Showing posts with label gollancz. Show all posts
Showing posts with label gollancz. Show all posts

Sunday, 15 June 2025

The Devils by Joe Abercrombie

Brother Diaz has been summoned to the Chapel of the Holy Expediency to receive a mission directly from the ten-year-old Pope. He is to join a group of "devils," evil-doers repenting for their sins in (unwilling) service to the Papacy. Their goal is to guide the young heir to the throne of Troy to her throne, despite four cousins all keen to ensure she never gets there. Carrying out this quest are an immortal warrior, an invisible elf, an overly-proud necromancer, a jack of all trades, a vampire, and a werewolf. This quest may see them learn the meaning of friendship and found family (but probably not), and realise that the real friends are the zombie warriors we resurrected along the way.


The Devils is the latest novel from Joe Abercrombie, the undisputed king of dysentrypunk. Through many novels he has written stories soaked in blood (not always the best printing process for easy reading, but still), told with verve, humour, and sometimes worrying psychoses. This latest book is a semi-standalone, capable of being read by itself but also setting up a loose trilogy of episodic adventures for the Holy Expediencers.

The storyline is pretty straightforward, with street orphan-turned-professional-thief Alex finding out she's the long-lost Princess of Troy, a fairly unlikely prospect but one proven by the traditional means of a holy birthmark and a long-lost sigil. The Papal Shambolics have to guide her to her destiny, which involves (as this is an Abercrombie novel) a veritable morass of slaughter, bad jokes and bodily fluids spraying in all directions. Along the way we get to know the rest of the group, their hopes, their desires, and their propensity to solve problems with sharp bits of metal. It's a solid cast of characters, likeable but (heavily) flawed, seeking redemption or something adjacent to it, drawn with reasonable colour and depth.

The Devils feels like Unfettered Abercrombie. His First Law books, particularly the recent(ish) Age of Madness Trilogy, mix the dark humour and knockabout antics with weightier stories of societal development and an extended meta-arc which, though it can be summed up as, "what if Gandalf was a total arsehole?", has a lot of depth. The Devils feels like Joe had decided he needed a break from those weightier elements and he could just have a knockabout good time. This is a veritable "beer and pretzels" book where themes and intricate worldbuilding are side-courses, not the main appeal.

This has the simultaneous effect of making The Devils possibly Abercrombie's most outright enjoyable work, with action and comedy to spare, but also maybe his slightest, and most disposable. First Law fans may bemoan a lengthy gap until we return to that world (if we ever do) and the mouth-watering Glokta vs Bayaz struggle his last book set up, and others may ponder if Joe could have been better-served by exploring fresher fields altogether (presumably less filled with recruits corpses). But that's the perennial problem: do you want your favourite artist to deliver you what they're best at, no surprises, or reach for the worrying button called "space jazz concept album?"

The Devils (****) is straight-up Abercrombie, no chaser. It's fun, funny and uncomplicated, and is on the shelves worldwide right now.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Thursday, 31 March 2022

Gollancz and Tor nab rights to new Joe Abercrombie trilogy

Gollancz and Tor Books have acquired the UK and US rights respectively to Joe Abercrombie's next fantasy project. No release date has been set for the project, but given that Joe reported only being about half done with it at the end of last year, I imagine it'll be 2023 at least before we see the new material.


The new trilogy starts with a book called The Devils and marks a change for Abercrombie in that it is set in a fantasised version of the real world, rather than his First Law work which is sent entirely in a secondary world, or his Half a King trilogy which melds fantasy with a post-apocalyptic setting.

The new trilogy will apparently meld epic fantasy with the heist, crime and thriller genres. The synopsis follows:
“In a magic-riddled Europe under constant threat of elf invasion, the 10-year-old Pope occasionally needs services that cannot be performed by the righteous. And so, sealed deep beneath the catacombs, cathedrals and relic stalls of the Sacred City lies the secret Chapel of the Holy Expediency. For its highly disposable congregation – including a self-serving magician, a self-satisfied vampire, an oversexed werewolf, and a knight cursed with immortality – there is no mission that cannot be turned into a calamitous bloodbath.”

Friday, 26 November 2021

Chris Wooding completes EMBER BLADE sequel

Chris Wooding has completed the follow-up to his 2018 fantasy novel, The Ember Blade. The Shadow Casket is the name of the second book and it's now with the publishers for a likely late 2022/early 2023 publication slot.


Wooding has spoken of delays to the sequel caused by his work on video game projects such as Assassin's Creed: Valhalla. In March he reported the novel was on temporary hold, indicating it might be a while before it could come out. It's therefore a bit of a surprise that it's now done and with the editors.

The Ember Blade was an accomplished "classic throwback" epic fantasy written with Wooding's customary verve and humour. I look forwards to the sequel, and finding out what the "secret project" he was working on, which briefly took precedence.

Friday, 28 August 2020

The Trouble with Peace by Joe Abercrombie

A devastating rebellion has been crushed, a young and energetic new generation is rising to prominence and the Union has made an ally of its most dangerous enemy in the North. But peace does not bring prosperity, instead allowing simmering discontent to start fanning itself into a blaze. Former enemies find a common cause to unite against, allies are divided by ideals, complacent rulers find their positions uncertain and whispered complaints turn into the massing of armies on the move. The trouble with peace is that it never lasts.

Trilogies can be a tricky structure to pull off. All too often they consist of a great opening volume and a solid conclusion, but where the middle book exists mainly to pad out the wordcount. In the case of The Age of Madness, the second trilogy set in Joe Abercrombie's First Law world, the work justifies the length. A Little Hatred set up the characters and reintroduced us to the world some thirty years on from the events of the original trilogy and three stand-alone follow-ups, and focused on a series of somewhat self-contained storylines to introduce us to the new core cast of characters. It did its job splendidly.

The Trouble with Peace builds on those foundations with a surprisingly epic novel. If A Little Hatred was a bit more small-scale than what we are used to from Abercrombie, focusing mainly on politics in Adua, civil discontent in Valbeck and yet more violence in the North (well-handled, but it feels like that plot well has been visited quite a few times already), The Trouble with Peace expands the scope considerably. In just under 500 pages, Abercrombie delivers us a tense election in Westport, political machinations in Styria, fuming discontent over refugees in Midderland, yet more political chaos in Adua, a quest by a brave band of Northmen (and two women) to find a sorceress, more economic and technological advancements in the Union crushing the little people underfoot, and whispered conspiracies in dark corners that eventually lead to a huge conflagration. A Little Hatred was the prelude to a much bigger story, which not only begins in The Trouble with Peace but feels like it climaxes, with a surprising amount of closure before the last chapter blows open the story again for the grand conclusion.

