Sam Raimi in talks to join the MCU to helm DOCTOR STRANGE 2

Sam Raimi is in talks with Disney about joining the Marvel Cinematic Universe. Specifically, Raimi is being lined up to take over Doctor Strange in the Multiverse of Madness, which is due to start shooting in May. Scott Derrickson, who directed the first film and was lined up to helm the sequel, recently dropped out, citing creative conflicts with Marvel.

Raimi, of course, directed all three of the Spider-Man films starring Tobey Maguire, which helped consolidate the modern superhero movie phenomenon and paved the way for the MCU. Raimi joining the MCU directly has been mooted before, but the general feeling was always that Raimi was too independent and too protective of his own vision for a project to ever work in such a collaborative environment; Raimi left the WarCraft movie project (eventually directed by Duncan Jones) after realising how much creative control he'd have to cede to other people, for example. These reports suggest that this issue may have been overcome.

Doctor Strange in the Multiverse of Madness will see Doctor Strange (Benedict Cumberbatch) join forces with Scarlet Witch (Elizabeth Olsen) to tackle a new threat to the Marvel universe. It is currently scheduled for release on 7 May 2021.

The Future of the Marvel Cinematic Universe

Back in 2014, head of Marvel Studios Kevin Feige laid down his vision for the next five years of Marvel movies. As of the release of Avengers: Endgame, that vision is now complete. Some projects fell by the wayside - an Inhumans movie was dropped and was changed into a TV series (which flopped, badly) - and others have stepped up, with the addition of the Spider-Man character resulting in several new solo movies for him added to the roster.

Spider-Man and Black Panther are expected to be key characters in Phase 4 of the Marvel Cinematic Universe.

Feige is expected to unveil a master plan for the next generation of Marvel movies - "Phase 4" - at the San Diego Comic-Con in July. It sounds like the plan is for a series of new movies that will take us up to the end of 2023, and will lean heavily on the newer generations of Marvel heroes such as Black Panther and Captain Marvel. However, this Phase will also feature a twist, as it will also incorporate a number of TV mini-series for the new Disney streaming platform, Disney+. These short series (estimated at 6-10 episodes apiece) will expand on some characters and will also introduce new characters, possibly setting them up to appear in new movies further down the road. Unlike previous Marvel TV shows (such as the Netflix series, Agents of SHIELD and The Inhumans), whose canonical status with regards to the movies is debatable, these Disney+ series are being made by Marvel Studios under Feige's direct supervision, and will be definitively be canon with regards to the films.

The roster of upcoming TV shows and films is as follows.

Please note that this article will contain spoilers for Avengers: Endgame.


Movies

Spider-Man: Far from Home
Directed by Jon Watts
Filming Dates: July-October 2018
Release Date: 2 July 2019

Already in the can, this is a sequel to Spider-Man: Homecoming (2017) and will pick up with the character of Spider-Man/Peter Parker shortly after the events of Endgame. The film will see Spider-Man being recruited by Nick Fury to look into a series of strange events during a school trip to Europe. Marvel originally hoped to release this film much later, so marketing would not interfere with promotions for Endgame, but Sony's contract with Marvel requited them to start marketing the movie earlier.


Black Widow
Directed by Cate Shortland
Filming Dates: "soon"
Release Date: late 2020?

A solo Black Widow movie has been under discussion since Scarlett Johansson debuted in the role in Iron Man 2 (2010). Shortland signed on to direct in July 2018 and reportedly the film is due to start shooting "soon." The events of Endgame leave the focus and story of the film a mystery, but reportedly the film is a prequel which will explain some of Natasha's backstory. As far as is known, Clint Barton (Jeremy Renner) is not expected to appear, which is unusual as their shared backstory is an obvious place for a film to pick up.


The Eternals
Directed by Chloé Zhao
Filming Dates: August-Late 2018
Release Date: late 2020/early 2021?

Chloé Zhao signed on to direct a movie based on Jack Kirby's immortal heroes in September 2018, and production is due to start in August. Angelina Jolie is playing Sersi whilst Kumail Nanjiani is also in talks to star.


