Three years have passed since a sorcerous curse was lifted from the royal family of Chalion. Chalion and the western kingdom of Ibra have allied and now prepare for a military campaign against the Roknari principalities to the north. Ista, the Dowager Royina, is far removed from such concerns. The lifting of the curse has returned to her a sense of self and intelligence, but her family is still treating her as a pariah. The removal of her children to the capital and the death of her mother have left her without purpose, so she plans to make a pilgrimage in honour of her memory. But it appears that destiny still has plans in mind for her.
Paladin of Souls is a loose sequel to The Curse of Chalion, although you could probably get away with not reading the previous novel. This book is primarily a stand-alone story revolving around Ista, the mother of the new Royina of Chalion, who finds herself at a loose end as her family moves on with their lives without her. Ista was a minor character in The Curse of Chalion, where she was often confused and frightened. Here, in her own story, we meet a much more capable and intelligent woman, but one who is frustrated at being treated as a near-invalid by her family.
This is an unusual epic fantasy in some senses. The protagonist being a middle-aged woman is a relative rarity in the genre and its primary thematic concern being with establishing or re-establishing a purpose in later life is a universally relatable one. There is also a lot of more familiar fantasy tropes, including romance, epic battles and formidable sorcery. Lois McMaster Bujold is one of the most talented authors working in either science fiction or fantasy, with excellent prose skills and great characters, and she blends these elements together again her to create a novel which is vivid and engrossing.
It's not quite as successful as The Curse of Chalion, although it's close. Paladin of Souls has a somewhat slighter story than its forebear but unfolds over around a hundred extra pages, making it feel at least a little flabbier and less-focused than the previous novel. The book also spends a lot of time establishing the secondary cast in the opening chapters, but surprisingly only a couple of them played major roles in the denouement, the rest either just hang around or disappear for large stretches of time. They're a fun bunch of characters but ultimately don't feel like they have a clear purpose in the book.
That said, Bujold's world of the Five Gods remains an intriguing creation, effectively a magic-heavy version of Iberia in the 15th Century (fans of Guy Gavriel Kay's The Lions of Al-Rassan will particularly enjoy this novel and its forebear, I believe). The characters are sharp and some of the plot twists are quite clever.
Paladin of Souls (****½) is a strong fantasy novel revolving around themes of love, war, family and honour. It's one of Lois McMaster Bujold's most critically feted novels, having won Best Novel in three of the genre's biggest awards, the Hugo, Nebula and Locus. The book is available now in the UK and USA.
Showing posts with label lois mcmaster bujold. Show all posts
Showing posts with label lois mcmaster bujold. Show all posts
Friday, 17 April 2020
Friday, 10 April 2020
Wertzone Classics: The Curse of Chalion by Lois McMaster Bujold
Lupe dy Cazaril is a former soldier in the army of Chalion. Taken prisoner after a siege, he has been sold into bondage, made a galley-slave and been rescued. Returning to his old home of Valenda, he seeks service with the Provincara dy Baocia. He is made tutor to Iselle, the sister of the heir to the kingdom, a position initially without power or influence. When Iselle and her brother are summoned to the royal court by their brother, the ailing king, Cazaril finds himself in a political nest of vipers, pitted against an old enemy who is very unhappy to see that he has survived, and a curse that may be beyond his abilities to thwart.
What happens when your life is taken from you and you are left abused, beaten and broken, and then abruptly returned to your former life?
The Curse of Chalion is a novel about trauma, about a man who has faced serious degradation and danger but lived to tell of it, and afterwards has to find his way back to something approaching normalcy. Unfortunately, whilst this is going on his country is under threat from external enemies and also from internal strife.
This is a fascinating novel, one that at first glance bears resemblances to Guy Gavriel Kay's classic The Lions of Al-Rassan (particularly the very strong Spanish inspiration) and to George R.R. Martin's A Game of Thrones, particularly the political manoeuvrings within the royal court which start with mild barbed words but soon escalate to intimidation, murder and the threat of civil war. There's also a similarity to Robin Hobb's work, particularly the tight focus on a single character and its exploration of trauma and recovery. But it's also very much a Lois McMaster Bujold novel. Those who have sampled her other work, such as the long-running SF Vorkosigan Saga, will find similarities in the exploration of relationships, tragedy and redemption, although it is written in a different style.
The book lives and dies by the characterisation of Cazaril, the main protagonist. Although the book is not written in the first person, we spend the entire novel perched on Cazaril's shoulder to the point where it might as well be. Cazaril is a broken man, damaged goods, who tries to piece his life back together by retreating to his childhood home and station as a page to the royal family of Chalion but finds that his gifts and experience elevate him to a new position as a teacher and mentor to the younger members of the family. Cazaril is a refreshing fantasy protagonist; he is not a badass, sword-wielding prodigy or a reluctant youngster nevertheless gifted with vast sorcerous powers, but a middle-aged man who comes into situations he has little control over and has to find a way of negotiating his way through them, for good or ill.
The secondary cast is a well-drawn and varied lot, and the worldbuilding is impeccable. There's an interesting way of handling magic and the religion and politics of Chalion are drawn in some detail. Bujold's prose, honed at this point by twenty years of experience, is also excellent, evocative without being overwrought and a genuine pleasure to read.
The Curse of Chalion (*****) is a compelling, richly-detailed fantasy novel with superb, multifaceted characters and a strong sense of direction and purpose. It may just be Bujold's finest novel to date, in an exceptional career. It is available now in the UK and USA. It has a sequel, Paladin of Souls, and a prequel, The Hallowed Hunt.
What happens when your life is taken from you and you are left abused, beaten and broken, and then abruptly returned to your former life?
The Curse of Chalion is a novel about trauma, about a man who has faced serious degradation and danger but lived to tell of it, and afterwards has to find his way back to something approaching normalcy. Unfortunately, whilst this is going on his country is under threat from external enemies and also from internal strife.
This is a fascinating novel, one that at first glance bears resemblances to Guy Gavriel Kay's classic The Lions of Al-Rassan (particularly the very strong Spanish inspiration) and to George R.R. Martin's A Game of Thrones, particularly the political manoeuvrings within the royal court which start with mild barbed words but soon escalate to intimidation, murder and the threat of civil war. There's also a similarity to Robin Hobb's work, particularly the tight focus on a single character and its exploration of trauma and recovery. But it's also very much a Lois McMaster Bujold novel. Those who have sampled her other work, such as the long-running SF Vorkosigan Saga, will find similarities in the exploration of relationships, tragedy and redemption, although it is written in a different style.
The book lives and dies by the characterisation of Cazaril, the main protagonist. Although the book is not written in the first person, we spend the entire novel perched on Cazaril's shoulder to the point where it might as well be. Cazaril is a broken man, damaged goods, who tries to piece his life back together by retreating to his childhood home and station as a page to the royal family of Chalion but finds that his gifts and experience elevate him to a new position as a teacher and mentor to the younger members of the family. Cazaril is a refreshing fantasy protagonist; he is not a badass, sword-wielding prodigy or a reluctant youngster nevertheless gifted with vast sorcerous powers, but a middle-aged man who comes into situations he has little control over and has to find a way of negotiating his way through them, for good or ill.
The secondary cast is a well-drawn and varied lot, and the worldbuilding is impeccable. There's an interesting way of handling magic and the religion and politics of Chalion are drawn in some detail. Bujold's prose, honed at this point by twenty years of experience, is also excellent, evocative without being overwrought and a genuine pleasure to read.
The Curse of Chalion (*****) is a compelling, richly-detailed fantasy novel with superb, multifaceted characters and a strong sense of direction and purpose. It may just be Bujold's finest novel to date, in an exceptional career. It is available now in the UK and USA. It has a sequel, Paladin of Souls, and a prequel, The Hallowed Hunt.
Friday, 16 March 2018
Falling Free by Lois McMaster Bujold
Engineer Leo Graf is assigned to an engineering project on a zero-g space habitat. To his surprise, he finds the Cay Habitat is also home to "quaddies", a genetically-engineered human subspecies which has replaced its lower two legs with arms, giving them unmatched versatility in zero gravity, as well as increased resistance to degenerative disorders: they are humans tailor-made to exist in space. When Beta Colony develops a practical artificial gravity technology, it makes the quaddies obsolete overnight...but Graf is not prepared to see them cast onto the scrapheap of history and hatches a daring plan to save them.
Falling Free is a novel set in the universe of The Vorkosigan Saga but is not part of the core series, instead being set about 200 years earlier and exploring the origin of the quaddies. As is typical for a Bujold SF novel, it is deeply concerned with both hard SF concepts - genetic engineering, Newtonian physics - and how these play out through ethical and character-based dilemmas.
In this regard Falling Free is successful: Bujold is an effective writer and, although this is relatively a minor novel for her, she still tells an interesting story quite well. The SF elements are intriguing, but the ethical dilemma feels clumsy. The legal status of genetically-engineered lifeforms is something you think that the interstellar diaspora would have sorted out by this time, and the over-arcing theme that indentured slavery is a bad thing is hard to argue with. It's also not helped by the fact that the primary antagonist, Bruce Van Atta, is a boo-hiss, moustache-twirling bad guy almost entirely lacking in nuance. Of course we're going to side with plucky engineer Leo Graf and the quaddies.
