B21: Comes the Inquisitor
Airdates: 25
October 1995 (US), 8 August 1995 (UK)
Written by J. Michael Straczynski
Directed by Michael Laurence Vejar
Cast: Sebastian (Wayne Alexander), Mr.
Chase (Jack Kehler), Ambassador Kosh (Ardwight Chamberlain), Narn
Mother (Diane Adair), Centauri (Jim Chiros), Narn 1 (Mark
Hendrickson), Narn 2 (Kim Strauss), Human (Craig Thomas), Guard
(Michael Francis Kelly), Lt. David Corwin (Joshua Cox)
Plot: In the
Zocalo G’Kar is giving a speech, trying to rally support for the
recently-conquered Narns. He claims that the Centauri will soon move against
the other races, but his audience doesn’t believe him. Vir watches the speech,
feeling tremendously guilty about what his race has done to the Narn.
A Vorlon transport comes through the jump gate, startling
the C&C crew because Ambassador Kosh is still on board. Delenn sees
Sheridan and tells him to clear an area that she can use. The Vorlons are
apparently uncertain about Delenn’s readiness to lead the fight against the
Shadows and have sent for an “inquisitor” to test her. The inquisitor turns out
to be a human named Sebastian. He claims that the Vorlons took him from London,
Earth in the year 1888 and he has served them ever since. He interrogates
Delenn, questioning her belief in herself to lead the forces of light against
the darkness. When she fails to answer his question, “Who are you?”,
satisfactorily he begins torturing her with pain-givers. Lennier, concerned for
her health, alerts Sheridan to what is going on and he tries to intervene, but
Sebastian merely starts questioning him as well. Only when Sheridan and Delenn
admit their willingness to die for each other and the cause does Sebastian
become convinced they are the right people to lead this battle. Sheridan does
get some revenge, though by pondering why a series of brutal murders in
London’s East End stopped at the exact moment Sebastian was taken by the
Vorlons. Sebastian merely replies that the Vorlons taught him the error of his
ways before leaving the station.
G’Kar arranges to buy a shipment of weapons for use by the
Narn resistance movement he is helping to establish on the homeworld, but has
no way of smuggling the weapons onto Narn. Garibaldi helps him contact an old
friend running an independent space station. The weapons can be smuggled
through there for free. Garibaldi also arranges for the Rangers to smuggle
messages from many of the families of the Narns still on Babylon 5 to them,
proving that G’Kar is still worthy to be their leader now he no longer has any
official standing.
The Arc: The Vorlons are testing Delenn’s resolve to
lead the fight against the Shadows, suggesting she may have messianic delusions
(as the Grey Council suggest in both B11
and C19). Sebastian also tests
Sheridan’s worthiness as well.
Vir tries to apologise for what has been done to the Narn to
G’Kar but he won’t accept it. Vir’s feelings of guilt explain his later actions
in episode C12.
G’Kar consolidates his authority over the Narn on B5,
fortunately in a more peaceful way than in episode B12. He plans a violent, military resistance against the Centauri,
although this is challenged and transformed by the events of episode C6.
Background: The Vorlons, like the Shadows, use
members of other races to serve them in various capacities. The Vorlons forced
him to confront the error of his ways before employing him as their instrument
of interrogation.
Sebastian is brought to B5 by a Vorlon transport of the same
kind as Kosh’s, although this one has blue markings rather than red ones like
Kosh’s.
“Who are you?” is the “Vorlon question” in the same way that
“What do you want?” is the “Shadow question”.
References: The
implication is that “Sebastian” is actually Jack the Ripper, who killed at
least five prostitutes in the East End of London between August and November 1888
(most of the killings attributed to the Ripper were probably the work of
copycats trying to cover their own crimes). Despite numerous theories, some of
them well-supported, the murderer was never identified or knowingly brought to
justice.
The Jack the Ripper murders ended on 9 November 1888 with
the death of Mary Jane Kelly. Sebastian says he was taken by the Vorlons on 11
November 1888.
Jack the Ripper is frequently used in science fiction
stories: the Star Trek episode The Wolf in the Fold may be the
best-known example, but another notable one is “The Prowler in the City at the
Edge of the World”, a short story written by Straczynski’s friend and B5 creative consultant Harlan Ellison.
