Lin-Manuel Miranda no longer involved with adaptation of Patrick Rothfuss's KINGKILLER CHRONICLE series

Actor, writer and singer-songwriter Lin-Manuel Miranda has confirmed he is no longer attached to the long-gestating attempt to bring Patrick Rothfuss's Kingkiller Chronicle to the screen.

Interest in the property began back in 2007, when The Name of the Wind was published to a rapturous reception and very high sales. It intensified in 2011, when the sequel The Wise Man's Fear was published.

In 2015, Rothfuss reached a wide-ranging and high-value deal with production company Lionsgate that included a feature film trilogy based directly on the novels, as well as a TV show which would act as a prequel and focus on Kvothe's parents. The following year it was confirmed that Miranda, the nuclear-hot creator of hit stage musical Hamilton, was working on the project as a songwriter for both the films and the TV series, whilst Lindsey Beer was working on the script for the first movie, based on The Name of the Wind.

In 2017, things really got moving when Showtime optioned the TV series rights, attaching John Rogers (Leverage, The Librarians) to write, produce and showrun. In 2018 Sam Raimi entered talks to direct the first film. A few months later, in 2019, John Rogers confirmed he had written all ten scripts for Season 1 of the show, which was entering pre-production. Things looked like they were going very well.

Then things collapsed, pretty quickly. In September 2019 Showtime abruptly halted all work on the Kingkiller TV series and returned the rights to Lionsgate. By that time it was clear that Raimi had passed on the movie project, and subsequently opted to direct Doctor Strange in the Multiverse of Madness instead. The rumour in Hollywood was that Showtime has massively over-committed to its ambitious Halo TV series, spending much more than originally planned, and had to quickly divest itself of several other expensive shows, even ones that had been greenlit, in order not to have a huge budget overrun. Ironically, of course, Halo was moved from Showtime to Paramount+ and the financial issues sorted out behind the scenes, meaning that possibly the Kingkiller project could have moved forwards after all.

In November 2020, Lin-Manuel Miranda confirmed he was still working on the IP, but the plan to adapt the (gigantic) novels as single movies had now been abandoned and the project was being reconceptualised as a TV show based directly on the novels. Miranda cited his work on the HBO/BBC co-production His Dark Materials (based on Philip Pullman's novels) as giving him a "fresh perspective" on the complexities of adapting a fantasy trilogy for the screen.

Miranda's departure from the project seems to be down to two reasons. First, his own workload is through the roof. He is currently enjoying huge success from his work on the Disney animated movie Encanto, including his first-ever Number One single for "We Don't Talk About Bruno." His 2021 film Tick, Tick...Boom! has also enjoyed significant critical and commercial success. Secondly, it sounds like he had not found a way of adapting the books' structure satisfyingly, noting that it has an "insane Russian nesting doll structure," a reference to its multiple timelines.

An unspoken fly in the ointment is that the third novel in the trilogy, The Doors of Stone, remains incomplete after eleven years. Rothfuss's editor confirmed in 2020 that she had not yet read a single word of the book and did not believe any work had been done on it since 2016. Rothfuss has since spoken more openly about progress on the book, and read its prologue for the first time last year. However, no release date has been set.

Given the immense success of the books - reportedly well over 10 million and possibly closer to 20 million copies of the two books have been sold to date, easily making them the most successful debut epic fantasy series this century - it is likely an adaptation will eventually happen. However, it will not be in the near future and it sounds like it will be without Lin-Manuel Miranda's involvement.

KINGKILLER CHRONICLE adaptation still in limbo, being rethought as a TV project

In an interview with Entertainment Weekly, Lin-Manuel Miranda has confirmed that work remains on hold on an adaptation of Patrick Rothfuss's Kingkiller Chronicle novel series.

Lionsgate acquired the rights to Rothfuss's novels in 2015 and put a multi-pronged plan into operation, including a direct adaptation as a movie trilogy, a video game and a prequel TV series about the parents of the main character in the books, Kvothe. Work initially went very well, with Showtime picking up the TV project and Sam Raimi in talks to direct the film. Screenwriter John Rogers even completed the writing of all ten episodes of the planned first season of the show. Unfortunately, the project then collapsed last year. Showtime, facing massive budget overruns from its Halo TV series, cancelled the TV series and returned the rights to Lionsgate, whilst Sam Raimi withdrew from the film project.

