Showing posts with label archer. Show all posts
Showing posts with label archer. Show all posts

Saturday, 9 November 2019

Archer: Seasons 7-10

Sterling Archer and his team of former anti-terrorist secret agents are now jobless, both their private security firm and attempts to work for the CIA having ended in failure. Relocating to Los Angeles, they set up a private detective agency and are soon embroiled in a complex mystery involving a Hollywood starlet and a movie set hiding a lot of secrets. However, Archer finds himself in over his head and a shocking reversal leads him to three very strange places indeed...


The first six seasons of Archer saw the titular agent and his back-up team at private security firm ISIS (hurriedly renamed and then removed from references for fairly obvious real-world reasons) getting into scrapes and hijinks against an ambiguous historical background. Season 6 was the final one for the "classic" Archer set-up, with the crew working for the CIA directly against hostile foreign powers whilst getting into their standard inter-team banter. Season 7 moves the team to Los Angeles and a private detective agency setting, which works well but also feels a little too reminiscent of Season 5's Miami-set "Vice" season.

At the end of Season 7, however, the show takes an abrupt turn for the surreal. Archer is shot and falls into a coma; the subsequent three seasons unfold entirely in his mind (shades of classic British genre shows Life on Mars and Ashes to Ashes) with the regular cast re-conceptualised each time. Season 8, subtitled Dreamland, sees the team in 1947 LA and riffing off classic film noir tropes. Season 9, Danger Island, puts the team on a tropical island. Season 10, Archer 1999, is set in the future with the regular team now crewmembers on a starship.

For a show to completely rejig its premise like this and for so long is remarkable, perhaps even unprecedented. Archer was so firmly immersed in the world of spies, espionage and modern pop culture references that yanking the show completely out of it and forcing it into areas away from its comfort zone feels unsettling, but also extremely brave and, when it works, quite inventive. For any show, six seasons and 75 episodes in one milieu is more than enough, so to switch to a new approach helps in keeping the show fresh.

Or at least it should. Truth be told, these latter four seasons of Archer are a mixed bag. Season 7 feels very much like a reheated version of Season 5 and very little of the season's storylines or characters have remained memorable. Fun to watch in the moment, but a little too reliant on running gags. The three "concept" seasons are all better, and there's a lot of fun seeing the characters reimagined in new situations. However, the characters quickly fall back into their more familiar roles and a lot of the running gags and repetitive character tics from earlier seasons return. There's no denying that the "high concept" idea does inject fresh energy to the show at a moment when it was running out, but it doesn't solve all of the problems.

Of the three high concept seasons, Archer 1999 is by far the best. Putting the team on a spaceship is a brilliant idea and allows the writers to bring in a lot of new concepts that they couldn't touch previously. It features some of the best laughs since the show's early seasons, with Mr. Deadly Goes to Town (starring the incomparable Matt Berry as the titular Mr. Deadly, a sentient bomb who just wants someone to detonate him) being a stand-out moment. Danger Island is okay, but it feels like we visited a lot of these ideas in previous seasons when Archer had to go to exotic locations to undertake one-off missions. Dreamland has a lot of promise but the noir setting isn't really compatible with Archer's usually cynical and biting humour, so it does go to waste a little.

If the three high concept seasons don't entirely work as intended, they still help keep Archer (***½) fresh, and it's good to see that at the end of Season 10 the idea is put to bed permanently. Season 11 should see the return of the "real" world and Archer catching up with everyone over what has happened in the past three years should hopefully result in a more interesting show. The series airs on Netflix in the UK and FXX in the United States.

Saturday, 16 April 2016

Archer: Seasons 1-6

Sterling Archer is a suave, skilled secret agent with excellent combat skills and a knack for meeting beautiful women. He's also an arrogant and spoiled man-child with terrible interpersonal skills and an overbearing, controlling mother, who is also his boss. Along with his co-workers, Archer is put into situations where he has to use his wits to survive...which is often a big problem.


Archer is an animated comedy drama which riffs on spy movies, action thrillers and the Cold War. It's a bit like James Bond, if M was James Bond's mother and everyone was incompetent. Its setting is ambiguous (the Soviet Union and KGB still exist and cars look like they're from the 1970s, but everyone has a mobile phone and internet access) but that's not really important. What is important are the central cast of characters and the increasingly bizarre situations they get into.

Some viewers bounce hard off the show because of Archer himself, a misogynistic and arrogant bully who has no respect for anyone and tends to disparage everyone around him, unless they're a woman he's trying to seduce. He refuses to read full mission dossiers (preferring to skim them for the gist), a fact that nearly gets him and others killed on several occasions. Archer is, of course, supposed to be initially unlikable and in some respects even repugnant. Creator Adam Reed based on the character on the original depiction of James Bond as seen in the novels, where he is far more amoral, cold-hearted and self-centred a character as presented on screen. As the show continues, however, Archer shows both increased depth and character development. He is far more intelligent than he presents himself as and over the course of the series grows friendships with the rest of the character which appear genuine. He is also a massive Lord of the Rings fan (the books, as the films don't seem to exist in this universe yet), dropping frequent Tolkien references, and is also a grammar perfectionist, insisting on the correct use of "literally" and "whom" even in the midst of firefights. Voice actor H. Jon Benjamin plays Archer brilliantly, with excellent comic timing.

