The USS Discovery has been upgraded and integrated into the Starfleet of the 32nd Century. As the crew continue trying to adjust to life a thousand years into their future, they also face a new threat: a vast storm of energy, capable of destroying entire star systems. The Discovery crew try to discover the source of the storm and how to communicate with those who created it...if that is even possible.
Star Trek: Discovery is the show that has, for three seasons solid, given with one hand and taken away with the other. Exemplary casting, some great ideas and some great effects are constantly undercut by murky writing, chunky exposition, most character development taking place offscreen, and people constantly busting into tears for no immediately discernible reason, before the story nosedives towards its end into incoherence.
Season 3 saw a small but sustained uptick in quality. Pleasingly, Season 4 continues with that upward trajectory. We are presented with a huge, "proper SF" mystery which Discovery and her crew have to tackle through scientific research and careful deliberation, as well as diplomacy when the scale of the problem becomes clear. The result is a break with the tendency of the first three seasons to resort to firing phasers and solving problems with explosions. There are still some action beats, but these are more restrained and more Star Trek-y, for lack of a better term, than previously. Early episodes dealing with the mysterious artefact and attempts to penetrate or disable it recall Star Trek: The Motion Picture's dealings with the alien cloud V'Ger.
The show makes better use of its ensemble cast. Prior seasons had been very firmly "the Michael Burnham Show" but this season brings other characters to the fore. Saru gets a new role and a potential relationship, Tilly gets a new job (better-suited to her than her role last season), Stamets and Culber have much less intense issues to deal with, and Booker gets his own storyline separate from Michael's. Even the lesser-known bridge crew get a few more scenes in the sun this season, and more of a sense of Discovery as a community which has often been achingly missing in prior episodes.
As the season unfolds, it develops several simultaneously-developing storylines. Diplomatic relations with United Earth and Vulcan form key parts of the story, with entire episodes dedicated to overcoming diplomatic hurdles without so much as a phaser in sight. It's like watching a stronger 1989 episode of TNG all over again. There's also the attempts to find and then make contact with the aliens, which tap into the spirit of 2016 movie Arrival, and a subplot revolving around new character Dr. Ruon Tarka (a splendid performance by The Expanse's Shawn Doyle) who becomes something of an antagonist, but an unusually fleshed-out one. Discovery has struggled more than most shows in making a story arc justify a full season, but here they succeed, dividing the season nicely into beats in the larger story.
Even making Michael Captain works much better than expected. As a constantly mutinous and insubordinate officer, her character never really made sense. As a more cooperative and instead "nontraditional" captain, recalling the off-kilter inventiveness of Captain Kirk, the character suddenly comes to life in a way she didn't in prior seasons. It also helps that she's now only whispering about a tenth of her lines rather than half of them.
Problems still remain: murky and unclear CGI, some rather unlikely coincidences and plot contrivances, the show suddenly making a big deal of characters you don't really know anything about because they've never had much development, and some occasional leaps in plot logic. But these are constrained and indeed minor compared to the previous seasons.
Season 4 of Star Trek: Discovery (****) is easily the best season of the show to date, with an intriguing central storyline which unfolds in a compelling manner, with solid characterisation and a renewed dedication to Star Trek ideals that was lacking in the first few seasons. The show retains some of its earlier problems, but significantly moderated. It may have taken a long time, but Discovery is finally starting to realise its potential. The season is available now in the USA via Paramount+ and on various platforms in other countries.
3 comments:
When it was announced that Netflix want getting season 4, at first I was disappointed, then realised I won't really miss it (other than Saru, who is superb). What a shame the point I gave up is the point it lessened Whiny Michael's centre-stage role.
It's amazing that we can come from it from too different sides.
This season was just weak, the story at best was half a season, with alot of on screen action, generally tiresome.
I think the cast has become less interesting, with a lack of dynamism.
I barely made it through the season. It is time to be cancelled.
Picard is actual more interesting this season after the first season being meh.
If you haven't watched beforeigners, try that.
Yeah, I'm thinking the same about Picard. I struggled through S1, but S2, so far, is sharper. Much less emphasis on revisiting old characters is key to this, I think.
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