According to Miranda, his stint playing Lee Scoresby on the BBC's His Dark Materials has given him "a new perspective" on the project, including the plan to adapt each of the three Rothfuss novels as a two-hour film. His Dark Materials is developing each of Philip Pullman's books across eight hours and even so has had to leave material out. To put this in context, the second Kingkiller novel, The Wise Man's Fear, is longer than all three Dark Materials novels combined by itself.

It sounds like the movie part of the project may therefore be dead, with a direct adaptation of the novels themselves as a TV show now the plan.

Despite this rethink, the project remains where it was with no TV channel or streamer currently attached. Reportedly Apple+ has passed on the project, meaning there aren't many more venues that might be interested. Netflix and Amazon have multiple fantasy projects (including The Witcher, The Chronicles of Narnia, Conan the Barbarian and a live-action Avatar: The Last Airbender for the former and Wheel of Time and Lord of the Rings: The Second Age for the latter) either shooting or in pre-production already and other potential partners might be holding fire to see how they pan out.

An additional problem is that the Kingkiller Chronicle remains incomplete. It's been almost ten years since the previous volume in the series, The Wise Man's Fear, was released and in July Rothfuss's editor confirmed she hasn't read a word of it and doesn't believe Rothfuss has touched the manuscript since 2014. Rothfuss himself has refused to discuss the status of the third book, The Doors of Stone, for many years, instead running online charity events and video game streaming events.

The Name of the Wind and The Wise Man's Fear are two of the biggest-selling fantasy novels of the past two decades though, having chalked up approximately 20 million sales of just two books (in comparison, Brandon Sanderson has sold around 30 million copies, but of more than two dozen books), with a formidable fanbase. If an adaptation could be well-made, it would likely be popular, but after the reception to the final season of Game of Thrones, potential partners might be wary of embarking on a similar project.

Patrick Rothfuss's editor confirms she is yet to read a single word of THE DOORS OF STONE

In somewhat surprising news, Patrick Rothfuss's editor Betsy Wollheim has reported that she is yet to read any material from his next novel, The Doors of Stone, the third and concluding volume in The Kingkiller Chronicle, and notes a lack of communication on the book's progress.

A draft of The Doors of Stone, reportedly from 2013.

Rothfuss shot to fame with the first book in the trilogy, The Name of the Wind, in 2007. With over 10 million sales, The Name of the Wind became one of the biggest-selling debut fantasy novels of the century. The second book, The Wise Man's Fear, did as well on release in 2011. Nine years later, the third book remains unpublished.

The Doors of Stone is probably the second-most-eagerly-awaited fantasy novel of the moment, behind only George R.R. Martin's The Winds of Winter, which it actually exceeds in waiting time (though only by five months). Martin has provided updates on The Winds of Winter, albeit extremely infrequent ones, but has recently reported much more significant progress being made. Rothfuss, on the other hand, has maintained near constant zero radio silence on the status of book in recent years, despite posting a picture of an apparently semi-complete draft in 2013 that was circulating among his beta readers.

Reasons for the delay, as with Martin, have been speculated. Rothfuss has reported bouts of ill health, as well as trauma related to family bereavements. Rothfuss was also closely involved in an attempt to launch a multimedia adaptation of his books, which would have involved both a trilogy of films based directly on the novels and a prequel TV series revolving around the parents of his protagonist, Kvothe. However, the TV show was cancelled mid-development at Showtime, apparently due to massive cost overruns on their Halo television series, and a new network has not yet picked up the series. The movies also fell out of active development when director Sam Raimi, who had expressed interest, decided to move forward with a different project. Both projects now appear to be on the backburner at Lionsgate (unsurprisingly, the pandemic has not helped this situation).

