Showing posts with label the islanders. Show all posts
Showing posts with label the islanders. Show all posts

Sunday, 1 January 2012

The Wertzone Awards 2011

Yup, it's that time of year again :-)

Best Novels


1. The Islanders by Christopher Priest
Priest's first novel in a decade may not be quite his best, but it is still an impressive achievement. Taking the form of a gazetteer to a fictional archipelago of islands, this was a short story collection, novel and worldbuilding guidebook (but also very much a deconstruction of the notion of worldbuilding) all wrapped into one compelling whole. Especially notable for showcasing Priest's not-very-often-aired sense of humour. Inventive and rewarding.

2. The White Luck Warrior by R. Scott Bakker
Bakker's Second Apocalypse fantasy sequence (of which this is the fifth volume, and the second volume of the second of three trilogies set in the world of Earwa) passes its mid-point with Bakker's customary intellectual vigour, foreboding atmosphere and memorable scenes (the finale is stunning). He also brings back the massive battle sequences and more successfully manages the politics than the previous volume, returning to his top form.

3. The Heroes by Joe Abercrombie
Abercrombie's best novel to date, with a strong focus on a single battle unfolding over three days. The battle may be pointless, but its outcome has huge ramifications for both the characters and also the world (not the least of which is the invention of the sandwich).

4. The Iron Jackal by Chris Wooding
The Tales of the Ketty Jay series is probably the most purely enjoyable fantasy series in progress at the moment, and this third volume is the best in the series so far. A succession of aerial dogfights and chases mix well with intrigue, a museum heist and an epic conclusion featuring a giant steampunk robot. An absolutely non-guilty pleasure.

5. The Cold Commands by Richard Morgan
After the interesting but unfocused Steel Remains, Morgan returns to his SF/fantasy hybrid trilogy with renewed focus and improved writing. Much more successful as a homage to pulp fantasy than its forebear, although it's the increasingly clear links to his Takeshi Kovacs series that have most impressed readers.

6. A Dance with Dragons by George R.R. Martin
Was it worth the six-year wait? Probably not, and the delaying of several critical climactic moments to the sixth novel in the series was a mistake (as was the problematic pacing of the Daenerys storyline). However, once these issues were take on board, what we were left with was often compelling: Theon's imprisonment at the hands of the Boltons is an excellent slice of psychological horror, whilst Davos and Bran's chapters showed that Martin could still do concise, effective storylines when required.

7. The Crippled God by Steven Erikson
The tenth and final novel in the Malazan Book of the Fallen sequence was much more of an effective finale than some fans were expecting. Erikson demonstrates how much control he did have of his often cumbersome-appearing narrative unfolding over ten thousand pages, wrapping up an enormous number of storylines, character arcs and thematic journeys with skill. That said, it was still a couple of hundred pages too long and the pacing was still too-often bogged down by turgid dialogue exchanges, but this novel still represents Erikson at his best form in almost a decade.

8. Daylight on Iron Mountain by David Wingrove
After the somewhat sedate Son of Heaven, Wingrove's new version of his Chung Kuo sequence kicked into overdrive with a novel that packed sociological change and full-scale global warfare into a modest page count. A fun, page-turning read setting the scene for the remaining eighteen (!) novels in this series.

9. Rivers of London/Moon Over Soho by Ben Aaronovitch
A new urban fantasy sequence arrives almost fully-formed, with fun writing and some solid concepts overcoming the familiarity of yet another take on vampires and ghosts.

10. By Light Alone by Adam Roberts
Inventive SF from Roberts, set in a world where people live by photosynthesis. His strongest novel to date and his most satisfying ending (a sticking point for me with his previous works).

Bubbling under: Prince of Thorns by Mark Lawrence, Embassytown by China Mieville, Manhattan in Reverse by Peter F. Hamilton, The Alloy of Law by Brandon Sanderson, War in Heaven by Gavin Smith, The Wise Man's Fear by Patrick Rothfuss, The Emperor's Knife by Mazarkis Williams, The Dragon's Path by Daniel Abraham, Leviathan Wakes by Daniel Abraham & Ty Franck, Fenrir by M.D. Lachlan and The Order of the Scales by Stephen Deas.


