Having totally messed up his life in Shelby, ex-baseball pitcher Kenny Powers has fled to Mexico. Here he ekes out an existence raising fighting chickens, until he is recognised by the coach of the local struggling baseball team and drawn back into the game. At the same time, he is on a personal quest to track down the enigmatic 'Eduardo Sanchez' and to put his life back together, with the help of his old sidekick Stevie.
For its second season, Eastbound and Down abandons most of the previously-established cast and setting and heads south of the border. Here it's business as usual, as Powers attempts to get himself back to fame and glory but constantly sabotages his prospects with his crass humour, narcissism and total lack of concern for other human beings.
The first season of Eastbound was a success due to the premise and many of the individual gags and ideas being quite funny, with some genuinely solid character development taking place under the avalanche of fairly low-brow humour. The second season at first looks like it's going to continue this trend, with the show's embracing of a new setting (and culture) being a fairly brave move. It would have been easier to have stayed in Shelby and simply churned out six more episodes of the same. However, by a few episodes into this second season, it does feel like the move to Mexico was pointless. The show doesn't make much of its setting (beyond a few lazy gags, though nothing too offensive; HBO has a lot of Mexican viewers) and the structure of the second season is pretty much a retread of the first.
Once again, Kenny is responsible for many of his own problems but, having apparently learned nothing from the events of the first season, enjoys much less of the viewer's sympathy this time around. Again, he is surrounded by friends and allies who want him to succeed, but his constant poor treatment of them and failure to make the most of the good opportunities that come his way makes you wonder why they bother. Crucially, the show is simply not as funny as the first season. Smile-inducing gags are rare, whilst genuine laugh-out loud moments are extremely few and far between.
As before, Danny McBride is watchable and is able to make the viewer cringe in horror at his antics, but is less sympathetic this time around. Most of the cast, new and recurring alike, do good work with limited material, with Don Johnson being particularly amusing in his ability to dish out really terrible advice and make it sound plausible. Efren Ramirez is terribly under-used as Kenny's new neighbour, unfortunately, and oddly the double-act of Deep Roy and Joaquin Cosio, initially established as recurring enemies, disappear quite quickly despite their great comic potential.
This latter issue probably best sums up Eastbound and Down's second season (**½): a great deal of potential, but little of it fulfilled. If you were a huge fan of the first season, there's enough here to just about scrape by, but otherwise a disappointment. The show is available now in the UK (DVD, Blu-Ray) and the USA (DVD, Blu-Ray).
Showing posts with label eastbound and down. Show all posts
Showing posts with label eastbound and down. Show all posts
Friday, 6 July 2012
Sunday, 24 June 2012
Eastbound and Down: Season 1
Kenny Powers is a former baseball pitcher, noted for his powerful throws. He has been forced out of the game due to his drug-taking, partying, abrasive personality and use of steroids, all of which has also left him broke. Returning to his hometown of Shelby, North Carolina, he is forced to move in with his brother's family and take up a position as a temporary sports coach at his old high school. Powers is determined to both return to the major leagues and win back his old sweetheart, who is now engaged to the school principal, but finds it difficult to change his lifestyle and attitude.
Eastbound and Down is a HBO comedy show starring Danny McBride, who also co-created the series. It's strongly similar in style to the Will Ferrell school of comedy (Ferrell is a producer on the show and has a recurring role), based on social faux pas and inappropriate behaviour with awkward silences and a healthy dose of swearing and occasional gross-out moments. However, freed from the cliches of the two-hour comedy movie format, the show is more successful at achieving a decent level of characterisation and (mostly) avoiding mawkish sentiment.
McBride is the show's main star and makes the character of Powers work well. He's not a particularly sympathetic figure, especially as he himself is responsible for almost all of his problems, but is funny and possesses enough personality to make it plausible that he'd have so many friends and people who want to help him, despite his appalling behaviour. Most of the rest of the cast puts in good work, especially John Hawkes and Jennifer Irwin as Kenny's long-suffering brother and sister-in-law, but the show relies on McBride's performance in order to function and he does a good job with the more dramatic stuff (particularly the final episode, which Powers's ambitions and dreams are not so much crushed as painfully atomised) as well as the humour.
The show employs an interesting device where each episode begins the moment the previous ends (breaking this format once), with the story continuously developing over the six-episode season. Character relationships evolve fairly steadily (and amusingly), although Powers's nemesis, Principal Cutler, doesn't work very well. It's good to see Will Ferrell being used fairly sparingly, but also disappointing that Craig Robinson's hilariously inept rival baseball player doesn't get more screentime.
There are some problems with pacing. The show frontloads a lot of its best gags into the first episode and the rest suffer a little in the process, whilst a fair few characters are under-utilised. The short length of the season (six 30-minute episodes) also prevents a number of side-stories from being developed. This does result in a concise, focused series that is surprisingly restless, unwilling to settle into a predictable format and takes a major turn in direction at its conclusion.
The first season of Eastbound and Down (***½) is watchable, funny and overall enjoyable thanks to some good performances, but is slightly let down by uneven pacing, a fair few jokes and moments that fall flat. The show is available now in the UK (DVD, Blu-Ray) and USA (DVD, Blu-Ray).
Eastbound and Down is a HBO comedy show starring Danny McBride, who also co-created the series. It's strongly similar in style to the Will Ferrell school of comedy (Ferrell is a producer on the show and has a recurring role), based on social faux pas and inappropriate behaviour with awkward silences and a healthy dose of swearing and occasional gross-out moments. However, freed from the cliches of the two-hour comedy movie format, the show is more successful at achieving a decent level of characterisation and (mostly) avoiding mawkish sentiment.
McBride is the show's main star and makes the character of Powers work well. He's not a particularly sympathetic figure, especially as he himself is responsible for almost all of his problems, but is funny and possesses enough personality to make it plausible that he'd have so many friends and people who want to help him, despite his appalling behaviour. Most of the rest of the cast puts in good work, especially John Hawkes and Jennifer Irwin as Kenny's long-suffering brother and sister-in-law, but the show relies on McBride's performance in order to function and he does a good job with the more dramatic stuff (particularly the final episode, which Powers's ambitions and dreams are not so much crushed as painfully atomised) as well as the humour.
The show employs an interesting device where each episode begins the moment the previous ends (breaking this format once), with the story continuously developing over the six-episode season. Character relationships evolve fairly steadily (and amusingly), although Powers's nemesis, Principal Cutler, doesn't work very well. It's good to see Will Ferrell being used fairly sparingly, but also disappointing that Craig Robinson's hilariously inept rival baseball player doesn't get more screentime.
There are some problems with pacing. The show frontloads a lot of its best gags into the first episode and the rest suffer a little in the process, whilst a fair few characters are under-utilised. The short length of the season (six 30-minute episodes) also prevents a number of side-stories from being developed. This does result in a concise, focused series that is surprisingly restless, unwilling to settle into a predictable format and takes a major turn in direction at its conclusion.
The first season of Eastbound and Down (***½) is watchable, funny and overall enjoyable thanks to some good performances, but is slightly let down by uneven pacing, a fair few jokes and moments that fall flat. The show is available now in the UK (DVD, Blu-Ray) and USA (DVD, Blu-Ray).
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