Shadow and Bone: Season 2

Ravka has descended into civil war as a result of the Darkling's attempt to seize power. Both the Darkling and Sun Summoner are feared dead, but they both re-emerge to form new alliances and raise new armies. Meanwhile, the criminal gang known as the Crows return home to Ketterdam to find some major changes have taken place in their absences, changes they cannot abide.

Shadow and Bone is an adaptation of the Grisha Trilogy by Leigh Bardugo, drawing on other books set in the same universe to add more details and more characters, and enlarge the scope of the story. The first season, released in 2021, was enjoyable and competent, gaining strength from its solid cast and, perhaps, the fact that many other fantasy TV shows that had hit the ground in the preceding few years had been quite weak.

The second season picks up where the first dropped off and immediately makes some bold choices. The most obvious is that whilst the first season only adapted Shadow and Bone by itself, with some additions from the novel Six of Crows, the second season adapts the latter two Grisha Trilogy novels, Siege and Storm and Ruin and Rising. This immediately results in a faster-paced, punchier season with major events happening at a more frequent clip. Netflix also continue to tell the story of the Six of Crows characters, setting up their "big heist" story from that novel (although the heist itself sounds like it might be its own spin-off series, not part of a future third season for Shadow and Bone itself).

The show's trump card remains its cast, a mix of steely experience (Zoë Wanamaker has an expanded role this season, Ben Barnes gives great scene-chewing villainy) and younger up-and-comers. It's hard to fault any of the cast for their work this season, although perhaps turning Barnes into an outright villain does waste some of the nuance he brought to the role in the first season, when his character's motivations were more ambiguous. There's also a number of solid newcomers, with Jack Wolfe and Patrick Gibson doing solid work and Lewis Tan and Anna Leong Brophy adding some serious action chops. Amongst the established hands, Jessie Mei Li continues to be a good lead and Danielle Galligan arguably emerges as the MVP of the season with her dry, comedic observations on what's going on at any moment.

There's some excellent action setpieces, and a number of intersecting storylines. The quickened pace keep things moving along nicely. Occasionally this rapid pace and busy story means that motivations and travel times are neglected, and the way the Crows characters are drawn back into the "main" story cannot help but feel contrived. The world also feels extremely small, with characters flitting from one side of it to the other in less time than a between-episode break. The tone also distinctly remains YA-ish, with a strong focus on character romances but dialled-back on sex; the occasional, if fleeting, graphic violence of the first season occasionally returns, though.

To give a lazy review, if you enjoyed the first season of Shadow and Bone, you'll enjoy the second, whilst I doubt this season will do much to change the mind of anyone who wasn't keen on it. It is a stronger season, helped by the storyline only having two elements to it (Alina and her battle against the Darkling versus the Crows doing their thing) that intersect, rather than the three that had relatively little to do with one another in the first season. It also feels more confident, one wonders if because the fantasy shows that have emerged since the first season have largely been something of a letdown.

Shadow and Bone's second season (****) perhaps remains a little lightweight (not necessarily a bad thing, not everything needs to be wrought and grim), but its humor, strong cast, better pacing and more epic battles result in an improvement over its debut season. The show is available now worldwide on Netflix.

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SHADOW AND BONE renewed for a second season at Netflix

Netflix has officially renewed Shadow and Bone for a second season.

The first season, based on Leigh Bardugo's Grishaverse series of novels, attracted over 55 million viewers to become one of Netflix's biggest successes this year. The show didn't quite match the success of fantasy label-mate The Witcher, whose first season attracted over 76 million viewers in 2019 and is back for a second season itself later this year, but was still a big hit (especially on a likely lower budget than the older show).

The second season will enter production later this year for a likely debut in late 2022.

Shadow and Bone: Season 1

The great nation of Ravka is troubled by war with her neighbours and by the Shadow Fold, a mysterious force of darkness which has cut off the west coast from the rest of the kingdom. Only the Grisha, the magic-wielding servants of Ravka, can cross the Fold in safety. A young mapmaker, Alina Starkov, is recruited to help such a crossing but she manifests the powers of the Grisha along the way. Recruited into the order, Alina discovers she has the power to summon light, the power to perhaps destroy the Shadow Fold forever...and a power that some will do anything to possess.

