Showing posts with label abc. Show all posts
Showing posts with label abc. Show all posts

Sunday, 22 September 2024

Happy 20th Anniversary to LOST

Era-defining TV show Lost celebrates its 20th anniversary today. The Lost pilot episode aired on 22 September 2004 on ABC, and was an immediate smash hit. The show chalked up 121 episodes over six seasons, concluding in 2010. Widely sold around the world and shifting tens of millions of DVD boxed sets (becoming, alongside Battlestar Galactica and 24, a prime motivator of the "box set binge" phenomenon), Lost was arguably the biggest global TV "watercooler" hit prior to the release of Game of Thrones, which debuted just one year after Lost concluded.


The show opens with the crash-landing of Oceanic Flight 815 on a somehow-uncharted, large island in the South Pacific. The plane had been flying from Sydney, Australia to Los Angeles. The pilot episode establishes the chaos of the initial crash and the attempts to regroup. Although there are forty-eight survivors, the show initially zeroes in on fourteen of them:
  • Jack Shephard: a divorced doctor from LA, who was in Australia to retrieve the body of his alcoholic father. Jack rapidly becomes the group's de facto leader, to his own disquiet.
  • Kate Austen: a criminal who was on the run for murder. She had gone to ground in Australia and was being brought home for trial. She is very careful about whom she shares this information with.
  • John Locke: a middle-aged worker with a dull office job, but who has studied survival techniques and has a huge amount of knowledge about wilderness survival. He becomes the group's go-to expert on hunting and finding food and water. He is initially happy to take a back-seat role but eventually starts clashing with Jack over their plan to survive.
  • Sawyer: a con-man with an eye on the prize. He loots the plane early on and sets himself up as a shop, giving out supplies in return for favours, including medicine, to Jack's annoyance.
  • Sayid Jarrah: an Iraqi war veteran, who formerly served in the Republican Guard as an interrogator. His no-nonsense practicality and knowledge of weapons and survival techniques are in great demand on the Island.
  • Hugo "Hurley" Reyes: an fun and laidback guy who is a good source of morale-boosting ideas, but who is harbouring secrets about his background and why he was on the plane.
  • Charlie Pace: the guitarist and songwriter of one-hit-wonder band Driveshaft, from Manchester. He is frustrated at not being taken seriously by the other survivors, and struggles with his heroin addiction and withdrawal on the Island.
  • Claire Littleton: a friendly and outgoing young Australian woman, who is eight months pregnant. How to handle the impending birth causes stress and tension in the group.
  • Jin-Soo Kwon and Sun-Hwa Kwon: a married couple from South Korea. Jin, who cannot speak English, initially appears controlling and hostile, whilst Sun is meek and submissive. However, as their stay on the Island unfolds, Sun learns to stand up for herself and Jin realises he can't expect to get anywhere through constant hostility.
  • Boone Carlyle and Shannon Rutherford: step-siblings who have a difficult relationship, with Boone portraying himself as a self-made businessman (who was actually given his company by his rich mother) and Shannon coming across as a spoilt rich girl. In reality, Shannon is far more resourceful than it first appears.
  • Michael Dawson and Walt Lloyd: a construction worker from New York, who was coming back from Australia with his estranged 10-year-old son after the death of Walt's mother. They have a prickly relationship, as Walt barely knows his father. Michael's construction skills soon come into demand on the Island.
Early storylines revolve around securing supplies of food and water, exploring at least the local part of the Island, and avoiding a large, weird-sounding creature that operates in the jungle. After several weeks pass with apparently no rescue operations being launched, the survivors also start planning how to build a boat or raft to escape from the Island, whilst rumours spread of the presence of "other" people, who were already on the Island. Boone and Locke discover a strange metal hatch in the jungle, and a crashed light aircraft, suggesting the Island might not be as uninhabited as it first appears.

By the time Lost ended, this story and mythology had expanded to include electromagnetic weirdness, multiple competing groups of "Others," a Scottish guy living in the hatch, polar bears, confused kamikaze birds, time travel, and an exploding cow (the producers maintain the cow did not explode, but I remain sceptical).

