Showing posts with label tor books. Show all posts
Showing posts with label tor books. Show all posts

Monday, 27 January 2025

New MURDERBOT editions criticised for poor quality

As I noticed previously, readers have been calling for omnibus editions of the critically-acclaimed Murderbot Diaries science fiction series for some years. The series, by Martha Wells, consists of five novellas and two short novels which has been positively festooned with awards, praise and strong sales, but their high prices for a short page count have put them out of the reach of more frugal SFF fans.


The books have been reissued in the last few weeks in new omnibus editions to hopefully address the issue. Whilst the format is still not generous - with only two books per edition rather than a more appropriate three (the first three novellas combined only come to 450 pages) - it was still a marked improvement over prior editions in terms of value for money. Unfortunately, the new editions have been called out for terrible proofing and formatting.

The problem appears to be that the books have been released in a print-on-demand format, with all the hallmarks of shoddy formatting and/or corrupted files being used. Given the publisher is Tor Books, the largest and most popular SFF publisher in the United States, and its UK off-shoot, the poor quality of the books is most surprising, especially given they are charging the price of a full, properly-formatted and edited paperback edition.


The three omnibus volumes are each a different height and size to the others, with the cover images not aligned correctly, and in the interior there is an inefficient use of space.

Multiple reviewers have pointed out the problem on the Amazon review pages, and via BlueSky, noting they have returned the books for a full refund.

Hopefully this problem can be fixed quickly; as one of the highest-profile science fiction book series of recent years, and with an imminent TV adaptation on Apple TV+, it would be a shame for new readers to be put off by poor quality books. The series, and readers, deserve better.

Sunday, 12 January 2025

Martha Wells's MURDERBOT DIARIES series gets omnibus editions

Martha Wells' The Murderbot Diaries has been one of the most critically-acclaimed science fiction series of the past eight years, winning two Nebula Awards, four Hugo Awards and a Locus Award. The story of a former combat SecUnit which gains sentience and tries to find its way in a corporate-dominated future is compelling and very moreish. It's also been famously expensive, with each short novella being sold as a full-priced novel, making getting a full collection a questionably pricy endeavour.


Fortunately Tor Books has heard the complaint and the series is now being reissued in omnibus format, with two novellas to each omnibus. These will also act as a tie-in with the upcoming TV show based on the books, starring Alexander Skarsgård.

There is some minor confusion because of the seven books in the series so far, five are novellas, one (Network Effect) is a 350-page average-sized novel and one (System Collapse) is a 250-page short novel. The books are also not published in chronological order.

Publication order is as follows:
Chronological order is as follows:
  1. All Systems Red (2017)
  2. Artificial Condition (2018)
  3. Rogue Protocol (2018)
  4. Exit Strategy (2018)
  5. Fugitive Telemetry (2021)
  6. Network Effect (2020)
  7. System Collapse (2023)
The omnibus editions collect the books as follows: 
  1. All Systems Red & Artificial Condition
  2. Rogue Protocol & Exit Strategy
  3. Fugitive Telemetry & System Collapse
Presumably Network Effect, the full-length novel, will be reissued on its own to match these new editions.

The Murderbot Diaries omnibus editions are hitting stores and digital platforms in the United States about now, and will arrive (for the first time for the series) in the UK on 17 February. Some foreign language editions have had omnibus versions for some time, and those that haven't will hopefully now get in on the act.

The Murderbot Diaries TV series is expected to launch this year on Apple TV+.

System Collapse by Martha Wells

Murderbot is back, navigating a tricky situation on a frontier planet where the interests of its employers are tested against those of the Barish-Estranza megacorp. Murderbot's team are working with the colonists to secure their own self-governance, whilst Barish-Estranza is trying to get them classified as indentured servants of the corporate interests and get them shipped offworld as effective slave labour. The situation is complicated when a hitherto unknown group of colonists is discovered underground in the polar region, with both factions rushing to contact them before the other.


System Collapse is the seventh book in Martha Wells' Murderbot Diaries series. It follows the misadventures of "Murderbot," a former security robot or SecUnit which has achieved sentience and aligned with a group of humans seeking equal rights for sentient machines, a position the megacorp-dominated far future is distinctly opposed to. Murderbot is once again operating undercover along with its powerful AI ally, ART, and a group of humans on a frontier colony being divided by legalese and moral controversies.