Sebastian refers to him self as “Diogenes with his lamp,
looking for an honest man willing to die for all the wrong reasons.” This is a
reference to the Greek philosopher, Diogenes the Cynic (412-323 BC), who sought
an “honest man” in vain and slept in a big ceramic jar in Athens’ marketplace.
“No greater love hath a man than he lay down his life for
his brother” is a paraphrase from the Gospel of Saint John.
This episode’s interrogation scenes were filmed as a tribute
to Once Upon a Time, the penultimate
episode of the 1960s television series The
Prisoner, of which J. Michael Straczynski was (and remains) a massive fan.
Sebastian’s dialogue, “Have you nothing of your own, nothing to stand on that
is not provided, defined, delineated, stamped, sanctioned, numbered and
approved by others?” is also a riff on a Prisoner
line: “I will not be pushed, filed, stamped, indexed, briefed, debriefed or
numbered. My life is my own!”
According to J. Michael Straczynski, G’Kar’s role in Season
2 was similar to that of the prophet Cassandra: gifted with the true sight but
believed by none. This is reinforced in this episode when he foresees that the
Centauri will move against other races but is not believed.
“Who are you?” is the core question of an American
therapeutic treatment for drug addiction, developed in the 1950s by the Synanon
organisation (later the Church of Synanon). The question was mean to provoke
self-realisation and awareness as a way of overcoming addictive behaviour.
However, the organisation later got embroiled in criminal activity and was
forcibly disbanded in 1991; this may be a nod from Straczynski to the Vorlons
having apparently noble motives which lead to destructive results.
There is no “Heresford Lane” in London (where Sebastian
claimed to live in 1888). The closest is “Hereford Road”, of which there are
four.
Unanswered Questions:
How successful was G’Kar in getting weapons and supplies to the Narn
homeworld? Later episodes are unclear if the Narns are even resisting that much
(bearing in mind the Centauri promise to execute 500 Narn for the death of any
Centauri) and G’Kar’s later change in tactics precluded further work in the
military resistance.
Mistakes, Retcons and
Lamentations: In the original release of the episode, Sheridan erroneously
says that the Jack the Ripper murders took place in the West End of London. This was picked up on by the UK audience, where
this episode aired months before the US, and was fixed with a (clumsy)
voiceover for US transmission and the VHS and DVD releases.
The original UK broadcast somewhat bizarrely cut the scene
where G’Kar cuts his hand, given it was not particularly bloody or graphic.
Behind the Scenes: Straczynski
was criticised by some fans for identifying Sebastian as Jack the Ripper, as
this was “too obvious”. However, Straczynski notes that Jack the Ripper is much
less well-known in the USA and even after the episode aired people were asking
“Jack who?” so he felt on balance identifying the character rather than leaving
it more ambiguous was preferable.
Straczynski wanted to continuing the greying of the Vorlons,
whom people had convinced themselves were good guys despite denying humanity
immortality (A9) and nearly blowing
up B5 (PM).
Mira Furlan enjoyed the episode, particularly the fact that
Delenn was tried but did not break.
Bruce Boxleitner was not actually tied to the wall when
Sebastian restrains him. Following the Los Angeles Earthquake of the previous
year, TV and film-makers were careful not to restrain their actors in case they
had to evacuate the building in a hurry.
Familiar Faces: Wayne
Alexander (Sebastian) is, perhaps surprisingly, not British but an American
stunt coordinator who switched to acting in the late 1980s. He impressed J.
Michael Straczynski so much in this episode that he was later given several
other roles, including G’Dan in C20,
Lorien in D1-D6, a Drazi in D18 and a Drakh in E18-E19 and TVM4. His
other credits include The Twilight Zone,
Hypernauts, Frasier, Sabrina the Teenage
Witch, The X-Files, Mad Men and Scandal.
Jack Kehler (Mr. Chase) is an idiosyncratic American actor
known for his twitchy performances and distinctive voice. His other notable
credits include Love Liza (where he
helps Philip Seymour Hoffman’s character come to terms with the death of his
wife), The Big Lebowski, Deep Space Nine and Angel.
