Showing posts with label the avengers: endgame. Show all posts
Showing posts with label the avengers: endgame. Show all posts

Saturday, 13 March 2021

AVATAR reclaims box-office crown from AVENGERS: ENDGAME

After twenty months on top, Avengers: Endgame has lost the crown of the highest-grossing movie of all time (unadjusted) back to James Cameron's Avatar, which has reclaimed the prize it held for a decade from 2009-19.

The move comes courtesy of a reissue of the film in China, which has added $9 million to the 2009 3D movie's total. Although not much in the large scale of things, the gap between the two movies was only $7.8 million. With the reissue expected to remain in cinemas for several more weeks, Avatar may be able to pull out a stronger lead as well, with its total re-release haul anticipated to be around $50 million. Both films have grossed just under $2.8 billion worldwide.

James Cameron will be pleased to retake the crown he'd held of being the world's highest-grossing director for two films back to back. Avatar displaced Cameron's own Titanic, originally released in 1997.

These figures are unadjusted for inflation; so adjusted, the highest-grossing movie of all time would still be Gone with the Wind (1939), although Avatar would still be an impressive second place, ahead of Titanic, Star Wars (1977) and Endgame.

The news will be encouraging to Cameron, who recently wrapped back-to-back shooting on Avatar 2 and Avatar 3, which are scheduled for release on 16 December 2022 and 20 December 2024 respectively. Avatar 4 and 5, which have had some material shot for them during production of the preceding two movies, are also greenlit with anticipated release dates in December 2026 and 2028.

Disney, which now owns both the Avatar and Marvel franchises, is of course very happy with the situation.

Sunday, 21 July 2019

AVENGERS: ENDGAME becomes the highest-grossing film of all time

Avengers: Endgame has surpassed Avatar's box office to become the highest-grossing movie of all time (unadjusted for inflation). Marvel Studios supremo Kevin Feige announced the feat at the San Diego Comic-Con.


Not only has Endgame achieved the feat, it has done so about half the time that Avatar managed. The film remains in cinemas and may get an additional boost from re-releases further down the line (something Avatar also made use of to achieve its haul).

For the first time since the release of Titanic in 1997, James Cameron is no longer the highest-grossing director of all time, having passed that baton on to Endgame directors Anthony Russo and Joe Russo. However, Cameron will come out swinging as Avatar 2 is scheduled for release on 17 December 2021, and he'll be wanting his crown back.

Disney, which owns both Marvel and, after the acquisition of 20th Century Fox earlier this year, the Avatar franchise, is of course laughing all the way to the bank.

Monday, 1 July 2019

The Marvel Cinematic Universe Timeline (updated)

Following the release of Avengers: Endgame and Spider-Man: Far From Home, I thought it might be interesting to run down a timeline of major events in the Marvel Cinematic Universe films and the relevant backstory.

This is an update of an article published in April 2019.

Nick Fury of SHIELD, who plays a decisive role in assembling the Avengers.

Some notes on this timeline: the canonicity of the spin-off comic books, books and TV shows is open to question (particularly the films' resistance to incorporate the large-scale events of Agents of SHIELD or the Netflix series), so I've restricted things to the movies themselves and their direct publicity materials.

It's also well-known that the team at Disney have themselves retconned the timeline several times, resulting in some on-screen dating evidence that is flat-out wrong and has to be ignored (such as the "Eight years later," title card in Spider-Man: Homecoming). At other times writers seem to have assumed that movies have taken place in the year they were released and then ignored information to the contrary, creating more problems.

The Timeline at the MCU Wiki was useful in assembling the list, although their tendency to use weighted averages to try to pinpoint precise dates feels somewhat inaccurate. I have followed their reasoning in some matters (particularly the convincing arguments for putting Iron Mann in 2009 versus 2008) but have deviated from it where it feels necessary.

For the most part, the precise dating of each film and event is much less important than the order the events take place in.

