The Wheel of Time: Season 1, Episodes 5-8

The Aes Sedai Moiraine and her Warder, Lan, have found four candidates who might be the Dragon Reborn, the prophesised reincarnation of a great hero who is destined to save the world, but in the process may break it one again. Separated into three groups, the candidates proceed to the Aes Sedai stronghold of Tar Valon, where they must negotiate tricky corridors of power. In the process they learn of a greater threat, and must brave a journey through the terrifying Ways to the frontier city of Fal Dara, where a confrontation between the Dragon Reborn and the Shadow awaits.

The first half of the first season adapting Robert Jordan's epic Wheel of Time novels to the screen was reasonably successful. A few baffling missteps aside, it improved episode-by-episode and made strong arguments for most ("Though not all," - Perrin Aybara's fridged new wife) of the changes necessitated by time and budgetary concerns.

The second half of the season, unfortunately, does not build on this success but becomes a lot more variable. Poorer adaptive choices are made, in some cases choices which dramatically slow down the narrative rather than speeding it up (surely the primary goal when you have less episodes than Game of Thrones to adapt a story almost three times bigger), and the show shows signs of hesitancy and uncertainty in how to handle its sprawling narrative. An even bigger problem emerges in how the show handles the abrupt (and still mysterious) departure of actor Barney Harris, who played Mat Cauthon, between the fifth and sixth episodes. His unexpected departure clearly left the writers and production team scrambling to accommodate it and they were only partially successful, with the transfer of some of Mat's story material to other characters being handled very awkwardly. 

Blood Calls Blood is a transitional episode, seeing the various sub-groups of characters reaching Tar Valon and regrouping. Perrin and Egwene are captured by Whitecloaks and tortured (in an attempt to force Egwene to channel, so she can be executed), Lan tries to console his friend Stepin after his Aes Sedai was killed by Logain, and Rand deals with Mat's odd behaviour whilst also making the acquaintance of Loial, an Ogier. The episode is a mixed bag, with Hammed Animashaun's superb performance as Loial being a highlight (and overcoming some variable makeup and prosthetics). The focus on a unique-for-the-TV-show side-character (Stepin) feels like an odd move, although it does set up the shattering grief that Warders feel on losing their Aes Sedai, which is reasonable foreshadowing. However, the episode feels a bit lopsided in pacing and could have been combined with elements from the subsequent episode.

The Flame of Tar Valon is stronger, mostly due to Sophie Okonedo's performance as Siuan Sanche. Okonedo and Rosamund Pike are two of Britain's greatest actresses of the moment, and seeing them spark off one another is a pleasure. The episode's slower pace allows for something of a refocus on the core characters of Rand, Nynaeve, Egwene, Mat and Perrin, though it's mostly done through Moiraine's eyes, and the episode arguably does more to establish Moiraine as a character than any before it. However, the episode ends abruptly, a result of Barney Harris's abrupt departure, and the reasons for the gang to take off for the Eye of the World feel more contrived than in the books (where at least it felt deliberately contrived). Still, this is the best episode of the back half of the season thanks to its focus and performances.

The Dark Along the Ways is misnamed as an episode, with only the first few minutes of the episode actually set in the Ways. The production team do their best with the resources they have, but the Ways fail to be as impressively eerie as in the books. Things improve once the team reach Fal Dara, a stunningly-realised location with some outstanding integration of CGI and location filming. The new castmembers introduced are very strong (particularly Kae Alexander as Min), and there's some excellent character work between Lan and Nynaeve. However a mid-episode descent into sub-Dawson's Creek teenage angst drama with some clunky scripting gives us the worst-written scene of the season. The episode recovers, and simultaneously gives us one of the best scenes of the season with its depiction of the iconic Blood Snow battle, where the Dragon Reborn is born on the slopes of Dragonmount and carried away to safety. Probably the most inconsistent episode of the season.

The season finale feels like it has been heavily compromised by the departure of Harris and the rewriting done to make the story work. Weirdly, Harris's story beats seem to have been transferred to Loial rather than Perrin, the far more logical choice, given Perrin otherwise has nothing to do other than standing around looking vaguely into space, which has been his characterisation for the second half of the season. Some elements of this episode work extremely well, particularly Josha Stradowski whose portrayal of Rand has really come into its own in the second half of the season. The decision to clean up the finale of The Eye of the World, which was vague and confusing in the novel, is a good one, but the storylines and cliffhangers that replace it end up being equally vague and confused. We do get a solid battle sequence as Trollocs attack Tarwin's Gap and some impressive effects as the makeshift circle of amateur channellers fend them off. The confrontation between Rand and the Shadow (personified in a dignified performance by Fares Fares, who banishes any memory of Billy Zane playing the same character) is also very well-handled. The epilogue where the Seanchan show up and immediately make an impression with their awesome (if random) display of the One Power is also striking. But the messy ending, some inexplicable changes to the backstory and the feeling that the show is making changes where they're not needed and not making changes where they are needed continue to make the series feel uneven.