Lost's mix of compelling character arcs, its addictive format of splitting episodes between a contemporary, on-Island story and a flashback for each character in turn, and intriguing mysteries about the Island and its mythology saw it raking in a massive audience each week, starting north of 20 million. Fans gathered on forums like The Fuselage to discuss the latest episode, literary clues (which book Sawyer was reading that week become eagerly followed, with a book club set to read each book in turn and discuss its applicability to the plot of the show) and attempting to build maps of the Island. The show became a phenomenon not just in the United States, but elsewhere in the world. Channel 4 in the UK commissioned its own special trailer and idents and the show was a smash hit for the channel (alas, from Season 3 onwards it aired on Sky TV, an expensive satellite channel with a far smaller viewership, and the show dropped out of the cultural conversation). The show was a huge unit-shifter of DVDs and then Blu-Rays, which showed off its gorgeous Hawaii filming locations all the better.

However, the strain of making 25 episodes a season quickly started telling. Co-showrunner Damon Lindelof suffered from nervous exhaustion and vanished for a week mid-production. Two actors were arrested for drunk driving in Hawaii. The set was riven with relationship drama. One actor was unable to get home to Britain to attend the funeral of his parents, leading him to later quit the show in anger. Last year, allegations of systemic bullying emerged, leading to Lindelof to acknowledge and apologise for issues in the production of the show.

The writing also suffered as ABC attempted to keep the gravy train going as long as possible. Early Season 3, which saw an overly-drawn out prison storyline and flashbacks now resorting to stories about Jack's tattoos, convinced ABC that they needed to set an end-date for the show and a reduced episode count. This allowed the writers to steamroll towards an ending they had mapped out three seasons ahead of time. Despite this, the show was increasingly accused of making it up as they went along, with unsatisfying answers to long-term mysteries or, in a few cases, no answers at all being given.

Producer-writer Javier Grillo-Marxuach published a lengthy account of the making of the first two seasons a few years ago. In this account he confirmed that several major storylines were planned and in place from the pilot episode, or very early in Season 1, despite not coming to fruition on-screen for several years. However, other storylines, subplots and especially character arcs were reached more organically, with sometimes major character details (such as Locke being in a wheelchair) not being decided until the episode in question was being filmed. The conclusion was that more of Lost was pre-planned than is generally thought, but not every storyline was.

Lost's finale was divisive, with some viewers confused over whether they'd been in purgatory all along (they had not) and why the story ended in a random church (something that even annoyed Joker in one of his battles with Batman). In retrospect it was a flawed ending rather than a disastrous one - the contemporaneous ending to Battlestar Galactica was more negatively received, and both were blown out of the water by the endings to shows like Dexter and Game of Thrones - and the reception to the ending seems to have grown warmer now newer viewing generations can sit down and watch the whole thing from start to finish over a few weeks rather than six years.

To celebrate the 20th anniversary, the pilot is airing in some cinemas in the UK and USA over the next week or so, and a new documentary, Getting Lost is also getting a limited release.

A few years ago I did a full rewatch of the show, details of which can be found here.

Lost is currently streaming on Hulu in the USA and Disney+ in the UK.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Sunday, 5 June 2022

Agents of SHIELD: Season 4

Having defeated the threat posed by the ancient Inhuman Hive, SHIELD is about to go public again. However, political and public discontent over the existence of the Inhumans continues to grow. The SHIELD team led by Agent Coulson have a new problem when they meet the mysterious entity known as Ghost Rider, and have to confront an enemy of their own making.


Season 4 of Agents of SHIELD acts as something of a reset of the show's premise. Although the Inhuman background story from Seasons 2 and 3 does continue into Season 4, most of the storylines that dominated the show's opening years have now been laid to rest and the season's focus is on new threats.