The result is one of Abercrombie's strongest novels to date, a story of politics and war and the individuals swept up in events. One of the most remarkable things about it is that it opens a yawning chasm between the characters who were (more or less) on the same side of things in the first volume. Characters choose sides for logical reasons and the reader's sympathies may be tested because it's hard to say who is in the right and who is in the wrong. Those who want to overthrow the old order because it is bloated and corrupt and backed by Bayaz, whom we know through seven previous novels is not a particularly trustworthy guy, have some excellent points, but those who want a continuation of peace, not sticking swords through people and undertaking more gradual reforms also have a point (and Bayaz may be a ruthless and untrustworthy git, but he also did kind of save the Union from a far greater evil in the original trilogy, from a certain point of view), and seeing the two sides come to blows is decidedly painful.

As the novel unfolds there are traditional shocks and surprises, abrupt reversals of fortune, dramatic falls from grace and sudden elevations to grace. There's also moments of friendship and mercy, but moments when even sensible and solid characters fall prey to bigotry and are easily manipulated by outside forces. There's also moments when those blessed with intelligence and cunning find themselves laid low by their own overconfidence.

There's also a feeling of topicality swirling through the novel. Abercrombie started planning this trilogy way back before he even finished the stand-alone successors to The First Law in 2012, so the underlying plot presumably was not based on contemporary politics, but it's hard not to consider the topicality of a city's referendum on the wisdom of leaving the Union, or the simmering and unreasoning rage being stoked in a rich and prosperous kingdom by an influx of immigrants contributing to that prosperity but who have the temerity to have differently-coloured skin. This is also firmly inspired by more distant historical events of course - the Industrial Revolution and the protest movements it sparked, like the Redressers and the Luddites - but watching contemporary events being reflected in a work of epic fantasy (not normally the most politically sophisticated genre of fiction) is unusual and refreshing.

The Trouble with Peace (*****) is Abercrombie delivering what he usually does - a story packed with memorable characters, action and dark humour - but with also more attention to worldbuilding and pace. A lot happens in a constrained page count (by the standards of the genre) and the pages fly by. There's also an increasing, Pratchett-esque attention to fantasy's oft-unfulfilled potential to reflect the world we live in, making for a smarter and more intelligent book. The novel will be released on 15 September in the UK and USA.

Wednesday, 20 May 2020

Original DRAGONRIDERS OF PERN trilogy to get first UK audiobook release

Anne McCaffrey's Dragonriders of Pern series is to be released in audiobook format for the first time in the UK.


Gollancz will be releasing the original three books in the series - Dragonflight (1968), Dragonquest (1970) and The White Dragon (1978) - next month. Dragonflight and Dragonquest will be narrated by Sophie Aldred (Doctor Who) whilst The White Dragon will be read by Joe Jameson (Grantchester).

McCaffrey, who passed away in 2011, wrote, co-wrote or authorised some 29 books in the Pern series in total.

Friday, 10 January 2020

Netflix show turns THE WITCHER novels and games into bestsellers

Better late than never. Twenty-seven years after it was first published, The Last Wish, the first book in The Witcher series, has hit the New York Times Bestseller list, landing at #4. Blood of Elves, the third book, has landed at #12. Sword of Destiny, the second, has joined the two books on the Amazon bestseller lists as well.


In fact, the books have sold so well that it appears that Orbit Books, the US publisher of the series, may have run out of physical copies as well.

This isn't the first time the success of a visual adaptation has driven fantasy book sales. J.R.R. Tolkien's The Lord of the Rings sold over 50 million additional copies in the first few years after Peter Jackson's movie trilogy hit screens (and many more since then), whilst the titanic success of Game of Thrones on HBO resulted in around 80 million additional sales of the Song of Ice and Fire novel series (and bringing total sales close to 100 million).

There are also reports of a massive boom in sales of the three Witcher video games, with The Witcher 3: Wild Hunt enjoying a particularly large spike in sales. According to the publishers, CD Projekt, the game now has more people playing it than when it was released just under five years ago. CD Projekt will be launching their next game, the hugely anticipated SF RPG Cyberpunk 2077, in April and will be hoping some of their new Witcher fans will check that game out as well.

Meanwhile, showrunner Lauren Hissrich is back on set in Budapest ahead of the shooting of Season 2 of The Witcher, which is expected to start in early February and air around March 2021.

Friday, 27 September 2019

THE WITCHER likely to hit Netflix on 8 or 15 November

Netflix have still not set a release date for their TV series based on Andrzej Sapkowski's Witcher novels, but there's a big clue that either 8 or 15 November is the most likely date.



Both Orbit in the United States and Gollancz in the UK are releasing new editions of the first Witcher book, The Last Wish, with artwork inspired by the TV show. The UK edition lands on Thursday 7 November and the US edition on Tuesday 12 November.

As Netflix mostly release their shows on Fridays, that makes either 8 or 15 November the most likely date to release the first season.

More news as we get it.

Wednesday, 12 September 2018

Rejoice, a Knife to the Heart by Steven Erikson

A Canadian science fiction writer is abducted by a UFO from the streets of Victoria, British Columbia. The world shrugs and dismisses it as a social media hoax. Days later, mysterious forcefields start appearing around wilderness areas in danger of human encroachment. Fracking sites are cut off, animal migratory routes disrupted by human civilisation restored and fishing boats are unable to cast their nets. Then people find themselves being forcibly prevented from hurting one another. An Intervention has taken place.

Far above the Earth, an alien presence has arrived. Its mission is to repair and restore the biosphere of the planet but it is conflicted over what to do about humanity, who have been abject failures in their role as custodian of the planet's welfare. Fortunately, they have another job in mind for humanity, one that merely requires them to completely transform the very paradigm of their existence, forever...


Steven Erikson is best-known in genre circles for his Malazan Book of the Fallen fantasy sequence, consisting of ten brick-thick novels packed with battles, sorcery, comedy, tragedy, drama and musings on compassion, morality and ethics. The Malazan series is both an epic fantasy and an inverted interrogation of epic fantasy. His forays outside the field into science fiction have been less noteworthy, consisting of three Star Trek pastiches and a post-apocalyptic novella.