This is a novel rather than a novella, but still a short one at only 250 pages. The book is also slightly out of pace chronologically, taking place soon after the events of the fifth volume, Network Effect, whilst the sixth volume, Fugitive Telemetry, took place earlier in the series. Not a major issue but a quick refresh of Network Effect might be in order before tackling this book.

As usual, Wells delivers an effective mixture of action, existential musings, and light comedy. Murderbot's ongoing development towards being a fully-realised sapient being is here interrupted by an involuntary shutdown, leading to a crisis of confidence as it fears what would happen if the problem recurred during a dangerous situation, resulting in its own destruction or that of allied humans. Murderbot's attempts to fix the problem are complicated by its discomfort with the well-meaning but overwhelming attempts by ART and its human allies to help. This introspection could become a bit too much, but the limited page space means the story has to proceed at a clip, and it ends up being an effective personal crisis for Murderbot to navigate whilst it deals with more traditional action-adventure and mystery plots.

There is also a nice subplot as Murderbot has to create its own media to convince a bunch of colonists about corporate corruption and indentured service, which is an interesting twist given Murderbot's own addiction to TV shows. This is a nice idea but it's given relatively short shrift, when it feels like it could have been expanded into a much larger episode. Interesting to see if the author revisits the concept later on.

The book also has an interesting line where an antagonist is turned into an ally, and seeing how Murderbot deals with this trope it's familiar with from its media exposure should be more interesting and fun then it ends up being.

Still, System Collapse (****) does what the series does best: a short, punchy story with enough time for thoughtful musings on the nature of sentience and self-volition, whilst fitting in some very nice action setpieces, worldbuilding and characterisation. The book is available now. New omnibus editions of the previous books should also be launching around this time, and the Apple TV+ adaptation of the books looks like it will launch later this year.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Tuesday, 10 December 2024

Glen Cook to publish four new BLACK COMPANY novels

Glen Cook is returning to the world of his seminal Black Company military fantasy series with a new arc, A Pitiless Rain, consisting of four books. The first, Lies Weeping, will be published on 4 November 2025. Cook has completed the first three books in the arc and is working on the fourth.


Lies Weeping will be followed by They Cry, Summer Grass and Darkness Knows.

Cook published The Black Company in 1984, about a band of war-weary mercenaries fighting for various shades of evil during a bleak war, before discovering a new purpose. It was followed by Shadows Linger (1984) and The White Rose (1985), completing the Books of the North trilogy. A semi-standalone, The Silver Spike (1989), followed, along with the Books of the South duology: Shadow Games (1989) and Dreams of Steel (1990). The Books of Glittering Stone quartet then completed the initial batch of releases: Bleak Seasons (1996), She is the Darkness (1997), Water Sleeps (1999) and Soldiers Live (2000).

The saga was later collected in four omnibus editions: The Chronicles of the Black Company, The Books of the South, The Return of the Black Company and The Many Deaths of the Black Company. A stand-alone interquel, Port of Shadows, followed in 2018.

Also in 2018, actress Eliza Dushku and producer David Goyer optioned the books as a TV series, but sadly failed to find interest from a production company.

Cook has also confirmed that he has a completed new Garrett, PI novel with his agent, under the tittle Last Metal Romance, and has a further book in that series planned, Deadly Diamond Daydreams. A new Black Company roleplaying game is also in the planning stages from Arcdream.

The Black Company has been hailed as a classic of fantasy and was hugely influential on George R.R. Martin and (especially) Steven Erikson.

Monday, 29 May 2023

WHEEL OF TIME (finally) crosses 100 million sales

Sales of Robert Jordan's Wheel of Time series have passed 100 million total books sold worldwide, according to publishers Tor via the Edelweiss Catalogue.