One of the Narns meeting G’Kar is played by Dennis Michael,
a CNN reporter who’d been doing a story on the B5 make-up crew, Optic Nerve, and was invited to be made up as an
alien extra for the day.
Review: A
psychologically interesting episode which tries to break down Delenn as a
character, but because Delenn is pretty much straight-up doing what she thinks
is best, there are no real revelations to be found here. Wayne Alexander gives
a good performance, but he is given some very ripe lines and the “surprise”
revelation of his true identity is so on the nose it’s a bit silly. The G’Kar
subplot is more interesting with, as normal, a fantastic performance by Andreas
Katsulas who is completely owning this season. ***½
G’Kar: “Dead, dead, dead. How do you apologise to
them?”
Vir: “I can’t.”
G’Kar: “Then I cannot forgive.”
Sebastian: “No greater love hath a man than he lay down
his life for his brother. Not for millions, not for glory, not for fame; for
one person in the dark, where no-one will ever know or see.”
Sebastian: “When the darkness comes, know this: you are
the right people, in the right place, at the right time.”
B22: The Fall of Night
Airdates: 1
November 1995 (US), 15 August 1995 (UK)
Written by J. Michael Straczynski
Directed by Janet Greek
Cast: Frederick Lantz (Roy Dotrice), Security
Aide Zack Allan (Jeff Conaway), Mitch (Rich Hamilton), Warleader
Na’Kal (Robin Sachs), Mr. Welles (John Vickery), Ambassador Kosh (Ardwight
Chamberlain/Joshua Patton), Pak’ma’ra Ambassador (Donovan Brown), Drazi
Ambassador (Kim Strauss), Narn (Mark Hendrickson), Lt. David
Corwin (Joshua Cox), Station Two (Elisa Beth Garver)
Date: 22-24
December 2259
Plot: The
Drazi and Pak’ma’ra ambassadors call an emergency meeting with Sheridan and
tell him that the Centauri have invaded both their territories. Sheridan
angrily confronts Londo, who claims that the Centauri are merely constructing a
buffer zone around their space. Sheridan is incensed at the Centauri’s
arrogance in thinking they can just walk over other races and sends word to
Earth, demanding action. Surprisingly, Earthdome agrees and despatches special
envoy Frederick Lantz to the station to investigate the situation. Lantz is
accompanied by Mr. Welles, a representative of the Ministry of Peace, who will
investigate human affairs on the station, namely the expansion of the Nightwatch
group.
A jump point opens on the far side of Epsilon III and a Narn
heavy cruiser, the G’Dok, emerges. Warleader Na’Kal reports that the G’Dok
is one of only a handful of Narn ships to escape either capture or destruction
during the Narn-Centauri War. They have suffered damage in battle and request
sanctuary until they can affect repairs. Sheridan agrees and repairs commence
on the Narn cruiser. G’Kar offers Sheridan his thanks for his actions, though
Sheridan is careful not to let Londo know what is going on.
Lt. Keffer talks to another pilot, Mitch, who has also seen
something odd in hyperspace. Keffer wants to find out what the alien vessel is,
his interest and anger raised by the death of Lt. Commander Galus at the hands
of a similar vessel (B4) and Sheridan’s order to abandon his
investigation (B18). Mitch gives
Keffer a copy of the sensor logs from his Starfury and Keffer uses the
information to programme his Starfury systems to scan for the distinctive
neutrino trail the alien vessel leaves.
Mr. Welles is puzzled why Zack Allan hasn’t been filing too
many reports recently with the Nightwatch. Zack is bemused, until Welles tells
him exactly what the Nightwatch is expected to do. They are to watch out
for signs of treachery against the administration and the President, stop the
spread of lies and discontent against the Earth government and expose anyone
working against the best interests of Earth, human or alien. Zack is slightly
taken aback, but then confirms a number of reports about a shopkeeper in the
Zocalo complaining about import regulations. Mr. Welles congratulates Zack on
his patriotism. A little while later the shop is closed down for “sedition”.
