Showing posts with label star trek: enterprise. Show all posts
Showing posts with label star trek: enterprise. Show all posts

Monday, 10 July 2023

RIP Manny Coto

News has sadly broken that television writer Manny Coto has passed away at the age of 62. Coto was best-known for his work on the Star Trek franchise, 24 and Dexter.

Born in Havana, Cuba in 1961, Coto studied at the American Film Institute. He began his television writing career in 1988 with an episode of Alfred Hitchcock Presents, and became a regular writer on MTV's Dead at 21. Inbetween, he and Brian Helgeland wrote a script called The Ticking Man, which became the first-ever script to sell for over $1 million. His first show as creator and showrunner was Odyssey 5 (2002-03), about a group of people who witness the destruction of Earth and time travel back to avert the disaster.

In 2003 he began working on Star Trek: Enterprise in its third season. His first episode was Similitude, an ethically complex episode about cloning. The episode was hailed by both critics and cast as one of the best episodes of the series. Coto's next several episodes were well-received, and he was quickly promoted to a producing role.

For the show's fourth and final season, Coto was effectively promoted to showrunner, taking the creative reigns of the series (although Rick Berman and Brannon Braga remained technically the executive producers in charge). The final season used a number of short-form story arcs to tell stories tying into the Star Trek mythos, particularly illuminating stories about the Mirror Universe, Klingon history and the ancestor of Data's creator. Despite a warm reception, the change was too late to reverse the show's commercial fortunes and it was cancelled.

Coto went on to write extensively for 24, penning twenty-seven episodes from 2006 to 2010, and Dexter, penning ten episodes from 2010 to 2013. He returned as a writer on 24: Live Another Day in 2014 and co-created and wrote 24: Legacy in 2017. Coto went on to become a regular writer on American Horror Story and its anthology spin-off show, American Horror Stories.

Coto was a lifelong Star Trek fan with an encyclopedic knowledge of the franchise. It is interesting that he did not return to the franchise after its return to television in 2017, and also did not work on Trek homage show The Orville, which his colleague Brannon Braga worked extensively. Coto's other interests included model trains and wine-making.

Coto passed away on Sunday 10 July from pancreatic cancer, which he'd been fighting for over a year. He is survived by his wife, mother, four children and eight nieces and nephews.

Monday, 26 December 2022

Where to Start with Star Trek? (revised)

This is a revision of an article I originally wrote two and a half years ago, here.

The recent arrival of Star Trek: Strange New Worlds has spurred a renewed interest in the venerable SF franchise. New viewers want to check out the older material, but the sheer amount of it is daunting. By the start of 2023, no less than 41 seasons of television will have aired in the franchise, totalling 872 episodes spread across eight separate series airing over fifty-seven years (and counting). It would take you more than 621 hours (or almost 26 days, non-stop) to watch all of that material. In addition, there are 13 feature films in the mix, as well as a plethora of video games and hundreds of novels, audio dramas and fan films. If you want to check out this mass of material where do you start?

There are several different approaches you can take and I’ll run through a few of them below. The one thing I would say first is that, with a few notable exceptions, Star Trek is mostly an episodic franchise, where each episode stands alone with its own beginning, middle and end. That starts to shift in Deep Space Nine, which introduces more serialised elements, and by the time of Discovery and Picard the series has become fully serialised, but for the most part the different series are episodic and in fact designed for each episode to be enjoyed by themselves.

Before we get into the lists, it might be worthwhile briefly brushing up on what each series is about.


Star Trek: The Original Series
Live-action: 1966-69 • 79 episodes • 3 seasons • 6 films (1979-91)
Animated: 1973-74 • 22 episodes • 2 seasons


Also called the original series, the classic series or just Star Trek, this series follows the adventures of Starfleet Captain James T. Kirk and the crew of the Constitution-class starship USS Enterprise. They explore strange new worlds, encounter new alien life and seek to uphold the utopian values of the United Federation of Planets in the mid-23rd Century whilst dealing with recurring enemies, including the Klingons and Romulans. The story of this series continues in Star Trek: The Animated Series (which is the same, but as a cartoon) and then in the first six Star Trek feature films.

The first episode of the series, The Cage, was filmed two years before the rest of the series and features a significantly different cast of characters (who do go on to play major roles in some of the films and in Star Trek: Discovery, which revisits the same time period).


Star Trek: The Next Generation
1987-94 • 178 episodes • 7 seasons • 4 films (1994-2002)

Set in the mid-to-late 24th Century, roughly 100 years after the events of the original series, The Next Generation focuses on a brand-new, much larger and vastly more sophisticated Galaxy-class USS Enterprise under the command of Captain Jean-Luc Picard. The emphasis remains on exploring new worlds and meeting new races. Although the series mostly remains episodic, recurring and more serialised elements creep in towards its end. Most notable is the introduction of the Borg, an overwhelmingly powerful cybernetic threat which remains a key enemy through the next several series, and the Cardassians, a mid-ranking antagonistic enemy. The story of this series continues in the seventh through tenth Star Trek feature films and the sequel-series Star Trek: Picard, set thirty years later.


Star Trek: Deep Space Nine
1993-99 • 176 episodes • 7 seasons

To date, the only Star Trek series not set on a starship. Instead, the focus is on Deep Space Nine, a Federation outpost established on an abandoned Cardassian space station orbiting the planet Bajor. The Cardassians conquered and ruled Bajor with an iron fist for forty years before withdrawing, leaving the planet in ruins. The Federation are helping them rebuild, their efforts spearheaded by Commander Benjamin Sisko. Unlike most Star Trek series, which focuses on the Federation and Starfleet crewmembers, this series has a large number of civilian and alien recurring characters. Bajor becomes unexpectedly important when a stable wormhole leading to the remote Gamma Quadrant of the galaxy is discovered, allowing the planet to benefit from increased trade (to the fury of the Cardassians). Early seasons revolve around renewed Cardassian/Bajoran tensions before the introduction of the Dominion, the alien alliance which rules the Gamma Quadrant and is unhappy with the Federation poking around its back yard. Later seasons are more heavily serialised and see the outbreak of full-scale war between the Federation and the Dominion.

Deep Space Nine was controversial during its first airing for being perceived as a lot darker than prior Star Trek shows, but in recent years it has undergone a critical reassessment and is now often cited as the best (or at least the most critically consistent) of the Star Trek series.


Star Trek: Voyager
1995-2001 • 172 episodes • 7 seasons

This series opens when the USS Voyager is flung 75,000 light-years across the galaxy to the Delta Quadrant and has to return home, which is estimated will take over seventy years at maximum warp. Captain Kathryn Janeway and her crew seek to find faster ways home with any means at their disposal, whilst upholding Federation values in a desperate corner of space where no one even knows who the Federation are.


Star Trek: Enterprise
2001-05 • 98 episodes • 4 seasons

A prequel series taking place about a century before the events of The Original Series, this show takes place before the Federation or Starfleet even exist. Instead, it follows the adventures of the NX-01 Enterprise, Earth’s first experimental spacecraft with a Warp 5 drive. The series sees the crew trying to engage in interstellar diplomacy, exploration and commerce with much more primitive technology than even in Kirk’s time, whilst also trying to deal with problems such as a brewing conflict between the Andorians and Vulcans, and Earth’s first fumbling dealings with the Klingons and Romulans. The series is almost completely episodic for its first two years, but in its third season explores a series-long arc where Enterprise has to search for aliens who carried out a devastating sneak attack on Earth. The final season is divided into shorter arcs revolving around the formation of the Federation.


Star Trek: The Kelvin Timeline Films
2009-16 • 3 films

A series of three films (Star TrekInto DarknessBeyond) produced by J.J. Abrams, these films are set in an alternate timeline created by time travel. Spock (from the original series) is blasted back in time by his failure to stop the destruction of the Romulan homeworld, pursued by a vengeful Romulan crew. This results in alterations to the timeline, such as a younger James T. Kirk and his fellow crewmembers joining forces and taking command of the Enterprise years earlier than in the original timeline and getting into fresh, new adventures in the mid-23rd Century.

A fourth film in this series has been in development hell for several years.


Star Trek: Discovery
2017 onwards • 55 episodes • 4 seasons (to date)

Another prequel series, this time taking place ten years before the events of The Original Series. The focus is on Michael Burnham, the first officer of the USS Shenzhou who badly fumbles a confrontation with the Klingons, inadvertently leading to a massive war. A disgraced Burnham is assigned to the USS Discovery, a highly experimental starship with unusual technology and an oddball, maverick captain, where she is offered the chance to atone for her mistakes.

