Steven Spielberg will be directing the film version of Ernest Cline's novel Ready Player One, it was confirmed today.
The novel, published in 2011, has been an international bestseller, although I must admit I found it a mixed bag, relying too heavily on nostalgia for effect. It was certainly a fun, if lightweight, book and it's a surprise that Spielberg is taking it on personally.
The film will be released on 15 December 2017. Cline's new novel, Armada, has just been released.
Showing posts with label steven spielberg. Show all posts
Showing posts with label steven spielberg. Show all posts
Thursday, 6 August 2015
Tuesday, 21 May 2013
Steven Spielberg announces live-action HALO TV series
During the launch announcement of Microsoft's new console, the controversially-named X-Box One, it was casually dropped in that Steven Spielberg will be making a live-action TV series based on the Halo videogame series.
Almost no other information was revealed, except that the series will be a premium-content show developed as an original series for the X-Box One's TV portal (i.e. there won't necessarily be a traditional or cable network involved), which may also be accessible from the X-Box 360's Gold Live service. Further information - if there's going to be a pilot or a 13-part series or possible airing dates or casting information, or even when it'll be set and what characters will be involved - has not been revealed, though I expect more to be revealed in the next few days.
Presumably this means that the long-planned Halo movie (at one point to be written by Game of Thrones showrunner D.B. Weiss, directed by District 13 director Neill Blomkamp and produced by Peter Jackson) is on hold pending how the show turns out.
There have been four games in the core series, comprising a completed trilogy (Halo: Combat Evolved, Halo 2 and Halo 3) and the start of a second trilogy (the unpredictably-titled Halo 4). Halo 5 is currently in-development for the X-Box One. There has also been a prequel game, Halo: Reach, a self-contained expansion to Halo 3 called Halo 3: ODST, and a spin-off real-time strategy game, Halo Wars.
The games begin in the year 2552, when humanity is at war with a hostile alien race, the Covenant. During a battle between a human ship and a Covenant vessel, both encounter a massive ring-shaped structure in space, ten thousand miles wide. The human vessel crashes on the surface and one of the few survivors, a Spartan elite trooper known only by his rank, Master Chief, has to fight through the Covenant forces to discover the structure's secret: it is home to a rapacious, hostile race known as the Flood which will overwhelm and destroy the entire galaxy if left unchecked. Later games reveal that there are multiple Halo rings and their true purpose is to keep the Flood under control, even if it means wiping out all life in the galaxy. Later games focus on the emergence of a new threat, the Prometheans.
The games span a period of five years, along with Reach, a prequel set a few months before the first game and depicting the Covenant launching a full-scale invasion of the human colony world of Reach, home to 700 million people. A potential TV series could be set at any point in the games' timeline, or even earlier or later, focusing on different characters and situations altogether. Spin-off novels, including some written by hard SF author Greg Bear, are set thousands of years earlier during the construction of the Halos, though it's less likely that a TV show would move so far away from the familiar iconography of the games.
More news as it is revealed.
Almost no other information was revealed, except that the series will be a premium-content show developed as an original series for the X-Box One's TV portal (i.e. there won't necessarily be a traditional or cable network involved), which may also be accessible from the X-Box 360's Gold Live service. Further information - if there's going to be a pilot or a 13-part series or possible airing dates or casting information, or even when it'll be set and what characters will be involved - has not been revealed, though I expect more to be revealed in the next few days.
Presumably this means that the long-planned Halo movie (at one point to be written by Game of Thrones showrunner D.B. Weiss, directed by District 13 director Neill Blomkamp and produced by Peter Jackson) is on hold pending how the show turns out.
There have been four games in the core series, comprising a completed trilogy (Halo: Combat Evolved, Halo 2 and Halo 3) and the start of a second trilogy (the unpredictably-titled Halo 4). Halo 5 is currently in-development for the X-Box One. There has also been a prequel game, Halo: Reach, a self-contained expansion to Halo 3 called Halo 3: ODST, and a spin-off real-time strategy game, Halo Wars.
The games begin in the year 2552, when humanity is at war with a hostile alien race, the Covenant. During a battle between a human ship and a Covenant vessel, both encounter a massive ring-shaped structure in space, ten thousand miles wide. The human vessel crashes on the surface and one of the few survivors, a Spartan elite trooper known only by his rank, Master Chief, has to fight through the Covenant forces to discover the structure's secret: it is home to a rapacious, hostile race known as the Flood which will overwhelm and destroy the entire galaxy if left unchecked. Later games reveal that there are multiple Halo rings and their true purpose is to keep the Flood under control, even if it means wiping out all life in the galaxy. Later games focus on the emergence of a new threat, the Prometheans.