NOTE: MAJOR SPOILERS FOR ALL MARVEL MOVIES INCLUDING ENDGAME FOLLOW.

The Infinity Stones.

MORE AFTER THE JUMP

Monday, 3 June 2019

AVENGERS: ENDGAME directors working on a MAGIC: THE GATHERING TV series for Netflix

The Russo Brothers, directors of multiple Marvel movies including Captain America: The Winter Soldier, Civil War, Infinity War and Avengers: Endgame (which should imminently become the highest-grossing movie of all time), have pivoted to Netflix and animation, where they are developing a Magic: The Gathering TV series.


Magic: The Gathering is a card game where players engage in battle using cards to represent spells and summoned creatures. Designed by Richard Garfield and originally released in 1993 by Wizards of the Coast, the game was an immediate smash hit, selling millions of cards in a short space of time. The game made Wizards of the Coast hugely successful, leading to them buying TSR (the creators of Dungeons and Dragons) in 1997. Wizards in turn were bought out by Hasbro in 1999. In 2015 it was believed that more than 20 million people worldwide had played the game.

The game has expanded far beyond its original incarnation to incorporate video games and novels. Some of the settings from the card game have also been developed as campaign settings for the current Dungeons and Dragons rules set.

Hasbro were keen to develop the property as a movie, point tapping Game of Thrones writer Bryan Cogman to write a script in 2014. However, the project stalled and appears to have now pivoted to television, with Hasbro's Allspark Studios working on the project. Joe and Anthony Russo are working on the project alongside Henry Gilroy (Star Wars: Rebels) and Jose Molina (The Tick), who will serve as the head writers. The series will apparently follow the adventures of a band of planeswalkers, including Chandra Nalaar (pictured in the concept art above), a popular character from the fiction.

No production timeline has been released, but I imagine we'll see this project in 2020 at the earliest.

Netflix are also collaborating with Hasbro on War for Cybertron, a Transformers prequel TV series aimed at older viewers.

Thursday, 25 April 2019

The Avengers: Endgame

The Infinity Stones have wreaked tremendous devastation across the universe, leaving the survivors reeling. The remaining Avengers and their allies from across the cosmos gather together on Earth for one last, possible plan to stop what has happened, at the risk of losing everything that survived.


Fifteen years ago, we experienced a genuine cinematic Moment when Peter Jackson delivered the thunderous conclusion to his Lord of the Rings movie trilogy. He wrapped up an emotional, impactful and epic story in a manner that was (mostly) successful and resulted in huge numbers of people visiting the cinema multiple times to see the conclusion to an entire multi-movie arc. I doubted we would see anything like it again, but a decade and a half later we are here with Endgame, a movie that tries something even more stupendous: paying off not just three but twenty-two movies that have been building things up and leading to this moment. The hype is crazy and if anything greater than that for The Return of the King (where you could go and read the story summary online from the book any time you wanted).

Endgame, surprisingly, delivers a nuanced and tight finale to the story that began in last year's Infinity War. Infinity War was epic and impressive, a stunning sequence of epic battles and quieter character moments that came together in several confrontations with Thanos, which Thanos won (although not without cost). Endgame picks up on the aftermath of that event with the surviving heroes regrouping, but they are caught up in grief and loss. Returning heroes Scott Lang and Hawkeye rejoin the team, whilst Rocket, Nebula and Captain Marvel join the Avengers to help resolve the crisis, but their early efforts have mixed results.

Endgame's generous three-hour running time allows directors the Russo Brothers (who can now write their own meal ticket and direct whatever film they want, ever) and writers Christopher Markus and Stephen McFeely to have their cake and eat it, with huge, thunderous battle sequences and lots of quieter character beats. In fact, much of the first third of the film is taken up by people processing the events of the end of Infinity War, and how you move on when half of the people you've ever met are gone. The rest of the film is taken up by our heroes embarking on A Plan to save everyone, which near-instantly goes horrendously wrong and results in lots of the action, comedy and dramatic beats that you've come to expect from a Marvel movie, but more surprising is the amount of emotion on display. Character after character has to face up to their growth and what they've gone through to reach this point, and how they handle key moments that lead to victory, or in a few cases, their death.