The show undergoes a drastic format change in its latter seasons, when the USS Discovery is shifted through time to the 32nd Century.

A fifth season will air in 2023.


Star Trek: Picard
2020 onwards • 20 episodes • 2 seasons (to date)

A sequel series set at the end of the 24th Century, Star Trek: Picard picks up story elements left dangling from the end of The Next GenerationDeep Space Nine and Voyager, as well as exploring events in the original timeline after the destruction of Romulus (in the original timeline).

A third season will air in 2023.


Star Trek: Lower Decks
2020 onwards • 30 episodes • 3 seasons (to date)

An animated series set several years after the end of Deep Space Nine and Voyager, and almost a decade after the end of The Next Generation, Lower Decks is a lighter-hearted show looking at life on one of the "regular" Starfleet ships that doesn't get the high-profile, glamorous missions of other hero ships in the franchise. The show is noted for being an affectionate satire of the rest of Trek, whilst also keeping its ethos intact.

A fourth season will air in 2023.


Star Trek: Prodigy
2021 onwards • 20 episodes • 1 season (to date)

A CG-animated show set a year or so after Lower Decks, Prodigy is notable as the first show in the franchise not to focus on a regular Starfleet cast. Instead, the show features a crew of young aliens who salvage a Federation starship and use it to try to reach Federation space, fed dreams of what it is like to serve in Starfleet by the ship's advisory hologram, based on Voyager's Captain Janeway. However, various problems complicate their mission.


Star Trek: Strange New Worlds
2022 onwards • 10 episodes • 1 season (to date)

A spin-off of Discovery and a prequel to The Original Series, this show focuses on the adventures of the original USS Enterprise, but almost a decade before Kirk's time. The show instead expands from the original pilot The Cage by concentrating on the adventures of Captain Christopher Pike and his crew. The show deliberately bucks recent trends by consisting of episodic adventures.


The Curated Sample

This order is not exhaustive but what it does is provide a snapshot of the different series and some of the strongest stand-alone episodes which hold up well today. These episodes are stand-alones (not part of multi-episodic arcs) and are designed to showcase some of the different types of storytelling the series indulges in. A viewer can jump from these episodes into the rest of that series if they like what they see.

The Animated Series is effectively a continuation of The Original Series and it would be hard to recommend individual episodes from EnterpriseDiscovery or Picard due to their heavy serialisation (Picard is also best-watched having seen some or all of The Next Generation first).
  • Star Trek: The Original Series, The City on the Edge of Forever
  • Star Trek: The Original Series, The Trouble with Tribbles
  • Star Trek: The Original Series, Space Seed
  • Star Trek II: The Wrath of Khan
  • Star Trek: The Next Generation, The Measure of a Man
  • Star Trek: The Next Generation, Q Who?
  • Star Trek: The Next Generation, The Inner Light
  • Star Trek: Deep Space Nine, The Visitor
  • Star Trek: Deep Space Nine, Far Beyond the Stars
  • Star Trek: Deep Space Nine, In the Pale Moonlight*
  • Star Trek: Voyager, Eye of the Needle
  • Star Trek: Voyager, Message in a Bottle
* This may seem to be an exception to the multi-episode arc rule, as In the Pale Moonlight has references to and a big impact on the Dominion War storyline which dominates much of Deep Space Nine’s latter seasons. However, the episode itself is more about Sisko’s journey and how he and Garak bring about a major shift in political events whilst never leaving the station (the Dominion itself does not appear), which can be understood well enough without additional context.


The Pilot Sample

This approach simply has the viewer sampling the first episode of each version of the series to see what grabs their attention straight away, and from there they can choose which series to watch first:
  • Star Trek: The Original SeriesThe Cage (1964)
  • Star Trek: The Original SeriesWhere No Man Has Gone Before (1966)
  • Star Trek: The Animated Series, Beyond the Farthest Star (1973)
  • Star Trek: The Next GenerationEncounter at Farpoint (1987)
  • Star Trek: Deep Space NineThe Emissary (1993)
  • Star Trek: VoyagerCaretaker (1995)
  • Star Trek: EnterpriseBroken Bow (2001)
  • Star Trek: DiscoveryThe Vulcan Hello (2017)
  • Star Trek: Picard, Remembrance (2020)
  • Star Trek: Lower Decks, Second Contact (2020)
  • Star Trek: Prodigy, Lost and Found (2021)
  • Star Trek: Strange New Worlds, Strange New Worlds (2022)

Release Order

AKA the “completionist” approach. This may be the approach everyone ends up taking once they’ve been sucked into the material, but I wouldn’t recommend it for a first run-through. This approach basically means watching the series in order of release and is the best for enjoying the series as it originally aired and was intended (just somewhat compressed).

The primary weakness of this approach is having to watch The Original Series in full before the more recent shows. The original show is certainly great from the perspective of a 1960s TV series and also has many outstanding episodes that have withstood the test of time, but it also has a lot of episodes that…have not. The series underwent an in-depth HD remastering process in 2006 which saw the film quality improved and revamped CG effects added to make the visual quality of the episodes more acceptable to modern audiences, although obviously the writing and performances were not affected.

You can tweak this order for simplicity: there’s nothing stopping you from watching all six films featuring the original cast before watching The Next Generation, and Deep Space Nine and Voyager are divorced from one another almost completely, so you could watch DS9 in full before switching to VoyagerTNG and DS9 do have a few more notable crossovers in terms of characters and storylines, but it also wouldn’t be the end of the world if you finished watching TNG in full before watching DS9.
  • Star Trek: The Original Series Pilot, The Cage (made in 1964, but didn’t air until later as part of the original series)
  • Star Trek: The Original Series Season 1-3 (1966-69)
  • Star Trek: The Animated Series Season 1-2 (1973-74)
  • Star Trek: The Motion Picture (1979)
  • Star Trek II: The Wrath of Khan (1982)
  • Star Trek III: The Search for Spock (1984)
  • Star Trek IV: The Voyage Home (1986)
  • Star Trek: The Next Generation Season 1-2 (1987-89)
  • Star Trek V: The Final Frontier (1989)
  • Star Trek: The Next Generation Season 3-4 (1989-91)
  • Star Trek VI: The Undiscovered Country (1991)
  • Star Trek: The Next Generation Season 5 (1991-92)
  • Star Trek: Deep Space Nine Season 1 / Star Trek: The Next Generation Season 6 (1992-93)
  • Star Trek: Deep Space Nine Season 2 / Star Trek: The Next Generation Season 7 (1993-94)
  • Star Trek: Generations (1994)
  • Star Trek: Deep Space Nine Season 3 (1994-95) / Star Trek: Voyager Season 1 (1995)
  • Star Trek: Deep Space Nine Season 4 / Star Trek: Voyager Season 2 (1995-96)
  • Star Trek: First Contact (1996)
  • Star Trek: Deep Space Nine Season 5 / Star Trek: Voyager Season 3 (1996-97)
  • Star Trek: Deep Space Nine Season 6 / Star Trek: Voyager Season 4 (1997-98)
  • Star Trek: Insurrection (1998)
  • Star Trek: Deep Space Nine Season 7 / Star Trek: Voyager Season 5 (1998-99)
  • Star Trek: Voyager Season 6-7 (1999-2001)
  • Star Trek: Enterprise Season 1 (2001-02)
  • Star Trek: Nemesis (2002)
  • Star Trek: Enterprise Season 2-4 (2002-05)
  • Star Trek (2009)
  • Star Trek Into Darkness (2013)
  • Star Trek Beyond (2016)
  • Star Trek: Discovery Season 1-2 (2017-19)
  • Star Trek: Picard Season 1 / Star Trek: Lower Decks Season 1 (2020)
  • Star Trek: Discovery Season 3 (2020-21)
  • Star Trek: Lower Decks Season 2 (2021)
  • Star Trek: Discovery Season 4 / Star Trek: Prodigy Season 1 (2021-22)
  • Star Trek: Picard Season 2 / Star Trek: Strange New Worlds Season 1 / Star Trek: Lower Decks Season 3 (2022)

Chronological Order
This order lists the series in the order of when the episodes take place in the order of events within the Star Trek universe.