Black Panther 2
Directed by Ryan Coogler
Filming Dates: unknown
Release Date: 2021?

Ryan Coogler has agreed to return to direct and write a sequel to his 2018 mega-hit. The entire (surviving) main cast is expected to return.


Doctor Strange 2
Directed by Scott Derrickson
Release Date: 2021?

Scott Derrickson has agreed to return to direct and co-write a sequel to the 2017 original. The original main cast is expected to return. Apparently the film will be "weirder" than the first one.


Spider-Man 3
Release Date: 2021?

Sony's contract with Marvel is believed to require a sequel to Spider-Man: Far From Home to be released two years after that movie, if Far From Home is financially successful. The cast's contracts are believed to include three-film options, but it's unclear if Jon Watts would return for a third movie.


Shang-Chi
Directed by Destin Daniel Cretton
Release Date: 2022?

Scriptwriter David Callaham and director Destin Daniel Cretton signed on in early 2019 to bring Marvel's crimefighting kung fu star (well, one of them, along with Iron Fist) to the big screen.


Captain Marvel 2
Release Date: 2022?

Not formally greenlit yet, although Captain Marvel's $1.1 billion take-home makes that a formality at this point. According to Kevin Feige, the sequel may actually be an "interquel", bridging Captain Marvel to Avengers: Endgame and exploring what Carol was up to in space during that time.


The Avengers 5
Release Date: 2022?

After Infinity War and Endgame blew up the box office between them, a further Avengers movie is of course a no-brainer. The film would likely see at least Falcon, Winter Soldier, War Machine, Scarlet Witch, Black Panther and Captain Marvel reunite to face off against some kind of threat, potentially to be joined by Thor, the "new" Hawkeye and She-Hulk (see the TV section). Alternatively the film could also act as a last hurrah for the old Hawkeye and Hulk (and Thor, depending on the timeline, see below) before their retirement.


Ant-Man 3
Directed by Peyton Reed
Release Date: unknown

Proposed but not yet formally greenlit. Director Peyton Reed has been discussing the project with Marvel, and actor Michael Douglas is reportedly keen to return as Hank Pym. It's also believed that most of the cast from the first two movies would return.


Guardians of the Galaxy Vol. 3
Directed by James Gunn
Release Date: unknown

Guardians of the Galaxy Vol. 3 was greenlit shortly after the success of Vol. 2 in 2017. However, director James Gunn was fired from the project in July 2018 after controversial tweets he'd made many years earlier resurfaced. Gunn signed on to direct The Suicide Squad for DC instead. After discussions with the cast, who were extremely unhappy with Gunn's firing, Disney reinstated him in March 2019. This now means that Gunn can't start production on Vol. 3 until work on The Suicide Squad is completed before its release in August 2021. This puts Guardians of the Galaxy Vol. 3 potentially off until late 2022 at the earliest, and possibly later.


Thor 4
Release Date: unknown

Based on Chris Hemsworth's statements, it was expected that he would be retiring from the role following Endgame. However, both Thor: Ragnarok (2017) and the Infinity War two-parter revitalised his interest in the character and he has since committed to returning. The timeline for Thor 4 is heavily dependent on the availability of Ragnarok director Taika Waititi, who has been in talks to shoot the live-action version of Akira but still hasn't fully committed, and also on the scheduling for Guardians of the Galaxy Vol. 3, as Thor is believed to play a role in that movie. Some have suggested that if Waititi passes on Akira, Thor 4 could shoot much sooner and work as an interim Guardians side-movie until the Gunn-directed Guardians 3 hits production, but this is unconfirmed.


The Thunderbolts
Release Date: unknown

Not greenlit, but apparently discussed, is a movie teaming up the Marvel supervillains who have survived this far. Apparently the roster could consist of Zemo (Captain America: Civil War), Vulture (Spider-Man: Homecoming), Abomination (The Incredible Hulk) and Ghost (Ant-Man and the Wasp), along potentially with new characters. This is a very speculative project until a director and writer can be found with passion for the project.