Rejoice, a Knife to the Heart is therefore his first serious, full-length science fiction novel and it's probably going to take people by surprise. It's relatively short (400 pages of quite large type), focused and a bit of a throwback to SF's golden age, consisting of story development through sequences of conversations between core characters. It feels like something Clarke or Asimov would have written in the 1950s, except with far superior character development.

Integral to the story is the fact that people can no longer hurt or kill one another, which means that the good old genre stand-bys - shoot-outs, nukes, battles, chases, character deaths - are unavailable to the author. This feels like a challenge Erikson has set out to himself and he meets with relish. The wit and erudition of the Malazan series is still present here, but seriously pared back to more human and witty levels. Rejoice, a Knife to the Heart is, surprisingly, Erikson's most approachable and accessible novel to date.

It's a novel that asks big questions about the future of humanity and what our fate will be, self-destruction (either in war or from societal collapse resulting from environmental disaster, dwindling resources or simple exhaustion of the human spirit) or enlightenment, discovering means of abolishing scarcity and moving into a truly utopian existence, and how that will impact on a species conditioned by centuries of exposure to free-market capitalism. To that end, those expecting "Malazan, but in space," (at least in terms of sheer scale) will be disappointed. But those up for a stimulating, question-raising, intelligent SF novel which explores ideas of scarcity, postcapitalism, paradigm shifts, fake news, populism, climate change, Big Dumb Objects and environmentalism, all done in a concise manner, this book is for you.

Challenges abound in the novel, most notably how to build tension when it's literally impossible to have any kind of military confrontation or action resulting in injury or death. Erikson does this with a great philosophical debate: the mysterious aliens spare humanity for a specific reason, because there's something we can do they cannot, and this central mystery is gently teased out over the course of the book in a manner that's compelling. It's also not quite resolved in the space of this one novel: sequels are not strictly necessary, but would be welcome to explore some of the mysteries left unexplained in this book.

This is also a novel which may be tapping SF's golden age, but it's also a very timely novel. There's nods to the #metoo movement and almost all of the movers and shakers in the story are based on real people. It's pretty obvious which US President the fictional one is based on, and spotting the fictional equivalents of the Koch Brothers, Elon Musk and Rupert Murdoch is amusing. The book also has a very human side, and the key theme of the Malazan series - compassion and empathy - rears its head here as well. There's also a few touching tributes to SF authors who have passed away in the novel, which may make a few lower lips quiver.

Rejoice, a Knife to the Heart (****) is going to be a divisive book, I feel. I suspect some will be bored by a novel which consists almost entirely of conversations between people without a laser gun battle in sight (there are a couple of small explosions though), but for those who read SF for ideas, for intelligent observations on the world around us and explorations of what humanity could be if it could throw off the shackles of inequality and exploitation, this is a fascinating work. It will be published in the UK and USA on 18 October 2018.

Wednesday, 20 June 2018

The Ember Blade by Chris Wooding

Two great empires have dominated the east of Embria, the fall of the great subterranean empire of the urds heralding the rise of Ossia, protected by the Ember Blade and the sacred order of Dawnwardens. But thirty years ago Ossia was invaded in turn by Kroda, a kingdom of order, logic and science. Declaring itself the Third Empire, Kroda sees its destiny is to unite the continent through the Sword and the Word.


Although it is a land under occupation, life is good for many Ossians. The Krodans keep the bandits in check and the roads maintained. For young Aren, an Ossian noble son born into happy fortune, he sees his nation's destiny is in alliance with Kroda. That dream dies when he is betrayed by the empire he believes in. Left to rot in a prison camp, he is given an opportunity to strike back against his enemies...and help reclaim the Ember Blade.

Chris Wooding has been one of science fiction and fantasy's most interesting and restless voices for a long time now, moving from writing cracking YA reads to mature, thoughtful works of science fantasy like The Fade. His work in adult fantasy is mostly contained in the excellent Braided Path series, rooted in Asian mythology and influences, and the rollicking Tales of the Ketty Jay, a dieselpunk saga of airships, fighters, rampaging titans, surly cats and heroes whose buckles are, indeed, swashed.

The Darkwater Legacy is Wooding's back-to-basics take on the traditional fantasy saga (even the title feels like it was copyrighted in 1985). Ossia is a land under the grip of a cruel empire, a heroic band of freedom fighters are trying to save the day and a young man finds himself touched by destiny. It's like David Eddings, Margaret Weis, Tracey Hickman and Terry Brooks had a brainstorming session over a power lunch. If they did, though, then Wooding stole their notes, drank their beer and set about skewing everything slightly away from the way you think it's going to go.

The Ember Blade introduces us to Aren, the son of an Ossian noble who thinks himself destined for great things, unable to accept that his blood means that he will never be taken seriously by the Krodans. His best friend is Cade, a carpenter's son. They are separated by class and their feelings about the Krodan invaders, but they are soon bound together by profound misfortune. Along the way they meet up with a highly dubious warrior, thief and scoundrel, Grub the Skarl (master of the boastful non-sequitur), and a bunch of rebels led by the enigmatic "Hollow Man", before they find themselves on the run from supernatural trackers and gradually realise more is going on than it first appears. So far, so Lord of the Rings meets The Eye of the World. When our characters join forces with a druidess searching for a hero who is the fulfilment of prophecy and reach Skavenhald, a terrible ruin inhabited by a profound supernatural evil (Moria by way of Shadar Logoth, with a name that nods at Warhammer), you may be trying to keep your eyes from rolling. Wooding writes with skill but there's the feeling that maybe the traditional fantasy archetypes are being assembled a bit too familiarly here, as if assembled from an IKEA flatpack.

But then things get a lot more interesting. Skavenhald is weird and a distinctly Lovecraftian tone creeps in as screeching horrible things from other realms threaten to break through the skein of reality. It's more Dark Souls than Balrog Retirement Village, and all the better for it. After this the book becomes more engrossing as Wooding strips back the psychology of his characters, revealing them to be less the Fellowship of the Ring and more the Companions of Utter Dysfunction. One late-emerging main character is fascinating, a middle-aged teacher and patriot whose ruthlessness and resourcefulness dwarfs that of almost any of the other characters. The story takes several extremely unexpected swings (complete with a few shocking dispatches of characters you thought were around for the duration) before we reach the appropriately epic conclusion and the inevitably-frustrating wait for Book 2.