This order has some strengths, as it roughly matches the historical order of events, but it also has some major weaknesses. It puts Enterprise, arguably one of the weaker Trek series overall, up first and also features a number of spoilers for later series (since the Enterprise writers couldn’t resist pulling in familiar creatures and aliens to the show from later periods, no matter how incongruous). You’re also talking about waiting a long time to get to "the good stuff."
  • Star Trek: Enterprise Seasons 1-4 (2151-55, 2161)
  • Star Trek: The Original Series Pilot, The Cage (2254)
  • Star Trek: Discovery Seasons 1-2 (2256-57)
  • Star Trek: Strange New Worlds Season 1 (2259)
  • Star Trek: The Original Series Seasons 1-3 (2266-68)
  • Star Trek: The Animated Series Seasons 1-2 (2269-70)
  • Star Trek: The Motion Picture (2271)
  • Star Trek II: The Wrath of Khan (2285)
  • Star Trek III: The Search for Spock (2285)
  • Star Trek IV: The Voyage Home (2286)
  • Star Trek V: The Final Frontier (2287)
  • Star Trek VI: The Undiscovered Country (2293)
  • Star Trek: The Next Generation Seasons 1-5 (2364-68)
  • Star Trek: The Next Generation Season 6 / Star Trek: Deep Space Nine Season 1 (2369)
  • Star Trek: The Next Generation Season 7 / Star Trek: Deep Space Nine Season 2 (2370)
  • Star Trek: Deep Space Nine Season 3 / Star Trek: Voyager Season 1 (2371)
  • Star Trek: Generations (2371)
  • Star Trek: Deep Space Nine Season 4 / Star Trek: Voyager Season 2 (2372)
  • Star Trek: First Contact (2373)
  • Star Trek: Deep Space Nine Season 5 / Star Trek: Voyager Season 3 (2373)
  • Star Trek: Deep Space Nine Season 6 / Star Trek: Voyager Season 4 (2374)
  • Star Trek: Insurrection (2375)
  • Star Trek: Deep Space Nine Season 7 / Star Trek: Voyager Season 5 (2375)
  • Star Trek: Voyager Season 6-7 (2376-78)
  • Star Trek: Nemesis (2379)
  • Star Trek: Lower Decks Seasons 1-3 (2380-81)
  • Star Trek: Prodigy Season 1 (2383)
  • Star Trek (2385, alternate 2258), Star Trek Into Darkness (2259), Star Trek Beyond (2263)*
  • Star Trek: Picard Seasons 1-2 (2399-2401)
  • Star Trek: Discovery Season 3-4 (3188-90)
* The chronological order of events also makes placing the Kelvin timeline movies awkward, as they rely heavily on knowledge of events after the original show and The Next Generation but are set much earlier, albeit in a parallel universe. Sticking them here is probably the best approach.

What's the best order then? I'd say order of release for those who want to experience the franchise as it was released and understand it could be a bit of a bumpy ride, otherwise one of the curated approaches might be best.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Friday, 10 April 2020

Where to Start with Star Trek?

The recent arrival of Star Trek: Picard on CBS All Access and Amazon Prime has spurred a renewed interest in the venerable SF franchise. New viewers want to check out the older material, but the sheer amount of it is daunting. By the summer of 2020, no less than 34 seasons of television will have aired in the franchise, totalling 777 episodes spread across eight separate series airing over fifty-four years (and counting). It would take you more than 570 hours (or almost 24 days, non-stop) to watch all of that material. In addition, there are 13 feature films in the mix, as well as a plethora of video games and hundreds of novels, audio dramas and fan films. If you want to check out this mass of material where do you start?

There are several different approaches you can take and I’ll run through a few of them below. The one thing I would say first is that, with a few notable exceptions, Star Trek is mostly an episodic franchise, where each episode stands alone with its own beginning, middle and end. That starts to shift in Deep Space Nine, which introduces more serialised elements, and by the time of Discovery and Picard the series has become fully serialised, but for the most part the different series are episodic and in fact designed for each episode to be enjoyed by themselves.

Before we get into the lists, it might be worthwhile briefly brushing up on what each series is about.


Star Trek: The Original Series
Live-action: 1966-69 • 79 episodes • 3 seasons • 6 films (1979-91)
Animated: 1973-74 • 22 episodes • 2 seasons


Also called the original series, the classic series or just Star Trek, this series follows the adventures of Starfleet Captain James T. Kirk and the crew of the Constitution-class starship USS Enterprise. They explore strange new worlds, encounter new alien life and seek to uphold the utopian values of the United Federation of Planets in the mid-23rd Century whilst dealing with recurring enemies, including the Klingons and Romulans. The story of this series continues in Star Trek: The Animated Series (which is the same, but as a cartoon) and then in the first six Star Trek feature films.

The first episode of the series, The Cage, was filmed two years before the rest of the series and features a significantly different cast of characters (who do go on to play major roles in some of the films and in Star Trek: Discovery, which revisits the same time period).


Star Trek: The Next Generation
1987-94 • 178 episodes • 7 seasons • 4 films (1994-2002)

Set in the mid-24th Century, roughly 100 years after the events of the original series, The Next Generation focuses on a brand-new, much larger and vastly more sophisticated Galaxy-class USS Enterprise under the command of Captain Jean-Luc Picard. The emphasis remains on exploring new worlds and meeting new races. Although the series mostly remains episodic, recurring and more serialised elements creep in towards its end. Most notable is the introduction of the Borg, an overwhelmingly powerful cybernetic threat which remains a key enemy through the next several series, and the Cardassians, a mid-ranking antagonistic enemy. The story of this series continues in the seventh through tenth Star Trek feature films and the sequel-series Star Trek: Picard, set thirty years later.


Star Trek: Deep Space Nine
1993-99 • 176 episodes • 7 seasons

To date, the only Star Trek series not set on a starship. Instead, the focus is on Deep Space Nine, a Federation outpost established on an abandoned Cardassian space station orbiting the planet Bajor. The Cardassians conquered and ruled Bajor with an iron fist for forty years before withdrawing, leaving the planet in ruins. The Federation are helping them rebuild, their efforts spearheaded by Commander Benjamin Sisko. Unlike most Star Trek series, which focuses on the Federation and Starfleet crewmembers, this series has a large number of civilian and alien recurring characters. Bajor becomes unexpectedly important when a stable wormhole leading to the remote Gamma Quadrant of the galaxy is discovered, allowing the planet to benefit from increased trade (to the fury of the Cardassians). Early seasons revolve around renewed Cardassian/Bajoran tensions before the introduction of the Dominion, the alien alliance which rules the Gamma Quadrant and is unhappy with the Federation poking around its back yard. Later seasons are more heavily serialised and see the outbreak of full-scale war between the Federation and the Dominion.

Deep Space Nine was controversial during its first airing for being perceived as a lot darker than prior Star Trek shows, but in recent years it has undergone a critical reassessment and is now often cited as the best (or at least the most critically consistent) of the Star Trek series.


Star Trek: Voyager
1995-2001 • 172 episodes • 7 seasons

This series opens when the USS Voyager is flung 75,000 light-years across the galaxy to the Delta Quadrant and has to return home, which is estimated will take over seventy years at maximum warp. Captain Kathryn Janeway and her crew seek to find faster ways home with any means at their disposal, whilst upholding Federation values in a desperate corner of space where no one even knows who the Federation are.


Star Trek: Enterprise
2001-05 • 98 episodes • 4 seasons

A prequel series taking place about a century before the events of The Original Series, this show takes place before the Federation or Starfleet even exist. Instead, it follows the adventures of the NX-01 Enterprise, Earth’s first experimental spacecraft with a Warp 5 drive. The series sees the crew trying to engage in interstellar diplomacy, exploration and commerce with much more primitive technology than even in Kirk’s time, whilst also trying to deal with problems such as a brewing conflict between the Andorians and Vulcans, and Earth’s first fumbling dealings with the Klingons and Romulans. The series is almost completely episodic for its first two years, but in its third season explores a series-long arc where Enterprise has to search for aliens who carried out a devastating sneak attack on Earth. The final season is divided into shorter arcs revolving around the formation of the Federation.


Star Trek: The Kelvin Timeline Films
2009-16 • 3 films

A series of three films (Star Trek, Into Darkness, Beyond) produced by J.J. Abrams, these films are set in an alternate timeline created by time travel. Spock (from the original series) is blasted back in time by his failure to stop the destruction of the Romulan homeworld, pursued by a vengeful Romulan crew. This results in alterations to the timeline, such as a younger James T. Kirk and his fellow crewmembers joining forces and taking command of the Enterprise years earlier than in the original timeline and getting into fresh, new adventures in the mid-23rd Century.