Disney+ Shows

Falcon & Winter Soldier
Release Date: 2020

Greenlit and already in pre-production, with shooting due to start soon. Anthony Mackie and Sebastian Stan reprise their roles from the movies. The actors and Marvel had apparently discussed a range of options for the series, including a "buddy cop" dynamic similar to 1980s movies like 48 Hours. However, reportedly the tone for the series is going to be a ground-level thriller similar to The Winter Soldier, with a focus on stealth and espionage.


WandaVision
Release Date: 2020-21

Greenlit and in the writing stage. Elizabeth Olsen and Paul Bettany will reprise their roles as Scarlet Witch and Vision from the films. The series will apparently be an interquel, exploring how the characters' relationship evolved between Civil War to Infinity War. Some reports have suggested that there may be scenes set in the 1950s, hinting possibly at hallucinations or even outright time travel.


Loki
Release Date: 2020-21

Greenlit and in the writing stage. Tom Hiddleson will reprise his role from the films as Loki. The TV series will be anthology-like, with major events from Earth's history over the last thousand years being revealed to have been orchestrated by Loki for his own amusement.


Hawkeye
Release Date: unknown

Not formally greenlit, but negotiations are at an advanced stage for a limited series starring Jeremy Renner as Clint Barton/Hawkeye. The series would see Barton meeting and training up Kate Bishop, a skilled archer who (in the comics) becomes a later incarnation of Hawkeye.


Hulk/She-Hulk
Release Date: unknown

Not formally greenlit, but negotiations are at an early stage for a limited series that would see Mark Ruffalo return as Bruce Banner/Hulk. The series would see Banner meeting his cousin Jennifer Walters, who in the comics is destined to become She-Hulk. The film would act as a passing-the-baton story, allowing She-Hulk to potentially appear in later Avengers movies.


Power Pack
Release Date: unknown

Not formally greenlit and apparently talks are only in the very earliest stages, but there has been some discussion about adapting Power Pack as an ongoing, multi-season TV show. Power Pack is a more children's oriented Marvel Comic series about four children who gain superpowers from a dying alien trying to protect their father, who has perfected a limitless source of energy. Other aliens arrive trying to seize the device, resulting in a running, desperate battle. This is a better fit for television than for film. Intriguingly, Power Pack crosses over a lot with Fantastic Four (Reed Richards' son Franklin becomes a recurring member later on), which means that Marvel might get to use its new rights to that franchise sooner than expected.


Ms. Marvel
Release Date: unknown

Marvel and Disney+ are exploring using the streaming service to set up the character of Kamala Khan/Ms. Marvel. However, this may depend on the direction of Captain Marvel 2, where it has been suggested that Ms. Marvel could be introduced instead.

The X-Verse

At the current time, there are no plans to incorporate characters from Fox's "X-Verse" (plus the Fantastic Four franchise) into the Marvel Cinematic Universe, following Disney's acquisition of Fox. As of now, the Fox X-Verse is expected to come to an end with the release of X-Men: Dark Phoenix in June and New Mutants in August. Films under discussion or in the planning stages, including Deadpool 3, X-Force, Gambit and a sequel to X-Men: Apocalypse have been cancelled.

According to Kevin Feige, the planning for Phase 4 was already at an advanced stage when the deal was confirmed, putting off the introduction of those characters until the advent of Phase 5 in 2023 or 2024 at the earliest. However, some fans have speculated that whilst dumping the entire X-Verse roster of characters into the MCU in Phase 4 might be untenable, it might be possible to use individual characters and villains, with Galactus cited as a worthy opponent for the possible next Avengers film or films.