Lantz completes his talks with the non-aligned ambassadors,
but refuses to speak with G’Kar. He tells Sheridan everything is in order and
that Earth and Centauri Prime can now sign the treaty of non-aggression they
have been discussing in secret for several weeks. Sheridan is stunned and
furious, but so is Lantz when he finds out that Sheridan has been running
combat drills using Centauri ship models. He orders Sheridan to suspend the
drills. A C&C technician also tells Mr. Welles about the Narn heavy
cruiser. He in turn tells Londo, who contacts Sheridan in a fury, ordering him
to surrender the vessel. Sheridan realises that Londo would not give up the
element of surprise, so Centauri reinforcements are likely on the way. He tells
Na’Kal to take the G’Dok out of B5
space, but the ship’s jump drives are still offline. A Centauri heavy cruiser
arrives, blockades the jump gate and begins targeting the station. Sheridan
orders Zeta Wing to escort the Narn cruiser to the jump gate, but the Centauri
open fire. Babylon 5’s newly-upgraded defence grid (B10) takes the Centauri by surprise, as it overwhelms the Centauri
vessel with superior firepower. The Narn ship escapes with an escort commanded
by Lt. Keffer, whilst the badly-damaged Centauri cruiser explodes in a massive
fireball.
Whilst escorting the Narn ship through hyperspace Keffer’s
sensors pick up an unusual reading. He moves to intercept and sees a Shadow
vessel in the distance. He follows it, recording as he goes, but the Shadow
ship senses his presence and turns around. Keffer manages to eject his recorder
just before his fighter is destroyed.
Relations between Earth and Centauri Prime cool noticeably
after the destruction of the Centauri cruiser and deaths of hundreds of
Centauri military personnel. President Clark orders Sheridan to apologise in
person to Ambassador Mollari about the attack. Sheridan agrees, although he really
plans to tell Londo what an idiot his ship captain was to open fire on the
station in the first place. He gets on the core shuttle and heads for the
Garden, where the “apology” is due to be made, but Centauri terrorists have
placed a bomb on board. Sheridan manages to leap out just as the bomb goes off,
destroying the shuttle. Although there is zero gravity along Babylon 5’s
spin-axis, the force of the blast and Sheridan’s leap push him towards one of
the spinning interior walls of the station and gravity slowly begins to build
up. Delenn urges Kosh to do something or Sheridan will die, so Kosh emerges
from his encounter suit and is revealed to be an angelic-like being of light
with wings. He saves Sheridan and is recognised by all the aliens present as
something different, one of the religious figures from their own worlds,
although none of them bar Sheridan and Delenn realise it is Kosh.
Later, Delenn tells Sheridan that this event will worry the
Shadows, who know that the Vorlons would not reveal themselves unless they were
ready to stand against them, even though they are not. But then ISN transmits a
report about a messenger pod found in hyperspace. A Shadow warship clearly
appears in the image...
Dating the Episode: New
Year’s Day 2259 is “a little over” a week away. Ivanova gives Sheridan a
Christmas present, which is traditionally only done on Christmas Eve or
Christmas Day. The next episode takes place ten days after this episode but
within 2260, so it cannot be any earlier than 22 December.
The Arc: The aftermath of the Narn-Centauri War
continues to reverberate. Na’Kal and his ship return to Babylon 5 in episode C18.
The war between the Centauri and the non-aligned worlds
continues to rage until episode C11, when it is effectively halted in
its tracks.
The more sinister side of Nightwatch emerges in this
episode, prefiguring the events of episodes C5 and C8-C10.
The appearance of a Shadow warship is now public knowledge.
This is followed up on in episode C1.
Babylon 5 gets to use the new weapons added to the defence
grid in episode B10. The forward
cargo stabiliser is destroyed in the battle; we see it being repaired in
episode C1.
Background: Earthforce recovered debris from the Black Star after it was destroyed by
Sheridan.
Babylon 5 is rotating at 60mph. The axis itself is
zero-gravity and the core shuttles, located just below the axis, are in a
reduced gravity zone. This is why Sheridan doesn’t fall like a stone when he
jumps out of the shuttle. As he gets closer to the ground he would start
accelerating, but wouldn’t necessarily have been killed by the fall. As Ivanova
says, he would more likely have been killed because of the hull rotation (it
would be like getting hit by a car travelling at 60mph).