The story builds up quite well but the narrative is slight: the quaddies are in danger and Leo has to help them escape. And that's really it. The reason for the truncated storyline is revealed in the author's notes. Originally this was going to be the start of a trilogy exploring how the quaddies built up an entire interplanetary civilisation - the Union of Free Habitats - from scratch, but Bujold was side-tracked by the success of the core Vorkosigan books and never got round to writing the other two books. The novel Diplomatic Immunity, in which Miles Vorkosigan himself visits Quaddiespace, revealed the ultimate fate of the quaddie species and eliminated the need to write the other two books. So that's fine, but it does leave Falling Free as a relatively minor entry in the wider Vorkosigan Saga.
Falling Free (***½) is a fun, readable part of The Vorkosigan Saga and has some curiosity value, but it also feels very slight. It is, however, quite short so passes the time very nicely. It is available now as part of the Miles, Mutants and Microbes omnibus, alongside the other quaddie novel, Diplomatic Immunity (UK, USA).
Friday, 9 February 2018
Gentleman Jole and the Red Queen by Lois McMaster Bujold
Three years have passed since the death of the legendary Aral Vorkosigan. His widow, Cordelia, continues to live and work on Sergyar, third world of the Barrayaran Empire, as vicerine. Aged 76, but expecting to live at least to 120, Cordelia has almost fully half her life ahead of her and is unsure of what to do with it. Complicating matters is Admiral Jole of the Sergyar Fleet, a respected officer and a close friend of Cordelia and her late husband's. With Sergyar in political uproar as a controversial decision to move the planetary capital is made, Cordelia has some important decisions to make.
Gentleman Jole and the Red Queen is the latest (so far) novel in the Vorkosigan Saga and one of the most wrong-footing. Each of the sixteen novels in the series has been different, but at least incorporated some elements of action-adventure, political intrigue, war or undercover criminal activity, which the protagonist (usually Miles Vorkosigan but occasionally other characters) has to deal with. This novel doesn't have that. There are no villains, there are no explosions (well, one, but not quite what you'd expect) and no exchanges of energy weapon fire. The political intrigue is very slight, at best, and the novel is unfolds without much fear of mayhem, death or destruction taking place (unless you count a rather remote threat from a volcano).
Instead, this is a novel about relationships, the changing nature of life as people grow older, and the philosophical acceptance that we are not here for very long and people have to make decisions for their happiness and that of those around them, sometimes unorthodox or complicated ones. The tensest moments in Gentleman Jole and the Red Queen come in conversations, as Cordelia is forced to reveal that she's been leading a rather more interesting life on Sergyar then her son Miles believed and grapples with the baffling decision of just how you start a new life over when you've already done all the usual stuff - had children, gotten married and beheaded your most lethal political opponent in battle?
In this sense Gentleman Jole continues the themes from Cryoburn, musing on the passing of the generations, but the book again rejects this as a maudlin idea. Instead it also celebrates the commodities of life and time, delights in the arrival of new life and new children (and grandchildren) and spins out, in a good-old fashioned manner, an everything-but-old-fashioned romance between two people at a more mature time of their lives.
Gentleman Jole and the Red Queen (****) is not a rousing space action-adventure novel. It is a life-affirming, warm romance that returns to some some of Bujold's central SF ideas (most notably the science of uterine replicators), introduces some new ones (Cordelia's utter disbelief at people refusing to believe a destabilising volcano may erupt and destroy their town) and unfolds with a stately, mature pace. Is it slightly self-indulgent? Maybe, but then after thirty years of putting the Vorkosigan clan through the wringer, both the author and her characters deserve a break, especially when it's as thought-provoking and enjoyable as this one. The novel is available now in the UK and USA.
Gentleman Jole and the Red Queen is the latest (so far) novel in the Vorkosigan Saga and one of the most wrong-footing. Each of the sixteen novels in the series has been different, but at least incorporated some elements of action-adventure, political intrigue, war or undercover criminal activity, which the protagonist (usually Miles Vorkosigan but occasionally other characters) has to deal with. This novel doesn't have that. There are no villains, there are no explosions (well, one, but not quite what you'd expect) and no exchanges of energy weapon fire. The political intrigue is very slight, at best, and the novel is unfolds without much fear of mayhem, death or destruction taking place (unless you count a rather remote threat from a volcano).
Instead, this is a novel about relationships, the changing nature of life as people grow older, and the philosophical acceptance that we are not here for very long and people have to make decisions for their happiness and that of those around them, sometimes unorthodox or complicated ones. The tensest moments in Gentleman Jole and the Red Queen come in conversations, as Cordelia is forced to reveal that she's been leading a rather more interesting life on Sergyar then her son Miles believed and grapples with the baffling decision of just how you start a new life over when you've already done all the usual stuff - had children, gotten married and beheaded your most lethal political opponent in battle?
In this sense Gentleman Jole continues the themes from Cryoburn, musing on the passing of the generations, but the book again rejects this as a maudlin idea. Instead it also celebrates the commodities of life and time, delights in the arrival of new life and new children (and grandchildren) and spins out, in a good-old fashioned manner, an everything-but-old-fashioned romance between two people at a more mature time of their lives.
Gentleman Jole and the Red Queen (****) is not a rousing space action-adventure novel. It is a life-affirming, warm romance that returns to some some of Bujold's central SF ideas (most notably the science of uterine replicators), introduces some new ones (Cordelia's utter disbelief at people refusing to believe a destabilising volcano may erupt and destroy their town) and unfolds with a stately, mature pace. Is it slightly self-indulgent? Maybe, but then after thirty years of putting the Vorkosigan clan through the wringer, both the author and her characters deserve a break, especially when it's as thought-provoking and enjoyable as this one. The novel is available now in the UK and USA.
Thursday, 31 March 2016
Cryoburn by Lois McMaster Bujold
Kibou-daini is an obscure planet in a remote corner of the wormhole nexus, but one with a specialisation in cryogenic freezing and revival as a means of cheating death. With the planet planning to expand to Komarr, the Barrayaran Empire decides to take a closer look. This means sending in Imperial Auditor Miles Vorkosigan. Unfortunately things go wrong almost as soon as Miles arrives. Left lost and injured in a maze of cryo-tombs that extends for kilometres, Miles needs to call upon every ounce of his resourcefulness to survive.
Cryoburn is the most recent Vorkosigan Saga novel to focus on the series' erstwhile central figure of Miles Vorkosigan. The two more recent books (Captain Vorpatril's Alliance, published later although set earlier than Cryoburn, and Gentleman Jole and the Red Queen) have focused on other characters with Miles playing a much-reduced role. So this is the last ride, maybe for a while, we get to have with Miles encountering a problem and sorting it out in his own, inimitable style.
Cryoburn is satisfying on that level, but it also sees Bujold flexing her writing skills. A lot of the book is told from the point-of-view of an 11-year-old boy, Jin, whom Miles encounters on his travels. Given the labyrinth plotting, conspiracies and feints of the average Vorkosigan book, having it filtered through the understanding of a child is challenging but Bujold pulls it off to deliver something fresh, giving us a new perspective on Miles and his world (and makes me think that a YA-focused Vorkosigan novel could actually be a very interesting read). However, the book also give us something more evolutionary and adult as well. This book is set seven years after Miles's previous adventure in Diplomatic Immunity and he is now approaching forty. He has matured a lot in that time, becoming a father several times over and is now less manic, less prone to blundering straight into situations and is more thoughtful and analytical. This is all relative to his former self, of course, and he remains the same character, but an older, more seasoned and more wary one.
Indeed, Cryoburn feels like a musing on the passing of generations, with Jin representing a new generation of children growing up in a more peaceful period of nexus history and Miles spending chunks of the book analysing his father's and grandfather's lives and what they went through. The book's musings on death, mortality and legacy also feed into this, but Bujold expertly avoids making this a maudlin or depressing book. Quite the reverse, the notion of mortality and the precious commodities of life and time are joyously celebrated...right up to the final, startling moments of the novel, which may rank among Bujold's finest-ever pieces of writing.
Cryoburn, an upbeat and uplifting book about death, is one of the stranger but stronger books in the series (****½). It is available now in the UK and USA.
Cryoburn is the most recent Vorkosigan Saga novel to focus on the series' erstwhile central figure of Miles Vorkosigan. The two more recent books (Captain Vorpatril's Alliance, published later although set earlier than Cryoburn, and Gentleman Jole and the Red Queen) have focused on other characters with Miles playing a much-reduced role. So this is the last ride, maybe for a while, we get to have with Miles encountering a problem and sorting it out in his own, inimitable style.
Cryoburn is satisfying on that level, but it also sees Bujold flexing her writing skills. A lot of the book is told from the point-of-view of an 11-year-old boy, Jin, whom Miles encounters on his travels. Given the labyrinth plotting, conspiracies and feints of the average Vorkosigan book, having it filtered through the understanding of a child is challenging but Bujold pulls it off to deliver something fresh, giving us a new perspective on Miles and his world (and makes me think that a YA-focused Vorkosigan novel could actually be a very interesting read). However, the book also give us something more evolutionary and adult as well. This book is set seven years after Miles's previous adventure in Diplomatic Immunity and he is now approaching forty. He has matured a lot in that time, becoming a father several times over and is now less manic, less prone to blundering straight into situations and is more thoughtful and analytical. This is all relative to his former self, of course, and he remains the same character, but an older, more seasoned and more wary one.