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The Great Marvel Rewatch: Doctor Strange

Stephen Strange is one of the best neurosurgeons in the world, until a car accident sees his hands crushed. Strange tries everything to heal his injury and eventually, broke and desperate, he travels to Kathmandu. In a sanctum called Kamar-Taj he meets the Ancient One, a sorcerer who defends Earth from mystical and spiritual threats. Extremely reluctantly, she agrees to take on Strange as a student. He proves a quick servant, but his hunger for knowledge raises awkward memories of a previous student, Kaecilius, who turned to evil. When Kaecilius mounts a surprise attack, it is left to the inexperienced Strange to face him.

Doctor Strange is the fourteenth film in the Marvel Cinematic Universe and has one of the less-enviable tasks in the canon: it has to introduce the entire mystical, spiritual and magical side of the Marvel Comics universe to the movies, which have so far explained everything through hyper-advanced science. But by this point the MCU is absolutely over-brimming with confidence and Doctor Strange struts onto screen with almost as much swagger as the title character when he is introduced performing brain surgery to 1970s pop music (because that's just how rad he is).

In fact, Doctor Strange is a near-pitch-perfect popcorn movie. It knows it's not an Avengers, Civil War or even a Guardians of the Galaxy which is going to drag in massive crowds through bombast and slick team banter, and, like last year's similarly fun and chilled Ant-Man, it sets out to have a good time (although not quite as disposably, as this film has a lot more impact on the wider MCU). It establishes Strange - played with the requisite charisma and arrogance by Benedict Cumberbatch - as brilliant but consumed by hubris. It has fun casting him down to his lowest ebb, getting him to Nepal and into a series of training montages with Tilda Swinton and Chiwetel Ejiofor before he is ready to go fight villain Mads Mikkelsen in a mind-bending series of fights in alternate realities that out-Inception Inception about twenty times over.

For a movie dealing in the strange and mystical, the plot is surprisingly light and straightforward, the fight sequences are well-staged and the presentation of magic as a tangible force of nature is both different and well-done (and is actually slightly reminiscent of how it was handled in the WarCraft movie). At under two hours the film doesn't outstay its welcome and it handles its cliches with charm. The effects are also splendid: the Inception-aping scenes of New York folding in on itself are amazing, but there's also a brilliant homage to 2001: A Space Odyssey and the film's crown jewel, a fight sequence in a street where time is flowing backwards, with people un-dying and things un-exploding all around the characters. It's a brilliant, clever and original visual effect.

The film also holds back the best for the ending. If the Marvel movies have had a key weakness, it's been that they always get resolved in a morass of punching, explosions and CGI of varying quality. That's fine, but after thirteen previous movies that was starting to get a bit old. Doctor Strange wrong-foots the audience by presenting them with all the set-up for one hell of a massive battle, but then throws things for a loop and resolves the story in a completely different way. I wanted to stand up and applaud Marvel for finally having the courage to end one of their movies in a clever and cunning way that avoids lunatic ultraviolence and massive civilian casualties.

There are some drawbacks. There's perhaps a bit too much of Inception in the CG sequences, which start to get a little wearying towards the end of the film, and Mads Mikkelsen's villain is never really developed in an interesting manner (the perennial weakness of most of the Marvel movies to date), although Mikkelsen himself gives a typically charismatic performance.

But overall Doctor Strange (****) is a very solid slice of confident, popcorn entertainment, but which also has the confidence to try and do things a bit differently to the Marvel norm, and sets things up well for later movies in the series.

Note: this review originally appeared in 2016.

The Avengers: Infinity War

The Titan Thanos has begun his plan to unite the Infinity Stones and wipe out half of the life the universe. His plan involves seizing the Stones from remote planets, the Collector of Knowhere and from Xandar, and the several Stones that have come to rest on Earth. In deep space the Guardians of the Galaxy join forces with Thor to defeat Thanos, whilst on Earth the fractured Avengers have to overcome their differences and unite again to fight his armies.

It's entirely possible that no movie in history has had a build-up like Infinity War. Almost every one of the eighteen preceding movies in the Marvel Cinematic Universe has been laying pipe and groundwork for this film, from introducing the Infinity Stones one-by-one to brief appearances by Thanos to the introduction of both the extravagant space opera and mystical sides of the universe through Guardians of the Galaxy and Doctor Strange. Marvel and Disney have shown tremendous restraint and forbearance in not pulling the triggers on those stories too early and making sure they have their ducks lined up in just the right row before finally committing.

