When J. Michael Straczynski was planning Babylon 5 in the late 1980s it occurred
to him that, should the show get to the screen, it would probably generate
spin-off media like books and comics. Straczynski was a huge fan of science
fiction literature and comic books – he’d later become one of Marvel’s
best-known writers, penning an acclaimed seven-year run on Spider-Man – and didn’t want any B5 tie-ins to be disposable, non-canonical (and thus unimportant, in the eyes of fans)
material. He wanted these stories to matter as much as the TV show.
Shortly after the pilot aired, Straczynski was approached by
Dell Books. Editor Jeanne Cavelos had taken a liking to the series and was keen
to publish a line of books tying into the story. Straczynski was enthusiastic,
suggesting they create a prequel to the series, a multi-volume series exploring
the characters and what they got up to during the Earth-Minbari War. He likened
the structure to the TV series The Winds
of War. Dell were intrigued but ultimately rejected the notion, feeling
that if readers weren’t picking up the books and getting more stuff like the TV
show, they’d be disappointed.
Dell’s initial plan had been for a big line with lots of
promoting and marketing, with big-name SFF authors involved. Cavelos had
profile in the SFF community, since she’d written some short stories, was a
former NASA astrophysicist and was preparing to launch the high-profile Odyssey
Writer’s Workshop. As the plans came together, Cavelos cannily asked Kevin J.
Anderson to launch the book series. Although his critical reception was
“mixed”, Anderson had a high profile thanks to his work on both the Star Wars novel line for Bantam and the
X-Files book series and would bring
in a lot of other readers. Anderson agreed in principle, but Dell and Warner
Brothers got bogged down in legal discussions. Eventually, by the time a deal
had been sorted out Dell’s upper management had soured on the project and dramatically
reduced the resources available. Anderson found that the money on the table was
half of what he’d been originally offered, so decided to abandon the project to
focus on his Star Wars work
(although given that the Star Wars
novel he wrote next – Darksaber – is
one of the worst Star Wars novels
ever written, this might have been Babylon
5’s lucky escape).
John Vornholt instead picked up the ball and delivered the
first novel, Voices, in just
twenty-five days.
Later, after the first six books had been published, none of
them particularly distinguished (Clark’s
Law and Voices are probably the
best, but both are still flawed) J. Michael Straczynski put his foot down and
decided that the next three books would tie into the story arc in more detail
and get more information out than he could in the TV show. Jeanne Cavelos
herself, who’d left Dell as an editor and was now available as a freelance
novelist, came aboard to write one of the new books, along with Al Sarrantonio
and Kathryn Drennan, the latter of whom had also written a TV episode (episode A12, By Any Means Necessary) and was married to Straczynski at the time,
meaning she could tap him for more information.
Sarrantonio’s book, Personal
Agendas, was also awful but Cavelos’s book, The Shadow Within, and Drennan’s To Dream in the City of Sorrows were both very well-received.
Straczynski made them both canonical, dismissing the other seven of the first
nine books.
Later, Del Rey took over the Babylon 5 licence and employed two well-known authors – J. Gregory
Keyes and Peter David – as well as retaining Cavelos to write three trilogies.
These were also very well-received and Straczynski accepted them as canonical
as well. We’ll cover those in due time, but here will focus on the two books which
tie into the events of Season 3 of the TV series.
MORE AFTER THE JUMP