Shadow and Bone is a Netflix fantasy TV show based on the Grisha Trilogy by Leigh Bardugo, a highly successful YA fantasy series originally published in 2012-14. The trilogy was enjoyable, if a bit lightweight, but veered towards the traditional and predictable. By itself, it's questionable if it would have been picked up for adaptation. However, Bargudo followed up the trilogy with two further duologies which dramatically expanded the scope and scale of the world, introducing many more interesting characters, locations and factions.

For the TV show, the writers have made the decision to incorporate characters and backstory from the sequel duologies into the events of the original narrative. Thus, as well as the struggle between Alina Starkov and the Darkling, we also meet the band of ne'er do wells known as the Dregs, or Crows (from the Six of Crows duology) and the character of Nina, who plays a key role in both that duology and the current King of Scars series.

This has the benefit of giving the story a lot more meat to its bones. By itself, the Shadow and Bone novel would have perhaps had enough material for four hours, maybe five, but the other subplots allow it to extend to eight reasonably well (even if there is a fair bit of portentous wheel-spinning in the final two episodes).

On the negative side of things, it does result in a fair bit of narrative dissonance: the three main plot threads (Alina, the Crows and Nina) have very little to do with one another across the episodes, and there's a distinct fanfiction-y feel whenever Alina and the Crows' storylines cross over. Nina and her decidedly thin narrative (which is a fairly odd tale of kidnap followed by Stockholm Syndrome romance) feel like they could have been ejected from the series with no problem whatsoever and introduced later on when more relevant to the plot. Certainly keeping the Crows involved, no matter how contrived it feels and how much their heist hijinks clash tonally with Alina's Chosen One narrative, is a good idea because they're the most fun characters in the series and bring a lot of energy to proceedings.

The actors all do a reasonable job (Jessie Mei Li is probably the standout, which is great as she's playing the protagonist, and The Punisher's Ben Barnes is pretty good as the antagonist), the pacing is pretty good and the sets and costumes are appropriately lavish. However, there's a distinct "Netflix house style" that's been pervading their shows for a few years now which this series definitely suffers from. The CGI is competent, but overly-digital, with a fairly fake sheen that often took me out of the show (doing flashy effects these days is easy; seating the effects in the environment so it looks like people can see and react them is much harder). The most impressive sequences are those in the Fold and involving the Volcra, but given those scenes rely on darkness for maximum impact, that's not as outstanding as it may sound. There's also a distinctly Netflix-ish thing going on of filming too many outdoor scenes on unconvincing indoor sound stages like it's a 1960s episode of Star Trek. The musical score is also surprisingly bland, and the show even lacks a title sequence: instead we just get a brief title card like it's a 2007 big network show urgently trying to keep as much time open as possible that would otherwise be lost to the credits and adverts.

The series also has its own tonal issue. It's based on YA material and for most of the TV version it leans into that (limited swearing, no sex or nudity), but it'll then pull off some scenes of ultraviolence that wouldn't be out of place on a HBO drama (someone needs to tell TV writers that decapitations are not as common as they'd like to think). It's odd because without just a few shots of brutal deaths, the show would be suitable for 10-year-olds, and genuine family-friendly fantasy is thin on the ground these days.

But the negatives feel like they're more than balanced out by the positives. Alina's relationship with Mal, the weakest part of the trilogy, is here fleshed out and Mal made a much more likeable character. Ben Barnes plays the Darkling with scene-chewing relish and you can almost sense his disappointment at not having a moustache to twirl. The Crows - Kaz (Freddy Carter), Inej (Amita) and Jesper (Kit Young) - are great fun and it'd be interesting to see a show focused just on them. The "fantasy heist" storyline certainly made me wonder how much longer we're going to have to wait to see a Lies of Locke Lamora adaptation.

Shadow and Bone's first season (***½) on balance, is fine. It's enjoyable, reasonably well-paced and the integration of two different storylines works well (the attempt to add a third does not, though). The performances are solid and keep the show aloft whenever the over-expository dialogue and plastic effects threaten to bring it down. It does enough that I'd be interested in a second season. The season is available now worldwide on Netflix.