Rothfuss has also been involved in charity work, blogging, video game commentary, spin-off material and contributing writing to other projects, causing comparisons to be drawn with Martin's similar engagement in secondary projects, which some commentators have speculated is the main cause of delays on the books. Without having access to an author's schedule, it is of course impossible to say if this is really the case, only that the perception of it being the case becomes unavoidable if the author in question is refusing to provide concrete updates on their book progress whilst discussing other, unrelated work in multiple public communications. Questions of ethics and obligations on the part of authors to their readers have circulated on this subject for decades, ever since the delays to Harlan Ellison's The Last Dangerous Visions (originally due to be published in 1974, Ellison was allegedly still occasionally promising to publish it at the time of his death in 2018) stretched into the decades, and have been debated ad nauseam online enough to avoid going over them again here, suffice to say that the tolerance for such activities will vary dramatically by reader.

"This article is right: authors don't owe their readership books, but what about the publishers who paid them? Book publishing is not as lucrative as many other professions, and publishers rely on their strongest sellers to keep their companies (especially small companies like DAW) afloat. When authors don't produce, it basically f***s their publishers...When I delayed the publication of book two, Pat was very open with his fans--they knew what was happening. I've never seen a word of book three."

Wollheim's statement is surprising, however. Martin has noted being in communication with his editors on numerous occasions, flying to New York to provide in-person updates and apologise for the book's lateness, and periodically submitting completed batches of chapters for them to work on whilst he continues to write new material. In the case of The Kingkiller Chronicle, Wollheim reports not having read a single word of The Doors of Stone in the nine years since The Wise Man's Fear was published, which is mind-boggling. If Rothfuss had a semi-complete draft in 2013 that he was circulating to friends and early readers, the question arises why he didn't also share this draft with his publishers. Furthermore, if the book's non-appearance since 2013 indicates considerable problems with this draft (as would appear inevitable), it would also appear to be common sense to share that draft with his publishers to see if they agree. It's not uncommon for authors to believe their latest novel is poor and a disaster and threaten to delete it and having to be talked off the ledge by their editors, since they've been working so closely on the material that they've lost all objectivity.

Normally, of course, authors only share completed manuscripts (at least in first draft) with their editor, but when the author in question is a decade behind schedule and one of the biggest-selling authors in the publishers' stable, that normally changes to having much more regular feedback.

Although she notes the impact a long-missing manuscript can have on the margins of a small publisher like DAW, Wollheim notes no ill feeling towards Rothfuss and she continues to be proud of him and the work they've done in the first two volumes:

"If I get a draft of book three by surprise some time, I will be extraordinarily happy...joyous, actually, and will read it immediately with gusto. I love Pat's writing. I will instantly feel forgiving and lucky. Lucky to be his editor and publisher."

More news, as normal, as I get it.

Patrick Rothfuss confirms KINGKILLER CHRONICLE sequel series after denying it having once confirmed it

Patrick Rothfuss has confirmed that his Kingkiller Chronicle trilogy is merely the "prologue" to another story, confusing a lot of people in the process.

Patrick Rothfuss released the first book in the trilogy, The Name of the Wind, back in 2007 with a lot of pre-publicity about how the trilogy was already complete and also with the intimation that the trilogy was merely the start of a larger story. After all, The Name of the Wind opens with a present-day storyline in which the world is clearly in chaos and darkness, and then the bulk of the trilogy unfolds in flashback and explains how events led to that impasse. Logically, unless Rothfuss was planning to end the series with "and everything sucks now, kthxbai", the story was going to continue in a sequel series which addresses the problems set up in the first few books.

However, Rothfuss has spent the decade or so since then refuting the idea of there being a further series or sequel. As the gaps between books grew longer (the second volume, The Wise Man's Fear, was released in 2011 and the third volume, The Doors of Stone, is still to be published), he has repeatedly played down suggestions that there are more books coming.

Why he broke his silence now is unclear, although there's been some significant news recently. There's both a movie trilogy based directly on the books in the planning stages, with Lin-Manuel Miranda (Hamilton) producing and Sam Raimi (the Spider-Man trilogy, the Evil Dead series) in talks to direct, and a prequel television series focusing on Kvothe's parents in development at Showtime. Rothfuss has also spoken about the book a bit more (after several years of avoiding it), indicating it will be shorter than The Wise Man's Fear and that writing it is uncomfortably like "having sex in public". There is, however, still no indication of when the book will be done.