The Wheel of Time series was, for many years, the biggest-selling post-Tolkien epic fantasy series, with immense global sales and popularity ever since its 1990 launch (when the initial hardcover printing of its very first book sold over 40,000 copies in hardcover, figures an author would sell both kidneys and a spleen for today). Its position was eventually usurped by George R.R. Martin's A Song of Ice and Fire, which, propelled by the incredible success of its HBO TV adaptation, Game of Thrones, sailed to over 90 million sales earlier in the 2010s. It appears that ASoIaF's sales had outperformed those of Wheel of Time by around 2018.

Last year, it was announced that Sir Terry Pratchett's Discworld series of satirical secondary world fantasies had passed 100 million copies, putting it firmly ahead of both Jordan and Martin.

Other forms of fantasy have, of course, sold significantly more: the Harry Potter books have a likely-uncatchable tally of over 600 million copies sold. J.R.R. Tolkien has over 300 million books sold, whilst the Twilight series has sold an eye-popping quarter-billion copies. The Narnia books by C.S. Lewis have sold over 100 million copies as well.

According to the publishers, sales of The Wheel of Time have accelerated significantly, in the lead-up to the release of the Amazon television series in late 2021. The books have sold a cumulative 5 million copies globally since the end of 2020. As well as the TV series, sales have possibly been pushed by the crossover with Brandon Sanderson's enthusiastic and significantly large fanbase (Sanderson's own sales have reportedly recently crossed 30 million) - Sanderson cowrote the last three books in the series after Robert Jordan's passing in 2007 - and possibly the expansion of overseas markets, such as in India and Brazil where the television series apparently attracted significant interest.

The second season of the Wheel of Time TV series will launch on 1 September this year, and we will have to wait to see if sales are propelled further.

Tuesday, 10 May 2022

Fugitive Telemetry by Martha Wells

Murderbot is settling into their role providing security for their client Dr. Mensah on Preservation Station when they are asked to do something they've never done before: investigate a murder. Murderbot is more at home providing security in high-risk combat situations, rather than the finesse and subtlety that a homicide investigation requires. Still, with a potential killer or killers loose on the station and the inexperienced station security slow to find them, Murderbot takes up the case.

The sixth and (at this time of writing) most recent entry in The Murderbot Diaries returns to the novella format of the first four books, after the novel-length experiment of Network Effect. Fugitive Telemetry is set before Network Effect and sees a shift in format, with Murderbot going from security consultant to murder investigator, a task they initially seem ill-suited for but soon get to grips with. It's not a complete left-field transformation for the series - Murderbot has had to piece together mysteries and incomplete pictures before - but it's enough to freshen up the series when familiarity might be setting in.

As with the earlier books, the novella format means a tight, focused structure and an excellent pace (like the earlier books, you can easily finish this off in a single sitting). Wells writes the mystery with panache, providing enough misdirection to make it intriguing. However, she does not provide enough information for the reader to solve the mystery themselves until quite late in the day, which is a shame.

The twists and turns, brief action bursts and nice pacing make this as fiendishly readable as earlier books in the series, but arguably it's lighter on character than prior books in the series. Murderbot continues their development nicely, but there's a lack of a great foil for Murderbot like ART in prior books. Security Chief Indah has some promise, but they don't really get enough time in the sun to really fulfil the same kind of role. There's also some repetition in Murderbot, once again, having to prove its capability and volition to people keen to dismiss it as just another robot.

Fugitive Telemetry (****) is Martha Wells doing what she does best, delivering a witty, well-written slice of SF, this time more of a thriller than an action novel. The book is available now in the US and on import in most other territories. Three more Murderbot Diaries books are under contract, with the first anticipated for 2023 or 2024.

Wednesday, 4 May 2022

Network Effect by Martha Wells

Murderbot is adjusting to the unusual circumstances of being free and accepted among people who know exactly who and what they are. A simple escort operation turns bad when the crew are kidnapped, Murderbot along with them. Murderbot now has to find out who the kidnappers are, what they want and how to resolve the situation without getting their new human friends killed.

Network Effect is the fifth instalment in the Murderbot Diaries and is the first full-length novel in the series, clocking in at more than twice the length of any of the previous novellas. We start in media res with Murderbot already in a tricky situation, which it extricates itself from James Bond-style, before we get into the main story.