The Ember Blade is Wooding's longest novel to date - just under 800 pages in tradeback - but has more story in it than most entire trilogies. We have a prison break narrative, a horror story, a war story and an urban fantasy adventure. There's pirates, wolves, dodgy Viking warriors and some discomforting WWII allegories. One sequence feels like it's come out of Moby Dick, another out of Baldur's Gate. Wooding has had a frankly unseemly amount of fun in assembling his Big Fat Fantasy Saga and is keen to share that with the reader. The pages rattle by, the worldbuilding becomes more well-rounded and intriguing and the characters never stop growing and changing. It would be easy to condemn the author for writing "just" another throwback fantasy here, but it's also easy to forget that writing a good epic fantasy is still very difficult, and Wooding does it with aplomb.

The Ember Blade (****½) is great fun, a classic epic fantasy which, after a perhaps slightly too-traditional opening, avoids becoming too predictable. The characters are memorable and charismatic, but also flawed, with their darker moments that give them more edge than the one-note heroes of yesteryear. The tone is light and fun to start with, but matures throughout, with a few moments of real darkness at the end as things get real. The novel will be published on 20 September 2018 in the UK (and will be available on import in the USA).

Saturday, 24 March 2018

Cover art for Steven Erikson's REJOICE, A KNIFE TO THE HEART

On 18 October, Gollancz in the UK will be releasing Steven Erikson's first non-comedic science fiction novel. Entitled Rejoice, a Knife to the Heart, it's a story about first contact and survival. The cover art is below.


Erikson has previously written twelve novels and seven short stories in the epic fantasy Malazan Book of the Fallen setting, and is working on a new novel in that setting, The God is Not Willing, which will open a new trilogy, Witness, about the popular character of Karsa Orlong. He has also written an SF novella, The Devil Delivered, and a mainstream novel, This River Awakes, as well as three short comedic SF novels, the Wilful Child trilogy.

Thanks to Jussi of Rising Shadow for spotting this on Westeros.org.

Tuesday, 27 February 2018

Joe Abercrombie speaks out about the FIRST LAW TV rumours

A few weeks ago, an eagle-eyed fantasy fan spotted what appeared to be planning boards for a First Law project of some kind through what they claimed was the windows of a Sony office in Los Angeles.


Today, whilst talking in general terms about his progress on The First Law sequel trilogy (he's almost halfway through the first draft of the third book in the series, with publication of the first volume, A Little Hatred, planned for late summer 2019), Joe dropped a couple of comments about the project:

"If I could make a comment I probably would’ve. But I can tell you from the photos that it’s not Sony Studios, and it’s not storyboards, and it’s not a movie…"

So...not a lot really. However, he does confirm it's not a film (whilst not ruling out a TV show or video game), it's not Sony Studios (which is entirely possible, as studios sometimes rent out offices owned by other studios if they're pressed for space, or it could be a subsidiary of Sony rather than Sony directly) and it's not storyboards (which is technically correct, these would be outlines), which would be illustrated from the script. This is sadly insufficient evidence to confirm that Bob Dylan is indeed planning a ukulele-based musical version of The Blade Itself, but this does not mean you should not spread this rumour as fact everywhere you go.

More news on this as soon as it emerges.

Sunday, 3 December 2017

Synners by Pat Cadigan

In the not-too-distant future, the world is a morass of internet-based TV shows and corporate greed. The people best-equipped to survive in this world are those who synthesise content for the net: synners. The arrival of sockets, cybernetic implants which allow people to directly interface with computers through their minds, marks a major change in society and technology, and what it means to be human. But when something goes wrong, it falls to one group of synners - outcasts, failures and data junkies - to save society, fix the net...and discover that intelligence itself can be synthesised as well.


Synners is the third novel by American SF author Pat Cadigan. Originally released in 1991, it was a late-breaking novel in the cyberpunk movement, championed by the likes of Bruce Sterling, William Gibson and Neil Gaiman. It won the Arthur C. Clarke Award and has been enshrined in the Gollancz SF Masterworks range as one of the all-time defining works of science fiction.

Synners is interesting for coming towards the end of the cyberpunk movement, at least before subsequent books like Jeff Noon's Vurt and Richard Morgan's Altered Carbon began taking it in very different directions and the movement was subsumed more into science fiction as a whole. It's also interesting for coming during the earliest days of the internet as we know it, so at least some terminology (laptops, email, virtual reality) rings true, unlikely earlier cyberpunk whose invented terms now feel very dated. Like most cyberpunk authors Cadigan missed mobile phones, but it oddly doesn't feel as archaic in this book. Cadigan is more interested in how technology and being networked impacts on the human condition and the methodology for accessing the net is less important. It is impressive how many other things she got right: satnav systems which actually don't really help anyone get anywhere, hackers uploading viruses to the net just for giggles and self-driving vehicles all feel pretty much on-point at the moment.

More impressive is how the novel feels like it's subverting cyberpunk itself. The Los Angeles of Cadigan's future America is, well, pretty much Los Angeles today, maybe slightly bigger and dirtier but certainly not the Los Angeles of Blade Runner. There's nary a mirrorshade or ill-advised superskyscraper (in an earthquake zone!) in sight and cyborg cops smashing down doors and firing massive guns are notable by their absence. But growing corporate power and tech companies acting like they are above the law and pressurising baffled politicians who can't see beyond the next election into giving them carte blanche to do whatever the hell they want without regard for the consequences for society and the economy have never felt more appropriate.

Cadigan's prose mixes poetry with hard-edged science fiction descriptions of hardware and software. They are sequences of people immersing themselves in the net and drugs which come across as lucid fever dreams. The novel also delights in the mundane: one of the most important viewpoint characters, Gabe, has marriage problems and a changeable relationship with his daughter, Sam. There is a frustrated air of rebellion in many characters, who take drugs and listen to loud music but no-one really cares any more, certainly not the government which is now wholly in the pocket of corporate interests.

Synners has some sins (syns?). The novel is slow to come together, taking a hundred pages to assemble a large cast of viewpoint characters (possibly too many; Gina, Gabe, Sam emerge as the main viewpoints and the novel may have benefited from dropping some of the secondary viewpoints). The scattershot opening makes the world feel grounded and realistic, but the lack of focus makes it hard to work out what's going on. But about a quarter of the way into the book starts to coalesce and the last quarter has the pedal fully to the metal as a global crisis erupts and only our "heroes" - the most dysfunctional bunch of hackers and artists you could ever hope to meet - can save the day.