Infinity War is an insanely massive movie. Starting as it means to go on - with a massacre which leaves several established characters dead and one MIA (which weirdly goes unmentioned for the whole movie) - the film barely lets up. Characters big and small going right back to the start of the MCU ten years ago (including some you thought you'd never see again) show up, some with large roles to play, some for an extended cameo. Despite the weight of the massive cast, directors Anthony and Joe Russo and writers Christopher Markus and Stephen McFeely somehow create a very coherent film with four distinct acts and the kind of tension filled, multi-pronged final battle on two separate fronts that we haven't seen since Return of the Jedi.

It also helps that although the movie is filled to the brim with heroes and big personalities, the film keeps its focus firmly on a central quintet. Thanos himself dominates proceedings, Josh Brolin (somehow) investing this big purple dude with some real pathos in scenes where we learn more about his backstory, his family and his homeworld. Gamora (Zoe Saldana) also has a major role to play, her family issues with both Thanos and Nebula proving a key emotional motivation for the film. Thor (Chris Hemsworth) also has a lot of screentime, clearly having feeling annoyed after the events of Thor: Ragnarok and determined to kick someone's backside. Scenes pairing him and Bradley Cooper's Rocket Raccoon (or "Rabbit" as Thor insists) are excellent, and then get better when they join forces with a giant space dwarf played by Peter Dinklage. Dinklage's screentime is limited but extraordinarily effective (he also gets arguably the best line of the movie, but it's a really tough choice). Rounding off the central focus is Tony Stark (Robert Downey Jr.) and Dr. Strange (Benedict Cumberbatch), two extremely different people who prove to be an effective team.

Lots of other characters get their moments in the sun (although Mark Ruffalo's Bruce Banner seems to be reduced to a harbinger of doom whilst he's dealing with, er, "performance" problems as Hulk), although the role of Captain America (Chris Evans) in the movie is surprisingly small. The directors know how to deliver a great superhero arrival scene just as all hope seems lost and also how to frame an action sequence. There's a lot of explosions, CG people being flung around and strange creatures and it all flows mostly well, with only a couple of moments where CG fatigue threatens to set in. Infinity War is not a movie any sane person can call restrained, but it's a movie that knows when and where to deploy its monstrous resources (adjusted for inflation, Infinity War is the most expensive movie ever made) to maximum effect.

It's also a surprisingly emotional movie. The weakness of films - and the reason we've seen television explode in comparison recently - is that it's very hard to introduce characters, establish motivation, emotionally invest the audience and then deliver a payoff in under two hours. Infinity War is instead able to draw on almost forty hours of previous character development in the MCU, so even when a fairly minor character bites the dust it hurts a little. When more major characters bite it, things get real (and at least some of these characters aren't coming back).

When the movie runs aground is in its ending, which is impossible to talk about without major spoilers. Suffice to say that the Chekhov's Gun maxim is employed by full force in the film and when you walk out of the cinema - especially if you know the significance of the post-credit sequence and what movie will immediately precede Infinity War II next year - you'll probably be able to immediately pen a fairly close outline of what happens. I mean, if they completely wrong-foot us, fair enough, but some of the choices made in the ending are completely nonsensical if you have any knowledge of what's coming and what's not coming down the Marvel production pipe later on.

Another major weakness is that the film undersells its new team of villains, the Black Order (servants of Thanos). Tom Vaughan-Lawlor as Ebony Maw and Carrie Coon as Proxima Midnight are particularly excellent, but both get limited screen time (especially Carrie Coon, one of the best actresses on TV, who is almost unrecognisable).

Finally, Marvel has gone to some lengths to say that Infinity War is a stand-alone movie and it's as-yet untitled sequel next year (which has already been shot) is a movie in its own right and not just the second half of one bigger story. That's quite frankly untrue, and a lot of the more dramatic and emotional moments from Infinity War will live or die depending on what happens in the sequel.

