Board Game Catch-Up #2

Following on from the previous board game catchup, here’s a few more games I’ve managed to try out in the last few months. 

X-Wing Miniatures
Fantasy Flight Games

This is a pretty straightforward game: one player has X-wings, the other has TIE fighters (approximately three million expansions are available to change this up, of course) and they fly around a board trying to shoot each other. Sometimes they succeed, sometimes they fail and sometimes they crash into an asteroid or one another in a somewhat anti-climactic fashion.

There is a phenomenon in board gaming called “spectacle gaming”, where the quality of the gameplay itself is rendered irrelevant by how beautiful the miniatures are and how cool they look sitting on the table. X-Wing Miniatures certainly fits into this bracket: the pre-painted spaceships are gorgeous and it’s fun moving them around the board. It’s less fun when your game has been going on for ten minutes and no-one’s managed to hit one another yet because of the dice rolls, or the game ends because someone’s flown their X-wing into an asteroid and can’t avoid it because space in the Star Wars universe isn’t three-dimensional, apparently.

I was a bit disappointed by this one, but the good thing about it is that it’s been enormously popular, meaning the model runs are large enough to make the models very well-priced, so if you want Star Wars ships on your shelves for decorative purposes instead (or perhaps to illustrate a roleplaying campaign), this is one of the best ways of doing that. I would be intrigued to give Armada (which is this game scaled up with capital ships) a go, as I suspect the rules work far better with slower ships, firing arcs and other fun elements from big ship combat. 

Zombiecide: Black Plague

CMON Games/Guillotine Games

Most zombie games employ clever mechanics to make for games of gut-wrenching terror and tension. Zombiecide: Black Plague has no truck with this and allows your team of heroes to run around annihilating zombies like there is no tomorrow. This is basically Hero Quest with zombies and that’s enormous amounts of fun up to a point, when the game starts feeling a little repetitive and a bit too easy. A fun and good-looking game, but not one I’d rush out to buy.

Horsemen of the Apocalypse
Ragnarok Publications

An amusing card game designed by fantasy author Mark Lawrence, with guest flavour text from authors including Robin Hobb and Wesley Chu. Basically the four horsemen of the apocalypse are rolling into town and the players have to organise things so that they are left standing rather than the other players. There’s some great tension and ideas here, but the game feels a little fiddly in the rules and the quality of the cards could be a lot better, especially given the price. Diverting but not essential.

Exploding Kittens
Ad Magic/ADC Blackfire

One of the biggest Kickstarter successes of recent years, this is fast-paced comical card game where there are kittens primed to explode and players have to avoid getting blown up by them using a battery of comical cards designed for this purpose. The game is funny (in a dark kind of way), with great artwork from the Oatmeal team and allows for some interesting strategy, although it’s still a relatively lightweight game. Good for kids, parties and after-meal entertainment.

BattleLore 

Fantasy Flight Games 

A fantasy take on Richard Borg’s Command & Colours system (also used in Memoir ’44, which we discussed last time and Battles of Westeros, see below), which adds magic, gryphons and undead to the classic C&C gameplay. This is a handsome-looking game with great production quality and some added tactical depth to the C&C rules which makes for a more interesting game, but also a somewhat-longer playing one. This is a very fine game but it does sacrifice one of the main appeals of Memoir ’44, the fast setup and playing time, in favour of somewhat more depth, which arguably it doesn’t quite achieve. As usual, there are also a lot of fairly expensive expansions which you really need to keep the variety and interest up. The game has recently gone out of print, effectively replaced by the somewhat more generic Runewars Miniatures Game, which is a shame.

Fallout: Wasteland Warfare
Modiphius Entertainment

Wasteland Warfare is the second tabletop game based on the Fallout video game, following on from Fantasy Flight’s decidedly underwhelming board game from 2017. Wasteland Warfare is unapologetically a tabletop miniatures wargame whose primary goal is to sell an absolute ton of add-on models, but it cleverly includes enough stuff in the base box to actually work very well as a standalone board game (especially if you access the fan community to download more scenarios and missions). There’s a lot of fun to be had here, especially the mission objectives which are quite varied, but beware getting sucked into the money pit of spending lots of cash on awesome models.

