Interest in the property began back in 2007, when The Name of the Wind was published to a rapturous reception and very high sales. It intensified in 2011, when the sequel The Wise Man's Fear was published.
In 2015, Rothfuss reached a wide-ranging and high-value deal with production company Lionsgate that included a feature film trilogy based directly on the novels, as well as a TV show which would act as a prequel and focus on Kvothe's parents. The following year it was confirmed that Miranda, the nuclear-hot creator of hit stage musical Hamilton, was working on the project as a songwriter for both the films and the TV series, whilst Lindsey Beer was working on the script for the first movie, based on The Name of the Wind.
In 2017, things really got moving when Showtime optioned the TV series rights, attaching John Rogers (Leverage, The Librarians) to write, produce and showrun. In 2018 Sam Raimi entered talks to direct the first film. A few months later, in 2019, John Rogers confirmed he had written all ten scripts for Season 1 of the show, which was entering pre-production. Things looked like they were going very well.
Then things collapsed, pretty quickly. In September 2019 Showtime abruptly halted all work on the Kingkiller TV series and returned the rights to Lionsgate. By that time it was clear that Raimi had passed on the movie project, and subsequently opted to direct Doctor Strange in the Multiverse of Madness instead. The rumour in Hollywood was that Showtime has massively over-committed to its ambitious Halo TV series, spending much more than originally planned, and had to quickly divest itself of several other expensive shows, even ones that had been greenlit, in order not to have a huge budget overrun. Ironically, of course, Halo was moved from Showtime to Paramount+ and the financial issues sorted out behind the scenes, meaning that possibly the Kingkiller project could have moved forwards after all.
In November 2020, Lin-Manuel Miranda confirmed he was still working on the IP, but the plan to adapt the (gigantic) novels as single movies had now been abandoned and the project was being reconceptualised as a TV show based directly on the novels. Miranda cited his work on the HBO/BBC co-production His Dark Materials (based on Philip Pullman's novels) as giving him a "fresh perspective" on the complexities of adapting a fantasy trilogy for the screen.
Miranda's departure from the project seems to be down to two reasons. First, his own workload is through the roof. He is currently enjoying huge success from his work on the Disney animated movie Encanto, including his first-ever Number One single for "We Don't Talk About Bruno." His 2021 film Tick, Tick...Boom! has also enjoyed significant critical and commercial success. Secondly, it sounds like he had not found a way of adapting the books' structure satisfyingly, noting that it has an "insane Russian nesting doll structure," a reference to its multiple timelines.
An unspoken fly in the ointment is that the third novel in the trilogy, The Doors of Stone, remains incomplete after eleven years. Rothfuss's editor confirmed in 2020 that she had not yet read a single word of the book and did not believe any work had been done on it since 2016. Rothfuss has since spoken more openly about progress on the book, and read its prologue for the first time last year. However, no release date has been set.
Given the immense success of the books - reportedly well over 10 million and possibly closer to 20 million copies of the two books have been sold to date, easily making them the most successful debut epic fantasy series this century - it is likely an adaptation will eventually happen. However, it will not be in the near future and it sounds like it will be without Lin-Manuel Miranda's involvement.
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