To accommodate the show's original airing schedule, the season is broken into three distinct arcs, each of which has its own subtitle and title card. The Ghost Rider arc takes up the first eight episodes and sees the SHIELD team first hunting down and then allying with Ghost Rider, in this case the Robbie Reyes incarnation of the character, to confront the threat of the Darkhold (which recently showed up in WandaVision and Doctor Strange and the Multiverse of Madness). SHIELD was, at least nominally, originally pitched as a slightly more grounded story that just happened to take place in the MCU, but the transition to having a guy walking around whose head is a flaming skull is surprisingly well-handled (helped by Gabriel Luna's splendid performance). By keeping this story down to a modest eight episodes rather than sprawling across all twenty-two episodes of the season, the showrunners keep things pacy and fresh, although the main villain is forgettable.

The transition to the "LMD" or "Robots" arc is also well-handled, although this seven-part arc is not as well-paced. There's a bit more wheel-spinning and the storyline, where the SHIELD team have to deal with an errant android they helped create, is so reminiscent of Avengers: Age of Ultron that it's even brought up a few times. It's fun, but a little wearying.

The final arc, also spanning seven episodes, is known as "Agents of Hydra" and sees the SHIELD team trapped in a VR simulation called the Framework, where Hydra won the war against SHIELD and now acts the enforcement arm of a totalitarian world government. They journey into a dystopian otherworld is surprisingly fun, helped by the show bringing back characters killed off years ago to create a new team of heroes. What I really wasn't expecting was how this storyline elevated Iain De Caestecker to the role of the show's MVP. He's always been a good actor and each season has given him more and more acting challenges that he's always risen to, but his role here as the outright villain is brilliantly played. The rest of the cast are on top form as well, but De Caestecker goes to the next level. Henry Simmons as Mack gets close in the season finale as well.

Season 4 of Agents of SHIELD (****) is easily the strongest to date. Splitting the season into three arcs improves pacing and the cast deliver excellent performances, especially Iain De Caestecker and the brilliant John Hannah, promoted to regular for this season. It's not a flawless season, with a few saggy episodes in the mid-running and the usually-reliable Zach McGowan not getting a lot to do beyond growl menacingly, but it finally delivers the promise that this show is a worthy part of the Marvel Cinematic Universe, even if it doesn't get the respect it deserves. The season is available now worldwide on Disney+.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Tuesday, 31 May 2022

Agents of SHIELD: Season 3

The world is changing rapidly. The release of the terrigenesis crystals has converted dozens of people across the world into super-powered Inhumans, triggering panic. SHIELD are trying to keep a lid on the crisis, but officially they no longer exist and their authority and reach has been dramatically reduced. One of their number is also missing, whilst another has defected to Hydra.

Way back in 2013, Agents of SHIELD launched as the first TV spin-off from the Marvel Cinematic Universe. Its first season had a mixed response, mainly due to an early run of dull, procedural episodes only enlivened by a game main cast. However, a tie-in with the film Captain America: The Winter Soldier dramatically changed the show's fortunes as it became a much more compelling, pulp action show. The second season continued being solid, but was let down a little by an over-focus on the Inhumans arc, which had been drawn out over too many episodes.

Season 3 picks up where Season 2 left off, with SHIELD trying to contain the Inhuman problem by helping "good" Inhumans and neutralising "bad" Inhumans who are using their newfound abilities to commit crimes or hurt people. Making these kind of moral judgements whilst the governments of the world only want all Inhumans destroyed or neutralised becomes an increasingly difficult situation for Phil Caulson and his agents. The moral murkiness of this storyline is a nice contrast to the more straightforward good-vs-evil stories the show started off with and having to balance murky and shadowy agendas against one another becomes a satisfying source for tension across the third season.

The first half of the season focuses on the Inhuman issue and also on Hydra trying to satisfy the reason for its creation centuries ago, namely opening a portal to another world and locating the mysterious being known as "Hive." Jemma Simmons is MIA on that same planet (having been accidentally transported there at the end of Season 2). She is rescued relatively quickly, but it takes a while before she opens up about her experiences. This leads to flashback episode 4,722 Hours, oft-cited as the best single episode of the entire series for its balancing of horror and survival elements and for Elizabeth Henstridge's outrageously great performance.