The station maintains emergency jetpack crews to rescue
people should they fall out of the core shuttle.
Earthforce regulations (General Order #47) require personnel
to render aid to any ship in distress as long as it is not engaged in current
combat operations against the Earth Alliance.
Shadow ships emit unusual neutrino emissions as they travel
through hyperspace, which can be tracked.
Valeria is a Minbari holy figure. Droshalla is a similar
Drazi figure. G’Lan is a Narn spiritual figure, previously mentioned in episode
A5.
Christmas and Hanukah are both still celebrated in 2259. The
lack of station-wide celebrations suggests that Christmas may be less of a
cultural institution by 2259.
The comparative ease with which Babylon 5 destroys the
Centauri cruiser compared to the problems the Narn had in taking down a ship of
the same class (in B15) suggests
that the Earth Alliance’s technological capabilities far outstrip those of the
Narn Regime by this point, although they are not quite as advanced as the
Centauri overall (and still a fair way behind the Minbari).
According to Joe Straczynski, the Centauri believe that each
household god has his or her own afterlife. Centauri can choose to enter this
afterlife or be reborn in the next generation. This results in a highly fragmented
religious system that the Vorlons did not have great success in exploiting as
they did with other races.
The Vorlons sometimes visited other worlds and left behind
legends that grew into religious beliefs, and on other occasions they turned up
much later and took advantage of pre-existing religious stories for their own
benefit. So it’s not necessarily the case that “angels were real” and they were
really Vorlons, it could be that they are myths and the Vorlons showed up later
on to take the same appearance.
Also, according to Straczynski, if Babylon 5 looked like it
was in danger of being destroyed, then Draal would have stepped in. However,
Draal and Sheridan are trying to keep their alliance a secret, so he would only
intervene if it was a situation Sheridan could not handle (the same is true in
episode C10 as well).
References: Frederick
Lantz is based on Neville Chamberlain, the British Prime Minister who declared
that he had achieved “Peace in our time” with Nazi Germany at the Munich Peace
Conference in 1938, only for World War II to break out a year later.
“Time on target” is a military term meaning that weapons are
fired in such a way that the projectiles reach the target at the same time for
maximum destructive impact (and in sufficient numbers to overwhelm the
defences).
The Centauri locking weapons on B5 generates a sonar-like
alarm in C&C, which is a reference to submarine combat movies like The Hunt for Red October.
There are some similarities between Kosh’s “real” appearance
and that of the aliens in The Abyss.
Steve Burg worked on the FX for both The
Abyss and Babylon 5, so some
subliminal influence may have crept it.
Unanswered Questions:
Were the Centauri bombers ever caught?
Did Mitch report his conversation with Keffer?
Why on Earth did the Centauri captain open fire on Babylon 5
when there were many thousands of Centauri on board, not to mention
representatives of other races (like the Minbari and Vorlons) who could squash
the Centauri like bugs if they chose? The destruction of the (unmanned) forward
cargo stabiliser hints that the Centauri may have been trying only to disable
or disarm the station rather than obliterate it.
Why did the Shadows not find Keffer’s recorder buoy when it
was emitted a distress call? Did the Shadows want the footage to be found?
Why did the Centauri cruiser not launch fighters to defend
itself?
Mistakes, Retcons and
Lamentations: The Drazi Ambassador seems fine with relaxing and shooting
the breeze with Londo at the end of the episode, which is weird given that the
Centauri have just started encroaching on Drazi space.
The odd “screech” explosion effect from B20 reoccurs when B5’s forward cargo stabiliser is blown off.
When the cargo stabiliser is destroyed, the Centauri weapons
fire comes from behind and above the station. However, all of the other shots show
the Centauri cruiser located in front of the station and on the same plane.
Behind the Scenes: The
scene with Vir and Lennier at the bar was filmed for B21 but held over to this episode for time reasons.
J. Michael Straczynski was watching the filming of the bar
scene. Bill Mumy suggested that he sit at one of the tables and just be there
in the background, but Straczynski refused, and got quite annoyed when Mumy
insisted. Straczynski later explained to Mumy that in order to write the show
he had to believe in it, and seeing himself in it would destroy that illusion.