Indeed, Cryoburn feels like a musing on the passing of generations, with Jin representing a new generation of children growing up in a more peaceful period of nexus history and Miles spending chunks of the book analysing his father's and grandfather's lives and what they went through. The book's musings on death, mortality and legacy also feed into this, but Bujold expertly avoids making this a maudlin or depressing book. Quite the reverse, the notion of mortality and the precious commodities of life and time are joyously celebrated...right up to the final, startling moments of the novel, which may rank among Bujold's finest-ever pieces of writing.
Cryoburn, an upbeat and uplifting book about death, is one of the stranger but stronger books in the series (****½). It is available now in the UK and USA.
Sunday, 6 March 2016
Captain Vorpatril's Alliance by Lois McMaster Bujold
Ivan Vorpatril is one of Barrayar's most eligible bachelors and notorious rakes, but now in his mid-thirties he is finding his life of chasing women and partying is no longer as satisfying as it once was. On assignment to Komarr, his path crosses of that of two fugitives from a coup on Jackson's Whole and his attempts to help only make things worse...and change his life forever.
The most interesting thing about the Vorkosigan Saga has been Lois McMaster Bujold's willingness to experiment, switch protagonists and POVs and generally not sit still and bash out a load of action-adventure novels. Her willingness to put the series on hold for years at a time until she has a good idea for a new book has also helped it retain a high level of quality.
Captain Vorpatril's Alliance is one of the lighter novels in the series. It is a romantic farce with an underlying adventure story and also dwells on the notion of ageing, growing up and maturing, a theme of Bujold's that she returns to repeatedly in the later books in the series. Using Ivan, Miles's womanising cousin with no interest in settling down, to explore this theme is extremely effective. It would have been easy to have done a "growing and learning" story in which Ivan suddenly mans up and accepts responsibility, but this would not have been true to the character. Instead Bujold develops Ivan's character (and, we realise, how she's been developing it subtly in the background all along) naturally and much more convincingly, by having him fall for a woman who seems to be right up his street (superficial and pretty) but whose hidden depths and complex background make her a lot more interesting.
These elements of growth and change are accompanied by some quite uproariously hilarious scenes, some nice catching-up moments with old characters who we haven't seen for a while (most notably Simon Illyan) and some more musings on the changing nature of Barryaran society, which are all handled quite well.
On the downside, the novel is a bit too long (over 500 pages) to support a slight premise and the lack of some well-motivated villains (we never even meet the bad guys who set the whole story in motion) and there are a few too many scenes of Tej's family scheming or Ivan feeling overwhelmed. A bit more of a serious editing pass to streamline the book would not have gone amiss.
Captain Vorpatril's Alliance (****) is not one of the best books in the series and could be a bit better paced, but it remains well-written with a refreshing focus on the characters and how they have evolved over the years, with some nice SF flourishes and very funny moments. It is available now in the UK and USA.
The most interesting thing about the Vorkosigan Saga has been Lois McMaster Bujold's willingness to experiment, switch protagonists and POVs and generally not sit still and bash out a load of action-adventure novels. Her willingness to put the series on hold for years at a time until she has a good idea for a new book has also helped it retain a high level of quality.
Captain Vorpatril's Alliance is one of the lighter novels in the series. It is a romantic farce with an underlying adventure story and also dwells on the notion of ageing, growing up and maturing, a theme of Bujold's that she returns to repeatedly in the later books in the series. Using Ivan, Miles's womanising cousin with no interest in settling down, to explore this theme is extremely effective. It would have been easy to have done a "growing and learning" story in which Ivan suddenly mans up and accepts responsibility, but this would not have been true to the character. Instead Bujold develops Ivan's character (and, we realise, how she's been developing it subtly in the background all along) naturally and much more convincingly, by having him fall for a woman who seems to be right up his street (superficial and pretty) but whose hidden depths and complex background make her a lot more interesting.
These elements of growth and change are accompanied by some quite uproariously hilarious scenes, some nice catching-up moments with old characters who we haven't seen for a while (most notably Simon Illyan) and some more musings on the changing nature of Barryaran society, which are all handled quite well.
On the downside, the novel is a bit too long (over 500 pages) to support a slight premise and the lack of some well-motivated villains (we never even meet the bad guys who set the whole story in motion) and there are a few too many scenes of Tej's family scheming or Ivan feeling overwhelmed. A bit more of a serious editing pass to streamline the book would not have gone amiss.
Captain Vorpatril's Alliance (****) is not one of the best books in the series and could be a bit better paced, but it remains well-written with a refreshing focus on the characters and how they have evolved over the years, with some nice SF flourishes and very funny moments. It is available now in the UK and USA.
Thursday, 3 March 2016
Lois McMaster Bujold on ebooks, villains and not having a UK publisher
One of the biggest mysteries in science fiction publishing is why Lois McMaster Bujold, possibly the most award-festooned living author of the genre, doesn't have an English publisher.
In a new interview with the New Zealand Herald, Bujold expands on this, citing the failure of her novel Paladin of Souls in the UK. The book was not well-marketed and had some pretty terrible cover art (see above). The book sold less than 10,000 copies in the UK, which is unusual for a book that sold hundreds of thousands in the United States and bagged numerous awards, including both the Hugo and the Nebula. With the failure of that book (and the apparent under-performance of several earlier novels when UK editions were attempted), British interest in her work dried up.
This isn't unprecedented. There quite a few authors who are big in the USA but obscure in the UK, or who once were big but have since dropped off the radar. But the sheer disparity between Bujold's American profile and her lack of success in the UK is quite remarkable.
The interview points out that not having a UK publisher isn't simply problematic for attracting would-be UK fans, but also causes issues in getting English-language copies of books to some Commonwealth countries, in particular New Zealand and Australia. However, Bujold cites the rapidly expanding profile of ebooks in helping her win fans worldwide.
She also discusses her new novel, the trouble with writing villains and how she handled her protagonist Cordelia, a woman in her seventies living in a society where people can live into their 120s in reasonable health. It's an interesting read.
The "pointless dude in hood on the cover" isn't purely a recent phenomenon.
In a new interview with the New Zealand Herald, Bujold expands on this, citing the failure of her novel Paladin of Souls in the UK. The book was not well-marketed and had some pretty terrible cover art (see above). The book sold less than 10,000 copies in the UK, which is unusual for a book that sold hundreds of thousands in the United States and bagged numerous awards, including both the Hugo and the Nebula. With the failure of that book (and the apparent under-performance of several earlier novels when UK editions were attempted), British interest in her work dried up.
This isn't unprecedented. There quite a few authors who are big in the USA but obscure in the UK, or who once were big but have since dropped off the radar. But the sheer disparity between Bujold's American profile and her lack of success in the UK is quite remarkable.
The interview points out that not having a UK publisher isn't simply problematic for attracting would-be UK fans, but also causes issues in getting English-language copies of books to some Commonwealth countries, in particular New Zealand and Australia. However, Bujold cites the rapidly expanding profile of ebooks in helping her win fans worldwide.
She also discusses her new novel, the trouble with writing villains and how she handled her protagonist Cordelia, a woman in her seventies living in a society where people can live into their 120s in reasonable health. It's an interesting read.
Wednesday, 17 February 2016
Diplomatic Immunity by Lois McMaster Bujold
Miles Vorkosigan is enjoying his honeymoon...right up to the point that he is diverted to Graf Station in Quaddiespace to sort out a diplomatic mess involving Barrayaran warships, Komarran transports and some missing personnel. What initially appears to be a straightforward mission rapidly escalates into a major incident that threatens to break out into full-scale war.
After several novels in a row concerned primarily with Miles Vorkosigan's character development, Diplomatic Immunity sees Lois McMaster Bujold returning to something of a more "normal" approach for the series. She sets up a series of interconnecting mysteries built around some interesting SF ideas and then sets Miles loose to investigate and resolve the situation with a (relative) minimum of fuss. This time around Miles is accompanied by his wife, Ekaterin, and reunited with one of his old Dendarii compatriots, but for the most part it's Miles doing what Miles does best: fast-talking, quick-thinking and having a lot of fun in the process.
The novel is also a bit of a sequel to one of Bujold's earlier novels, Falling Free, which is set in the Vorkosigan universe but is not part of the core series. That book explored the development of the quaddies, humans genetically engineered to best exploit freefall by being given an extra pair of arms and hands instead of legs. Diplomatic Immunity also catches up with the quaddies and reveals what has become of their society in the intervening two centuries (Falling Free accompanies Diplomatic Immunity in the omnibus edition).
The book is standard fare for Bujold and Miles: well-written, with some clever ideas, some unexpected twists (the escalation of the situation from a minor drama to a massive diplomatic incident is sudden but convincing) and some nice work in terms of both characterisation and plot. It's a smart novel, although it is a little too reliant on coincidences. We are told repeatedly how obscure, bizarre and off the beaten track Graf Station is, so Miles running into two people he's met in previous adventures purely by chance is a little hard to swallow. Once you move past that, it becomes a more interesting story combining mystery, action and politics.
If Diplomatic Immunity does have a major flaw, it's that it feels a little slight in terms of Miles's own character development in the wake of Mirror Dance, Memory, Komarr and A Civil Campaign. But after a whole series of traumas, it is also kind of fun to see Miels not being put through the emotional or physical wringer so much and just getting on with his job.
Diplomatic Immunity (****) is a fun, enjoyable addition to The Vorkosigan Saga. It is available now as part of the Miles, Mutants and Microbes omnibus (UK, USA).
