television drama. A particular stand-out is the sixth episode, which focuses on Easy Company's medic during the Battle of the Bulge and follows him from unit to unit, seeing his friends get wounded and having to patch them up, or having to watch them die. It is an incredible piece of television drama. As is traditional with HBO, they don't make things too easy for the viewer. Easy Company is made up of several platoons, with some episodes focusing entirely on one group and others on all of them, meaning that characters appear, disappear and reappear from episode to episode. Characters are also promoted, demoted, wounded or killed off and the viewer is expected to work out who is who and what they are doing sometimes very quickly. This lack of spoon-feeding is as refreshing here as it is on other HBO productions such as The Wire, but casual viewers may find themselves swamped on first viewing.

The series employs an interestingly desaturised colour tone, which puts its feel somewhere between full colour and black and white. Whilst this adds immensely to atmosphere, it does make telling some of the characters apart difficult, again on first viewing, especially as most of the time they are wearing full combat gear and helmets. For these reasons the series rewards careful re-watching and is also better suited to the DVD format, with the viewer able to watch several episodes in a row and work out who is who and what their roles within the company are.

The series' action sequences rival some of the strongest war movies in their intensity and vividness, but it's in the quiet moments that it excels. The banter between the men is authentic and the importance of the bonds that form between soldiers in combat with regards to keeping them sane is strongly emphasised (more cliched, "I love you, Sarge!" moments are firmly absent, thankfully). In fact, one of the strongest moments in the series comes when one of the company's toughest, most effective lieutenants suddenly breaks down after seeing two of his men get their legs blown off in front of him. The mental pressures of the war are portrayed as being as dangerous and difficult to deal with as enemy action. Questions of morality in warfare are also intelligently raised: one soldier is rumoured as having brutally gunned down more than a dozen unarmed German PoWs on D-Day but later proves himself to be the bravest and most efficient officer in the unit whose actions repeatedly save the lives of his men.

Band of Brothers (*****) is a staggeringly impressive piece of work, not just for its incredible budget and impressive special effects, but for its intelligent and often powerful writing, phenomenal acting and the resonance provided by knowing that pretty much everything that happened in the series is based on a real event. It is available on DVD in the UK and USA, and also now on Blu-Ray in the UK and USA.