Synners (****½) is a smart and grounded cyberpunk novel that gave the genre a final shakedown, stole its wallet and told it go and do something more interesting. Not the easiest of reads (especially at the start) but one that more than rewards the effort. The novel is available now in the UK and USA.

Friday, 20 October 2017

Joe Abercrombie's next novel is named

Gollancz have confirmed that Joe Abercrombie's next novel will be called A Little Hatred and have a tentative release date of May 2019.


This is the first in a new trilogy in the world of The First Law, set some thirty years after the events of Last Argument of Kings. The story will feature some familiar characters from the first trilogy as well as some new characters and the children of old ones, as, once again, the Union is drawn into a conflict.

Abercrombie is drafting the entire trilogy, having recently completed the second book in the new trilogy, before rewrites and edits before publishing the series. The plan is to get the trilogy out relatively quickly, so expect to see (all being well) the second and third books in this trilogy out in 2020 and 2021.

Thursday, 12 October 2017

After twenty years, Gollancz finally signs Steven Erikson

It's taken almost two decades, but Gollancz - the UK SFF imprint of Orion Books - have finally signed up Steven Erikson.


Erikson's new stand-alone SF novel, Rejoice, A Knife to the Heart, will be published in October 2018. The novel is described thusly:
Rejoice, A Knife to the Heart tells the story of the Intervention, which begins when Samantha August, science fiction writer, disappears into a beam of light, apparently from a UFO, while walking along a busy street in Victoria, Canada.  While footage of the incident – captured on smartphones – goes viral, Samantha wakes up in a small room, where she is greeted by the voice of Adam, who explains that they are in orbit and he is AI communicant of the Intervention Delegation, a triumvirate of alien civilisations seeking to ensure the continuing evolution of Earth as a viable biome. Thus begins an astonishing, provocative, beautifully written and startlingly visionary novel of First Contact.
Back in 1998 Erikson sold his debut fantasy novel, Gardens of the Moon (the first in the Malazan Book of the Fallen sequence), to Transworld/Bantam UK. Gollancz attempted to lure Erikson away and the result was a fierce bidding war, which ended with Bantam signing up Erikson for nine additional books for £675,000 (over $1.1 million back then). As far as I can tell, this remains a record for a debut fantasy author.

This is Erikson's first "serious" science fiction novel, following his Wilful Child series of comic SF books.

Tuesday, 7 March 2017

More WILD CARDS

Tor.com has started a reread of the Wild Cards book series created by George R.R. Martin. The reread is being handled and written by a friend of mine and long-term fan of the series, Katie, and promises to be an excellent recap of the series and a way for new readers to jump on board. Some of the Wild Cards writing team, such as Walter Jon Williams and Jon J. Miller, are also jumping on board in the comments.


Meanwhile, Martin has confirmed that Tor Books have picked up the rights for additional books in the series. The next three books in the series proper, Mississippi Roll, Low Chicago and Texas Hold 'Em, will be released over the next year or two. At the same time Tor Books will re-release Books 8 through 12 of the original series (One-Eyed Jacks, Jokertown Shuffle, Double Solitaire, Dealer's Choice and Turn of the Cards). Significantly, this will bring the entire twelve-volume Bantam Books stretch of the series back in publication for the first time in almost thirty years.

There will be also be four brand-new books. Full House will be a full-on short story collection, collecting together short fiction that has been published on the Tor website over the previous few years along with some original stories. Following on from this will be three new books, comprising an original full-length novel, a new book set in space and another set in Britain.

Unfortunately, it appears that British fans may be out of luck in hoping for a complete reprint of the series. Gollancz have apparently declined to buy the rights to any of the new books or reprint any more of the original series, leaving it incomplete after the first seven volumes and then the later six (18-23). HarperCollins Voyager (who publish A Song of Ice and Fire) will instead publish the six new books (and perhaps Full House). The fate of the intervening volumes of the series in the UK remains unclear.

But back to the good news, Wild Cards co-editor Melinda Snodgrass has provided a detailed update on where she and the team at Universal are at with their planned TV adaptation of the franchise. Good progress has been made and hopefully we'll see a greenlight on that soon.

Tuesday, 16 August 2016

THE THORN OF EMBERLAIN might not be coming out in September (UPDATED)

A few months ago, Gollancz confirmed that Scott Lynch's The Thorn of Emberlain - the fourth book in his excellent Gentleman Bastard series - was a lock for release on 22 September this year. However, it is now looking less likely that the book will hit that date.



The book was recently pulled from Amazon UK and replaced by a 2018 placeholder, whilst the American edition of the novel has never been listed at all.

It might be that there has been some mix-up with the schedules, or that Bantam was unable to go to print that quickly and has now convinced Gollancz to delay until they are also ready. But so far no official explanation has been given for the book being pulled. If it has been delayed, it certainly won't be until 2018. Based on Scott's comments about how the book was coming together, I suspect (and hope) it will be more moderate delay until early 2017 at worst.

More news as soon as we get it.

UPDATE: Scott Lynch has confirmed that the book will not hit its release date, citing delays stemming from a move of house and writing space. He confirms that the current placeholder dates are not accurate and a more realistic date will be announced soon.

Saturday, 13 August 2016

Playing the Wild Card: A Reading Order to George R.R. Martin & Melinda Snodgrass's Superhero Universe

The news last week that Universal had taken out an option on the Wild Cards shared world superhero series seems to have awoken some renewed interest in the franchise. Wild Cards has been an ongoing project since 1987, now encompassing twenty-three books and contributed to by thirty-one authors, so it may be helpful to arrange this into some kind of structure suitable for newcomers.

 
The Premise

In 1946 Earth was nearly destroyed by an alien race known as the Takisians. Genetically identical to humans, a rogue Takisian house decided to field-test a new virus on the planet to assess the effects on a large population before deploying it against its enemies. Prince Tisianne, one of the creators of the virus, had second thoughts on moral grounds and pursued the test ship to Earth to destroy it. He successfully halted the release of the virus into Earth's atmosphere, but was detained by American military personnel. During his detention, a human criminal named Dr. Tod recovered the virus and used to it to blackmail the American government, threatening to release it over New York City unless he was paid $20 million.