After several novels in a row concerned primarily with Miles Vorkosigan's character development, Diplomatic Immunity sees Lois McMaster Bujold returning to something of a more "normal" approach for the series. She sets up a series of interconnecting mysteries built around some interesting SF ideas and then sets Miles loose to investigate and resolve the situation with a (relative) minimum of fuss. This time around Miles is accompanied by his wife, Ekaterin, and reunited with one of his old Dendarii compatriots, but for the most part it's Miles doing what Miles does best: fast-talking, quick-thinking and having a lot of fun in the process.
The novel is also a bit of a sequel to one of Bujold's earlier novels, Falling Free, which is set in the Vorkosigan universe but is not part of the core series. That book explored the development of the quaddies, humans genetically engineered to best exploit freefall by being given an extra pair of arms and hands instead of legs. Diplomatic Immunity also catches up with the quaddies and reveals what has become of their society in the intervening two centuries (Falling Free accompanies Diplomatic Immunity in the omnibus edition).
The book is standard fare for Bujold and Miles: well-written, with some clever ideas, some unexpected twists (the escalation of the situation from a minor drama to a massive diplomatic incident is sudden but convincing) and some nice work in terms of both characterisation and plot. It's a smart novel, although it is a little too reliant on coincidences. We are told repeatedly how obscure, bizarre and off the beaten track Graf Station is, so Miles running into two people he's met in previous adventures purely by chance is a little hard to swallow. Once you move past that, it becomes a more interesting story combining mystery, action and politics.
If Diplomatic Immunity does have a major flaw, it's that it feels a little slight in terms of Miles's own character development in the wake of Mirror Dance, Memory, Komarr and A Civil Campaign. But after a whole series of traumas, it is also kind of fun to see Miels not being put through the emotional or physical wringer so much and just getting on with his job.
Diplomatic Immunity (****) is a fun, enjoyable addition to The Vorkosigan Saga. It is available now as part of the Miles, Mutants and Microbes omnibus (UK, USA).
Sunday, 30 August 2015
Winterfair Gifts by Lois McMaster Bujold
Winterfair on Barrayar and the unthinkable is happening: Miles Vorkosigan is getting married. For his family this is a time of great happiness and joy. For Armsman Roic, one of Miles's long-suffering security officers, it's a time of paranoia, vigilance and stress. When things start to go wrong, Roic joins forces with one of Miles's old Dendarii comrades to ensure that the wedding goes off without a hitch.
Winterfair Gifts is a short novella set after the events of A Civil Campaign. It centres on Roic, a minor supporting character most notable at this point for engaging in combat with overzealous offworld security officers whilst half-naked and covered in butter (produced by insectoids from another planet, but that's another story). The novella actually feels a bit like an apology from Bujold to her character, giving him a chance to shine in his own story.
It's an enjoyable piece, with some laughs, some drama and some pathos in the relationship between Roic and Taura, the genetically-engineered soldier Miles rescued from Jackson's Whole. The drama part of the novel - including an assassination attempt and a dramatic arrest - feels almost tacked on, with much of the pivotal action happening off-page. Bujold's focus is on the two main characters, their development and their unexpected relationship, which is effective and touching.
A minor interlude in the overall Vorkosigan Saga, then, but one that is enjoyable and worth reading. It is available now as part of the Miles in Love omnibus (UK, USA).
Winterfair Gifts is a short novella set after the events of A Civil Campaign. It centres on Roic, a minor supporting character most notable at this point for engaging in combat with overzealous offworld security officers whilst half-naked and covered in butter (produced by insectoids from another planet, but that's another story). The novella actually feels a bit like an apology from Bujold to her character, giving him a chance to shine in his own story.
It's an enjoyable piece, with some laughs, some drama and some pathos in the relationship between Roic and Taura, the genetically-engineered soldier Miles rescued from Jackson's Whole. The drama part of the novel - including an assassination attempt and a dramatic arrest - feels almost tacked on, with much of the pivotal action happening off-page. Bujold's focus is on the two main characters, their development and their unexpected relationship, which is effective and touching.
A minor interlude in the overall Vorkosigan Saga, then, but one that is enjoyable and worth reading. It is available now as part of the Miles in Love omnibus (UK, USA).
Tuesday, 11 August 2015
A Civil Campaign by Lois McMaster Bujold
Gregor Vorbarra, Emperor of Barrayar, is due to wed Laisa, an heiress from the (reluctant) Imperial client-world of Komarr. For the Emperor's diminutive cousin Miles Vorkosigan, the great social event provides the perfect cover for his courtship of the Lady Ekaterin Vorsoisson. Unfortunately, events are complicated by the complicated love life of Miles's clone-brother Mark, two landmark legal disputes in the Barrayaran Court...and a whole ton of butter-producing bugs.
A Civil Campaign (subtitled A Comedy of Biology and Manners) was originally conceived by Lois McMaster Bujold as the second half of Komarr. However, she separated the two books out for reasons of length (A Civil Campaign is the longest novel in the series by itself) and also for tone. Komarr is a serious book but A Civil Campaign is a romantic comedy that at times descends into flat-out farce.
It's hard enough to carry off romance or comedy or science fiction by themselves, so for Bujold to tackle all three genres in the same novel suggests either cast-iron confidence or outright insanity. After completing the book, the key to its success seems to be a bit of both. A Civil Campaign is flat-out crazy, a dramatic change in tone from the rest of the series to date. For starters, the novel has five POV characters, which is unusual given that most books in the series have just one, Miles himself. This novel adds Mark, Ivan, Kareen Koudelka (Mark's own romantic interest) and Ekaterin to the mix. This makes for a busier and more tonally varied novel than any of the preceding ones. Even more interesting is how Bujold mixes up the POV storylines: the normally frivolous Ivan gets the serious, political stuff to deal with whilst the emotionally-scarred, PTSD-suffering Mark gets the farcical butter-bug storyline to handle. Expectations are subverted throughout with great skill.
Most intriguingly, this is a novel about adults, relationships and how damaged people can help (or hurt, if they are not careful) one another or choose their own paths through life. Through comedy, tragedy, horror and humour, Bujold builds up each of her POV characters (and numerous supporting ones) and deconstructs them in a manner that is impressive and enjoyable to read.
That said, a key subplot revolves around a disputed succession between a dead lord's daughter and nephew, with Barrayar's laws of male inheritance favouring his nephew...until his daughter gets a sex-change. The resulting legal maelstrom is the result of a collision between fantasy cliche and common sense (and Barrayar has always felt it had more in common with Westeros than an SF setting) and signals an impending transformation in the planet's social order. It's also - arguably - the novel's sole misstep, with Bujold uncharacteristically more interested in the legal and political ramifications rather than the character-based ones. That isn't to say that Donna/Dono isn't a fascinating character, but it feels like Bujold did not engage with the issues raised by the gender reassignment with as much as depth as she might have done.
There is some action in the book (a single shoot-out, which feels a bit incongruous given the tone of the novel, and a more farcical, Bugsy Malone-esque battle sequence involving tubs of bug-butter) but primarily A Civil Campaign (****½) is a comedy of manners, a grown-up romance and a great big coming-together of almost every major subplot and character in The Vorkosigan Saga to date. It's a terrific read and is available now as part of the Miles in Love omnibus (UK, USA).
A Civil Campaign (subtitled A Comedy of Biology and Manners) was originally conceived by Lois McMaster Bujold as the second half of Komarr. However, she separated the two books out for reasons of length (A Civil Campaign is the longest novel in the series by itself) and also for tone. Komarr is a serious book but A Civil Campaign is a romantic comedy that at times descends into flat-out farce.
It's hard enough to carry off romance or comedy or science fiction by themselves, so for Bujold to tackle all three genres in the same novel suggests either cast-iron confidence or outright insanity. After completing the book, the key to its success seems to be a bit of both. A Civil Campaign is flat-out crazy, a dramatic change in tone from the rest of the series to date. For starters, the novel has five POV characters, which is unusual given that most books in the series have just one, Miles himself. This novel adds Mark, Ivan, Kareen Koudelka (Mark's own romantic interest) and Ekaterin to the mix. This makes for a busier and more tonally varied novel than any of the preceding ones. Even more interesting is how Bujold mixes up the POV storylines: the normally frivolous Ivan gets the serious, political stuff to deal with whilst the emotionally-scarred, PTSD-suffering Mark gets the farcical butter-bug storyline to handle. Expectations are subverted throughout with great skill.
Most intriguingly, this is a novel about adults, relationships and how damaged people can help (or hurt, if they are not careful) one another or choose their own paths through life. Through comedy, tragedy, horror and humour, Bujold builds up each of her POV characters (and numerous supporting ones) and deconstructs them in a manner that is impressive and enjoyable to read.
That said, a key subplot revolves around a disputed succession between a dead lord's daughter and nephew, with Barrayar's laws of male inheritance favouring his nephew...until his daughter gets a sex-change. The resulting legal maelstrom is the result of a collision between fantasy cliche and common sense (and Barrayar has always felt it had more in common with Westeros than an SF setting) and signals an impending transformation in the planet's social order. It's also - arguably - the novel's sole misstep, with Bujold uncharacteristically more interested in the legal and political ramifications rather than the character-based ones. That isn't to say that Donna/Dono isn't a fascinating character, but it feels like Bujold did not engage with the issues raised by the gender reassignment with as much as depth as she might have done.