Star Trek: Discovery
2017 onwards • 42 episodes • 3 seasons (to date, as of the end of 2020)

Another prequel series, this time taking place ten years before the events of The Original Series. The focus is on Michael Burnham, the first officer of the USS Shenzhou who badly fumbles a confrontation with the Klingons, inadvertently leading to a massive war. A disgraced Burnham is assigned to the USS Discovery, a highly experimental starship with unusual technology and an oddball, maverick captain, where she is offered the chance to atone for her mistakes.


Star Trek: Picard
2020 onwards • 10 episodes • 1 season (to date)

A sequel series set at the end of the 24th Century, Star Trek: Picard picks up story elements left dangling from the end of The Next Generation, Deep Space Nine and Voyager, as well as exploring events in the original timeline after the destruction of Romulus (in the original timeline).


The Curated Sample

This order is not exhaustive but what it does is provide a snapshot of the different series and some of the strongest stand-alone episodes which hold up well today. These episodes are stand-alones (not part of multi-episodic arcs) and are designed to showcase some of the different types of storytelling the series indulges in. A viewer can jump from these episodes into the rest of that series if they like what they see.

The Animated Series is effectively a continuation of The Original Series and it would be hard to recommend individual episodes from Enterprise, Discovery or Picard due to their heavy serialisation (Picard is also best-watched having seen some or all of The Next Generation first).
  • Star Trek: The Original Series, The City on the Edge of Forever
  • Star Trek: The Original Series, The Trouble with Tribbles
  • Star Trek: The Original Series, Space Seed
  • Star Trek II: The Wrath of Khan
  • Star Trek: The Next Generation, The Measure of a Man
  • Star Trek: The Next Generation, Q Who?
  • Star Trek: The Next Generation, The Inner Light
  • Star Trek: Deep Space Nine, The Visitor
  • Star Trek: Deep Space Nine, Far Beyond the Stars
  • Star Trek: Deep Space Nine, In the Pale Moonlight*
  • Star Trek: Voyager, Eye of the Needle
  • Star Trek: Voyager, Message in a Bottle
* This may seem to be an exception to the multi-episode arc rule, as In the Pale Moonlight has references to and a big impact on the Dominion War storyline which dominates much of Deep Space Nine’s latter seasons. However, the episode itself is more about Sisko’s journey and how he and Garak bring about a major shift in political events whilst never leaving the station (the Dominion itself does not appear), which can be understood well enough without additional context.


The Pilot Sample

This approach simply has the viewer sampling the first episode of each version of the series to see what grabs their attention straight away, and from there they can choose which series to watch first:
  • Star Trek: The Original Series, The Cage (1964)
  • Star Trek: The Original Series, Where No Man Has Gone Before (1966)
  • Star Trek: The Next Generation, Encounter at Farpoint (1987)
  • Star Trek: Deep Space Nine, The Emissary (1993)
  • Star Trek: Voyager, Caretaker (1995)
  • Star Trek: Enterprise, Broken Bow (2001)
  • Star Trek: Discovery, The Vulcan Hello (2017)

Release Order

AKA the “completionist” approach. This may be the approach everyone ends up taking once they’ve been sucked into the material, but I wouldn’t recommend it for a first run-through. This approach basically means watching the series in order of release and is the best for enjoying the series as it originally aired and was intended (just somewhat compressed).

The primary weakness of this approach is having to watch The Original Series in full before the more recent shows. The original show is certainly great from the perspective of a 1960s TV series and also has many outstanding episodes that have withstood the test of time, but it also has a lot of episodes that…have not. The series underwent an in-depth HD remastering process in 2006 which saw the film quality improved and revamped CG effects added to make the visual quality of the episodes more acceptable to modern audiences, although obviously the writing and performances were not affected.

You can tweak this order for simplicity: there’s nothing stopping you from watching all six films featuring the original cast before watching The Next Generation, and Deep Space Nine and Voyager are divorced from one another almost completely, so you could watch DS9 in full before switching to Voyager. TNG and DS9 do have a few more notable crossovers in terms of characters and storylines, but it also wouldn’t be the end of the world if you finished watching TNG in full before watching DS9.
  • Star Trek: The Original Series Pilot, The Cage (made in 1964, but didn’t air until later as part of the original series)
  • Star Trek: The Original Series Season 1-3 (1966-69)
  • Star Trek: The Animated Series Season 1-2 (1973-74)
  • Star Trek: The Motion Picture (1979)
  • Star Trek II: The Wrath of Khan (1982)
  • Star Trek III: The Search for Spock (1984)
  • Star Trek IV: The Voyage Home (1986)
  • Star Trek: The Next Generation Season 1-2 (1987-89)
  • Star Trek V: The Final Frontier (1989)
  • Star Trek: The Next Generation Season 3-4 (1989-91)
  • Star Trek VI: The Undiscovered Country (1991)
  • Star Trek: The Next Generation Season 5 (1991-92)
  • Star Trek: Deep Space Nine Season 1 / Star Trek: The Next Generation Season 6 (1992-93)
  • Star Trek: Deep Space Nine Season 2 / Star Trek: The Next Generation Season 7 (1993-94)
  • Star Trek: Generations (1994)
  • Star Trek: Deep Space Nine Season 3 (1994-95) / Star Trek: Voyager Season 1 (1995)
  • Star Trek: Deep Space Nine Season 4 / Star Trek: Voyager Season 2 (1995-96)
  • Star Trek: First Contact (1996)
  • Star Trek: Deep Space Nine Season 5 / Star Trek: Voyager Season 3 (1996-97)
  • Star Trek: Deep Space Nine Season 6 / Star Trek: Voyager Season 4 (1997-98)
  • Star Trek: Insurrection (1998)
  • Star Trek: Deep Space Nine Season 7 / Star Trek: Voyager Season 5 (1998-99)
  • Star Trek: Voyager Season 6-7 (1999-2001)
  • Star Trek: Enterprise Season 1 (2001-02)
  • Star Trek: Nemesis (2002)
  • Star Trek: Enterprise Season 2-4 (2002-05)
  • Star Trek (2009)
  • Star Trek Into Darkness (2013)
  • Star Trek Beyond (2016)
  • Star Trek: Discovery Season 1-2 (2017-19)
  • Star Trek: Picard Season 1 (2020)
  • Star Trek: Discovery Season 3 (2020)

Chronological Order
This order lists the series in the order of when the episodes take place in the order of events within the Star Trek universe.

This order has some strengths, as it roughly matches the historical order of events, but it also has some major weaknesses. It puts Enterprise, arguably the weakest Trek series overall, up first and also features a number of spoilers for later series (since the Enterprise writers couldn’t resist pulling in familiar creatures and aliens to the show from later periods, no matter how incongruous). You’re also talking about waiting a long time to get to the good stuff.
  • Star Trek: Enterprise Seasons 1-4 (2151-55, 2161)
  • Star Trek: The Original Series Pilot, The Cage (2254)
  • Star Trek: Discovery Seasons 1-2 (2256-57)
  • Star Trek: The Original Series Seasons 1-3 (2266-68)
  • Star Trek: The Animated Series Seasons 1-2 (2269-70)
  • Star Trek: The Motion Picture (2271)
  • Star Trek II: The Wrath of Khan (2285)
  • Star Trek III: The Search for Spock (2285)
  • Star Trek IV: The Voyage Home (2286)
  • Star Trek V: The Final Frontier (2287)
  • Star Trek VI: The Undiscovered Country (2293)
  • Star Trek: The Next Generation Seasons 1-5 (2364-68)
  • Star Trek: The Next Generation Season 6 / Star Trek: Deep Space Nine Season 1 (2369)
  • Star Trek: The Next Generation Season 7 / Star Trek: Deep Space Nine Season 2 (2370)
  • Star Trek: Deep Space Nine Season 3 / Star Trek: Voyager Season 1 (2371)
  • Star Trek: Generations (2371)
  • Star Trek: Deep Space Nine Season 4 / Star Trek: Voyager Season 2 (2372)
  • Star Trek: First Contact (2373)
  • Star Trek: Deep Space Nine Season 5 / Star Trek: Voyager Season 3 (2373)
  • Star Trek: Deep Space Nine Season 6 / Star Trek: Voyager Season 4 (2374)
  • Star Trek: Insurrection (2375)
  • Star Trek: Deep Space Nine Season 7 / Star Trek: Voyager Season 5 (2375)
  • Star Trek: Voyager Season 6-7 (2376-77)
  • Star Trek: Nemesis (2379)
  • Star Trek (2385, alternate 2258), Star Trek Into Darkness (2259), Star Trek Beyond (2263)*
  • Star Trek: Picard (2399)
  • Star Trek: Discovery Season 3 (c. 3160)
* The chronological order of events also makes placing the Kelvin timeline movies awkward, as they rely heavily on knowledge of events after the original show and The Next Generation but are set much earlier, albeit in a parallel universe. Sticking them here is probably the best approach.