Fortunately, Amazon's Wheel of Time has been enough of a hit out of the gate to likely mean it will get another couple of seasons to improve itself. The cast remains excellent and the visuals mostly impressive (though budgetary constraints feel a bit more obvious in the second season), but the pacing, characterisation, worldbuilding and dialogue in the second half of the season (***) remains too inconsistent. The Wheel of Time may eventually become Amazon's Game of Thrones, but it's not there yet. The season is available now on Amazon Prime Video.

The Wheel of Time: Season 1

• 5. Blood Calls Blood ***
• 6. The Flame of Tar Valon ****
• 7. The Dark Along the Ways ***½
• 8. The Eye of the World **½

Season 2 is approaching the end of production and should air on Amazon Prime Video in late 2022.

The Wheel of Time: Season 1, Episodes 1-4

The peaceful tranquillity of the remote rural region known as the Two Rivers is abruptly shattered by the arrival of an Aes Sedai, a wielder of the One Power, named Moiraine. According to the Aes Sedai, the Dragon - the most powerful channeller who has ever lived - has been Reborn, and their return may herald the approach of the Last Battle against the Shadow. And the Dragon Reborn is one of four young people in the community. When Shadowspawn - Trollocs and Fades - attack the village and leave it in ruins, it appears that Moiraine was right. But three of the four candidates are men, and men who can channel the One Power are doomed to go insane and cause great death and destruction in the process...

It's taken almost thirty-two years since the first book was published, but Robert Jordan's Wheel of Time fantasy sequence has finally made it to the screen. There have been multiple aborted attempts involving strange paid-for adverts, Japanese animation studios and even a planned NBC show, but it's fallen to Sony and Amazon to bring the project to fruition. The lengthy production process has not helped, with filming repeatedly interrupted and delayed by the COVID pandemic. But it's here and the first four episodes - half of the first season - are now available.

The Wheel of Time is the latest big fantasy series to hit the screen but in some respects the most challenging. The novels consist of fourteen fairly massive tomes, with well over two thousand named characters (several hundred of which are semi-important to the narrative), set in a richly-detailed world with almost four thousand years of intricately-detailed history, accompanied by maps, a dictionary for a fictional language and a lengthy concordance of fictional names, terms and concepts. The books borrow heavily from various different religious and philosophical ideals, many of them not familiar to a western audience. There's an entire magic system with deeply-thought-out, complex rules. The sheer amount of information that needs to be transmitted to a newcomer is daunting.

The first episode, Leavetaking, makes the probably wise decision to not even try to frontload all this background in favour of focusing on the five key characters of Rand, Egwene, Mat, Nynaeve and Perrin, along with the newcomer Moiraine and her bodyguard, Lan. The episode spends 40 minutes or so in character and world-building, through scenes like Egwene going through a coming of age ceremony, Moiraine quizzing Nynaeve on her childhood, Rand struggling with what he wants from life, Mat trying to look after his sisters when his parents are wastrels and Perrin facing marital problems.

There are some pretty big changes from the novel here in an attempt to bring out internal character monologues and development into a visual shorthand. Giving Mat lame parents and turning him into a slightly darker character is controversial, but you can see where they are coming from. Giving Perrin a wife and having her die to provide him with character motivation is an egregious example of the fridging trope, and is easily the biggest mistake the show makes in its early going, especially because it leaves Perrin so shell-shocked and suffering from PTSD that the audience is unable to get a hand on the "real" Perrin's character.

The episode culminates in the Trolloc attack on Winternight, which is where Amazon's big bucks come into play. The Shadowspawn are realised mostly through superb prosthetic work (CGI long-shots of them in the distance are more variable) and the fight against them is mostly rendered in-camera with practical effects amidst all the swirling CGI. Seeing Moiraine cut loose with the One Power against the enemy is genuinely impressive, using fire, lightning, wind and earth in combination to lay waste to the Trolloc ranks.