So now we know what we only thought we knew in 2007. The circle is complete.

Sam Raimi in talks to direct NAME OF THE WIND movie

Lionsgate Entertainment is in talks with acclaimed horror and fantasy director Sam Raimi to helm the movie version of The Name of the Wind, the bestselling fantasy novel by Patrick Rothfuss.

Lionsgate are developing an ambitious, multi-media approach to adapting The Kingkiller Chronicle. They are simultaneously developing a movie trilogy which will directly adapt the three novels - The Name of the Wind (2007), The Wise Man's Fear (2011) and The Doors of Stone (forthcoming) - and a prequel TV series which will explore the adventures of Kvothe's parents. The TV series is in development at Showtime.

Lindsey Beer has written the script for the film, but the real reason things are moving is down to Lin-Manuel Miranda. Having achieved superstar status thanks to his Broadway musical Hamilton, Miranda has made the Kingkiller project his next priority. He is working on the music for both the TV series and films, including the in-universe songs, and is executive producing. With Hollywood keen to tap his talent, interest in this project has sky-rocketed.

The financial success of the novels has certainly helped: Patrick Rothfuss is the biggest-selling debut fantasy author of the 21st Century. The Name of the Wind, The Wise Man's Fear and spin-off novella The Slow Regard of Silent Things have sold well over 10 million copies between them in just over a decade.

However, work on the project may be dependent on Rothfuss releasing the third novel in the series: despite claiming the trilogy was complete over a decade ago and releasing pictures of the apparent manuscript for The Doors of Stone in 2013, the book is still has no release date set.

Sam Raimi is an interesting choice to helm the movie: although his reputation was made in gory horror movies (such as the cult Evil Dead trilogy, its remake and the ongoing Ash vs. Evil Dead TV series), Raimi achieved his greatest success with his three Spider-Man movies starring Tobey Maguire. He also directed Oz the Great and Powerful in 2013 and has been looking for another feature film project since then.

Creator of HAMILTON working on NAME OF THE WIND TV series, movie and...stage show?

Lin-Manuel Miranda has gained recent fame as the creator, writer, songwriter and star of hit Broadway musical Hamilton, based on the life of Alexander Hamilton, one of the Founding Fathers of the United States. His next project will be epic fantasy, with him tapped to work on on Lionsgate's multimedia Kingkiller Chronicle project.

Lionsgate bought the film, TV and video game rights to Patrick Rothfuss's fantasy trilogy, The Kingkiller Chronicle, a year ago. Their plan was to directly adapt the novels as a trilogy of movies, as well as using a TV show to explode side-stories and characters. Apparently they are also considering a stage show based on the trilogy.

Lindsey Beer is writing the script for the first movie, based on The Name of the Wind, and Miranda has been hired to write original songs and work on the soundtrack. Those familiar with the novels will now that the main character Kvothe is an accomplished musician and songwriter, so this is a surprisingly good match. Rothfuss will also be working on the film and TV show as a producer, with Miranda likely to serve as a musical director on the TV project as well.

The Kingkiller Chronicle consists of the novels The Name of the Wind (2007) and The Wise Man's Fear (2011). Together they have sold over 10 million copies, making Rothfuss the biggest-selling debut fantasy author of the century so far. The much-delayed third volume, The Doors of Stone, is expected in 2018. Rothfuss's writing will next be seen in the video game Torment: Tides of Numenera, due early next year from inXile Entertainment.

Patrick Rothfuss's books to be adapted into many things

Patrick Rothfuss has struck a deal with Lionsgate over his Kingkiller Chronicles books, The Name of the Wind, The Wise Man's Fear and the forthcoming Doors of Stone. The deal will involve feature films, a TV series and a video game.

The exact details of the deal remain to be hammered out, but will include both films and a TV series that will adapt the books, as well as potentially telling new stories in the world of Termerant. Robert Lawrence, who worked on Clueless, Rock Star and The Last Castle, will executive produce the project.

The level of Rothfuss's involvement also remains to be seen. Rothfuss is finishing off The Doors of Stone for (hopefully) a 2016 release, so will be free of any immediate, announced obligations in the near future. Rothfuss also picked up some recent video game writing experience when he contributed characters, quests and dialogue to inXile's forthcoming Torment: Tides of Numenera.