Dr. Tod's bluff was called and he attacked New York in a massive dirigible on 15 September 1946: Wild Card Day. World War II flying ace Robert Tomlin - popularly known as "Jetboy" - helped destroy the airship at the cost of his own life, but the virus was still released. Fortunately, thanks to Jetboy's efforts, the virus landed in pockets across the city, reducing the death toll from the millions to ten thousand.

The virus had the following effects:
  • 90% of those infected died instantly.
  • 9% of those infected survived, but were mutated and deformed, becoming known as Jokers.
  • 1% of those infected survived and were granted amazing powers, becoming known as Aces.
Unfortunately, the impact of the virus was not confined to New York City. Wind currents carried the virus across much of the eastern seaboard, whilst some of the virus spores actually survived intact and were carried unwittingly in cargo planes and ships across the globe. Major outbreaks followed in Rio de Janeiro, Mombasa, Port Said, Hong Kong and Auckland, with smaller outbreaks in many parts of the world.

The virus was also genetically transmittable, most commonly from parents to children. As a result of propagation, the number of people affected by the wild card virus, although still a minuscule minority of the human race, was still rising in the early 21st Century, seventy years after its arrival.

Prince Tisianne elected to remain on Earth and help make amends for the impact of the virus. Dubbed Dr. Tachyon by the press (for his spacecraft's FTL drive) and possessing immense telepathic powers, Tisianne is counted as an Ace although his powers are innate to his species rather than drawn from exposure to the virus. In the 1980s Tisianne returned to Takis and learned that the Takisian faction that had tried to test the virus on Earth had fallen from power, and there was no further threat to Earth from his people.

The first Wild Card book (and several stories in later volumes) spans the period 1946-86, showing how the existence of the Jokers and Aces alters the course of history. These reveal that a chunk of Manhattan has been turned into "Jokertown" where Jokers (and some Aces) are forced to live in a ghetto by a population fearful of their horrible appearances, and that a civil rights movement for Jokers later gets underway. Meanwhile, some Aces are employed by the American government, some go solo as vigilantes and some become villains. These stories also expand on the impact of the virus: we get to meet Deuces, Aces whose powers are useless or seem so, and Joker-Aces, Aces who have amazing powers but also the deformed and unpleasant appearance of Jokers.

From the second volume onwards, the stories proceed roughly in real-time, taking place approximately analogous with the year the book was released.

In 2008 the series was "rebooted" with the eighteenth volume in the series, Inside Straight, which picks up five years after the previous volume with a "Next Generation" approach, focusing mainly on new characters (although older ones are referenced or show up in smaller roles). This was done to create a second, easy entry point to the series for new readers.



Characters

There is no central character in the Wild Cards universe, with instead the stories moving between a rotating cast of characters at different periods of time and in different locations. That said, several of the most notable characters are as follows:



Thomas Tudby, aka "The Great and Powerful Turtle"

Tudby is a powerful telekinetic who can move vast amounts of matter with his mind: he once lifted a 45,000 ton American warship. However, his powers falter if he becomes scared or nervous. To render himself immune to attack, he used his powers to create a shell out of old motor car bodies, which he can then levitate and fly around. This led to the nickname of "the Turtle". The Turtle played a major role in several incidents of the late 1980s and early 1990s before revealing his identity to the world and effectively retiring. Formerly respected by Aces and Jokers alike for his bravery, his later writing of his memoirs and authorising of a film based on his life led to accusations of him "selling out".

The Turtle is regarded as George R.R. Martin's signature character, as well as the one most closely based on the author himself, also being from New Jersey and a massive comic book fan. Whether George R.R. Martin also has monstrous powers of telekinesis has not yet been confirmed, although it is known that he can get tens of thousands of people to freak out by simply mentioning words like "Winter" on his blog.


Croyd Crenson, aka "The Sleeper"

Croyd has arguably the weirdest ace power of them all. Every few months he goes into a deep sleep, lasting anywhere from weeks to months. When he wakes up, he is not only still alive but he will have attained a completely new appearance and set of powers. Two-thirds of the time he wakes up as an Ace or Joker-Ace, but one-third of the time he will take the form of a Joker with no powers and a disturbing appearance. He retains his memories over transformations but loses all other identifying marks, including fingerprints. His next appearance can be of any age, so it is unclear if he is immortal or if his body is still ageing normally (in which case he would be almost ninety years old).

Created by the late Roger Zelazny, but used by other writers with his blessing, the Sleeper is arguably the most popular Wild Cards character and the most versatile.


Jack Braun, aka "Golden Boy"

Braun became one of the most recognisable and famous Aces after the virus was released. His powers grant him immortality (he looks the same now that he did in 1946), super-strength and virtual invulnerability. He is not completely indestructible (a large enough explosion could kill him and he is vulnerable to poison) but he is pretty close. Braun fought as part of a superhero team known as the Four Aces after the virus, but in 1950 betrayed his comrades during the McCarthy witch hunts. After a stint as a Hollywood actor, he felt guilty about his actions and went into seclusion, emerging rarely thereafter. In 2008 he uncharacteristically agreed to take part in a reality TV show, serving as a "boss" the contestants had to defeat. Despite his shunning of the limelight, he liked the fact that no-one cared who he was any more.


Prince Tisianne, aka "Dr. Tachyon"

Dr. Tachyon is one of the Takisian scientists who helped create the wild card virus. Later repenting his actions, he tried to stop the deployment of the virus on Earth. He failed. Riven by guilt, he decided to stay and make amends by helping with Earth's technological development, the treatment of those infected by the virus and cataloguing the powers of the Aces. As Takisians are genetically identical to humans, he can pass as human with no problem. He is quite short and enjoys dressing in eccentric clothing. He has tremendous telepathic powers.

Dr. Tachyon was a character of primary importance in the first ten books in the series. However, he was then written out when he returned to his homeworld and stayed there. It is unknown if he will appear again.



Novels or Short Stories?

Wild Cards has been described as a series of novels and as a series of short story anthologies, although neither description is entirely accurate. It is fairer to say that Wild Cards is, taken as a whole, an alternate history of the world (but predominantly the United States) from 1946 to the present day. Single-author novels, multiple-author novels (known as mosaic novels), stand-alone short stories and short stories linked by chronology, location or thematic elements all combine to fill in this history. The Wild Cards series is also not defined by a single over-arcing narrative. This is no single story with a beginning, middle and end, but a whole series of stories set in a shared world. It is perfectly possible to read and enjoy books from the middle and even more recent period of the series without having read the rest first.