What's the best order then? I'd say order of release for those who want to experience the franchise as it was released and understand it could be a bit of a bumpy ride, otherwise one of the curated approaches might be best.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Saturday, 30 September 2017

Star Trek: Enterprise - Season 4

Earth has survived an attack by the alien Xindi. The crew of the NX-01 Enterprise have been hailed as heroes, but Earth is also in the grip of anti-alien xenophobia, fanned by a terrorist organisation known as Terra Prime. There's also growing tensions between the Vulcans, Andorians and Tellarites, with Earth caught in the middle...and an unseen enemy manipulating events from behind the scenes.


The fourth and concluding season of Star Trek: Enterprise is the moment when the show finally starts fulfilling its premise. For its first two years the show seemed to too often disregard the potential of its setting in favour of doing too-traditional Star Trek stories, just with less advanced technology. In the third season the show adopted more long-form storytelling that made it more dynamic and interesting, but still had problems with pacing, not to mention telling a story that had nothing to do with the show's reason for existing. This final season finally lines everything up just right to deliver the most consistently excellent season of Trek since the end of Deep Space Nine.

The season is divided up into several multi-episode arcs. The first quickly disposes of the Temporal Cold War, an ill-thought-out plot device that hamstrung the first two seasons of the show. Very quickly the show moves into stories tying together the augments (the genetically-engineered descendants of Khan) into the humanoid-looking Klingons of the original series (a story that really didn't need to be told, but isn't awful) with other stories bringing in the Romulans as masterminds of a plot to thwart the growing relations between the eventual founders of the Federation. Other episodes involve a social revolution on Vulcan (including an appearance by a young T'Pau, a fan-favourite character from the original Star Trek) and, most effectively, a two-parter entirely set in the Mirror Universe. Another multi-part story revolves around the last gasp of fascism on Earth and its final defeat, setting the scene for Gene Roddenberry's utopian vision to come to pass.

The result is a relentlessly enjoyable season of television. It's still not the sharpest-written season of Star Trek, let alone SF in general, and the fact this season aired alongside vastly superior first season of the rebooted Battlestar Galactica probably did it no favours, but removed from that context it stands up pretty well. This Enterprise as it should have been from the start, deftly mixing together original stories with the established history of the Star Trek canon and having fun in the process. The writers and cast are clearly having more fun than they have in previous seasons and that joy finds its way onto the screen.

Of course, there is a big "but" in all of this. There are a few weak episodes this season, and the few stand-alone episodes peppered between the two and three-parters are mostly forgettable. There's also some problems within the longer arcs. The augment story is too long and mostly unnecessary: it tries to explain what happened to genetically engineered humans after Khan, a story already adequately explained on Deep Space Nine, and it laboriously tries to explain why Klingons looked different in the original series, a story, er, already adequately explained on Deep Space Nine. There's also a bafflingly pointless story which tries to mine drama from Trip's decision to leave Enterprise permanently (hint: he doesn't), which is undercut by the fact that no-one cares.

Worse, and most famously, is the season and series finale, These Are the Voyages. This episode is framed as a flashback from Star Trek: The Next Generation with Riker weirdly consulting a holo-programme about Enterprise's final mission to justify some personal decisions. This is an insult to the cast and crew of Enterprise, putting too much focus on TNG characters rather than the show that is actually ending, and feels forced. The episode is ill-conceived, badly-written and lacking in tension and drama, making it easily the weakest Star Trek series finale since Turnabout Intruder (and at least the writers of that episode had the excuse they didn't know it was the finale).

Still, at least it's a single really awful episode in a season featuring some stand-out and, in the form of the In a Mirror, Darkly episodes, a genuine classic two-parter. Overall, the fourth season of Star Trek: Enterprise (****) is thoroughly enjoyable and shows the potential of this show that went unrealised for so long. The season is available on Blu-Ray (UK, USA) and on Netflix in the UK and many other parts of the world.

Sunday, 19 March 2017

Star Trek: Enterprise - Season 3

Earth has been attacked by an alien superweapon. Florida and the Caribbean have been left in flames and over seven million people are dead. The alien attackers are traced to a mysterious region of space known as the Delphic Expanse and an alien race known as the Xindi, so Starfleet sends the NX-01 Enterprise to the region to investigate further and stop the Xindi before they can launch a second attack.


According to conventional wisdom, Star Trek: Enterprise gets a lot better with its third season. The show's best writer, Manny Coto, was promoted to producer and given more creative freedom. The entire season also has a strong, ongoing story arc. It's still not full-on serialisation - many episodes are still stand-alone, just with more frequent mentions of the ongoing storyline - but it's closer than Trek has gotten before across a whole year. There's also more attention paid to character growth, such as T'Pol developing an addiction to a chemical and then going through withdrawal, leaving her permanently emotionally damaged, whilst the human crewmembers initially hunger for revenge against the Xindi before learning more about them and how they've been manipulated by another alien race.

It is certainly true that Enterprise's third season is more interesting than the first two. There is more of a sense of tension and drama and the show feels more experimental. Long-term Trek producers Rick Berman and Brannon Braga, criticised by many fans for presiding over the long-term decline of the franchise, seem to have backed off and given Coto more freedom to innovate. The producers cleverly realised that their storyline, although it had legs, was still insufficient to fill 25 episodes, so were still able to bring in side-stories to expand the texture of the new setting of the Expanse. Although some of these episodes are undeniably filler (Extinction and Rajin are groan-inducingly boring), there seems to be a far higher hit rate than in previous seasons.

The season also gives us Enterprise's first truly classic episode. Twilight riffs on previous episode ideas but also takes a strong influence from the movie Memento, with Archer affected by a neurological problem which prevents him from forming long-term memories. The episode unfolds as an alternate view of what happens if the Enterprise's mission fails and, although we know it won't, the episode is well-written and directed enough that it doesn't matter too much.

Other strong episodes include Proving Ground (even if the arrival of Andorian occasional semi-ally Shran is a little implausible), Strategem and Doctor's Orders (an excellent showcase for John Billingsley's acting). The season also ends with a strong arc starting with Azati Prime, where Enterprise takes incredibly heavy damage and is left crippled for the rest of the season. The crew have to find a way of destroying the Xindi weapon without having their normal resources to call upon, so have to resort to a diplomatic solution. In a post-9/11 world and with the far darker Battlestar Galactica reboot hitting screens at the same time, Enterprise takes a very different approach is still very true to the ethos of Star Trek, and does so reasonably well. The season-ending cliffhanger is less than compelling, however.

The third season of Star Trek: Enterprise (****) is indeed better than the first two and the finest season of Star Trek since the end of Deep Space Nine. It's not perfect and occasionally resorts to tiresome Star Trek standbys, but it entertains and successfully finds a solution to the season-long arc that channels Star Trek at its finest. The season is available now on Blu-Ray (UK, USA) and on Netflix in the UK and Ireland.

Saturday, 17 December 2016

Star Trek: Enterprise - Season 2

The NX-01 Enterprise, Earth's first deep-space exploration vessel, continues to visit new worlds and make first contact with new species. However, Captain Archer's mission is complicated by rising tensions between the Vulcans and Andorians, the ongoing threat of the Suliban and internal dissent within the Klingon Empire which results in a price being placed on his head.



The first season of Star Trek: Enterprise was promising and intermittently fun, but it was also highly variable in quality, pulled its punches a lot and didn't have the courage of its convictions. A Star Trek prequel series featuring life at the rough end of space, humans establishing relations with races like the Tellarites, Vulcans and Andorians and featuring lots of low-tech solutions that Geordi or O'Brien would have fixed in five seconds in later series could be quite exciting. Enterprise doesn't do that, however. It's really just another Star Trek show, slightly bland and playing it safe whilst leaning a lot on Star Trek tropes that were exhausted long before The Next Generation ended, let alone by the time Enterprise was on air a full decade later.