The only character in the show who appears to be both sympathetic and relatable is Lana Kane, played by Aisha Tyler. Lana is an expert in hand-to-hand combat and has formidable firearms skills. Initially she has a slightly more abrasive personality but over time she evolves into the conscience of the team. She is also extremely attractive (she and Archer have an on-off relationship through a lot of the series) but is noted as having unusually large hands, which is mentioned frequently. Lana's exasperation when Archer does something monumentally stupid (usually at least twice an episode) can be seen as a stand-in for the audience's reaction. Far less sympathetic is Malory (Jessica Walter), Archer's borderline-alcoholic and controlling mother, and the source of his various neuroses and personality problems. Malory is thoroughly dislikable but later episodes show her background as a secret agent during the height of the Cold War which at least hints at why she is the way she is. In later seasons, when she is no longer in charge of events as much as she was before, she becomes a bit more of an interesting character.

The secondary cast is amusing but a bit more variable in its treatment. Cyril Figgis (Chris Parnell) is initially presented as a sympathetic figure, a geek who has somehow ended up in a relationship with Lana and despises Archer. However, he is quickly revealed to have his own massive personality problems and issues. He gets some good character development in the first three or so seasons, but then becomes less of a prominent figure later on. Pam (Amber Nash) is the relaxed head of HR for the office and evolves over the course of the series into a force of nature, an occasional cocaine addict and drinker who is also a good listener and becomes, improbably, Archer's best friend. She is also a drift racer, a member of a fight club and has a tendency to "Hulk out" and go on the rampage at inopportune moments. She is many viewer's favourite character. Cheryl (Judy Greer) is much more of a random character, Miss Moneypenny if she was a secret millionaire with an incontinent pet ocelot (whom Archer inexplicably dotes on). And yes, that's a Salvador Dali reference (one of Archer's less obscure references). Cheryl provides much of the offbeat and surreal humour of the show, but her random bouts of insanity mean she doesn't have much of a character herself. Ray (creator Adam Reed himself) is a background character, a gay and more flamboyant secondary agent who picks up Archer's slack, who evolves into a more prominent character later on. Rounding out the regular cast is Krieger (Lucky Yates), a mad scientist who provides most of the team's gadgets and weapons but also has his own, dubious experiments going on.

The show does have several over-arcing storylines which span the first four seasons. In these seasons Archer and the team form a private security and spy firm called ISIS (a name which is abandoned in later seasons for obvious reasons). They have an ongoing rivalry with another firm, ODIN, and are also engaged in ongoing battles with the KGB, complicated by Malory's secret affair with the head of that organisation. Archer is also trying to find his father and reignite his relationship with Lana. Episodes in these seasons revolve around fairly obvious James Bond and Cold War spoofs. At the end of Season 4, the agency is shut down by the CIA and the team decide to become criminals and sell a vast quantity of cocaine they've come into possession of. This results in the offbeat fifth season, subtitled Archer Vice, in which all other long-running storylines are (in some cases mercifully) abandoned and the show focuses on a much more tightly serialised narrative. This experiment is successful, but the sixth season reverts to more episodic storytelling with the agents now working for the CIA directly. It ends with arguably the funniest storyline to date, a riff on Fantastic Voyage with the team being miniaturised and injected into a dying scientist. The seventh season, which just started airing in the USA, recasts the team as private investigators based in Los Angeles, with Archer and Lana now parents and in an apparently committed long-term relationship.

At its best, Archer is witty, clever, inventive and funny, mixing slapstick, satire and rapid-fire banter with action. The animation is effective and occasionally - especially in later seasons after a fairly obvious budget hike - spectacular, but many of the best moments of Archer come from when the characters are just standing around talking. The show is much smarter than it first appears, taking on subjects ranging from racism to corporate greed to government irresponsibility in a creative manner.

On the negative side of things, Archer is highly reliant on running gags, catchphrases and recurring villains and situations, which for some viewers will get older and more tiring faster than others. Barry the rival agent was amusing the first few times he appeared, but by the end of Season 4 that storyline had not only outstayed its welcome, but it had been wrung dry and become irritating. Fortunately, later seasons seem to realise this and are less reliant on recurring villains in favour of more original stories.

Archer (****) is a very funny, enjoyable and surprisingly sophisticated comedy series that is well worth watching. The first six seasons are available now on Netflix in the UK and USA, and Season 7 is currently airing on FX in the States.