The Wertzone Special Achievement in SFF Writing Award 2011


This award goes to Steven Erikson for bringing the Malazan Book of the Fallen sequence to a worthwhile and fascinating conclusion, tying together an epic number of plot threads in a satisfying manner.


The Wertzone Award For Best Book Read in 2011 Regardless of Release Date


This one goes to The Left Hand of Darkness by Ursula K. Le Guin, previously the highest-profile author whom I'd never actually read. A gripping, thought-provoking read that more than lives up to its titanic reputation.


Best Games


1. Deus Ex: Human Revolution
The Deus Ex sequence returns with its third game, an RPG that offers great gameplay, well-developed characters and tremendous freedom to approach any problem from multiple angles (some ill-considered boss fights aside). Fun and smart in equal measures.

2. The Elder Scrolls V: Skyrim
Bethesda return with an open-world RPG offering huge amounts of freedom, as well as a metric ton of content, making for their largest game since Daggerfall. Fans of Bethesda's previous games may find the structure overly-familiar, but unparalleled atmosphere and evocative graphics make up for the occasional bugs and often lacklustre writing.

3. Space Marine
Not exactly the longest or most sophisticated game ever made, Space Marine nevertheless satisfies by allowing you to jet-pack into a horde of ravening orcs with a massive chainsword and unleash carthartic carnage on an epic scale. Throwing back your head and laughing like a lunatic whilst doing so is purely optional.

4. Shogun 2: Total War
I've only had time to play this briefly, but the Total War series seems to have lost a little of its shine recently. The graphics are phenomenal and the mix of real-time battles and turn-based strategy remains compelling, but the continued poor AI performance and an oddly cumbersome interface that throws away a lot of the streamlining of the last few games inhibit fully enjoyment of the title.

Not played (yet): Mafia II, Portal 2, Arkham City, Hard Reset.


Best TV Series


1. Game of Thrones
HBO's take on the Song of Ice and Fire novels is well-written and brilliantly-acted, overcoming some problems (inappropriately gratuitous sex scenes and clumsy exposition) to emerge as a genuinely impressive, game-changing TV show.

2. Top Boy
Channel 4's four-part mini-series about drug dealers feuding for control of a London estate may have resulted in obvious comparisons to The Wire, but its impressive cinematography and nuanced characterisation allowed it to also stand on its own as a well-acted, impressively-written drama. A second season will air in 2012.

3. Wilfred
A bizarre premise - a suicidal man is befriended by a dog which he sees as a person - gives rise to some hilarious antics and amusing references. The writers get bogged down a little in a limited premise, but towards the end of the season show some inventiveness in stretching the format.

4. Merlin
For its fourth and penultimate season, Merlin seriously upped its game, dropping the poor comedy episodes and scything down a number of recurring characters with surprising ruthlessness before bringing some of the more notable mythic Arthurian imagery into play. It's still a lightweight take on the legend, but a resolutely fun one.

5. Doctor Who
This year was a bit of a disappointment for Doctor Who, with Steven Moffat apparently keener on showing how clever he is than delivering reliably entertaining television. However, the excellent Neil Gaiman episode is worthy of the placement all by itself.

Wednesday, 28 September 2011

The Islanders by Christopher Priest

The Dream Archipelago is a vast string of thousands of islands, wrapping themselves around the world between two great continents. Some of them are deserts, some are home to great cities and others have been riddled with tunnels and turned into gigantic musical instruments. The Islanders is a gazetteer to the islands...and a murder story. It's also a musing on the nature of art and the artists who make it.


The Islanders is Christopher Priest's first novel in almost a decade, a fact which itself makes it one of the most interesting books to be released this year. His previous novel, The Separation, a stimulating and layered book about alternate versions of WWII, was one of the very finest novels of the 2000s. True to expectations, Priest has returned with a fiercely intelligent book that works on multiple different levels and which rewards close, thoughtful reading.

The Islanders initially appears to be a travel gazetteer, a Lonely Planet guide to a place that doesn't exist. Several islands are presented with geographic information, notes on places of interest and thoughts on locations to visit. Then we get entries which are short stories (sometimes only tangentially involving the island the entry is named after), or exchanges of correspondence between people on different islands. One entry is a succession of court and police documents revolving around a murder, followed by an extract from a much-later-published book that exonerates the murderer. Later entries in the book seem to clarify what really happened in this case, but in the process open up more questions than are answered. Oh, a key figure the gazetteer references frequently is revealed to be dead, despite him having produced an introduction to the book (apparently after reading it). Maybe he faked his death. Or this is a newer edition with the old introduction left intact. Or something else has happened.