The rules are quite decent (and a major round of applause for including range tokens in the box instead of asking people to bust out rulers and measuring tape), although I think ultimately the game might be more useful as the miniatures component of a roleplaying campaign, with Modiphius rumoured to be working on an RPG behind the scenes. 

Axis & Allies: Zombies

Avalon Hill/Hasbro 

Axis & Allies: Zombies is a variant of the classic WW2 board game which adds zombies to the mix. This initially appears to be gimmicky as hell, but the game remarkably uses the idea to really mix the game up, causing massive land battles to take place where normally there is no combat at all in a regular game (such as the North and South American mainland, or in Africa). The result is a game that overcomes Axis & Allies’ perennial problem – the predictable opening moves of a standard game – and adds fresh life to an old favourite. The game is also excellent value for money, as you can play it as Axis & Allies 1941 (the base “introductory” version of the game) or Axis & Allies & Zombies, and it also includes a deck of cards for use with Axis & Allies 1942 (the current “standard” version of the game) to add zombies to that version as well. An unexpectedly strong game.

Pandemic: Reign of Cthulhu Z-Man Games

Do you like Pandemic? Do like Lovecraft’s books? Why not mix the two together? This also sounds a bit gimmicky, but the revamping of the Pandemic rules to account of hordes of cultists and shoggoth running around works really well, with you now having to move around several classic Lovecraft locations shutting down portals instead of curing the virus, with the “outbreak” cards instead replaced by a different Old One arising, their influence impacting on the game in different ways.

Rather than being a silly mash-up game, it’s one that cleverly rewrites the rules to accommodate the theme and is a different enough game to warrant some table time alongside standard Pandemic. Nicely recommended.

878: Vikings 

Academy Games

t’s 878 AD and the kingdoms of England are being overrun by invading Danes. It falls to King Alfred of Wessex to unite the people and rally large armies to throw back the Danes into the sea. The result is an excellent team game of strategy. Team games are surprisingly rare in modern board games, which tend to be either co-op (everyone versus the game mechanics) or competitive (everyone vs everyone), with teams often being alliances of convenience with backstabbing not uncommon (see A Game of Thrones: The Board Game or Twilight Imperium). 878 has two permanent alliances with the two players on each side cooperating (to the point of moving each other’s units around) and using their unique faction abilities to bolster themselves on the field of battle.

The result is a fast-moving strategy game with lots of interesting twists and is relatively straightforward and easy to understand.

The Expanse
WizKids

Based on the TV show and James S.A. Corey’s novel series, the Expanse board game reflects the space opera influences of its inspiration by…being a worker placement Eurogame?

The Expanse is one of the odder games based on a licenced property to emerge recently. Each player controls one of the four major factions from the TV show and books (Earth, Mars, the OPA and Protogen) and seeks to build up influence over individual planets, bases and their orbital spaces. Space battles aren’t a key part of the game, although it is possible to build new warships and blow up opponent ships, with instead the focus being on point-scoring. In this manner the game is reminiscent of Catan, Ticket to Ride or Lords of Waterdeep. However, the game’s rather poorly-explained rules make it harder to recommend than those games, which are all faster to setup and play and work the theme into the gameplay much more successfully. The Expanse's rather poor production values - a bland board and murky photography from the show - also feel a bit of a letdown given the game's not-inconsiderable cost.

Still, once the rules were better-understood the game becomes a lot more enjoyable to play, and there are some nice twists on the standard worker placement paradigm, such as scoring only when one of the scoring cards pops up. This makes timing incredibly important in the game, and knowing when to make certain events to happen for maximum impact. It’s still a somewhat fiddly game, it urgently needs a new and better-written rulebook and the theme feels almost incidental (the Rocinante crew “wild card” is rather underwhelming), but there’s enough going on here to make it worthwhile. 