There is some action in the book (a single shoot-out, which feels a bit incongruous given the tone of the novel, and a more farcical, Bugsy Malone-esque battle sequence involving tubs of bug-butter) but primarily A Civil Campaign (****½) is a comedy of manners, a grown-up romance and a great big coming-together of almost every major subplot and character in The Vorkosigan Saga to date. It's a terrific read and is available now as part of the Miles in Love omnibus (UK, USA).
Friday, 12 June 2015
Komarr by Lois McMaster Bujold
Komarr, second world of the Barrayaran Empire, is slowly being terraformed over the course of centuries. Key to the terraforming effort is an orbiting soletta, a massive mirror which increases the amount of sunlight being directed onto the surface. When the soletta is damaged by a spacecraft collision, the future viability of the planet is put in jeopardy. Newly-anointed Imperial Adjudicator Miles Vorkosigan is sent to investigate whether this was an accident or deliberate sabotage.
Komarr is the first novel in the series to focus on Miles Vorkosigan in his new role as an Imperial Adjudicator. Bujold wanted to freshen things up by taking Miles away from his support network of thousands of loyal soldiers and a fleet of powerful starships and it's a move that could have been mishandled. The loss of most of Miles's supporting cast from the Dendarii Mercenaries (who only warrant cameo appearances and the occasional mention from now on) is a blow and it was initially unclear if Miles as a (mostly) solo investigator is a compelling enough idea to replace the military SF feel of the earlier novels.
Komarr lays those fears to rest. This a well-written, crisply-paced and masterfully characterised novel. Bujold develops a new POV character in the form of Ekaterin Vorsoisson, a young woman and mother married to a difficult husband involved in the terraforming project. Komarr has the reputation of being a "romance novel", with Ekaterin brought in as a serious love interest for Miles, whose relationships up until now have mostly been more like casual flings and friends-with-benefits arrangements. However, it would be a serious mistake to dismiss Komarr as a light or frivolous book because of this.
Instead, Komarr is a serious book about adult relationships, motivations and fulfilment, and it layers those themes into a thriller storyline involving betrayal, murder and intrigue. Bujold has said she enjoys writing about "grown-ups", and the romance in the novel is between two adults who have been through the wars (literally and figuratively) and find something in each other they like and respect, but have to overcome personal issues before they can turn that mutual attraction into something more tangible. It's an approach rooted in character that works effectively without overshadowing the SF thriller storyline, which has all the required twists and turns of a solid mystery before Miles and Ekaterin can resolve the problem.
Komarr (****) is a solid entry in The Vorkosigan Saga which sets the books on a new course and does so effectively. It is available now as part of the Miles in Love omnibus (UK, USA).
Komarr is the first novel in the series to focus on Miles Vorkosigan in his new role as an Imperial Adjudicator. Bujold wanted to freshen things up by taking Miles away from his support network of thousands of loyal soldiers and a fleet of powerful starships and it's a move that could have been mishandled. The loss of most of Miles's supporting cast from the Dendarii Mercenaries (who only warrant cameo appearances and the occasional mention from now on) is a blow and it was initially unclear if Miles as a (mostly) solo investigator is a compelling enough idea to replace the military SF feel of the earlier novels.
Komarr lays those fears to rest. This a well-written, crisply-paced and masterfully characterised novel. Bujold develops a new POV character in the form of Ekaterin Vorsoisson, a young woman and mother married to a difficult husband involved in the terraforming project. Komarr has the reputation of being a "romance novel", with Ekaterin brought in as a serious love interest for Miles, whose relationships up until now have mostly been more like casual flings and friends-with-benefits arrangements. However, it would be a serious mistake to dismiss Komarr as a light or frivolous book because of this.
Instead, Komarr is a serious book about adult relationships, motivations and fulfilment, and it layers those themes into a thriller storyline involving betrayal, murder and intrigue. Bujold has said she enjoys writing about "grown-ups", and the romance in the novel is between two adults who have been through the wars (literally and figuratively) and find something in each other they like and respect, but have to overcome personal issues before they can turn that mutual attraction into something more tangible. It's an approach rooted in character that works effectively without overshadowing the SF thriller storyline, which has all the required twists and turns of a solid mystery before Miles and Ekaterin can resolve the problem.
Komarr (****) is a solid entry in The Vorkosigan Saga which sets the books on a new course and does so effectively. It is available now as part of the Miles in Love omnibus (UK, USA).
Wednesday, 18 March 2015
Lois McMaster Bujold confirms new VORKOSIGAN novel for 2016
Lois McMaster Bujold has confirmed that a new Vorkosigan Saga novel will arrive next year.
However, rather than being another adventure for Miles, the new book will focus on his mother Cordelia. The new book will be entitled Gentleman Jole and the Red Queen, and will be published in February 2016. 2016 also marks the 30th anniversary of the publication of the first three Vorkosigan novels, Shards of Honour, The Warrior's Apprentice and Ethan of Athos, and Bujold has indicated this will be celebrated with the new book.
However, rather than being another adventure for Miles, the new book will focus on his mother Cordelia. The new book will be entitled Gentleman Jole and the Red Queen, and will be published in February 2016. 2016 also marks the 30th anniversary of the publication of the first three Vorkosigan novels, Shards of Honour, The Warrior's Apprentice and Ethan of Athos, and Bujold has indicated this will be celebrated with the new book.
I am pleased to report that a new Cordelia Vorkosigan novel has been sold to Baen Books for publication, tentatively, in February of 2016.
The title is Gentleman Jole and the Red Queen.
It is not a war story. It is about grownups.
And that is probably all I ought to say right now in a venue read by the spoiler-sensitive. It is, after all, a long haul till next February.
2016 will also mark the 30th anniversary of my first publication by Baen, which ought to be good for a little PR fun.
Monday, 9 March 2015
Memory by Lois McMaster Bujold
A horrendous error of judgement sees Miles Vorkosigan summoned back to Barrayar to face disciplinary measures from his superior, head of Imperial Security Simon Illyan. As Miles contemplates a future outside of the military, he becomes aware of a growing crisis in ImpSec. Things are going wrong and the cause may be to horrible to contemplate...
Memory is, chronologically, the tenth out of fourteen books in The Vorkosigan Saga and marks an important turning point in the series. For the previous eight volumes Miles Vorkosigan as been masquerading as Admiral Naismith of the Dendarii Free Mercenaries, carrying out missions for the Barrayan military with total deniability. In Memory that abruptly comes to an end after Miles - suffering the after-effects of his death, cryo-freeze and revival in Mirror Dance - inadvertently slices the legs off a fellow agent he is supposed to be rescuing and then covers it up. The result is the most game-changing novel in the series. Such long-running series tend to do well out of stasis, maintaining the status quo and bringing readers back each time to enjoy the same cast of characters and the same format. Whisking that away can be creatively liberating for the author, but dangerous if the change does not go down well with fans.
In this case the change is well-judged, although it takes a while to execute. At a bit less than 500 pages Memory joins Mirror Dance as one of the longest novels in the series, but it's also a lot less active a book than its forebear. Mirror Dance had multiple POV characters, clandestine infiltrations, full-scale combat missions and a huge amount of character development packed into its pages. Memory, fitting its title, is more relaxed and reflective a novel. It gives Miles a chance to dwell on everything that's happened to him and what he is going to do with his life now his default position has been snatched away.
This reflective mode works well for a while, but it starts to bog down the book. As amusing as seeing Miles tackling getting a pet cat, hiring a new cook or going fishing is, it goes on for a bit too long. When the mystery kicks in and Miles is granted extraordinary powers by the Emperor to sort things out, it's a relief and soon the mystery is unfolding nicely. However, the longueurs at the start of the book lead to the investigation and resolution taking place quite rapidly and a little too neatly. There also isn't much personal jeopardy for Miles. This may be the point, as the book is more about Miles's growth and maturing as a character, but there is the feeling that this story could have been told a little more effectively as a novella. That said, it does bring about some dramatic changes in the set-up of the series and is among the best-written books in the series.
Memory (****) opens slow but finishes strong and succeeds in its task of resetting the series and giving Miles a new job to do. It is available now in the UK and USA.
Memory is, chronologically, the tenth out of fourteen books in The Vorkosigan Saga and marks an important turning point in the series. For the previous eight volumes Miles Vorkosigan as been masquerading as Admiral Naismith of the Dendarii Free Mercenaries, carrying out missions for the Barrayan military with total deniability. In Memory that abruptly comes to an end after Miles - suffering the after-effects of his death, cryo-freeze and revival in Mirror Dance - inadvertently slices the legs off a fellow agent he is supposed to be rescuing and then covers it up. The result is the most game-changing novel in the series. Such long-running series tend to do well out of stasis, maintaining the status quo and bringing readers back each time to enjoy the same cast of characters and the same format. Whisking that away can be creatively liberating for the author, but dangerous if the change does not go down well with fans.
In this case the change is well-judged, although it takes a while to execute. At a bit less than 500 pages Memory joins Mirror Dance as one of the longest novels in the series, but it's also a lot less active a book than its forebear. Mirror Dance had multiple POV characters, clandestine infiltrations, full-scale combat missions and a huge amount of character development packed into its pages. Memory, fitting its title, is more relaxed and reflective a novel. It gives Miles a chance to dwell on everything that's happened to him and what he is going to do with his life now his default position has been snatched away.