The negatives are grating and, in some cases, inexplicable, but given the volume of information that has to be given to the audience and the amount of setup work that needs to be done whilst telling an interesting story, Wheel of Time's debut episode does work, if inelegantly.

Things improve in the second episode, Shadow's Waiting, where our heroes flee across the countryside to the ruined city of Shadar Logoth, having an awkward encounter with the Children of the Light along the way. Book fans may bemoan the loss of Baerlon and the delayed meeting with Min, but in its place we have more character development and exposition of the backstory, with Moiraine's horseback monologue about the fall of Manetheren being a well-acted highlight of the episode. The Shadar Logoth sequence is well-realised, with a genuinely creepy atmosphere, even if the "Breaking of the Fellowship" moment feels even more contrived than it is in the book.

The third episode, A Place of Safety starts to see the show firing on all cylinders. Rand and Mat's Nightmare Road Trip from The Eye of the World is partially condensed here (exemplified by them visiting the "Four Kings Inn" in Breen's Spring, whereas in the novel Four Kings and Breen's Spring are separate villages) but to great effect, with Izuka Hoyle's excellent performance as innkeeper Dana giving the episode an interesting spin. In the Wheel of Time novels, there is often a lack of convincing motivation given to those who follow the Shadow, but Dana provides very plausible reasons why a normal, sane person might do so. The episode also introduces Thom Merrilin, played with convincing gravitas by The Last Kingdom's Alexandre Willaume. TV Thom is younger and apparently a bit rougher around the edges than the book incarnation, but it's a great performance, hinting at the book character's colourful past. This episode is also where Zoe Robins steps into her own as Nynaeve, as she, Lan and Moiraine begin their three-way sparring.

The fourth episode, The Dragon Reborn, manages the not-inconsiderable feat of taking the largest liberties with the book, with Nynaeve, Lan and Moiraine encountering the Aes Sedai party taking the captive Logain to Tar Valon, whilst also being the truest to the book lore. How men and women channel, how shielding and linking work, what the Aes Sedai Ajahs are and how the Warder/Aes Sedai bond operates are all key parts of the episode, but rather than delivered through bald exposition, these concepts are exemplified through on-screen drama. The dramatically varying behaviour of different Aes Sedai is also shown. Subplots follow Nynaeve and Perrin with the Tuatha'an, a low-key storyline in the books here improved by the fabulous casting of Irish national treasure Maria Doyle Kennedy as Ila and promising up-and-comer Daryl McCormack as Aram, possibly the single most supremely punchable character in the books but here played with sympathy and charisma. The Tuatha'an's slightly iffy Irish traveller vibe from the books is also improved here in two sequences where Ila explains the Way of the Leaf in terms of its philosophical interaction with the ideology of the Wheel of Time. In fact, the show overall improves over the books in showing how the 100% knowledge of reincarnation as a fact of life impacts on everyday existence, with the philosophical belief in death and rebirth rendering traditional religion unnecessary in a way that Robert Jordan never really convinced with in the novels.

The Dragon Reborn culminates in the show's finest set-piece so far, with a large battle and inventive channelling of the One Power, including depicting ideas such as linking, shielding and gentling, which are hard concepts to get across without pages of expository text.

This steadily improving level of quality is quite impressive, and the show benefits from a superb musical score by Lorne Balfe (surprisingly low-key in the mix as it is), mostly effective CGI (some wonky Trolloc long-shots aside) and a battery of excellent performances by the mostly young and inexperienced cast, anchored by reliable stalwarts Rosamund Pike, Michael McElhatton and Daniel Henney.

Overall, the first half of the first season of The Wheel of Time (****) is a qualified success. A somewhat rough opening smooths out and the show grows in confidence and enjoyment as it carries on. Yes, in a perfect universe we'd have 30-episode seasons with each episode costing $40 million to tell the story of the novels in full, but given the time constraints the show has to work with, it's so far made reasonable choices (with that one glaring error of Perrin's backstory). Some clunky lines and uneven levels of exposition are balanced out by fine performances, great music and some fabulous location filming in the Czech Republic and Slovenia. So far, off to a promising start.

The Wheel of Time: Season 1

1. Leavetaking ***
2. Shadow's Waiting ***½
3. A Place of Safety ****
4. The Dragon Reborn ****½

Forthcoming episodes: Blood Calls Blood (3 December), The Flame of Tar Valon (10 December), The Dark Along the Ways (17 December), The Eye of the World (24 December).