Peaking so early does hurt the rest of the season a little (if not the entire series), which never really gets close to that level of quality again. However, the season continues to serve up some interesting stories and character arcs. Like the first two seasons, it helps that the season is split in half by a mid-season break, meaning it only has to sustain two 11-episode arcs rather than one huge 22-episode one. The shift in antagonist and story in the mid-season is handled well.

Handled less well is the abrupt departure of two of the series regulars. During the production of Season 3, ABC decided to commission a spin-off series following Bobbi Morse and Lance Hunter as the protagonists, so wrote them out of Agents of SHIELD in a manner that feels highly unconvincing. Then, of course, the spin-off was dropped after an unsuccessful pilot, removing the reason for them leaving in the first place. Although neither character is missed too much, the manner of their departure and their reasons for it feels contrived in the extreme.

The second half of the season is not quite as strong as the first, although it does stretch Brett Dalton's acting range. A veritable block of wood early in Season 1 (due to the writing choices), he improved immensely in Season 2 and in Season 3 he has to effectively play two completely different characters, and handles it well. However, the pacing in the latter half of Season 3 does feel a bit off and Hive using his mental powers to turn good characters "bad," only for the rest of the team to inevitably find a way of freeing them, is the kind of plotting that feels like it's on autopilot.

Still, Agents of SHIELD's third season (****) delivers effective, entertaining action and some nice character arcs. It also has the best episode of the entire series (4,722 Hours rates ***** by itself). It is available to watch, with the rest of the series, on Disney+ worldwide.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Tuesday, 22 May 2018

GOTHAM and AGENTS OF SHIELD reprieved for another year

With cancellation-ageddon scything down shows by the dozen (although Brooklyn Nine-Nine has been saved and The Expanse looks likely for a last-minute move to Amazon), the fates of superhero dramas Gotham on Fox and Agents of SHIELD on ABC had looked dubious. Fortunately, both shows have been saved.

Image result for agents of shield

Gotham has been given a fifth season order, which will also be the show's last. The showrunners have confirmed that the series will finally see Bruce Wayne become Batman, with the show loosely adapting the Zero Year comic storyline (having dabbled with both the Killing Joke and No Man's Land storylines in Season 4). An episode count for the final season has yet to be decided, but given the nature of the show's reprieve it may only be 13 episodes.

Agents of SHIELD has also been given a 13-episode order, although this is plot-related: the opening of Season 6 will apparently reflect on events in Infinity War II, which is not due to hit cinemas until May 2019. The half-season order means that Agents of SHIELD will not return until shortly before the movie arrives in cinemas, allowing them to play out the aftermath of the cliffhanger before the sequel comes out and then continue afterwards. This will also be accompanied by the first movement of the Agents of SHIELD cast back to the films: Clark Gregg, who plays Agent Coulson on the show, will reprise the role in the Captain Marvel movie due for release in February 2019.

The long-term fate of Agents of SHIELD and the Netflix Marvel shows are in question: ABC is unhappy with the relatively low ratings of Agents of SHIELD and allegedly both the fifth and sixth season renewals came at the behest of their owners, Disney, to help their Marvel brand. ABC have objected because they could have a new and hopefully better-performing show in the timeslot instead. Disney are also launching a new adult-oriented streaming service at the end of 2019 which will include a Marvel track (including a brand-new live-action show, the details of which have not yet been revealed, and a Star Wars TV show helmed by Jon Favreau), and rumours are circulating that Agents of SHIELD may be moved over to that service. It's also possible that Disney will pull their six Netflix shows (Daredevil, Jessica Jones, Luke CageIron Fist, The Defenders and The Punisher) to transfer to the new service, as they likely don't want to be making shows for the competition.

Sunday, 14 August 2016

ABC and Lucasfilm actively discussing a STAR WARS TV show

It has been confirmed that ABC and Lucasfilm are actively discussing a Star Wars television series. What type of TV show this would be is unclear, but with the animated Rebels series doing good business on Disney XD, it is assumed that this new series would be a live-action show.



This would follow the precedent established by the Marvel Cinematic Universe, also owned by Disney, which after several successful films moved into television with Agents on SHIELD on ABC, followed by a number of limited series produced by ABC but airing on Netflix: Daredevil, Jessica Jones and the forthcoming Luke Cage, Iron Fist and The Defenders.