Martha Wells handles the transition of the series from the shorter form to a longer one quite well. Many of the previous novellas have felt like they ended just as they were getting going, or a little on the rushed size to fit in so many big ideas into so few pages, so Wells takes advantage of the longer length here to focus on more characterisation, more worldbuilding and more of a balance between action and Murderbot planning their next move. The story breathes more and benefits for it.

There's also some nice subplots as Murderbot befriends the daughter of her main client and helps her adjust to being in a dangerous situation, as well as Murderbot being put in the position of having to help other AIs become as independent as it has, and working out if that is a good idea or not.

That said, the ending feels a bit under-developed. Potentially big ideas (like alien technology interfacing with humans) that just kind of peter out without much closure (in this book, anyway). This is a shame as Wells sets up the mystery of what's going on superbly, so the resolution being lacking is a disappointment.

Still, those who've enjoyed Murderbot so far should still enjoy this one. The writing is fun, the characterisation sharp, there's a welcome return for one fan-favourite older character and Wells also delivers some great action sequences. Network Effect (****) handles the transition to the novel format well, despite the abruptness of the conclusion. The novel is available now in the US and on import in other territories.

Thank you for reading The Wertzone. To help me provide better content, please consider contributing to my Patreon page and other funding methods.

Thursday, 31 March 2022

Gollancz and Tor nab rights to new Joe Abercrombie trilogy

Gollancz and Tor Books have acquired the UK and US rights respectively to Joe Abercrombie's next fantasy project. No release date has been set for the project, but given that Joe reported only being about half done with it at the end of last year, I imagine it'll be 2023 at least before we see the new material.


The new trilogy starts with a book called The Devils and marks a change for Abercrombie in that it is set in a fantasised version of the real world, rather than his First Law work which is sent entirely in a secondary world, or his Half a King trilogy which melds fantasy with a post-apocalyptic setting.

The new trilogy will apparently meld epic fantasy with the heist, crime and thriller genres. The synopsis follows:
“In a magic-riddled Europe under constant threat of elf invasion, the 10-year-old Pope occasionally needs services that cannot be performed by the righteous. And so, sealed deep beneath the catacombs, cathedrals and relic stalls of the Sacred City lies the secret Chapel of the Holy Expediency. For its highly disposable congregation – including a self-serving magician, a self-satisfied vampire, an oversexed werewolf, and a knight cursed with immortality – there is no mission that cannot be turned into a calamitous bloodbath.”

Tuesday, 24 March 2020

Jim Butcher surprise-announces that two DRESDEN FILES novels will be published this year

In a swanky new trailer for the much-delayed sixteenth Dresden Files novel, Peace Talks, it was surprisingly confirmed that the seventeenth book in the series has also been completed and will be released this year as well. Jim Butcher's Battle Ground will be released in September, just two months after the release of Peace Talks.


The previous book in the series, Skin Game, was published in 2014. The six-year wait has been down to a variety of causes, including Butcher building a new house, a project was went horribly off-schedule. It does appear that Butcher is trying to make good on the delay though, releasing new books at an impressive clip and raising hopes that we'll see another book in 2021 as well.


Peace Talks will be released on 14 July 2020, with Battle Ground to follow on 29 September.

Monday, 26 February 2018

Cover art for Glen Cook's new BLACK COMPANY book

Tor Books have released the cover art for Port of Shadows, the new Black Company novel from Glen Cook.


Set between the first two novels in the series, The Black Company and Shadows Linger, the story takes us back to the early days of the story when the Black Company was fighting on the "wrong" side of a massive war.

The cover art is by Raymond Swanland, who has also produced the cover art for Cook's Black Company omnibuses as well as his Instrumentalities of the Night series.

Port of Shadows, the first Black Company novel for more than eighteen years, will be published on 11 September 2018.

Friday, 15 December 2017

New BLACK COMPANY novel confirmed for 2018

After many years of rumours, raised expectations and blind hopes, Tor Books have finally confirmed that a new Black Company novel will drop in 2018.