The games span a period of five years, along with Reach, a prequel set a few months before the first game and depicting the Covenant launching a full-scale invasion of the human colony world of Reach, home to 700 million people. A potential TV series could be set at any point in the games' timeline, or even earlier or later, focusing on different characters and situations altogether. Spin-off novels, including some written by hard SF author Greg Bear, are set thousands of years earlier during the construction of the Halos, though it's less likely that a TV show would move so far away from the familiar iconography of the games.
More news as it is revealed.
Sunday, 25 March 2012
The Adventures of Tintin: The Secret of the Unicorn
Tintin, a young Belgian journalist, is drawn into a web of intrigue and deception when he buys a model of a ship called the Unicorn. At least two groups take an interest in the model and Tintin finds himself shot at and his flat burgled. Sensing a possible story, Tintin pursues the mystery of the Unicorn across multiple countries and continents to its surprising and unexpected conclusion.
The Adventures of Tintin: The Secret of the Unicorn is a motion-captured animated movie directed by Steven Spielberg and produced by Peter Jackson. An enormous amount of creative firepower has been brought to bear on bringing Belgian cartoonist Hergé's characters to life. It was a bit of a gamble by Spielberg and Jackson, as the Tintin albums (graphic novels) are immensely successful worldwide but are relatively little-known in the United States. Making use of this fact, the movie was released in Europe several weeks prior to its American release, building up a good word-of-mouth that boosted the film's success in the States (and leading to a sequel being put into development).
I was a major Tintin fan as a child, collecting quite a few of the albums and watching the animated TV series. I was interested to see what Spielberg and Jackson could produce, but was also a little worried. Early trailers seemed to show an artistic style reminiscent of the 'uncanny valley'-stricken Polar Express (where the almost-human-looking characters are off-puttingly fake). Fortunately, the finished film is mostly a success, avoiding most of the pitfalls of CGI movies that try to stick too closely to realism. The animation is jaw-dropping, whether it's depicting an action-packed, one-shot motorcycle chase through a Middle-Eastern city, a battle between duelling shipyard cranes or a running gunfight on a ship at night. For the most part the characters are given animation and life, with a slightly stylised art style used that falls between realism and outright cartoons. The 'uncanny valley' issue remains in small doses, and is a particular problem with Tintin himself. Like his comic counterpart, the film's Tintin is a little on the bland side with few defining characteristics aside from his stoic heroism and determination. Luckily, his more colourful and interesting companion characters (most notably Captain Haddock, whom, as in the albums, steals most of the scenes he's in) more than make up for this lack.
As well as the successful animation, the movie is backed up by a strong, pacy script. Co-written by current Doctor Who showrunner Steven Moffat and British comedy directors Edgar Wright (Shaun of the Dead, Hot Fuzz, Scott Pilgrim) and Joe Cornish (Attack the Block), the script draws on storylines from three of the albums: The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure (probably among the best-known and apparently the biggest-selling of the albums). The writers pack a huge amount of incident into the film's 110 minutes, but ably move between moments of characterisation, comedy and action without making the film feel too busy or short. Spielberg's direction is also impressive, particularly the aforementioned tracking shot depicting a motorcycle chase through a bustling city, which is much more successful than Spielberg's previous attempts to do long one-shots. A sequence in which Haddock recalls the adventures of his ancestor and mixes present-day shots of the desert and flashes back to a raging sea battle is also highly engaging.
Rounding off the film's success is the voice acting. Andy Serkis (best-known as Gollum from Jackson's Lord of the Rings movies) is great as Captain Haddock, imbuing him with comedy and pathos as needed. Simon Pegg and Nick Frost as Thompson and Thomson are also amusing, whilst Daniel Craig is superbly menacing as the film's primary villain, Ivan Sakharine. Jamie Bell does a good job with Tintin, but is not given a huge amount to work with.
Overall, The Adventures of Tintin: The Secret of the Unicorn (****½) is a highly successful adaptation of Hergé's characters and stories. The film is funny, dramatic, exciting and fast-paced, easily Spielberg's best work in a decade and hugely outstripping the terrible Indiana Jones and the Kingdom of the Crystal Skull as a rollicking adventure movie. Where problems emerge are a few (mercifully short) sequences where uncanny valley-itis sets in and the issues of Tintin not being a terribly engaging protagonist. But with its excellent voice acting, awesome visuals and well-paced script, the movie overcomes these problems with ease. The film is available now in the UK (DVD, Blu-Ray) and USA (DVD, Blu-Ray). I highly recommend the Blu-Ray version for its superior visual quality. This is one film which really deserves to be seen in as high quality as possible.