This reflective mode works well for a while, but it starts to bog down the book. As amusing as seeing Miles tackling getting a pet cat, hiring a new cook or going fishing is, it goes on for a bit too long. When the mystery kicks in and Miles is granted extraordinary powers by the Emperor to sort things out, it's a relief and soon the mystery is unfolding nicely. However, the longueurs at the start of the book lead to the investigation and resolution taking place quite rapidly and a little too neatly. There also isn't much personal jeopardy for Miles. This may be the point, as the book is more about Miles's growth and maturing as a character, but there is the feeling that this story could have been told a little more effectively as a novella. That said, it does bring about some dramatic changes in the set-up of the series and is among the best-written books in the series.
Memory (****) opens slow but finishes strong and succeeds in its task of resetting the series and giving Miles a new job to do. It is available now in the UK and USA.
Thursday, 19 February 2015
Wertzone Classics: Mirror Dance by Lois McMaster Bujold
Mark is one of the most resourceful men alive: smart, cunning and trained in combat and subterfuge with a brilliant talent for information analysis. He is also weighed down by the knowledge that he is a clone of a more famous and more effective military commander: Miles Vorkosigan of Barrayar. Infiltrating the Dendarii mercenaries by posing as his 'brother', Mark embarks on a vengeful attack on the genetic laboratories on Jackson's Whole. This sets in motion a chain of events that will change his life, and that of his brother, forever.
Mirror Dance is, chronologically, the ninth novel in The Vorkosigan Saga and one of the most vitally important in terms of both the metaplot and character. It starts off in a rather traditional way for the series, with a mission for the Dendarii that appears to be straightforward and then rapidly becomes complicated. The difference here is that it is Mark who has set up the mission and it becomes painfully obvious that, for all his gifts, he is not Miles. Bujold plays a clever game here, since it would be implausible for the Dendarii (who know that Miles has a clone) to fall for Mark's deception so easily, so she has to set up a situation where they would plausibly go along with the plan in any case. Some dangling plot elements established as long ago as The Warrior's Apprentice are exploited ingeniously to do this.
The book opens with a structure that reflects the book's title. Chapters alternate between Mark trying to pull off his crazy scheme and Miles getting wind of it and trying to stop him. Events collide on Jackson's Whole, at which point the story takes a left-field turn that I don't think many readers were expecting. The scale of the book suddenly explodes, incorporating a return to Barryar, our first encounter with Aral and Cordelia Vorkosigan for many novels and some expert commentary on the changing state of Barrayaran society. Then there is a sprint for the finish, taking in explosive action sequences and an extraordinarily disturbing torture sequence that might even make Scott Bakker flinch (okay, probably not).
Mirror Dance is certainly the most epic book in the series to date, revisiting past plot points, characters and events on a scale not before seen (contributing to its unusual length compared to the previous volumes). But Bujold maintains a tight reign on the narrative and backs up the expanded canvas with some impressively nuanced character development. Around for the opening and finale, Miles sits out a large chunk of the novel as Bujold explores Mark's character in impressive depth. Even more remarkably, Bujold uses Mark to develop Miles and his shifting cover identities despite him not being around for a good third of the novel, and also to catch up on some characters we haven't seen for a while.
There's also the feeling of change in this book. The political situation on Barrayar, simmering in the background of many volumes, feels like it is now coming to a head with events in this novel confirming that the new generation - that of Gregor, Miles, Elena and Ivan - is coming into its own. The events of this novel seem to shake Miles's position as commander of the Dendarii, whilst the explosive changes on Jackson's Whole could reverberate across the galaxy. There's a feeling of Bujold loosening things up in this book, essential for any long-running series, and ensuring that readers will want to proceed into this book's direct sequel, Memory, immediately.
Mirror Dance (*****) is a remarkable book and easily the best in the series to date, more than deserving of its Hugo Award. It starts as another military SF adventure, turns into a combination of mystery and political thriller and then skews briefly into action overdrive before concluding with a bleak moment of horror that - apparently - is turned into a positive outcome. Bujold's enviable skills with writing and character make it all seem natural. The novel is available now as part of the Miles Errant omnibus (UK, USA).
Mirror Dance is, chronologically, the ninth novel in The Vorkosigan Saga and one of the most vitally important in terms of both the metaplot and character. It starts off in a rather traditional way for the series, with a mission for the Dendarii that appears to be straightforward and then rapidly becomes complicated. The difference here is that it is Mark who has set up the mission and it becomes painfully obvious that, for all his gifts, he is not Miles. Bujold plays a clever game here, since it would be implausible for the Dendarii (who know that Miles has a clone) to fall for Mark's deception so easily, so she has to set up a situation where they would plausibly go along with the plan in any case. Some dangling plot elements established as long ago as The Warrior's Apprentice are exploited ingeniously to do this.
The book opens with a structure that reflects the book's title. Chapters alternate between Mark trying to pull off his crazy scheme and Miles getting wind of it and trying to stop him. Events collide on Jackson's Whole, at which point the story takes a left-field turn that I don't think many readers were expecting. The scale of the book suddenly explodes, incorporating a return to Barryar, our first encounter with Aral and Cordelia Vorkosigan for many novels and some expert commentary on the changing state of Barrayaran society. Then there is a sprint for the finish, taking in explosive action sequences and an extraordinarily disturbing torture sequence that might even make Scott Bakker flinch (okay, probably not).
Mirror Dance is certainly the most epic book in the series to date, revisiting past plot points, characters and events on a scale not before seen (contributing to its unusual length compared to the previous volumes). But Bujold maintains a tight reign on the narrative and backs up the expanded canvas with some impressively nuanced character development. Around for the opening and finale, Miles sits out a large chunk of the novel as Bujold explores Mark's character in impressive depth. Even more remarkably, Bujold uses Mark to develop Miles and his shifting cover identities despite him not being around for a good third of the novel, and also to catch up on some characters we haven't seen for a while.
There's also the feeling of change in this book. The political situation on Barrayar, simmering in the background of many volumes, feels like it is now coming to a head with events in this novel confirming that the new generation - that of Gregor, Miles, Elena and Ivan - is coming into its own. The events of this novel seem to shake Miles's position as commander of the Dendarii, whilst the explosive changes on Jackson's Whole could reverberate across the galaxy. There's a feeling of Bujold loosening things up in this book, essential for any long-running series, and ensuring that readers will want to proceed into this book's direct sequel, Memory, immediately.
Mirror Dance (*****) is a remarkable book and easily the best in the series to date, more than deserving of its Hugo Award. It starts as another military SF adventure, turns into a combination of mystery and political thriller and then skews briefly into action overdrive before concluding with a bleak moment of horror that - apparently - is turned into a positive outcome. Bujold's enviable skills with writing and character make it all seem natural. The novel is available now as part of the Miles Errant omnibus (UK, USA).
Friday, 30 January 2015
Brothers in Arms by Lois McMaster Bujold
The Dendarii Mercenary Fleet has pulled off its most audacious operation yet, a mass prison break that has liberated hundreds of enemies of the Cetagandan Empire. The furious Cetagandans have pursued the Dendarii across the known worlds, forcing them to take refuge and resupply at one world even the Cetagandans hesitate to cross: Earth. For Miles Vorkosigan it's time to resupply his troops and check in with his day job as an officer in the Barrayaran military...but it also brings him into contact with rebels determined to destroy Barrayar and have a most unexpected way of doing it.
Brothers in Arms is the fifth novel by publication order (or eighth, chronologically) in The Vorkosigan Saga, Lois McMaster Bujold's award-festooned series following the misadventures of the genetically misshapen and crippled Miles Vorkosigan as he tries to rise through the ranks of the Barrayaran military. This latest novel expands on the Vorkosigan universe by taking us to humanity's homeworld.
The novel is divided into two sections. In the first Miles has to confront the problems posed by his actual job as an officer for Barrayar's navy and how this conflicts with his cover role as Admiral Naismith, commander of the Dendarii mercenaries. There not being too many prominent genetically-challenged dwarfs around, the rising fame of Vorkosigan in both these roles has led many to conclude they are the same person. With the value of the cover unravelling, Miles faces the unpleasant possibility of having to give up the Dendarii, a role he has come to thoroughly relish. Miles soon comes up with a bonkers plan to allow his cover to continue...which then becomes insanely complicated when it turns out that his randomly-conceived cover plan isn't too far off from the truth. The wheels-within-wheels plans, deceptions and machinations that Vorkosigan comes up are hilariously over-complicated (to the befuddlement of his friends and crew) and it's great to see them in action.
As well as the comedy and some very effective action set-pieces, including a memorable concluding battle at a supermassive SF version of the Thames Barrier, there's also some major steps forward in character development in this book. Miles realises how much the Dendarii have come to mean to him and several moments where he genuinely trips up on what role he is supposed to be inhabiting are quite powerful. Maybe he's in too deep? There's also the anguish over Miles's lack of immediate family, and when this appears to be rectified Miles latches onto it with horrifying lack of forethought, but moved by a powerful emotional need for peers to relate to. It's fairly straightforward stuff, but Bujold's ability to tell familiar stories through a fresh perspective serves the narrative well.
Brothers in Arms (****) is a very solid novel, with some good action and laughs framing a more serious story that does a lot to advance Miles's character and the overall storyline of the series. The novel is available now as part of the Miles Errant omnibus (UK, USA).
Brothers in Arms is the fifth novel by publication order (or eighth, chronologically) in The Vorkosigan Saga, Lois McMaster Bujold's award-festooned series following the misadventures of the genetically misshapen and crippled Miles Vorkosigan as he tries to rise through the ranks of the Barrayaran military. This latest novel expands on the Vorkosigan universe by taking us to humanity's homeworld.