Written by genre stalwart Glen Cook, the Black Company novels began in 1984. There are nine books in the series and Cook has long been promising two more, Port of Shadows and A Pitiless Rain. Port of Shadows, a new "interquel" book taking place between The Black Company and Shadows Linger, is now done and will be published on 25 September 2018. The blurb is as follows:
Years into a campaign against the rebels who have rallied behind the White Rose have left the Company jaded and the fact that the Lady seems to have taken particular interest in Croaker since his stay in the Tower hasn't exactly made his life easier.
Now it looks like The Limper is up to his old tricks and is doing what he can to separate Croaker and the Black Company from The Lady's favor. Now Croaker finds his fate tied to a brand new taken. One claiming to be something impossible but feels uncomfortably familiar. It's going to take all of Croaker's cunning to insure that the mechantions of The Lady and her "loyal" taken, The Limper, don't destroy the company once and for all.
The Black Company has been a hugely influential series, with both George R.R. Martin and Steven Erikson citing it as a major influence on their works.

The Black Company was optioned as a television series earlier this year by David Goyer and Eliza Dushku, but no further news has emerged on it.

Tuesday, 7 March 2017

More WILD CARDS

Tor.com has started a reread of the Wild Cards book series created by George R.R. Martin. The reread is being handled and written by a friend of mine and long-term fan of the series, Katie, and promises to be an excellent recap of the series and a way for new readers to jump on board. Some of the Wild Cards writing team, such as Walter Jon Williams and Jon J. Miller, are also jumping on board in the comments.


Meanwhile, Martin has confirmed that Tor Books have picked up the rights for additional books in the series. The next three books in the series proper, Mississippi Roll, Low Chicago and Texas Hold 'Em, will be released over the next year or two. At the same time Tor Books will re-release Books 8 through 12 of the original series (One-Eyed Jacks, Jokertown Shuffle, Double Solitaire, Dealer's Choice and Turn of the Cards). Significantly, this will bring the entire twelve-volume Bantam Books stretch of the series back in publication for the first time in almost thirty years.

There will be also be four brand-new books. Full House will be a full-on short story collection, collecting together short fiction that has been published on the Tor website over the previous few years along with some original stories. Following on from this will be three new books, comprising an original full-length novel, a new book set in space and another set in Britain.

Unfortunately, it appears that British fans may be out of luck in hoping for a complete reprint of the series. Gollancz have apparently declined to buy the rights to any of the new books or reprint any more of the original series, leaving it incomplete after the first seven volumes and then the later six (18-23). HarperCollins Voyager (who publish A Song of Ice and Fire) will instead publish the six new books (and perhaps Full House). The fate of the intervening volumes of the series in the UK remains unclear.

But back to the good news, Wild Cards co-editor Melinda Snodgrass has provided a detailed update on where she and the team at Universal are at with their planned TV adaptation of the franchise. Good progress has been made and hopefully we'll see a greenlight on that soon.

Saturday, 13 August 2016

Playing the Wild Card: A Reading Order to George R.R. Martin & Melinda Snodgrass's Superhero Universe

The news last week that Universal had taken out an option on the Wild Cards shared world superhero series seems to have awoken some renewed interest in the franchise. Wild Cards has been an ongoing project since 1987, now encompassing twenty-three books and contributed to by thirty-one authors, so it may be helpful to arrange this into some kind of structure suitable for newcomers.

 
The Premise

In 1946 Earth was nearly destroyed by an alien race known as the Takisians. Genetically identical to humans, a rogue Takisian house decided to field-test a new virus on the planet to assess the effects on a large population before deploying it against its enemies. Prince Tisianne, one of the creators of the virus, had second thoughts on moral grounds and pursued the test ship to Earth to destroy it. He successfully halted the release of the virus into Earth's atmosphere, but was detained by American military personnel. During his detention, a human criminal named Dr. Tod recovered the virus and used to it to blackmail the American government, threatening to release it over New York City unless he was paid $20 million.

Dr. Tod's bluff was called and he attacked New York in a massive dirigible on 15 September 1946: Wild Card Day. World War II flying ace Robert Tomlin - popularly known as "Jetboy" - helped destroy the airship at the cost of his own life, but the virus was still released. Fortunately, thanks to Jetboy's efforts, the virus landed in pockets across the city, reducing the death toll from the millions to ten thousand.