Ticket to Ride: New York

Days of Wonder

Ticket to Ride is one of the very best light or intro boardgames around, a strong title with a fun competitive streak. There are numerous expansions and revisions of the core game, mostly bringing the game to different countries or continents and ramping up the complexity, but New York does the opposite: it streamlines the game right down and the scale with it, being set on a small board depicting New York City.

Ticket to Ride is a pretty light game anyway, so a streamlined version seems redundant. But New York still works, being a fun and small game which works perfectly as a travel game, something you can bust out on a train journey. You can get a game done in under 20 minutes and it's very enjoyable. For home gaming, it's rather unnecessary (and leaves you wanting to play the original Ticket to Ride) but as a travel game it's fun and also impressively cheap.

Battles of Westeros 

Fantasy Flight Games

Yet another game employing Richard Borg’s Command & Colours system, this time in the world of George R.R. Martin’s A Song of Ice and Fire. The box proclaims this to be “a BattleLore game,” which is quite thoroughly misleading, as the game has a very different ruleset and is not compatible with BattleLore at all.

This game is worthy of a deeper dive at some point, but briefly this game changes the traditional C&C rules by dumping the three sector approach (where the board is divided between a centre and two flanks) and instead making everything about the leaders. Each faction has at least 2 leader characters who are present on the battlefield and who exert control over a “zone of command” around them. Rather than ordering units in each sector, you instead order units within the zone of command. The game also randomly generates (via dice) command tokens which you can use to order remote units on the battlefield outside any commander’s zone of command.

This approach is then given further depth by each commander having special tactics cards which are mixed into the standard command deck, which adds tremendous variety to the game and to each battle.

This surprisingly elegant system immediately addresses the primary criticisms of the earlier C&C games (that they are too reliant on the right cards coming up) by giving each player much more control over the cards they can use and where they can use them on the battlefield. It also creates more interesting choices as your leaders are also combat units in their own right, but if they are defeated on the field, they can no longer issue orders, so you have to decide between throwing them into the fray or holding them back. The result is much greater and more interesting tactical decisions.

On the downside the game is rather fiddly: you have to manually glue the figures into their bases, there’s a lot of unnecessary tokens and the core mechanic of twisting the units’ flags around after they’ve moved will very quickly result in broken flag poles and flags. I just used fire tokens instead to show when each unit had been activated, which was far easier and quicker.

This game has gone out of print, unfortunately, effectively replaced by CMON Games’ A Song of Ice and Fire Miniatures Game, which has much more impressive miniatures but decidedly less engaging rules. Snap up Battles of Westeros (and its expansions) whilst you can.

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A Beginner's Guide to Board Games (from a Beginner)

Ah, the humble board game. For decades – centuries if you count games like chess – the board game did sterling work in bringing families together and providing entertainment and mental stimulation (before shattering them apart with arguments over how to spell words in Scrabble or Auntie Joan’s Dick Move in Monopoly which is still controversial ten years later). In the latter part of the 20th Century there was a drop-off in the popularity of board games, largely attributed to the rise of video games and television, but in the last few years board games have returned with a vengeance.

You'll never need to play this rubbish again,

There are several reasons board games have returned to popularity, some obvious, some less so. The number one influence, of course, is the Internet. Crowdfunding sites like Kickstarter have allowed board games to be created, funded and sold in a manner and scale that was impossible under the old publisher model. The Internet has also allowed board game fans to find other players and set up gaming groups, as well as spreading the word about good games. YouTube videos and review sites like the excellent Shut Up and Sit Down and podcasts like The Game Pit have allowed players to see games in action before stumping up money for them. Message boards and websites also provide rules clarifications, cheat sheets, player aids and things to make the task of playing games much easier and reduce arguments. In rarer cases there are also digital, directly-translated versions of board games where players can hone their skills on the screen before deploying them against other players. Most notably, Pandemic, Blood Bowl and Space Hulk all have digital versions where you can directly translate the rules from screen to board and back again.