The novel is divided into two sections. In the first Miles has to confront the problems posed by his actual job as an officer for Barrayar's navy and how this conflicts with his cover role as Admiral Naismith, commander of the Dendarii mercenaries. There not being too many prominent genetically-challenged dwarfs around, the rising fame of Vorkosigan in both these roles has led many to conclude they are the same person. With the value of the cover unravelling, Miles faces the unpleasant possibility of having to give up the Dendarii, a role he has come to thoroughly relish. Miles soon comes up with a bonkers plan to allow his cover to continue...which then becomes insanely complicated when it turns out that his randomly-conceived cover plan isn't too far off from the truth. The wheels-within-wheels plans, deceptions and machinations that Vorkosigan comes up are hilariously over-complicated (to the befuddlement of his friends and crew) and it's great to see them in action.
As well as the comedy and some very effective action set-pieces, including a memorable concluding battle at a supermassive SF version of the Thames Barrier, there's also some major steps forward in character development in this book. Miles realises how much the Dendarii have come to mean to him and several moments where he genuinely trips up on what role he is supposed to be inhabiting are quite powerful. Maybe he's in too deep? There's also the anguish over Miles's lack of immediate family, and when this appears to be rectified Miles latches onto it with horrifying lack of forethought, but moved by a powerful emotional need for peers to relate to. It's fairly straightforward stuff, but Bujold's ability to tell familiar stories through a fresh perspective serves the narrative well.
Brothers in Arms (****) is a very solid novel, with some good action and laughs framing a more serious story that does a lot to advance Miles's character and the overall storyline of the series. The novel is available now as part of the Miles Errant omnibus (UK, USA).
Tuesday, 29 April 2014
Borders of Infinity by Lois McMaster Bujold
Miles Vorkosigan, in his guise as Admiral Naismith of the Dendarii Mercenaries, has been captured by the Cetagandans and imprisoned on a remote moon, along with thousands of other POWs. Vorkosigan finds a camp in the grip of chaos, with different groups of prisoners fighting amongst themselves and the strong preying on the weak. He has to somehow unite the prisoners before any breakout can be attempted...which is difficult to do when you have bones that shatter easily and no incentives to use.
Borders of Infinity is another short novella featuring the character of Miles Vorkosigan, this time back with the Dendarii (after a break of several stories and books, in chronological order anyway) before being imprisoned by the Cetagandans. It's a fairly straightforward and entertaining story, basically involving Miles trying to set up a prison break but being confronted by problems with asserting his authority and making enemies who want to kill him, even if it means they never escape.
The story's slightness works against it, as does a muddled tone. Funny scenes - Miles being forced to walk around naked and working with a crazy religious nut to try to win over the soldiers - are contrasted against some of the darker and more brutal scenes that Bujold has written to date. Making such a juxtaposition work is possible, but Bujold fails to achieve it here.
There's also the problem of the story being bigger than its word count. The story could easily have been twice as long, but just as it's getting started it abruptly ends, and in a rather straightforward manner as well (although the fallout does at least get novel-length coverage, in Brothers in Arms).
Borders of Infinity (***) is readable and passes the time, but is again a fairly short and slight story that feels like it's a novel that's been truncated almost to the point of non-existence. A story that's more important for what it does (setting up Brothers in Arms) than what it is, then. It can be found in the Miles Errant omnibus (UK, USA).
Borders of Infinity is another short novella featuring the character of Miles Vorkosigan, this time back with the Dendarii (after a break of several stories and books, in chronological order anyway) before being imprisoned by the Cetagandans. It's a fairly straightforward and entertaining story, basically involving Miles trying to set up a prison break but being confronted by problems with asserting his authority and making enemies who want to kill him, even if it means they never escape.
The story's slightness works against it, as does a muddled tone. Funny scenes - Miles being forced to walk around naked and working with a crazy religious nut to try to win over the soldiers - are contrasted against some of the darker and more brutal scenes that Bujold has written to date. Making such a juxtaposition work is possible, but Bujold fails to achieve it here.
There's also the problem of the story being bigger than its word count. The story could easily have been twice as long, but just as it's getting started it abruptly ends, and in a rather straightforward manner as well (although the fallout does at least get novel-length coverage, in Brothers in Arms).
Borders of Infinity (***) is readable and passes the time, but is again a fairly short and slight story that feels like it's a novel that's been truncated almost to the point of non-existence. A story that's more important for what it does (setting up Brothers in Arms) than what it is, then. It can be found in the Miles Errant omnibus (UK, USA).
Monday, 31 March 2014
Labyrinth by Lois McMaster Bujold
In his disguise as commander of the Dendarii mercenary fleet, Miles Vorkosigan is dispatched by Barrayaran intelligence to rendezvous with a defector on the anarchic world of Jackson's Whole. However, it isn't long before Miles is up to his neck in political intrigue between three feuding houses, with the defector, a mutant and a werewolf to worry about...
Labyrinth is a short novella featuring Lois McMaster Bujold's signature character of Miles Vorkosigan, once again up to his neck in trouble after a simple mission goes wrong (as they usually do). It's a fun little piece, featuring lots of Miles getting captured, smart-talking his way through interrogations and then escaping whilst throwing an entire world into turmoil but retaining deniability for Barrayar.
Whilst it's good, it's slight. There's some interesting stuff about genetic engineering, not to mention the first appearance in the Miles timeline of the quaddies, people who have had their legs replaced with arms to better cope with life in zero-gee. Between the quaddie, the werewolf (actually a genetically-altered super-soldier), the dwarf (Miles) and the hermaphrodite (recurring character Bel Thorne), the novella can be said to be about people who are outcast from some societies due to unthinking prejudice. Unfortunately, the novella's short length prevents Bujold from exploring any of the issues in any real great depth, especially as the fascinating sociological stuff is put on hold for most of the story as we instead follow Miles trying to break out of a prison.
That said, Labyrinth (***) is a fun read which cracks along fairly smartly and packs a fair amount of character development and action into a short page count. It's just a shame that Bujold didn't flesh the story out into a full novel, as it feels like the characters and issues being explored could have warranted it. Without that exploration, the novella ultimately feels too slight and disposable. The novella is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus. Oddly, it is also reprinted in the Miles, Mutants and Microbes omnibus as well.
Labyrinth is a short novella featuring Lois McMaster Bujold's signature character of Miles Vorkosigan, once again up to his neck in trouble after a simple mission goes wrong (as they usually do). It's a fun little piece, featuring lots of Miles getting captured, smart-talking his way through interrogations and then escaping whilst throwing an entire world into turmoil but retaining deniability for Barrayar.
Whilst it's good, it's slight. There's some interesting stuff about genetic engineering, not to mention the first appearance in the Miles timeline of the quaddies, people who have had their legs replaced with arms to better cope with life in zero-gee. Between the quaddie, the werewolf (actually a genetically-altered super-soldier), the dwarf (Miles) and the hermaphrodite (recurring character Bel Thorne), the novella can be said to be about people who are outcast from some societies due to unthinking prejudice. Unfortunately, the novella's short length prevents Bujold from exploring any of the issues in any real great depth, especially as the fascinating sociological stuff is put on hold for most of the story as we instead follow Miles trying to break out of a prison.
That said, Labyrinth (***) is a fun read which cracks along fairly smartly and packs a fair amount of character development and action into a short page count. It's just a shame that Bujold didn't flesh the story out into a full novel, as it feels like the characters and issues being explored could have warranted it. Without that exploration, the novella ultimately feels too slight and disposable. The novella is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus. Oddly, it is also reprinted in the Miles, Mutants and Microbes omnibus as well.
Thursday, 13 March 2014
Ethan of Athos by Lois McMaster Bujold
Ethan Urquhart is a doctor on the all-male planet of Athos, which is reliant on important genetic cultures in order to increase their population. When the latest culture shipment is contaminated and destroyed, Ethan is dispatched by his government to the transfer point at Kline Station to investigate. Almost immediately after his arrival, Ethan is drawn into a web of intrigue and conspiracies featuring agents from the Cetagandan Empire and the unnerving (for Ethan) presence of a female intelligence agent from the Dendarii mercenaries.
Ethan of Athos is, chronologically, the sixth novel in the Vorkosigan Saga, although it was the third to be written. Even more confusingly, it is often omitted from counts of the series due to the total non-appearance of the series' main character, Miles Vorkosigan. However, Ellie Quinn, who appeared briefly in The Warrior's Apprentice and goes on to make more important appearances alongside Miles later on, plays a major role and this book establishes a fair bit of her character and backstory. So my recommendation is to accept it as part of the saga and move on.
I enjoyed Ethan of Athos a lot. It's what Bujold does best, a comedy-of-manners romp taking in scheming, intrigue, wheels-within-wheels, deceptions and double-bluffs, and a thin layering of real science (a more thorough exploration of the uterine replicator technology mentioned in previous books) and social commentary on top. There's some nice character scenes and moments of humour, and Bujold writers her typical wit.
However, the book feels like a somewhat missed opportunity. There are a few SF novels which take a look at societies where either women are put in charge or are dominant (such as David Brin's Glory Season), or where the normal genders don't exist as we know them (obviously, The Left Hand of Darkness), but surprisingly few about the idea of a planet where only men exist. The early and closing chapters set on Athos show that Bujold has put a lot of thought into this idea and how it works, and the resulting commentary it offers up on male gender roles is facinating. But as a concept it only bookends the novel, the bulk of which is a more basic - if still fun - SF thriller.