The Adventures of Tintin: The Secret of the Unicorn is a motion-captured animated movie directed by Steven Spielberg and produced by Peter Jackson. An enormous amount of creative firepower has been brought to bear on bringing Belgian cartoonist Hergé's characters to life. It was a bit of a gamble by Spielberg and Jackson, as the Tintin albums (graphic novels) are immensely successful worldwide but are relatively little-known in the United States. Making use of this fact, the movie was released in Europe several weeks prior to its American release, building up a good word-of-mouth that boosted the film's success in the States (and leading to a sequel being put into development).
I was a major Tintin fan as a child, collecting quite a few of the albums and watching the animated TV series. I was interested to see what Spielberg and Jackson could produce, but was also a little worried. Early trailers seemed to show an artistic style reminiscent of the 'uncanny valley'-stricken Polar Express (where the almost-human-looking characters are off-puttingly fake). Fortunately, the finished film is mostly a success, avoiding most of the pitfalls of CGI movies that try to stick too closely to realism. The animation is jaw-dropping, whether it's depicting an action-packed, one-shot motorcycle chase through a Middle-Eastern city, a battle between duelling shipyard cranes or a running gunfight on a ship at night. For the most part the characters are given animation and life, with a slightly stylised art style used that falls between realism and outright cartoons. The 'uncanny valley' issue remains in small doses, and is a particular problem with Tintin himself. Like his comic counterpart, the film's Tintin is a little on the bland side with few defining characteristics aside from his stoic heroism and determination. Luckily, his more colourful and interesting companion characters (most notably Captain Haddock, whom, as in the albums, steals most of the scenes he's in) more than make up for this lack.
As well as the successful animation, the movie is backed up by a strong, pacy script. Co-written by current Doctor Who showrunner Steven Moffat and British comedy directors Edgar Wright (Shaun of the Dead, Hot Fuzz, Scott Pilgrim) and Joe Cornish (Attack the Block), the script draws on storylines from three of the albums: The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure (probably among the best-known and apparently the biggest-selling of the albums). The writers pack a huge amount of incident into the film's 110 minutes, but ably move between moments of characterisation, comedy and action without making the film feel too busy or short. Spielberg's direction is also impressive, particularly the aforementioned tracking shot depicting a motorcycle chase through a bustling city, which is much more successful than Spielberg's previous attempts to do long one-shots. A sequence in which Haddock recalls the adventures of his ancestor and mixes present-day shots of the desert and flashes back to a raging sea battle is also highly engaging.
Rounding off the film's success is the voice acting. Andy Serkis (best-known as Gollum from Jackson's Lord of the Rings movies) is great as Captain Haddock, imbuing him with comedy and pathos as needed. Simon Pegg and Nick Frost as Thompson and Thomson are also amusing, whilst Daniel Craig is superbly menacing as the film's primary villain, Ivan Sakharine. Jamie Bell does a good job with Tintin, but is not given a huge amount to work with.
Overall, The Adventures of Tintin: The Secret of the Unicorn (****½) is a highly successful adaptation of Hergé's characters and stories. The film is funny, dramatic, exciting and fast-paced, easily Spielberg's best work in a decade and hugely outstripping the terrible Indiana Jones and the Kingdom of the Crystal Skull as a rollicking adventure movie. Where problems emerge are a few (mercifully short) sequences where uncanny valley-itis sets in and the issues of Tintin not being a terribly engaging protagonist. But with its excellent voice acting, awesome visuals and well-paced script, the movie overcomes these problems with ease. The film is available now in the UK (DVD, Blu-Ray) and USA (DVD, Blu-Ray). I highly recommend the Blu-Ray version for its superior visual quality. This is one film which really deserves to be seen in as high quality as possible.
Monday, 1 November 2010
First screenshots from TINTIN released
Peter Jackson and Steven Spielberg have released the first screenshots from their first Tintin movie, due in cinemas a year from now.

Hmm. Obviously this is early work, but at the moment there is a strong 'uncanny valley' feeling reminiscent of Robert Zemeckis's Polar Express. I must admit that I was expecting something more stylised and reminiscent of the original comics' art style. This kind of odd halfway-house between a CGI cartoon and realism seems unsatisfying.
Still, a long time before the film hits the cinema and plenty of time for them to do more work on the graphics.

Hmm. Obviously this is early work, but at the moment there is a strong 'uncanny valley' feeling reminiscent of Robert Zemeckis's Polar Express. I must admit that I was expecting something more stylised and reminiscent of the original comics' art style. This kind of odd halfway-house between a CGI cartoon and realism seems unsatisfying.
Still, a long time before the film hits the cinema and plenty of time for them to do more work on the graphics.
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