A slightly less obvious reason is the rapid and remarkable decline in same-room multiplayer video gaming. Back in the 1990s groups of friends could gather at houses to play Street Fighter II tournaments or Mario Kart championships. Split-screen gaming was a huge thing and, with no set-up time or time spent puzzling over rule books, a tempting alternative to board gaming. However, the last decade has seen a marked decline in same-room video gaming. Technical limitations meant that modern consoles struggle to depict two graphical displays of what is going on at an acceptable level of graphical detail, making it preferable for people to play their games from their own homes over the Internet. Although that’s still fun, it loses the social aspect and enjoyment gained from being in the same room as your friends.

The main reason for why board gaming is back, though, is also the most obvious one: there’s a lot of really good board games around, engaging in a variety of themes and ideas, ranging from very easy and quick-to-play and accessible titles for all ages to hardcore action games using lots of miniatures and complex rules taking entire days to play. Here’s a few games from the so-called “golden age” which might tickle your fancy.

For Beginners

Ticket to Ride

The ultimate introductory game for the new age of board games, Ticket to Ride is pretty straightforward: each player is a railroad magnate building new lines across the United States. The longer the lines, the greater the reward but also the risk one of your competitors might beat you to the pinch at the last minute. You score points for longer lines, but also achieving the secret objectives on your mission cards: the right combination of the right lines and cards can see someone storm from behind to win the game at the last hurdle, making sure everyone is involved right up to the last minute. A very simple game which gains complexity and replayability from the interaction of its different features and the mindsets of the players.

Ticket to Ride is available in numerous different editions, such as ones featuring a map of Europe or Britain, and others which add complexity by allowing you to set up shipping routes as well.

Cosmic Encounter

An old-skool game (originally released in the 1970s), Cosmic Encounter has the players portraying different alien races. Using a combination of diplomacy, bluffing and military might, players have to establish colonies on each other’s planets. Where the game becomes unpredictable is that you have no way of knowing what special powers the other players might have, or what cards (granting bonuses to attack, defence and diplomacy) they may be hoarding. Cosmic Encounter is extremely simple and fast to play, but with a huge amount of variety thrown up by the different alien races and cards.

Pandemic

Four viruses are threatening civilisation, so the Centre for Disease Control has to mobilise its best people to cure them and mop up the after-effects. Pandemic is a co-operative game where the players have to work together against the odds, and the odds can be quite gruelling. It’s not uncommon for players to have a few good rounds and think the situation is under control, and five minutes later be sobbing as most of Europe is engulfed in an explosive chain reaction of outbreaks.

Like Cosmic Encounter, the game’s base mechanics are very simple but the replayability comes from the interaction of the different characters (always pick the characters randomly, as otherwise the game can become quite easy as players work out optimal character combinations and just stick with those) and the ability cards they pick up. Pandemic has two expansions that add a lot of variety to the game, as well as its semi-sequel, Pandemic: Legacy, which is an altogether more advanced game (I’d recommend not even thinking of tackling that until you’ve mastered the original at its hardest difficulty level, with the expansions).

Flash Point

Flash Point is another cooperative game. The players portray firefighters who are trying to rescue people from a burning building. It’s important to get people out, but it’s also necessary to keep putting the fires out. Ignore a growing fire for too long and it may explode, causing a chain reaction that demolishes the building around you. But ignore the trapped people for too long and they may burn or choke to death. Expansions add more complexity (like multi-floor buildings), but this is a reasonably simple game which is much more addictive than it first looks. Watch out for players who insist on rescuing trapped animals at the expense of their owners!

Settlers of Catan

Some people hold this game – originally released in 1995 – as the forefather of the modern board game explosion. This is debatable but it’s certainly one of the most popular board games of all time. The players are colonists on an island and have to engage in diplomacy and resource-gathering to win an economic war of attrition with the other players. It’s peaceful but competitive, with excellent potential for humour revolving around how much wood each player has at any given moment.