The season actually starts off in an entertaining enough fashion, with T'Pol relating the story of a Vulcan science team stuck on Earth in the 1950s which does some typical but amusing culture clash stuff quite well. A Magnificent Seven-riffing episode has the crew help a team of miners defend themselves from Klingons and a war episode focusing on Andorians and Vulcans fighting over a contested moon is clever for how it shows that human flexibility can be an asset in resolving a situation that the Vulcans can't deal with through logic alone. There's also a solid Klingon trial episode starring J.G. Hertzler as a Klingon attorney and a very good first contact culture clash episode starring the late, great Andreas Katsulas as an alien captain who forms a bromance with Captain Archer over their mutual love of exploration. A late-season episode featuring a flashback to Archer's days as a warp test pilot (riffing on things like The Right Stuff) is also decent. There's a solid sense of character progression throughout the season as well, with T'Pol developing into a more interesting character and Phlox getting some interesting episodes as well.

The weaknesses from Season 1 remain intact, however. Trip gets far too many episodes dedicated to him when he is simply far too bland and uninteresting a character to merit it, Travis gets exactly one episode to do anything of interest in (and doesn't do too great a job) and Hoshi doesn't even get that. To be fair they do drop some of the more frustrating elements from Season 1 - the Temporal Cold War is pretty much forgotten about, apart from two episodes - and they also work on making the Klingons more formidable bad guys at the end of the season, but Enterprise remains firing on half-thrusters for most of the season. For every good episode there is a dull-as-dishwater one, and a couple that are flat-out terrible.

That said, the season finale is surprisingly good. The Suliban reluctantly form an alliance with Enterprise to combat a greater threat in a region of space known as the Delphic Expanse, setting the scene for the much more heavily-serialised third season.

The second season of Star Trek: Enterprise (***½) remains watchable and at times it lives up to the promise of the premise. But all too often it waters down gripping ideas into dull, Star-Trek-by-the-numbers morality plays and sells short its own potential. The season is available now on Blu-Ray (UK, USA) and on Netflix in the UK and Ireland.

Sunday, 23 October 2016

Star Trek: Enterprise - Season 1

AD 2151. Earth has spent a century recovering from a devastating global war and developing new technologies, such as the ability to travel faster than light through Zephram Cochrane's warp drive. The alien Vulcans have taken taken humanity under their wing, seeing in them great potential but also great dangers linked to their rashness. Now Starfleet's first Warp 5-capable starship, the NX-01 Enterprise, is ready for launch under the command of Jonathan Archer. But the Vulcans are still uncertain about their allies and place one of their own on board to monitor events.



Back in 2001 Star Trek was suffering from a bad case of "franchise fatigue". Rick Berman had produced 21 seasons of television, none shorter than 20 episodes, spanning three different series in fourteen years. His feeling was that the franchise needed to be rested to come back stronger, but Paramount were adamant that they wanted to keep the Star Trek gravy train afloat. Wearily, Berman and Voyager producer Brannon Braga agreed to create a new show but only on the condition that they could be more experimental and bold with it.

The result was Enterprise, a prequel series set 115 years before Captain James T. Kirk's original five-year mission, and about 90 years after the time travel events of the movie Star Trek: First Contact. The idea was to strip away all of Star Trek's convenient and "easy" technology - the transporter, photon torpedoes, shields, the universal translator, replicators - and make something much grittier and more "real", with less pure and ideologically-motivated humans and the making of space into a much darker and more threatening place.

It's a nice idea which, intermittently, works. Enterprise's main problem in this first season is that it kind of pulls its punches. Not as much as Voyager did, but still a lot more than it should. Enterprise doesn't have shields, but instead it can "polarise the hull plating". It doesn't have torpedoes but it does have missiles which are almost as good. It does have a transporter, but it's "risky" to use (albeit it works perfectly when the script needs it to and not when it doesn't). The universal translator is an advanced version of Google Translate and about as reliable, but they have a linguistics genius on board who can straighten it out, so that's fine. All of the less-than-scientific facets of the Star Trek universe - artificial gravity and sound in space most notably - remain intact.

Still, Enterprise remains a big improvement over Voyager. The show deliberately hearkens back to the original series's sense of adventure, with Archer as a bold, curious scientific explorer (who's not afraid to get his hands dirty when needed) in Captain Kirk's mould. It's also fun to see what mischief the crew can get up to without the Prime Directive holding them back (even though by the end of the season the need for it becomes clear). Unlike Voyager's crew of dysfunctional, depressed bores, this crew is a bit livelier and funnier, with a generally much higher standard of acting ability (Dominic Keating being the weakest link, and he improves significantly as the season progresses). Scott Bakula, possibly the most likable person on Earth, makes for a great captain, Jolene Blalock overcomes some dubious costuming choices to deliver a smart and nuanced performance (her deadpan sense of humour comes more to the fore in later episodes) and Linda Park is great - if not given enough to do - as linguistics expert Hoshi. Connor Trinneer's engineer (who seems to be a mash-up of Scotty's engineering genius and McCoy's Southern charm) Trip is less interesting but kind of harmless. Anthony Montgomery's Travis probably gets the rawest deal in terms of having anything to do. The strongest performance on the show is given by John Billingsley as Dr. Phlox. Early fears that he might be Neelix Mk. 2 never materialise and he goes on to give a nuanced performance throughout the season (apart from a comedy plotline in which he is woken up early from his annual hibernation, which is irritating).

Enterprise may be better than Voyager at this early showing, but that certainly doesn't make it perfect. Individual episodes vary immensely in quality, with some very strong and entertaining episodes like Dear Doctor and The Andorian Incident having to make up for a lot of typical, semi-Star Trek filler pap. For a first season, Enterprise tests its viewers' patience a lot. Maybe not as much as the first seasons of TNG and Voyager, but there's a still an fair bit of tedium to get through to get to the good moments.

More questionable is the insertion of a storyline in which time-travelling operatives from the far future are engaged in a "temporal cold war" with one another. Having a Star Trek prequel series building naturally to the universe we know is a good idea. Having one in which some guy from the 31st Century shows up and tells Archer that he's special and his actions will lead to the founding of the Federation is a lazy shortcut. The main alien race in this storyline, the Suliban, is also not one of Star Trek's more interesting antagonist races, it has to be said.

But, ultimately, Enterprise ends up being diverting and entertaining. It's also interesting as a historical artifact: shortly after this season began, 9/11 took place and American SF took a turn for the darker and more cynical. That gave us some great TV like the new Battlestar Galactica, but it also may have taken things down too dark a path. Enterprise's overwhelming feeling of optimism, adventure and exploration is, when done well, a refreshing tonic to the grimness that would come after it.

The first season of Star Trek: Enterprise (***½) is watchable, harmless and occasionally very cheesy fun. It's not the franchise at its best, but it's a long way from it at its worst. It does have a lot of potential, but it needs to up its game in future seasons. The season is available now on Blu-Ray (UK, USA) and on Netflix in the UK and Ireland.

Saturday, 10 September 2016

Gratuitous Lists: The Star Trek TV Series Ranked

The philosophy of the Gratuitous Lists feature was to have lists of stuff that are unranked, because frankly if you're talking about the 12th best thing of all time or the 9th best thing of all time, the differences are going to be pretty minor. In the case of the Star Trek lists, however, that's kind of pointless because there's way too few things to put on the list. So for these ones I'm ranking them and people can argue away to their heart's content. So let us proceed:

The cast of Voyager: Lt. Harry Kim (Garrett Wang), Seven-of-Nine (Jeri Ryan), the Doctor (Robert Picardo), Neelix (Ethan Phillips), Captain Katherine Janeway (Kate Mulgrew), Commander Chakotay (Robert Beltran), Lt. B'Elanna Torres (Roxann Dawson), Lt. Tom Paris (Robert Duncan McNeill) and Lt. Commander Tuvok (Tim Russ)


6. Star Trek: Voyager
Created by Rick Berman, Michael Piller and Jeri Taylor Produced by Rick Berman, Jeri Taylor, Michael Piller and Brannon Braga • Aired 16 January 1995-23 May 2001 • 7 seasons 172 episodes

Timeframe: AD 2371-2377

Premise: The Intrepid-class USS Voyager is dispatched on a mission to apprehend a vessel belonging to the Maquis, a terrorist group. Both ships are inadvertently transported 70,000 light-years to the remote Delta Quadrant of the galaxy. Captain Janeway is forced into an uneasy alliance with the Maquis commander, Chakotay, so that both crews can return home to Federation space.