Ethan of Athos (***½) is a solid, enjoyable SF novel, but one that feels like it could have been a lot more than that if the story had remained on Athos for its duration. Otherwise, this is a reasonable addition to the Vorkosigan series. The novel is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus.
Ethan of Athos is, chronologically, the sixth novel in the Vorkosigan Saga, although it was the third to be written. Even more confusingly, it is often omitted from counts of the series due to the total non-appearance of the series' main character, Miles Vorkosigan. However, Ellie Quinn, who appeared briefly in The Warrior's Apprentice and goes on to make more important appearances alongside Miles later on, plays a major role and this book establishes a fair bit of her character and backstory. So my recommendation is to accept it as part of the saga and move on.
I enjoyed Ethan of Athos a lot. It's what Bujold does best, a comedy-of-manners romp taking in scheming, intrigue, wheels-within-wheels, deceptions and double-bluffs, and a thin layering of real science (a more thorough exploration of the uterine replicator technology mentioned in previous books) and social commentary on top. There's some nice character scenes and moments of humour, and Bujold writers her typical wit.
However, the book feels like a somewhat missed opportunity. There are a few SF novels which take a look at societies where either women are put in charge or are dominant (such as David Brin's Glory Season), or where the normal genders don't exist as we know them (obviously, The Left Hand of Darkness), but surprisingly few about the idea of a planet where only men exist. The early and closing chapters set on Athos show that Bujold has put a lot of thought into this idea and how it works, and the resulting commentary it offers up on male gender roles is facinating. But as a concept it only bookends the novel, the bulk of which is a more basic - if still fun - SF thriller.
Ethan of Athos (***½) is a solid, enjoyable SF novel, but one that feels like it could have been a lot more than that if the story had remained on Athos for its duration. Otherwise, this is a reasonable addition to the Vorkosigan series. The novel is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus.
Monday, 24 February 2014
The Vorkosigan Saga Reading Order
As I'm making my way through Lois McMaster Bujold's Vorkosigan Saga, I've run afoul a few times of fact that the chronological, publication and reading orders of the series seem to all differ from one another. So I thought it might be useful to put up the differing lists here to help others planning to read the books.
The cover art for Captain Vorpatril's Alliance, the most recent-published novel in the saga.
Chronological Order
The chronological order is fairly straightforward, though not necessarily the best reading order (that would be omnibus order, posted below).
'Dreamweaver's Dilemma' (short story, set many centuries Before Miles's birth)
Falling Free (200
BM)
Shards of Honor
(2-1 BM)
'Aftermaths' (2-1 BM)
Barrayar (1-0 BM)
The Warrior's
Apprentice (17th year of Miles Vorkosigan's
life)
'Mountains of Mourning' (20 MV)
The Vor Game (20
MV)
Cetaganda (22 MV)
Ethan of Athos (22
MV)
'Labyrinth' (23 MV)
'Borders of Infinity' (novella version) (24 MV)
Brothers in Arms (24
MV)
Borders of Infinity
(framing story) (25 MV)
Mirror Dance (28
MV)
Memory (29-30 MV)
Komarr (30 MV)
A Civil Campaign (30
MV)
'Winterfair Gifts' (31 MV)
Diplomatic Immunity
(32 MV)
Captain Vorpatril's Alliance (35 MV)
Cryoburn (39 MV)
Gentleman Jole and the Red Queen (42 MV)
Gentleman Jole and the Red Queen (42 MV)
Ideal reading order by omnibus
This is the easiest, cheapest and best-recommended way of reading the series, a couple of oddities aside. 'Labyrinth' appears twice for some reason and Falling Free (the earliest-set novel) is thrown rather randomly into the middle of the series, but beyond that it's fairly straightforward. It should be noted that Captain Vorpatril's Alliance, Cryoburn and Gentleman Jole and the Red Queen are only available as single novels at the moment, although it is assumed that at some point in the future Baen will collect them together. Memory will apparently remain a stand-alone novel due to its position as the biggest gamechanger in the series to date and the thematic awkwardness of combining it with other works.
Cordelia's Honour (Shards
of Honour, 'Aftermaths', Barrayar)
Young Miles (The Warrior's Apprentice, 'The Mountains
of Mourning', The Vor Game)
Miles, Mystery and Mayhem (Cetaganda,
Ethan of Athos, 'Labyrinth')
Miles Errant ('Borders of Infinity', Brothers in Arms, Mirror
Dance)
Memory (not part
of an omnibus)
Miles in Love (Komarr,
A Civil Campaign, 'Winterfair Gifts')
Miles, Mutants and Microbes (Falling Free, 'Labyrinth', Diplomatic
Immunity)
Captain Vorpatril's Alliance (not yet part of an omnibus)
Cryoburn (not yet
part of an omnibus)
Gentleman Jole and the Red Queen (not yet part of any omnibus)
Gentleman Jole and the Red Queen (not yet part of any omnibus)
Publication order
Publication order sort-of works - it's the order that Bujold wrote the stories in, after all - but she jumps back and forth in Miles's life fairly randomly. Those who prefer a chronological progression are directed to the reading order by omnibus, but publication order works for those who prefer to read the books in - more or less (Barrayar was half-written as the continuation of Shards of Honour, abandoned for several years, and then completed) - the order the author wrote them.
'Aftermaths' (Spring 1986)
Shards of Honour (June 1986)
The Warrior's Apprentice (August 1986)
Ethan of Athos (December 1986)
Falling Free (serialised in December 1987-February 1988, in Analog)
Brothers in Arms (January 1989)
'The Mountains of Mourning' (May 1989)
'Labyrinth' (August 1989, in Analog)
Borders of Infinity (October 1989)
'Weatherman' (February 1990, in Analog, later integrated as the opening of The Vor Game)
The Vor Game (September 1990)
Barrayar (serialised July-September 1991, in Analog)
Mirror Dance (1994)
Cetaganda (October-December 1995)
'Dreamweaver's Dilemma' (February 1996, in Dreamweaver's Dilemma)
Memory (October 1996)
Komarr (June 1998)
A Civil Campaign (September 1999)
Diplomatic Immunity (May 2002)
'Winterfair Gifts' (February 2004, in the Irresistible Forces anthology)
Cryoburn (October 2010)
Captain Vorpatril's Alliance (November 2012)
Gentleman Jole and the Red Queen (February 2016)
Gentleman Jole and the Red Queen (February 2016)
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Tuesday, 28 January 2014
Cetaganda by Lois McMaster Bujold
Miles Vorkosigan visits Eta Ceta, the homeworld and capital of the empire that formerly ruled his own planet, as a diplomatic envoy. What starts off as a fairly routine job - representing his world at a state funeral - escalates into a clandestine battle of wits between Miles and an unknown Cetagandan enemy who is trying to frame Barrayar for a crime and reignite hostilities between their two empires. Miles has to find and defeat this foe without offending his hosts or shaming his own world.
Cetaganda is the fifth novel (by chronology) in The Vorkosigan Saga and the shortest to date, clocking in at only around 250 pages. It's a slight story, and feels more like an expanded short story than a fully-fleshed out novel.
On the successful side of things, Bujold brings her trademark wit and readability to the story. To use a lazy reviewing tactic, if you liked the previous books in this series, you'll probably like this one as well. However, Bujold is arguably unsuccessful in really making the Cetagandans (here making their first on-page appearance after many frequent mentions) an impressive, convincing society. The Cetagandan Empire is ruled under a bewildering array of rules relating to male/female relations, genetic engineering and social function, which is all fine until you realise it would be too easy to topple the whole thing if enough people decided they didn't want to play along (as indeed almost happens in this novel).
More damaging is the fact that Bujold does not complicate Miles's story enough. Every time something bad happens, Miles immediately shifts it to his advantage, and he is never on the back foot for more than a paragraph or two. With a long series based around one character you have to constantly be on the look-out for that character becoming too infallible or invulnerable, and that nearly happens to Miles here.
Still, even a sub-par Vorkosigan novel remains a fun, if lightweight, read. Cetaganda (***½) is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus.
Cetaganda is the fifth novel (by chronology) in The Vorkosigan Saga and the shortest to date, clocking in at only around 250 pages. It's a slight story, and feels more like an expanded short story than a fully-fleshed out novel.
On the successful side of things, Bujold brings her trademark wit and readability to the story. To use a lazy reviewing tactic, if you liked the previous books in this series, you'll probably like this one as well. However, Bujold is arguably unsuccessful in really making the Cetagandans (here making their first on-page appearance after many frequent mentions) an impressive, convincing society. The Cetagandan Empire is ruled under a bewildering array of rules relating to male/female relations, genetic engineering and social function, which is all fine until you realise it would be too easy to topple the whole thing if enough people decided they didn't want to play along (as indeed almost happens in this novel).
More damaging is the fact that Bujold does not complicate Miles's story enough. Every time something bad happens, Miles immediately shifts it to his advantage, and he is never on the back foot for more than a paragraph or two. With a long series based around one character you have to constantly be on the look-out for that character becoming too infallible or invulnerable, and that nearly happens to Miles here.
Still, even a sub-par Vorkosigan novel remains a fun, if lightweight, read. Cetaganda (***½) is available now in the UK and USA as part of the Miles, Mystery and Mayhem omnibus.
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