Netflix drops trailer for SHADOW & BONE, based on Leigh Bardugo's GRISHAVERSE novels

Netflix have released a trailer for their upcoming adaptation of Leigh Bardugo's Grishaverse novels, Shadow and Bone.

The Grishaverse comprises seven novels published in three series: the Grisha Trilogy (Shadow and Bone, Siege and Storm, Ruin and Rising); the Six of Crows duology (Six of Crows, Crooked Kingdom); and the Nikolai Duology (King of Scars, Rule of Wolves). Netflix's TV version plans to adapt the entire set of stories, with the first season relying heavily on the first novel in the series, Shadow and Bone, as well as establishing backstories for characters introduced later in Six of Crows.

The first season will be released on 23 April. It stars Jessie Mei Li as Alina Starkov, Ben Barnes as Kirigan, Freddy Carter as Kaz Brekker, Amita Suman as Inej Ghafa, Kit Young as Jesper Fahey and Archie Renaux as Malyen Oretsev. The showrunner is Eric Heisserer (Arrival, Bird Box, Hours).

Shadow and Bone by Leigh Bardugo

The great nation of Ravka is troubled by war with her neighbours and by the Shadow Fold, a mysterious force of darkness which has cut off the west coast from the rest of the kingdom. Only the Grisha, the magic-wielding servants of Ravka, can cross the Fold in safety. A young mapmaker, Alina Starkov, is recruited to help such a crossing but she manifests the powers of the Grisha along the way. Recruited into the order, Alina discovers she has the power to summon light, the power to perhaps destroy the Shadow Fold forever...and a power that some will do anything to possess.

Shadow and Bone is the opening novel of Leigh Bardugo's Grisha Trilogy, a work of fantasy that is both familiar and different. Its core story, of a young woman who discovers she has powers and different forces in the world want to use or abuse those powers, is pretty standard. The setting, which borrows elements from Russian history and geography, is certainly unusual for the fantasy genre although not completely unique (The Secret History of Moscow by Ekaterina Sedia and Wolfhound Century by Peter Higgins are recent genre works influenced by Russian culture and mythology).

Shadow and Bone has a number of negatives which I'll get out of the way first. It's pretty standard fare. Traditional fantasy tropes are deployed and explored with some flourishes, but no real originality. It's entirely possible you will predict every plot twist well ahead of time. The main character, Alina, is an orphan who turns out to have amazing powers. There's an unrequieted romance, a heated rivalry with a jealous, more aristocratic fellow student and a dangerous, spark-filled relationship with an older man. There's also scenes of Alina learning the arts of magic from an older mentor who deploys pithy sayings and unconventional teaching methods to get spectacular results. There are desperate betrayals, daring escapes in the night and magical battles. And so forth. Depending on how much traditional fantasy you have read in your life, you may not have a huge amount of time for yet more of the same.

But if Shadow and Bone is mostly standard and familiar fare, it is very well-written standard fare, delivered with pace and excitement. The Grisha, a magical order set up like an army with chains of command and different forces and disciplines within its ranks, is an original and memorable creation and the interaction between the different orders is quite well-established. The Shadow Fold is also an unsettling creation and the nature of the creatures within it (the volcra) is disturbing. The different types of Grisha and their abilities are set up but in this first novel we haven't seen too much of what they can do, which hopefully later volumes will rectify.

Characterisation is mostly strong, with Alina making for a likeable heroine and the Darkling (despite his emo name) an interesting and multi-faceted character. Most intriguing is Genya, a Grisha with an apparently limited skill (making people appear more attractive) which she deploys to strong effect. I get the impression she has an interesting story to tell and hopefully she will be more prominent in later volumes, along with her low-key love interest, David. Less interesting is Alina's unrequieted love, Mal, who is a pretty standard hunky soldier with elite tracking skills and limited personality, but hopefully he will develop more in later volumes.

Shadow and Bone (****) won't be winning awards for originality, but it does tell its story with verve and vigour, building up to an explosive climax. It's a very short novel (360 pages in paperback, but with a fairly genrous font size) but will leave you wanting to jump into the sequel, Siege and Storm, straight away. The novel is available now in the UK and USA.