Assessment: When Voyager started in 1995, it had a lot of promise to it. Fans had been criticising The Next Generation (and, to a lesser extent, the original series) because it spent an awful lot of time flying between starbases rather than genuinely going "where no one had gone before". By dumping a Federation starship on the far side of the galaxy with no Federation, no Starfleet, no Klingons and no Romulans, the hope was to create a completely new set of heroes and villains, with the incredibly isolated ship in genuine danger.

None of that really happened. Voyager remained in pristine condition despite not being able to resupply or get repaired. Continuity was minimal, with the reset button being hit at the end of every episode. Its new, original races were cheesy stock races which didn't vary from the Star Trek standard, and it wasn't long before the show was (rather desperately) trying to shoehorn in Klingons, Romulans and the Ferengi. The most prevalent new enemy race, the Kazon, were soon thrown out for being dire and the show settled on The Next Generation's most memorable foe, the Borg, as their main enemy, as well as reintroducing staple TNG villain Q.

The show moderately improved in the fourth season, with the introduction of Jeri Ryan as "saved" Borg drone Seven of Nine. Seven provided an able foil for Captain Janeway, with their on-screen antagonism giving way to mutual respect fuelled by the actresses' off-screen antipathy to one another. Rapidly improving CG effects technology also resulted in some visually impressive episodes late in the show's run. However, a largely indifferent and unchallenged cast, some awful writing and a lot of pulled punches made Star Trek: Voyager excruciating most of the time and just plain dull the rest.

The show wasn't a complete wash, however, with Robert Picardo's excellent performance as the ship's holographic doctor gradually attaining sentience providing a lot of humour and, surprisingly, pathos as the show continued. However, the show's greatest success may have been annoying long-term Trek writer Ronald D. Moore so much with its unfulfilled promise that he later went off and put most of his ideas into practice on the far superior Battlestar Galactica (2003-09) reboot instead.

Check Out: Scorpion (Parts 1 & 2), Year of Hell, Message in a Bottle.

Avoid at All Costs: Threshold, Fair Haven, Endgame and, to be frank, any episode that doesn't revolve around the Doctor or Seven-of-Nine.

The cast of Enterprise: Dr. Phlox (John Billingsley), Chief Engineer Charles "Trip" Tucker (Connor Trinneer), Ensign Travis Mayweather (Anthony Montgomery), Captain Jonathan Archer (Scott Bakula), T'Pol (Jolene Blalock), Ensign Hoshi Sato (Linda Park) and Lt. Malcolm Reed (Dominic Keating.

5. Star Trek: Enterprise

Created by Rick Berman and Brannon Braga Produced by Rick Berman, Brannon Braga and Manny Coto • Aired 26 September 2001-13 May 2005 • 4 seasons 98 episodes

Timeframe: 16 April 2151-55 (the final episode takes place in 2161)

Premise: In 2151 Earth launches its first Warp 5-capable ship, the NX-01 Enterprise, under the command of Jonathan Archer and the watchful eye of the Vulcan "advisor" T'Pol. Earth faces rising tensions between neighbouring worlds like Tellar, Vulcan and Andora, not to mention navigating the dangerous first contact with the Klingon Empire. But the Enterprise's adventures will eventually set the scene for the birth of the United Federation of Planets itself.

Assessment: When Paramount demanded that Star Trek uber-producer Rick Berman create a new series to follow up Voyager, he was dubious. He felt that the series was suffering from "franchise fatigue" after shooting twenty-one seasons in fourteen years and recommended resting the show for a while. But Paramount wanted the new series to start immediately. Reluctantly, Berman and co-writer Brannon Braga complied.

And they did try to be original. They decided to make the new show a prequel, set a century before the original series. Their aim was to gradually build to the founding of the Federation. The decision to have a ship called Enterprise which had never been mentioned before was cheesy, but they did at least attempt to justify it. They also made clever use of ever-more-impressive effects technology and the casting was much better than Voyager's, with the actors feeling more engaged and excited by the project. But too often in the first two seasons the writers fell back on stock Star Trek ideas and situations rather than doing the premise justice.

In Season 3 they abruptly course-corrected. They brought in a talented and imaginative new writer, Manny Coto, and began engaging in more serialisation. They also dropped the ill-advised "temporal cold war" story of the first two seasons (a pointless attempt to keep touching base with the post-Voyager timeline) and focused more on interstellar politics and tensions, laying the seeds for the foundation of the Federation. This culminated in the Coto-helmed fourth season which saw a dramatic upswing in quality. Unfortunately, when the series was cancelled they decided to go out on a truly diabolical note. These Are the Voyages... is the worst Star Trek finale and one of the worst episodes in the franchise's history, and soured both fans and cast on the show. Still, there are some great episodes to be found and if Enterprise was one series too far, at least it tried to be original and ambitious.

Check Out: Demons, Terra Prime, The Forge, Babel One, The Andorian Incident.

Avoid at All Costs: These Are the Voyages..., A Night in Sickbay, Two Days and Two Nights.

The cast of The Animated Series: Lt. Nyota Uhuru (Nichelle Nichols), Commander Spock (Leonard Nimoy), Commander Montgomery Scott (James Doohan), Lt. Arex (James Doohan), Captain James T. Kirk (William Shatner), Lt. M'Ress (Majel Barrett), Lt. Hikaru Sulu (George Takei), Dr. Leonard McCoy (DeForest Kelley) and Nurse Christine Chapel (Majel Barrett)

4. Star Trek: The Animated Series
Created by Gene Roddenberry Produced by Gene Roddenberry and D.C. Fontana • Aired 8 September 1973-12 October 1974 • 2 seasons 22 episodes

Timeframe: approx. 2269-70

Premise: Continuing the five-year mission of the USS Enterprise under Captain James T. Kirk. Only in two dimensions.

Assessment: Given The Animated Series's relative obscurity (until its recent re-release) and the fact it's animated on a low budget, it's actually surprisingly decent. The writers (many returning from the live-action series) clearly revel in the fact that they can depict truly alien beings and planets and the TV show actors all return to voice their characters, which adds a lot of credibility to the show. The show has also been surprisingly well-suited to modern social media, with both Swear Trek and Starcher Trek generating a lot of laughs based on it.

Check Out: Yesteryear, The Time Trap, More Tribbles, More Troubles, The Lorelei Signal.

Avoid at All Costs: Mudd's Passion

The cast of the original series: Chief Engineer Montgomery Scott (James Doohan), Ensign Pavel Chekov (Walter Koenig), Dr. Leonard McCoy (DeForest Kelley), Nurse Christine Chapel (Majel Barrett), Captain James T. Kirk (William Shatner), Lt. Nyota Uhuru (Nichelle Nichols), Commander Spock (Leonard Nimoy) and Lt. Hikaru Sulu (George Takei)

3. Star Trek: The Original Series
Created by Gene Roddenberry Produced by Gene Roddenberry, Gene L. Coon and Fred Freiberger • Aired 8 September 1966-3 June 1969 • 3 seasons 79 episodes

Timeframe: approx. 2265-68 (the pilot episode takes place circa 2255)

Premise: In the mid-23rd Century, Captain James T. Kirk commands the Constitution-class USS Enterprise (NCC-1701) on a five-year mission to explore strange new worlds, seek out new life and new civilisations and to boldly go where no one has gone before.

Assessment: For a show made in the 1960s, the original Star Trek has withstood the test of time far better than you'd expect. The regular actors are on top form throughout and some of the episodes remain genuinely inventive, powerful and surprisingly topical. Other episodes are poor, particularly most of the third season when the network replaced Gene Roddenberry with hack writer Fred Freiberger, but the seeds of Star Trek and the reason the franchise has lasted fifty years are clearly in place.

The original show probably has the strongest set of characters in terms of archetypes, but it's actually startling how little most of the characters bar Spock, McCoy and Kirk get to do. Given there's 79 episodes, you'd expect Chekov, Sulu, Uhura and Scotty to have at least a few dedicated episodes apiece but nope. They'd have to wait until the films and the reboot movies to get a bigger slice of the action.