A Star Wars TV series was previously in development for much of the latter part of the 2000s. George Lucas and Rick McCallum planned a live-action series lasting for at least 50 hour-long episodes and had at least that many scripts written ahead of time. To keep costs down the series was going to be set in the seedy criminal underworld of Coruscant and would focus less on space battles and Jedi and more on morally dubious goings-on between high-tech gangs. Despite these measures, the series was budgeted at $5 million per episode which put it outside the reach of most networks (the ABC network itself had only previously made Lost for that kind of money, and that was one the highest-viewed and highest-rated TV dramas in their history). HBO considered the project but passed, citing the lack of ownership they would have over the project which would reduce their ability to make money back (as DVD and Blu-Ray sales, along with a chunk of overseas sales, would go to Lucasfilm instead). In the wake of the Star Wars prequel movies, where the two later films performed more disappointingly than the first and all three were critically slated, the project did also not have the cultural cachet that it would have done earlier.

The new Star Wars project is assumed to be completely original, although Disney inherited those scripts and outlines along with everything else when they bought Lucasfilm for $4 billion four years ago. Radical improvements in effects technology, plus the new monetisation possibilities opened up by on-demand streaming, make the project more financially viable than ever before and the Star Wars brand name is arguably at its highest ebb since the mid-1980s, with new Star Wars movies due on screen every year from now until 2019 (and probably far beyond). The sheer size of the Star Wars universe would also make it easier to create a TV series that stood alone in its own corner of the setting and did not have to explain why movie characters weren't showing up every time a crisis erupts (a major criticism levelled at the Marvel TV shows).

These talks are at an early stage so I wouldn't expect to see any major announcements soon, but it is fascinating to consider when and where such a TV show would be set. Several possiblities come to mind:
  • Knights of the Old Republic: a highly-successful sub-setting within the Star Wars universe, encompassing several hugely successful video games and comics. This takes place 4,000 years before the events of the original trilogy and focuses on the battle between the Jedi, the ancient Sith and various powerful factions in the galaxy, such as the Mandalorians.
  • Between the Generations: the timespan between Return of the Jedi and The Force Awakens is currently being explored by comics and novels, but a TV show could slot in here quite nicely, showing how the initial euphoria surrounding the death of the Emperor and the rise of the New Republic gradually turns to cynicism as the Empire becomes resurgent under the banner of the First Order.
  • The Rebel Alliance: a series set within the ranks of the Rebel Alliance itself during the events of the first three movies, rather than from the POV of outsiders like Luke and Han.
It's unlikely that such as series would be set during the Clone Wars or between Revenge of the Sith and A New Hope, as both periods have been extensively covered by the animated series The Clone Wars and Rebels. A TV series focusing on movie characters is also unlikely, with future films set to explore the adventures of young Han Solo (with a young Lando expected to appear), the backstory of Boba Fett, the history of Yoda and potentially Obi-Wan Kenobi.

Sunday, 7 August 2016

The Lost Reviews: Part 21 - Season 6, Episodes 9-16 (and Epilogue)

Welcome to the final (ish) installment of the Lost rewatch project. I have been rewatching all 121 episodes (and the epilogue) of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this final entry.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: The Package, Happily Ever After, Everybody Loves Hugo, The Last Recruit, The Candidate, Across the Sea, What They Died For, The End, The New Man in Charge.

Without further ado, let us conclude after the jump.

The actors discussing the finale script.

Saturday, 6 August 2016

The Lost Reviews: Part 20 - Season 6, Episodes 1-8


Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: LA X, What Kate Does, The Substitute, Lighthouse, Sundown, Dr. Linus, Recon, Ab Aeterno.

Without further ado, let us continue after the jump.

 This isn't quite right. 

Saturday, 16 July 2016

The Lost Reviews: Part 19 - Season 5, Episodes 9-16



Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: Namaste, He's Our You, Whatever Happened, Happened, Dead is Dead, Some Like It Hoth, The Variable, Follow the Leader, The Incident.