In-Print or Out of Print?

The problem of catching up with the series is also exacerbated by many of the middle books in the series being long out of print. Both Tor Books (in the USA) and Gollancz (in the UK) have embarked on ambitious plans to reprint the entire series, but both are proceeding incredibly slowly: Tor, slightly ludicrously, is only releasing the books at a rate of one a year and has only reached the fifth book (the sixth is out in February). This means they should complete the reprinting of the series in 2028. Meanwhile, Gollancz seem to have stalled after the publication of the seventh volume last October, with no more releases scheduled at present.


Why Not Omnibi*?

More than once it has been suggested that reprinting the series one-by-one has been inefficient, with a better way forwards being to reprint the books as omnibuses with three or four books per omnibus. This strategy was pursued by the Black Library with great success when it reprinted most of its Warhammer 40,000 output as massive, economically-priced omnibus and saw them sell over a million books in a short period of time. This method would be even more appropriate for Wild Cards, with narrative arcs often unfolding over three or four volumes. For their ebook editions, Gollancz has experimented with this process by collecting Books 1-3 as an omnibus called The Epic Beginning and Books 4-7 as The Puppetmaster Quartet. It would be interesting to see this expanded to the print editions as well (and yes, this would mean some very big books, but it worked brilliantly for the Black Library and for other publishers putting out big omnibuses), but no doubt this will depend on sales.


The Publishers

The Wild Cards series has been published by four distinct publishers to date: Bantam Spectra released Books 1-12, whilst Baen Books released Books 13-15. iBooks picked up Books 16 and 17 before spectacularly going bust. Tor Books have published Books 18-22 and will be publishing Book 23 later this year, and will remain the primary publisher of the series going forwards (three more books are under contract). The series has had several UK publishers but Gollancz are currently handling the series in Britain.


The Books

As previously mentioned, there are twenty-three books in the series. They are generally organised into "triads", arcs spanning three volumes but this name is something of a misnomer: Books 6 and 7 were supposed to be one book split into two for length, whilst Book 10 is something of a side-story  to the events of 8-9 and 11 (which form the triad proper and can be read in that order). There aren't really official titles for each triad, so they are more descriptive than formal:


The Beginning Triad
1. Wild Cards (1987)
2. Aces High (1987)
3. Jokers Wild (1987)

These first three volumes in the series introduce the wild card virus and chronicle the way it reshapes the history of the 20th Century. By the end of the second volume the series has already caught up with the then-present day (1987) and events in the series then unfold in real time (more or less). Book 1 introduces the premise and the original cast of characters, whilst Books 2 and 3 see the Aces learning of a potential alien invasion.


The Puppermaster Triad
4. Aces Abroad (1988)
5. Down and Dirty (1988)
6. Ace in the Hole (1990)
7. Dead Man's Hand (1990)

These four novels chronicle the machinations of the mysterious "Puppetmaster" and his eventual downfall, whilst numerous other events take place. Most notably, Book 4 explores the impact the wild card virus has had in other parts of the world beyond the United States.


The Jumper Triad
8. One-Eyed Jacks (1991)
9. Jokertown Shuffle (1991)
10. Double Solitaire (1992)
11. Dealer's Choice  (1992)

These four novels deal with the activities of a gang of body-swapping villains known as jumpers. Double Solitaire is notable for being a single novel written by Melinda Snodgrass rather than the usual rotating team of writers and stands apart in the continuity, being set on Dr. Tachyon's homeworld of Takis simultaneously with the events of Dealer's Choice.

As a note of trivia, George R.R. Martin started writing A Game of Thrones either whilst writing and editing work was proceeding on Jokertown Shuffle or just after it had been completed.


12. Turn of the Cards (1993)

This is a single stand-alone novel written by Victor Milan. The previous volume had finished off the jumper storyline and there was one book left on the contract with Bantam. Rather than start a new storyline, the editors decided to write a stand-alone book to fulfil the contract and retain the freedom to move to a new publisher if necessary.


The Card Sharks Triad

13. Card Sharks (1993)
14. Marked Cards (1994)
15. Black Trump (1995)

The series moved to Baen Books for this trilogy, which revolves around a protagonist who is neither an Ace nor a Joker. Although Baen offered a larger advance, they lacked the marketing muscle of Bantam. With no new books coming out, Bantam also let the older books go out of print, which effected both backlist sales and also meant that newcomers did not have an easy jumping-on point for the series.


16. Deuces Down (2002)
17. Death Draws Five (2006)

With sales for Baen being disappointing, the series moved again to iBooks for these two volumes. Deuces Down is unusual in being a true anthology, consisting of short stories from all over the Wild Cards history, unified only by the theme of focusing on Deuces, Aces with powers which are of only apparently marginal utility. Death Draws Five is a single novel written by John J. Miller with a stand-alone storyline, although it does feature the final appearance of original Wild Cards character Fortunato. Death Draws Five is the rarest Wild Cards book, as only a few hundred copies were published before iBooks went bust. These two books were recently reissued as ebooks from Brick Tower Press, who bought out the iBooks stock.





The American Heroes Triad (aka The Committee Triad)
18. Inside Straight (2008)
19. Busted Flush (2008)
20. Suicide Kings (2009)

The series moved to Tor Books for this triad, which works as a "Next Generation"-style entry point for new readers to the series and mostly focuses on new characters. The series initially focuses on a reality TV show revolving around Aces but then moves onto the formation of a new superhero organisation called the Committee.


The Jokertown Triad
21. Fort Freak (2011)
22. Lowball (2014)
23. High Stakes (2016)

This triad adopts a back-to-basics approach, focusing on the "Fort Freak" police department which has to handle cases in and around Jokertown in New York City.

The USA Triad
24. Texas Hold 'Em (tbc)
25. Mississippi Roll (tbc)
26. Low Chicago (tbc)

This forthcoming triad is under contract to Tor Books. According to George R.R. Martin, although it's unofficially called the USA Triad it's actually going to be three self-contained books linked more by location (presumably Texas, Mississippi and Chicago) than anything else. There are also potentially two more triads, which will have more traditional linking stories, under discussion.