Still, the original series still packs an impressive emotional wallop in episodes like The City on the Edge of Forever and Amok Time, whilst episodes like Space Seed and Balance of Terror are effective, tense action stories and The Trouble with Tribbles is a splendid comedy piece. This is where it all started, and it (mostly) still holds up well.

Check Out: The City on the Edge of Forever, Space Seed, Amok Time, Balance of Terror, Mirror, Mirror, The Trouble with Tribbles.

Avoid at All Costs: Spock's Brain, The Way to Eden, Turnabout Intruder.

The cast of The Next Generation: Commander William Riker (Jonathan Frakes), Counsellor Deanna Troi (Marina Sirtis), Lt. Commander Data (Brent Spiner), Captain Jean-Luc Picard (Patrick Stewart), Guinan (Whoopi Goldberg), Lt. Commander Geordi LaForge (LeVar Burton), Dr. Beverly Crusher (Gates McFadden) and Lt. Worf (Michael Dorn)

2. Star Trek: The Next Generation
Created by Gene Roddenberry Produced by Gene Roddenberry, Rick Berman, Michael Piller and Jeri Taylor • Aired 28 September 1987-23 May 1994 • 7 seasons 178 episodes

Timeframe: AD 2364-71


Premise: Almost a century after Kirk's time, Captain Jean-Luc Picard commands the Galaxy-class USS Enterprise (NCC-1701-D) as it defends the Federation, explores new planets and undertakes cutting-edge scientific research.

Assessment: Bringing back Star Trek was an obvious move, but employing a whole new cast and set of characters and putting them on a new (and, at the time, rather weird-looking) Enterprise a hundred years further in the future? Paramount made a massive gamble with Star Trek: The Next Generation and one that at first didn't look like it had paid off. Although ratings were strong, most of the show's first two seasons were torn apart by critics. It wasn't until deep in the second season that classic episodes started appearing.

It took Gene Roddenberry's retirement and the bringing-in of hungry new writer-producer Michael Piller to really let things take off. In particular, the writers Piller brought in like Ronald D. Moore and Naren Shanker soon really began making the show work by writing to the strengths of the characters. New enemies like the Borg were introduced, old races like the Klingons and Romulans were explored in greater depth and, most importantly of all, the show employed the formidable skills of some extremely talented actors like Patrick Stewart and Brent Spiner.

The Next Generation is easily the most popular incarnation of Star Trek, its ratings dwarfing that of the rest, but it's also the most important. It showed that Star Trek can still work when you move away from the Kirk-Spock dynamic and that the universe can have numerous different kinds of story in it.

However, it's not the best. TNG is somewhat inconsistent in tone, with almost half the run of the show being blighted by weak episodes. At its best with episodes like The Best of Both Worlds, TNG is absolutely untouchable, but its worst episodes are horribly-written, badly-conceived and even outright racist (Code of Honour put off future Trek writer Brannon Braga from even watching the show). In addition, although TNG does pay more attention to continuity than the original show (or even Voyager), it still hits the reset button and avoids exploring the consequences of major character moments too easily.

Check Out: The Measure of a Man, Q Who?, Sins of the Father, Yesterday's Enterprise, Deja Q, The Best of Both Worlds (Parts 1 and 2), Family, The Inner Light, Tapestry, All Good Things, most of Seasons 3-6.
 
Avoid at All Costs: Code of Honour, Justice, Up the Long Ladder, Genesis, Sub Rosa, most of Seasons 1, 2 and 7.

The cast of Deep Space Nine: Lt. Commander Worf (Michael Dorn), Lt. Jadzia Dax (Terry Farrell), Chief Engineer Miles O'Brien (Colm Meaney), Dr. Julian Bashir (Alexander Siddig), Quark (Armin Shimmerman), Captain Benjamin Sisko (Avery Brooks), Security Chief Odo (Rene Auberjonois), Major Kira Nerys (Nana Visitor) and Jake Sisko (Cirroc Lofton).

1. Star Trek: Deep Space Nine
Created by Rick Berman and Michael Piller Produced by Rick Berman, Michael Piller and Ira Steven Behr • Aired 3 January 1993-2 June 1999 • 7 seasons 176 episodes

Timeframe: AD 2369-75

Premise: After forty years of brutal occupation, the Cardassian Union has withdrawn from the planet Bajor, leaving it exhausted and devastated. The Federation agrees to provide assistance, directing relief efforts from an abandoned Cardassian space station, Terok Nor, which they rename Deep Space Nine. When a stable wormhole linking Bajor to the remote Gamma Quadrant of the galaxy is discovered, Bajor and Deep Space Nine become the most important locations in Federation space. When a hostile alien government in the Gamma Quadrant, the Dominion, stages an invasion of Federation space, it also becomes the flashpoint for the most devastating war in the Federation's history.

Assessment: When Deep Space Nine started in 1993 it was seen as The Next Generation's slightly crazy spin-off. That hasn't entirely changed in the quarter-century since then. It's the only Star Trek series not predominantly set on a starship, it doesn't feature too much boldly going where no-one has gone before and the cast is the most eclectic, oddball collection of characters ever assembled for a Trek series. It also had a perceived rivalry with another space station-set SF show, the conceptually bolder Babylon 5, which at the time it was felt that DS9 had lost.

History, on the other hand, has been much kinder to Deep Space Nine. The fact it's set on a space station is something it turns to its advantage, gradually accumulating a very large cast of secondary and recurring characters that really makes its corner of the Federation feel like a real, lived-in place. It explores the themes and ideas of the Star Trek universe in exacting - even uncomfortable - depth. It even has a cast of recurring, brilliantly-realised villains in the last couple of seasons. It takes a long look at the ideals of Star Trek, tests them, but often finds that they are still valid. Deep Space Nine is, indeed, the "darkest" incarnation of Star Trek but it is still full of hope and optimism, even at the bloodiest heights of the Dominion War in Seasons 6 and 7.

This is also the most mature and progressive installment of Star Trek. Gene Roddenberry liked to talk up a good fight, how he was going to be more inclusive and show gay people and stronger female characters in the Star Trek universe, but he always retreated from doing it. Deep Space Nine faced an uphill battle to even include two women kissing briefly, but at least it made the attempt. It also tackled issues like racism and social inequality head-on, never more powerfully in stories like Far Beyond the Stars.

No other Star Trek series matches DS9 for its organic, beautifully-played character growth across the series. There was also the attitude it took to entire races. It explored the spirituality and religion of Bajor, it made the Klingons a little scarier and more alien again and it rehabilitiated the Ferengi, whose sexism and misogyny had been played a little too much for laughs on TNG even when it got uncomfortable.

But for a show that could be the most serious Trek series it is also the most hilarious. Trials and Tribbleations (in which Forrest Gump-style technology is used to integrate the DS9 crew into footage from the original series) is hands-down the funniest episode of the entire franchise, with scenes including Worf's deadpan description of the genocidal war launched by the Klingon Empire against the tribbles, Bashir urgently trying to convince O'Brien he should sleep with a woman in case she's his own great-grandmother and he needs to ensure his own existence, and Dax throwing tribbles out of a storage compartment to hit Captain Kirk on the head. In the Cards is a more subtle episode which gently takes the mickey out of the Federation's hippy ideology ("We work to better ourselves, and all of humanity," "What does that mean, exactly?" "It means we haven't got any money!"). Little Green Men posits Quark as being the Roswell alien and somehow makes it work. Our Man Bashir has Dr. Bashir posing as a James Bond-style spy in a holosuite adventure that goes badly wrong.

Finally, Deep Space Nine has the finest space battles, some of the finest lines and some of the greatest moments in the history of Star Trek. It needed The Original Series and The Next Generation to lead the way and blaze the trail, of course, but for now Deep Space Nine remains the crowning achievement of the Star Trek franchise on screen.

Check Out: Duet, The Jem'Hadar, The Way of the Warrior, The Visitor, Little Green Men, Our Man Bashir, Trials and Tribbleations, In Purgatory's Shadow, By Inferno's Light, In the Cards, Call to Arms, Sacrifice of Angels, Far Beyond the Stars, In the Pale Moonlight, The Siege of AR-558, What You Leave Behind and most of the entire show (but especially Seasons 3-7).

Avoid at All Costs: Profit and Lace, Let He Who Is Without Sin.


The question now, of course, is where the new TV series, Star Trek: Discovery, will fit into the list.