Without further ado, let us continue after the jump.



A picture which hung on the walls of the DHARMA Barracks for twenty-seven years, during which time Ben apparently never looked at it even once.

Sunday, 10 July 2016

The Lost Reviews: Part 18 - Season 5, Episodes 1-8


Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: Because You Left, The Lie, Jughead, The Little Prince, This Place is Death, 316, The Life and Death of Jeremy Bentham, LaFleur.

Without further ado, let us continue after the jump.

Daniel Faraday infiltrates the DHARMA team building the Orchid Station.

Sunday, 19 June 2016

The Lost Reviews: Part 17 - Season 4, Episodes 9-12

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.
This blog post covers the first eight episodes of of Season 4. During the filming of Season 3, showrunners Damon Lindelof and Carlton Cuse struck an unprecedented agreement with ABC to both allow them to set an end date for the show and also to shoot fewer episodes per season. The original plan had been to conclude the series 42 episodes after the end of Season 3, with three seasons of 14 episodes. However, the 2007-08 Writer's Strike affected the writing process, resulting in two episodes being dropped. The final two seasons were slightly increased in length to compensate for this.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: The Shape of Things to Come, Something Nice Back Home, Cabin Fever, There's No Place Like Home.

Without further ado, let us continue after the jump.

Ben makes the biggest misjudgement of his entire life.

Sunday, 12 June 2016

The Lost Reviews: Part 16 - Season 4, Episodes 1-8


Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.
 
This blog post covers the first eight episodes of of Season 4. During the filming of Season 3, showrunners Damon Lindelof and Carlton Cuse struck an unprecedented agreement with ABC to both allow them to set an end date for the show and also to shoot fewer episodes per season. The original plan had been to conclude the series 42 episodes after the end of Season 3, with three seasons of 14 episodes. However, the 2007-08 Writer's Strike affected the writing process, resulting in two episodes being dropped. The final two seasons were slightly increased in length to compensate for this.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: The Beginning of the End, Confirmed Dead, The Economist, Eggtown, The Constant, The Other Woman, Ji Yeon, Meet Kevin Johnson.

Without further ado, let us continue after the jump.


Charlie delivers an important message to Hurley from the beyond.

Thursday, 9 June 2016

The Lost Reviews: Part 15 - Season 3, Episodes 21-22



Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

I am using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: Greatest Hits (Through the Looking Glass I wrote myself).

Without further ado, let us continue after the jump.

Brace for feels.

Saturday, 4 June 2016

The Lost Reviews: Part 14 - Season 3, Episodes 13-20

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

From Expose onwards, I will be using the Lost plot summaries from Wikipedia, sometimes fleshed out. I'd previously written each one myself but to be honest the time it was taking to do this had become unsustainable. Wikipedia permits the re-use of such material if the original source is linked as follows: Expose, Left Behind, One of Us, Catch-22, D.O.C., The Brig and The Man Behind the Curtain.

Without further ado, let us continue after the jump.

"Locke! Stop blowing up on-Island assets!"

Saturday, 28 May 2016

The Lost Reviews: Part 13 - Season 3, Episodes 9-12

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

Without further ado, let us continue after the jump.

If you're one of the people dying to know what's up with Jack's tattoos, then...oh, that's no-one then? Right. Okay.

Thursday, 26 May 2016

The Lost Reviews: Part 12 - Season 3, Episodes 1-8

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

This entry covers the first eight episodes of Season 3. When Lost first aired on ABC, they mandated very long seasons (22-25 episodes). As used to be traditional with American network television, they would air batches of new episodes interspersed with several weeks of repeats. Although this model had been standard for decades, it became increasingly unsustainable with Lost due to the intricate and heavily serialised nature of the storytelling. For Season 3 the producers tried a new tack, airing the first six episodes of the season as a self-contained mini-series (of sorts), taking a three-month break, and then returning with the rest of the season. Although successful in this instance, the producers still experienced significant production issues with making so many episodes in so short a timeframe. During the airing of this season, they struck a deal with ABC to make three further seasons with a reduced episode count.