If you can step out of the meta-knowledge, The Avengers: Infinity War (****) is a very effective action movie with lots of solid action scenes, some real dramatic moments of power and a refreshingly ruthless attitude to its cast of massive stars. It lacks the pacing, focus and character interplay of, say, Guardians of the Galaxy or Black Panther (or even the first Avengers), but's in the upper tier of Marvel Cinematic Universe films and in balancing an unprecedentedly vast cast with solid storytelling, it's almost achieves the impossible.

The film is on general release worldwide from today.

Doctor Strange

Stephen Strange is one of the best neurosurgeons in the world, until a car accident sees his hands crushed. Strange tries everything to heal his injury and eventually, broke and desperate, he travels to Kathmandu. In a sanctum called Kamar-Taj he meets the Ancient One, a sorcerer who defends Earth from mystical and spiritual threats. Extremely reluctantly, she agrees to take on Strange as a student. He proves a quick servant, but his hunger for knowledge raises awkward memories of a previous student, Kaecilius, who turned to evil. When Kaecilius mounts a surprise attack, it is left to the inexperienced Strange to face him.

Doctor Strange is the fourteenth film in the Marvel Cinematic Universe and has one of the less-enviable tasks in the canon: it has to introduce the entire mystical, spiritual and magical side of the Marvel Comics universe to the movies, which have so far explained everything through hyper-advanced science. But by this point the MCU is absolutely over-brimming with confidence and Doctor Strange struts onto screen with almost as much swagger as the title character when he is introduced performing brain surgery to 1970s pop music (because that's just how rad he is).

In fact, Doctor Strange is a near-pitch-perfect popcorn movie. It knows it's not an Avengers, Civil War or even a Guardians of the Galaxy which is going to drag in massive crowds through bombast and slick team banter, and, like last year's similarly fun and chilled Ant-Man, it sets out to have a good time. It establishes Strange - played with the requisite charisma and arrogance by Benedict Cumberbatch - as brilliant but consumed by hubris. It has fun casting him down to his lowest ebb, getting him to Nepal and into a series of training montages with Tilda Swinton and Chiwetel Ejiofor before he is ready to go fight villain Mads Mikkelsen in a mind-bending series of fights in alternate realities that out-Inception Inception about twenty times over.

For a movie dealing in the strange and mystical, the plot is surprisingly light and straightforward, the fight sequences are well-staged and the presentation of magic as a tangible force of nature is both different and well-done (and is actually slightly reminiscent of how it was handled in last year's WarCraft movie). At under two hours the film doesn't outstay its welcome and it handles its cliches with charm. The effects are also splendid: the Inception-aping scenes of New York folding in on itself are amazing, but there's also a brilliant homage to 2001: A Space Odyssey and the film's crown jewel, a fight sequence in a street where time is flowing backwards, with people un-dying and things un-exploding all around the characters. It's a brilliant, clever and original visual effect.

The film also holds back the best for the ending. If the Marvel movies have had a key weakness, it's been that they always get resolved in a morass of punching, explosions and CGI of wildly varying quality. That's fine, but after thirteen previous movies that was starting to get a bit old. Doctor Strange wrong-foots the audience by presenting them with all the set-up for one hell of a massive battle, but then throws things for a loop and resolves the story in a completely different way (although one oddly similar to a recent episode of Doctor Who). I wanted to stand up and applaud Marvel for finally having the courage to end one of their movies in a clever and cunning way that avoids lunatic ultraviolence and massive civilian casualties.

There are some drawbacks. There's perhaps a bit too much of Inception in the CG sequences, which start to get a little wearying towards the end of the film, and Mads Mikkelsen's villain is never really developed in an interesting manner (the perennial weakness of most of the Marvel movies to date).

But overall Doctor Strange (****½) is a very solid slice of confident, popcorn entertainment, but which also has the confidence to try and do things a bit differently to the Marvel norm. The film is on general release in the UK right now and comes out in the United States on 4 November.