King of Tokyo

A lot of players of King of Tokyo are disappointed when they discover the game isn’t about smashing up Tokyo like a board game version of Rampage. Instead, it’s about the monsters getting into fights with one another over who gets to smash up Tokyo next. An elegantly simply dice mechanic and premise belies the addictive replayability that comes from the different powers each creature has and the cards you can draw with extra abilities. An expanded sequel, King of New York, is also available.

For Intermediate Players

Axis and Allies

Another old-skool game (originally released in 1981), Axis and Allies has very simple rules. However, the ways those rules interact with one another and the diverse battle maps can give rise to extremely complex situations. The introductory game could even be said to be a better fit for the introductory section above, but the expansions raise the complexity of the game considerably.

The best achievement of Axis and Allies, though, is how elegantly it replicates the set-up and outcome of World War II, with the Axis players starting with enormous armies but poor resources and immediately forced to expand or lose, with the Allies’ long-term victory assured if they can weather the storm. However, the fun really kicks in when players overturn the results of history and start going off the wall (the German annexation of Brazil can be an unexpectedly effective move, for example). There are more diverse and arguably interesting World War II games, like Memoir 44, and certainly lots of far more complex and hardcore wargames, but Axis and Allies remains compelling for its grand vision of the whole war, particularly with its later variant rules focusing on individual theatres.

Blood Bowl

A spin-off of the Warhammer fantasy game, Blood Bowl is nothing less than American football but with orcs, elves and dwarves (among others) making up the teams. The result is a surprisingly rich and engrossing game of blocks, passes, counter-strikes and breaks which at times becomes as tense and engaging as an actual good sports game. The fact it’s all extremely funny, with Games Workshop’s traditionally beautiful miniatures, helps a lot.

The video game Blood Bowl II replicates the rules of the board game exactly, and may be worth a look for those wanting to practice their ball control without any friends around.

  

Star Wars: Rebellion

At first glance Rebellion looks like a wargame in space, except the Empire has Death Stars, Super Star Destroyers, normal Star Destroyers, AT-ATs and ludicrous numbers of TIE Fighters, whilst the Rebel player has a few X-wings and snowspeeders. But the cleverness of the design kicks in when you send your Rebel agents to sabotage Imperial production lines, halt fleets in their tracks by raising insurgences across the galaxy and generally win support for the Alliance. The Empire wins if it can find the Rebel hidden base, but this is much harder than it first appears.

The result is a wonderfully asymmetrical game of warfare, espionage and politics, all drenched in authentic Star Wars flavouring. The game’s key weakness is that it is strictly a two-player affair only.

A Game of Thrones: The Boardgame

Originally released in 2003 and based wholly on the books, A Game of Thrones replicates the mixture of warfare, skulduggery, treachery and diplomacy from the novels as five factions (six in the expansion) fight for control of the Iron Throne. Games can be tense as players make alliances with other players, offering military support in return for a mutual victory, but then the threat of a betrayal arises. The game can induce paranoia between friends, but the result is one of the tensest games in existence, a fine modern replacement for the likes of Diplomacy.

Arkham Horror

Some will argue this should be in the Advanced category, but I contend that Arkham Horror is actually a reasonably straightforward game that has been bloated to the point of near-lunacy by a galaxy of (mostly unnecessary) cards, optional rules and expansions. A kitchen table has not yet been built that can comfortably contain a full game of Arkham with all the expansions laid out.

Strip that away and you instead have a cooperative game where a team of investigators has to stop one of the Elder Gods from arriving on Earth through a magical portal in the town of Arkham. The setting’s theme is not entirely respected – this is more Die Hard With a Verichteraraberbuch than evoking Lovecraft’s atmosphere of Earth-shattering horror, with you more likely to punch a Shoggoth in the face than wet yourself to death – but with the right players in the right mood, the game can be a huge amount of fun, helped by the batty (and cheerfully unbalanced) characters you can play.

A more recent version of the game, Eldritch Horror, expands the threat to a global level whilst dialling back some of the unnecessary bloat of the prior game.