Writers

Wild Cards evolved out of a roleplaying campaign run by George R.R. Martin using the Superworld rules from Chaosium. As the original games master, Martin is counted as the creator of the Wild Cards universe and the primary editor-in-chief, although all of the writers have a say in the future direction of stories and the series. Martin is a bit busy with his own fantasy side-project, so he no longer writes for the series (his last story was in Inside Straight almost a decade ago, and before that in Black Trump a decade earlier) but is still the main editor. Melinda Snodgrass, a respected science fiction and fantasy author and scriptwriter in her own right, has acted as co-editor on many volumes in the series and regularly contributes stories.

The other Wild Cards authors have been, or still are: Daniel Abraham, Edward Bryant, Pat Cadigan, Michael Cassutt, Chris Claremont, Paul Cornell, Arthur Byron Cover, David Anthony Durham, Ty Franck, Gail Gerstner-Miller, Leanne C. Harper, Stephen Leigh, David D. Levine, Victor Milan, John J. Miller, Laura J. Mixon, Mary Anne Mohanraj, Kevin Andrew Murphy, Cherie Priest, Lewis Shiner, Walter Simons, Caroline Spector, Ian Tregillis, Carrie Vaughn, Howard Waldrop, Sage Walker, Walter Jon Williams, William F. Wu and Roger Zelazny. The next triad will feature stories from new writers Saladin Ahmed, Max Gladstone, Marko Kloos and Diana Rowland.



Where to Start?

This is pretty straightforward. The most obvious answer is simply Wild Cards, the original 1987 book that started the whole thing rolling. It is easily available now, having been reprinted many times. However, you can also start with Book 18, Inside Straight (2008), the first novel from Tor Books which was deliberately written as a fresh entry point to the series for new readers, taking a "Next Generation" approach.
____
* Technically this is incorrect usage, but what the hell. It rhymes.

Monday, 8 August 2016

Throne of the Crescent Moon by Saladin Ahmed

Dr. Adoulla Makhslood is a ghul-hunter, a slayer of monsters who battles against the evil wizards who summon them. He is also in his sixties and feeling his age. Raseed bas Raseed is his protege, a holy Dervish warrior with legendary sword skills but awkward social graces. A new commission leads them to a chance meeting with Zamia, a desert tribeswoman with the ability to transform into a lion. As Raseed struggles with his vow of chastity, the band of adventurers learn of a great threat to the city of Dhamsawaat and have to join forces with a dubious thief prince to defeat it.


Throne of the Crescent Moon is the debut novel by Saladin Ahmed and the first novel in the Crescent Moon Kingdoms series. It's a rollicking, swashbuckling, grin-inducing romp of  a book which takes inspiration from The Arabian Nights and never lets up in its ability to entertain.

The book draws on Arabian mythology and history, so the book immediately has a different feeling to most faux-European fantasy novels. Indeed, whilst reading the novel I was reminded of the immensely fun Al-Qadim roleplaying world (for 2nd Edition Dungeons and Dragons) from the mid-1990s, which featured bands of heroic adventurers and noble thieves tackling trickster djinn and corrupt viziers with nary an orc or elf in sight.


Throne of the Crescent Moon is definitely a romp with more than a passing nod to the likes of Fafhrd and the Grey Mouser, but it's also a wonderfully well-characterised novel. The characters are archetypes but also have tremendous depth to them. Making the central hero a fat man in his sixties who gets winded way too easily and is physically incapable of engaging in combat is a brave move, making Adoulla the brains of the operation but also an irascible and stubborn fool on occasion. Raseed is lightning-fast with his sword and almost unbeatable in battle, but is riven by self-doubts and struggles with his faith. His humourless martinet routine is the butt of many jokes, but his religious conflict is an important part of his character which gives him depth when he finally realises the world is a messier place than his strict morals allow. However, arguably the most interesting characters are Dawoud and Litaz, former adventuring buddies of Team Adoulla who have now retired from monster-fighting to run their own business. They are reluctantly drawn back into Adoulla's adventures, allowing for a detailed examination of the lives of a middle-aged couple against a fantasy backdrop.

Throne of the Crescent Moon does this - mixing the conventional and unconventional, magical and mundane - throughout its length and it's this blending of knockabout fun with fleshed-out, realistic characters which gives the book much greater depth and longevity than just being an action novel (although Ahmed's action sequences are first-rate). Ahmed also achieves a tremendous depth of worldbuilding, making Dhamsawaat (which is basically Baghdad by way of Lankhamar) a fully-realised location so vivid you can smell the spices and hear the merchants hawking their wears.


If there are criticisms, it is the book's length: at 260 pages (in tradeback) the book rushes some aspects, especially towards the ending, and the Falcon Prince feels a bit too remote and off-stage a character for the sudden prominence he gains in the grand finale. However, plot synopses for the sequel suggests he plays a larger role in that volume, which will be welcome.

Throne of the Crescent Moon (****½) is a breath of fresh air, a fiendishly addictive novel which is over way too soon and will leave readers begging for more. The novel is available now in the UK and USA. The sequel, The Thousand and One, is due for release later this year or in 2017.

Wednesday, 18 May 2016

Scott Lynch's THORN OF EMBERLAIN confirmed for September release

Gollancz have confirmed that they will be releasing Scott Lynch's The Thorn of Emberlain, the fourth volume of The Gentleman Bastard series, on 22 September this year.



This is a slight delay from the July 2016 date originally mooted, but Gollancz explained they made the change to better coordinate marketing activities as Scott will be in the UK that month for Fantasycon.

The previous volumes in the series were The Lies of Locke Lamora (2006), Red Seas Under Red Skies (2007) and The Republic of Thieves (2013). Three further volumes are anticipated to bring the series to a conclusion: The Ministry of Necessity, The Mage and the Master Spy (although this title may change) and Inherit the Night.

Tuesday, 15 March 2016

Cover art: THE GRADUAL by Christopher Priest

Gollancz have released the cover art for Christopher Priest's new novel, The Gradual.



The book will be publiushed on 15 September 2016. A description follows:
In this latest novel from one of the UK’s greatest writers we return to the Dream Archipelago, a string of islands that no one can map or explain. Alesandro Sussken is a composer, and we see his life as he grows up in a fascist state constantly at war with another equally faceless opponent. His brother is sent off to fight; his family is destroyed by grief. Occasionally Alesandro catches glimpses of islands in the far distance from the shore, and they feed into his music – music for which he is feted. But all knowledge of the other islands is forbidden by the junta, until he is unexpectedly sent on a cultural tour. And what he discovers on his journey will change his perceptions of his country, his music and the ways of the islands themselves.