Events culminate in a finale that is jaw-dropping in its scale and features some of the best, punch-the-air moments you've ever seen in a superhero movie, as well as moments of real reversals and pain. The directors walk a tightrope between being self-indulgent (the film may rival Return of the King for the number of endings it has, although I think it sells it much better) and too dark, and manages to chart a difficult course through that. It even manages to use Captain Marvel well, acknowledging her sheer power and her use as an asset against Thanos but not allowing her to dominate proceedings to the detriment of the characters we've spent eleven years with.

There's a lot of movie here and it's almost entirely brilliantly-handled. What's more surprising is the sheer degree of payoff we get in this film, and how many near-obscure characters from older movies suddenly and unexpectedly show up and play vital roles (bar one case where rather obviously the actor involved didn't want to return and they had to film around it using older footage, although it kind of works). Fans of the Marvel TV shows will also get one genuine moment of delight in a scene which seemingly officially canonises at least one of the Marvel TV shows as taking place in the Marvel cinematic universe after all. There's also the film's possibly most epic shot which was foreshadowed by a single moment (not even a scene) in an earlier movie from years ago which you could have missed by just looking at your phone for a second. Another major plot revelation hinges on a line of dialogue from another, even earlier movie which makes you suspect the Russo Brothers and Kevin Feige are genuine, outright geniuses.

Problems are mostly non-existent. This is a movie which, as I think everyone has guessed, does lean into a bit of time travel and as a result viewers can have exciting conversations over whether the story completely makes sense as a result (which Ant-Man and War Machine themselves get into a knot over at one point, trying to work out if the plot of the Back to the Future trilogy makes sense whilst Banner gets frustrated at them talking about movies rather than the science). Beyond that, for the first time, a Marvel movie hits every single beat it means to, with a fantastic villain, excellent characterisation and some titanic character payoffs, some you've been waiting a decade for. The only other criticism that could be made is that the film doesn't even remotely stand alone, at all, but then that's kind of the point of it. This is an ending to a very long chapter, and I can't even work out what happens next.

The Avengers: Endgame (*****) is long, but feels short when you watch it. Every character gets their moment in the sun, and the creators somehow make 21 previous movies worth of foreshadowing and backstory pay off in a real, meaningful way through a story that is by turns tragic, epic, moving, funny and action-packed.

Wednesday, 24 April 2019

The Marvel Cinematic Universe Timeline

Before the release of Avengers: Endgame tomorrow, I thought it might be interesting to run down a timeline of major events in the previous twenty-one films and the relevant backstory.

Nick Fury of SHIELD, who plays a decisive role in assembling the Avengers.

Some notes on this timeline: the canonicity of the spin-off comic books, books and TV shows is open to question (particularly the films' resistance to incorporate the large-scale events of Agents of SHIELD or the Netflix series), so I've restricted things to the movies themselves and their direct publicity materials.

It's also well-known that the team at Disney have themselves retconned the timeline several times, resulting in some on-screen dating evidence that is flat-out wrong and has to be ignored (such as the "Eight years later," title card in Spider-Man: Homecoming). At other times writers seem to have assumed that movies have taken place in the year they were released and then ignored information to the contrary, creating more problems.

The Timeline at the MCU Wiki was useful in assembling the list, although their tendency to use weighted averages to try to pinpoint precise dates feels somewhat inaccurate. I have followed their reasoning in some matters (particularly the convincing arguments for putting Iron Mann in 2009 versus 2008) but have deviated from it where it feels necessary.

For the most part, the precise dating of each film and event is much less important than the order the events take place in.

NOTE: MAJOR SPOILERS FOR ALL MARVEL MOVIES PRIOR TO ENDGAME FOLLOW.

The Infinity Stones.

MORE AFTER THE JUMP