Forbidden Stars

A Warhammer 40,000 space strategy game, Forbidden Stars is no longer being made but there are a few copies still out in the wild, so grab one if you can. This is, similarly to Star Wars: Rebellion (with which it shares a few mechanical similarities), a strategy game with different races fighting to win. Unlike Rebellion, Forbidden Stars is suitable for 4 players and is less asymmetrical, with the races having approximately comparable abilities and skills. What makes the game more interesting are the hidden objectives which you have to race to achieve, sometimes requiring you to have to cross half the galaxy through hostile territory with opposing players unsure of what you are doing. Warp storms which close down routes across the board also add to tactical complexity.

But if you want to smash your friend’s Ork battle fleet and land your Space Marine legions (backed up by Titans) on his largest colony world for the hell of it, you certainly can do that as well. Forbidden Stars is also a fine, somewhat lighter alternative to Twilight Imperium for those who don’t have entire weekends they can sink into playing one game.

For Advanced Players

Twilight Imperium

The grand-daddy of big strategy games, Twilight Imperium comes in an insanely-sized box, takes a while to set up and sucks entire days away as players struggle to take control of a star cluster and fend off several other players. The board game equivalent of video games like Master of Orion and Stellaris, Twilight Imperium isn’t mechanically the most complex game around, but it is one of the longest (even a brief game can take 4-5 hours, and long ones can consume entire weekends). The time-destroying nature of Twilight Imperium and its massive size can be overwhelming and off-putting, but a single game of Twilight Imperium can also generate stories and anecdotes your players will be talking about for years. Rewarding, but not for the timid.

Space Hulk

A spin-off from the Warhammer 40,000 science fantasy universe, Space Hulk is the original game of tense, nerve-shredding horror. One player has to direct their squad of Terminator Space Marines through the creaking, claustrophobic halls of a derelict spacecraft, the other has to assault them with a seemingly never-ending flood of ravenous alien horrors. The game can be brutal and often unfair, but replays soon reveal clever strategies and tactics to win (although, of all the games listed here, this is the one that is most reliant on the luck of the dice roll).

The reason I put this in the Advanced section isn’t because it is mechanically complex - it’s actually pretty straightforward – but because it can be gruelling and unfair to the point of playing it can make you wonder if you are a masochist. This is certainly not a game for children or those with short tempers. But beating the game and achieving a tricky mission objective against the odds is an unbeatable high.

Descent: Journeys in the Dark

Descent is a dungeon-exploring game which, if you play it as a one-off adventure, is reasonably straightforward. The game’s complexity and addictive nature comes from its campaign mode, which unfolds over multiple games with your heroes and the bad guy, the Overseer, becoming more powerful and better-equipped between adventures. The beautiful miniatures and seemingly endless array of tokens are decidedly moreish and the expandability of the game is second to none. Many modern board games revel in the tactile, physical experience of having lots of tokens, models and things to play with and move around the board, but none have nailed that aspect quite as well as Descent.

Descent’s key weakness is that it attempts to replicate the appeal of roleplaying games like Dungeons and Dragons in a boardgame setting, but arguably does not do so as elegantly as the much older Hero Quest or Warhammer Quest, and it does raise the question of why you simply don’t play D&D instead. Then you see the latest miniature your Overseer has bought and painted for the game for the next dungeon, which you need to beat to complete the campaign, and you realise why.

The games I’ve mentioned here only scratch the surface of what’s out there. There are also games like Quadropolis and Suburbia which can scratch that desire to build your own city, or Lords of Waterdeep which allows you to manage a fantasy metropolis. There are very quick-and-simple games like Love Letter and Cthulu Dice or more sprawling epics like Silver Tower. And there’s also zombie games, like Zombiecide and Last Night on Earth. In fact, there’s lots of zombie games, it’s a thing at the moment. If you’re not willing to splash out on a big board game (and to be fair they can be expensive, although rarely much more so than a video game), there’s usually lots of gaming groups around where you can drop by and see games in action and see what takes your fancy. It’s an interesting time for the field and surprisingly engrossing once you get involved with it.

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