Without further ado, let us continue after the jump.

 The crash of Flight 815 is revisited from another perspective.

Sunday, 22 May 2016

The Lost Reviews: Part 11 - The Lost Experience

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

This entry is a little different in that it recaps The Lost Experience. This was an alternate reality game (ARG) that unfolded between Seasons 2 and 3 of Lost in the United States, and also played out via the show's British and Australian broadcasters. The ARG took the form of multiple websites, fake TV ads and live-action Comic-Con appearances which led to the unveiling of a series of videos with contained further information on the Hanso Foundation, the mysterious financial backers of the DHARMA Initiative. Part of The Lost Experience's modern-day storyline is considered semi-apocryphal (since some of it plays out in the "real world" where Lost is a TV show) but the revelations it contains about the backstory of DHARMA, Hanso, the Numbers and the Island were considered canon by the TV show producers.

Without further ado, let us continue after the jump.

The Lost Experience was extremely meta, featuring adverts and flyers actually posted up in major American cities, as well as websites for the fictional band Geronimo Jackson and the release of the Apollo Candy Bars from the Swan Station in UK comic book stores.

Saturday, 21 May 2016

The Lost Reviews: Part 10 - Season 2, Episodes 21-23

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

Without further ado, let us continue after the jump.

A concise summary of the entire season.

Tuesday, 17 May 2016

The Lost Reviews: Part 9 - Season 2, Episodes 13-20

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

Without further ado, let us continue after the jump.

 "There's a new sherrif in town."

Saturday, 14 May 2016

ABC cancel Marvel series AGENT CARTER and MOST WANTED

ABC have cancelled two superhero TV shows spinning off from the Marvel Cinematic Universe.


Agent Carter recently completed its second season on the channel and, despite excellent reviews, was widely expected to get the chop after disappointing viewing figures. However, star Hayley Atwell impressed the suits at ABC so has been cast in an upcoming new legal series, Conviction, that will air on the channel.

More surprising was the decision to cancel Most Wanted, a spin-off from Agents of SHIELD, before it even aired. The show would have starred Bobbi Morse, aka Mockingbird (Adrianne Palicki) and Lance Hunter (Nick Blood), having been forced to quit SHIELD (in the Agents third season episode Parting Shot) and set up as independent contractors. A pilot had been shot and aired to executives, and Marvel were keen to move forwards, having tried once before to get Most Wanted off the ground and having developed a solo Mockingbird TV series back in 2011 which didn't get to air.


The back-and-forth may be the result of internal tensions between ABC, Marvel and their mutual parent company Disney, not to mention the rumoured ongoing discontent at ABC with Agents of SHIELD's highly inconsistent ratings performance (in the third season ratings have dropped from 5 million to almost half that before hovering back up at around the 3.5 million range). It may be that Carter and Most Wanted were sacrificed to ensure that Agents of SHIELD was renewed for a fourth season, as it was in March.

The problems at ABC stand in stark contrast to the Marvel shows that have been developed and aired on Netflix, with both Daredevil and Jessica Jones attracting blanket critical acclaim and huge viewing figures (helped by Netflix being a global platform). A third series, Luke Cage, will air later this year, to be followed by Iron Fist and The Defenders next year, and The Punisher probably the year after. Some fans have expressed hope that Agent Carter may be resurrected in the future on Netflix, which is certainly possible but not on the cards at the moment.

The fate of the characters of Morse and Hunter is now uncertain, as the actors had to leave their regular gigs on Agents of SHIELD to film the pilot for Most Wanted. It is unknown if their characters will now be rejoining Agents of SHIELD next year.

Thursday, 12 May 2016

The Lost Reviews: Part 8 - Season 2, Episodes 9-12

Welcome to the Lost rewatch project. I am currently rewatching all 121 episodes of the TV series which aired for six seasons from 2004 to 2010. This is very much a rewatch thread, with the show watched with knowledge of what is to come in later seasons. If you've never watched Lost before, you definitely do not want to read this blog series.

Without further ado, let us continue after the jump.

The Horse of Bewilderment.