It's unlikely we will see anything on screen before (at the earliest) late 2017/early 2018, but the level of commitment from Lionsgate is seriously impressive.

The news also confirms that the Kingkiller books have sold just over 10 million copies, making it easily the most successful debut epic fantasy series of the past decade.

Studios clash for Patrick Rothfuss book rights

Several major studios are engaged in an epic battle to win the film rights to Patrick Rothfuss's Kingkiller Chronicles series of epic fantasy novels. Rothfuss invited the studios to pitch to him at Comic-Con in an unusually public display of bidding ferocity.

Rothfuss welcomed the opening bid for the film rights to his books, even if it was less than what he'd originally hoped.

The first two novels in the series, The Name of the Wind and The Wise Man's Fear, were released in 2007 and 2011 respectively. The concluding volume, The Doors of Stone, is expected in 2016. The imminent conclusion to the trilogy is probably what sparked interest from movie companies after several previous attempts to bring the project to the screen failed.

Warner Brothers, MGM and Lionsgate are believed to be leading the charge for the rights, with Fox and Universal also believed to be interested.

Lynch/Rothfuss London signing

Last night I attended a joint signing by Scott Lynch and Patrick Rothfuss at the huge Forbidden Planet store in central London. I'd met Pat before, four years ago, but this was my first time meeting Scott.

The signing table looms into sight at last, like Mount Doom after Frodo's long journey. Or something.

The signing was packed out. I mean, huge. The queue snaked around the entire store back and forth like a slow-moving conga. Fairly late in the process someone counted the number of people in the queue and came back with 300, but I think it was a fair bit more than that. Forbidden Planet is used to hosting massive signings from movie stars, but the size of this queue for two fantasy authors whose names don't have the initials 'R.R.' or 'J.K.' in them seemed to take the staff by surprise. I arrived at the store at 5.30 (the signing was due to start at 6.00) and finally got to the signing table at around 8.15pm. It turns out S.M. Stirling was also doing a signing upstairs and I contemplated getting one of his books to get signed, but he was long gone by the time the Lynchfuss signing was done.

A Gentleman Bastard and myself, yesterday.

Following the signing, we repaired to a nearby hostelry where Pat and Scott chatted with fans and did a bit of a double act discussion talking about their books and writing process. It sounds like we shouldn't be holding our breaths about seeing The Doors of Stone in the near future, but things sounded a lot more hopeful about The Thorn of Emberlain (though neither author, with wisdom born of experience, offered up potential release dates).

Myself, Pat Rothfuss and Pat Rothfuss's beard, which had its own hospitality suite. We should really be charging Tad Williams for free advertising here as well.

It was a bit of a slog to get through the signing process, but Pat and Scott were good speakers and the evening was fun. In the future, however, I think I'll make sure I get to the signing a bit earlier.

The Queue. Long will it haunt my dreams.

Patrick Rothfuss's NAME OF THE WIND optioned for television

It has been announced that New Regency Productions and Fox Television have optioned the TV rights to Patrick Rothfuss's novel, The Name of the Wind. If successful, the series would also adapt the other two books in The Kingkiller Chronicle trilogy, The Wise Man's Fear and the forthcoming The Doors of Stone.

Eric Heisserer will be writing the script. Heisserer's previous credits include Final Destination 5 and the unnecessary prequel to The Thing, as well as the reboot of A Nightmare on Elm Street.

There is no word on what network or channel this will air on yet. It's also only an option. A script will need to be written and then greenlit before it moves into production. Given Rothfuss's well-known love of the works of Joss Whedon, which have had 'problems' with Fox in the past, it is surprising that he's agreed to sell the rights to them. Some have suggested that Fox may be intending this project for their FX channel (which is more forgiving of low ratings and usually givest its shows a fairer shake than Fox itself), though that is pure speculation.

It will also be interesting to see how the story is translated to TV. Most of the story is from Kvothe's POV, and in fact there are strong hints that Kvothe is colouring his story for his own ends. How this would be translated onto screen remains to be seen.

Rothfuss recently said that The Doors of Stone should be published some time in 2014.