The Islanders defies easy categorisation. It's not a novel in the traditional sense but it has an over-arcing storyline. It isn't a collection of short stories either, though it does contain several distinct and self-contained narratives. It isn't a companion or guidebook, though readers of Priest's earlier novel The Affirmation or short story collection The Dream Archipelago will find rewards in using it as such. It is hugely metafictional in that themes, tropes and ideas that Priest has been working on for years recur and are explored: doppelgangers, twins, conflicted memories, magicians, performance art and shifting realities feature and are referenced. At several points Priest seems to be commenting about his own works rather than the imaginary ones written by a protagonist...until one of those books turns out to be called The Affirmation, the same title as one of Priest's earlier, best novels. A character's suggestion that a work be split into four sections and then experienced in reverse order may be a clue as to how the novel should be read...but may be a red herring. Several key moments of wry humour (The Islanders is probably Priest's funniest book) suggest that we shouldn't be taking the endeavour seriously. Moments of dark, psychological horror suggest we should.

The novel embraces its gazetteer format. References to another island in an entry may be a clue that a vital piece of information can be found in the corresponding chapter about the other island. Sometimes this is the case, sometimes it isn't. Recurring names (some of them possibly aliases) and references to tunnels and havens provide links that bind the book together. The strangest chapter appears to be divorced from the rest of the book altogether, but subtle clues suggest curious relationships with the rest of the book and indeed with other of Priest's works (though foreknowledge of these is not required). The interlinking tapestry of references, names and events forms a puzzle that the reader is invited to try to piece together, except that the pieces don't always fit together and indeed, some appear to be missing altogether.

The Islanders (*****) is a weird book. It's also funny, warm and smart. It's also cold, alienating and dark. It's certainly self-contradictory. The only thing I can say with certainty about it is that it is about islands and the people who live on them, and if there is a better, more thought-provoking and rewarding novel published this year I will be surprised. The book is available now in the UK and on import in the USA.

Wednesday, 7 September 2011

Christopher Priest reveals new projects

In an interview with SFFWorld, Christopher Priest discusses some of the projects he's working on at the moment. He's currently finishing off his next novel, The Adjacent, and has plans for a further novel after that, The Mariners, as well as a stage play. In the meantime, his next novel, The Islanders, will be published in the UK at the end of the month by Gollancz in the UK.


Some interesting stuff in the interview, such as how his lengthy break from writing after The Separation has resulted in a sudden explosion of new ideas and projects. Also interesting is that Priest seems to have cooled somewhat on Chris Nolan's adaptation of The Prestige and his subsequent projects, with some interesting discussion of why that may be so.

The Islanders remains my most eagerly-awaited book of 2011, and the news we won't have to wait ten years for his next novel is very welcome indeed.

Tuesday, 24 May 2011

New cover art for Christopher Priest's THE ISLANDERS

Gollancz have sent me a new working image for the cover of Christopher Priest's long-awaited new novel, The Islanders, due out in the autumn:


Intriguing, and retro. Reminds me of those old Pan paperbacks from the 1980s with the crisp white spines and the multi-coloured 3D images that look like they've come off an Archimedes computer. I like the clean lines of it, very cool. Interesting to see how it changes between now and publication.

Friday, 1 April 2011

New book covers from Gollancz

Some new cover art for your consideration:


The Islanders by Christopher Priest, his first novel since 2002's brilliant The Separation, is my most eagerly-anticipated novel of the year (yes, including ADWD). It's due in September.


The UK cover for Brandon Sanderson's Warbreaker, due in December.


The cover for Alastair Reynolds' Blue Remembered Earth, due in January 2012.

In all cases this is work-in-progress which may be subject to change before release.

Friday, 15 October 2010

Christopher Priest completes new novel

Christopher Priest has turned in the manuscript for his new novel, The Islanders. This is his first book since the 2002 masterpiece The Separation, my favourite novel from the entire decade.


The novel currently has an October 2011 release date from Gollancz, although that is likely tentative at this early stage.