That’s why he did not film a cameo with himself in it until the very last
episode of the series (E22).
Straczynski had not been happy with the character of Keffer,
feeling he’d be fostered on him by the studio to have more action sequences.
Although he thought the character was “okay”, Straczynski did take a perverse
delight in not just killing him, but melting his face off with CGI! Keffer’s
death and Talia’s departure also freed up room in the cast budget for a new
castmember to be introduced the following season (Marcus Cole in C1) and for Zack Allen (Jeff Conaway)
to be promoted to a regular character.
The scenes with Sheridan’s fall, the interior of the Garden
and the revelation of Kosh’s real appearance were the most logistically complex
sequence of events the show had ever attempted. An extra day of filming was
allocated to the episode (doable as it was the last episode filmed in the
season) and Bruce Boxleitner and Joshua Patton spent a lot of time on flying
rigs in front of bluescreens. The Foundation Imaging crew were also very
unhappy with the interior Garden CGI they’d developed in the pilot and Season 1
and took extra time out to make the interior of the Garden higher in resolution
and much more detailed, which added a huge amount to the render time (but was
clearly worth it).
The Fall of Night
was the most effects-intensive episode of Babylon
5 filmed to date, with 64 effects shots. This record was later smashed by
episode C10, which had about 100
effects shots in 44 minutes (for comparison, The Lord of the Rings: The Fellowship of the Ring had 500 effects
shots in a three-hour, big-budget movie; The
Return of the King had almost 1,500 shots).
When asked what he’d seen in the Garden, Peter Jurasik
originally adlibbed, “I tawt I saw a putty tat, I did!”
According to Straczynski, if Sheridan had followed through
on the speech he would have delivered the same speech he’d practiced, down to his
“I’m sorry the Centauri captain was an idiot” addition.
This was one of three episodes (along with B9 and B20) that was longlisted for the 1996 Hugo Award for Best Dramatic
Performance. Straczynski chose to withdraw The
Long, Twilight Struggle and The Fall
of Night to boost the chances of The
Coming of Shadows (it duly won). It also allowed 12 Monkeys onto the nomination shortlist, which pleased Straczynski
(who was a big fan of the movie).
Familiar Faces: Frederick
Lantz is played by veteran British character actor Roy Dotrice, who (amongst many
other roles) had played Amadeus’s father in the movie Amadeus and the role of “Father” on Beauty and the Beast. Eighteen months or so after filming this
episode he would begin voice recording on George R.R. Martin’s novel A Game of Thrones, which would give him
another burst of popularity and give him the Guinness World Record for the
largest number of characters voiced by a single voice actor.
Mr. Welles is, of course, played by John Vickery, who more
familiarly plays the role of Neroon (most recently in episode B11). Straczynski wanted to showcase
him as an actor without his Minbari make-up as a thank you (this also gives
actors episodes to put on their show reel showing how they look and act without
heavy prosthetics). Vickery returns as Neroon in later episodes and also as Mr.
Welles in an episode of Crusade.
Robin Sachs (Na’Kal) has previously played the Minbari
Hedronn in episodes B1 and B11. He is (probably) best-known for
playing the recurring role of Ethan Rom on Buffy
the Vampire Slayer.
Review: An
extremely strong season finale, notable for its downbeat and maudlin
atmosphere. Some excellent performances – it’s a shame we don’t see Roy Dotrice
again – overcome some ripe dialogue and the contrivances needed to set up the
finale and the (somewhat predictable) revelation of Kosh’s true appearance.
Keffer’s death is also refreshingly off-hand. ****½
“It was the end of
the Earth year 2259 and the war was upon us. As anticipated, a few days after
the Earth-Centauri treaty was announced, the Centauri widened their war to
include many in the League of Non-aligned Worlds. And there was another war
brewing closer to home, a personal one whose cost would be higher than any of
us could imagine. We came to this place because Babylon 5 was our last best hope
for peace. By the end of 2259 we knew that it had failed. But in doing so it
became something greater. As the war expanded it became our last, best hope for
victory, because sometimes peace is another word for surrender, and because
secrets have a way of getting out.”
-
Earthforce Commander Susan Ivanova
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