The virus had the following effects:
  • 90% of those infected died instantly.
  • 9% of those infected survived, but were mutated and deformed, becoming known as Jokers.
  • 1% of those infected survived and were granted amazing powers, becoming known as Aces.
Unfortunately, the impact of the virus was not confined to New York City. Wind currents carried the virus across much of the eastern seaboard, whilst some of the virus spores actually survived intact and were carried unwittingly in cargo planes and ships across the globe. Major outbreaks followed in Rio de Janeiro, Mombasa, Port Said, Hong Kong and Auckland, with smaller outbreaks in many parts of the world.

The virus was also genetically transmittable, most commonly from parents to children. As a result of propagation, the number of people affected by the wild card virus, although still a minuscule minority of the human race, was still rising in the early 21st Century, seventy years after its arrival.

Prince Tisianne elected to remain on Earth and help make amends for the impact of the virus. Dubbed Dr. Tachyon by the press (for his spacecraft's FTL drive) and possessing immense telepathic powers, Tisianne is counted as an Ace although his powers are innate to his species rather than drawn from exposure to the virus. In the 1980s Tisianne returned to Takis and learned that the Takisian faction that had tried to test the virus on Earth had fallen from power, and there was no further threat to Earth from his people.

The first Wild Card book (and several stories in later volumes) spans the period 1946-86, showing how the existence of the Jokers and Aces alters the course of history. These reveal that a chunk of Manhattan has been turned into "Jokertown" where Jokers (and some Aces) are forced to live in a ghetto by a population fearful of their horrible appearances, and that a civil rights movement for Jokers later gets underway. Meanwhile, some Aces are employed by the American government, some go solo as vigilantes and some become villains. These stories also expand on the impact of the virus: we get to meet Deuces, Aces whose powers are useless or seem so, and Joker-Aces, Aces who have amazing powers but also the deformed and unpleasant appearance of Jokers.

From the second volume onwards, the stories proceed roughly in real-time, taking place approximately analogous with the year the book was released.

In 2008 the series was "rebooted" with the eighteenth volume in the series, Inside Straight, which picks up five years after the previous volume with a "Next Generation" approach, focusing mainly on new characters (although older ones are referenced or show up in smaller roles). This was done to create a second, easy entry point to the series for new readers.



Characters

There is no central character in the Wild Cards universe, with instead the stories moving between a rotating cast of characters at different periods of time and in different locations. That said, several of the most notable characters are as follows:



Thomas Tudby, aka "The Great and Powerful Turtle"

Tudby is a powerful telekinetic who can move vast amounts of matter with his mind: he once lifted a 45,000 ton American warship. However, his powers falter if he becomes scared or nervous. To render himself immune to attack, he used his powers to create a shell out of old motor car bodies, which he can then levitate and fly around. This led to the nickname of "the Turtle". The Turtle played a major role in several incidents of the late 1980s and early 1990s before revealing his identity to the world and effectively retiring. Formerly respected by Aces and Jokers alike for his bravery, his later writing of his memoirs and authorising of a film based on his life led to accusations of him "selling out".

The Turtle is regarded as George R.R. Martin's signature character, as well as the one most closely based on the author himself, also being from New Jersey and a massive comic book fan. Whether George R.R. Martin also has monstrous powers of telekinesis has not yet been confirmed, although it is known that he can get tens of thousands of people to freak out by simply mentioning words like "Winter" on his blog.


Croyd Crenson, aka "The Sleeper"

Croyd has arguably the weirdest ace power of them all. Every few months he goes into a deep sleep, lasting anywhere from weeks to months. When he wakes up, he is not only still alive but he will have attained a completely new appearance and set of powers. Two-thirds of the time he wakes up as an Ace or Joker-Ace, but one-third of the time he will take the form of a Joker with no powers and a disturbing appearance. He retains his memories over transformations but loses all other identifying marks, including fingerprints. His next appearance can be of any age, so it is unclear if he is immortal or if his body is still ageing normally (in which case he would be almost ninety years old).

Created by the late Roger Zelazny, but used by other writers with his blessing, the Sleeper is arguably the most popular Wild Cards character and the most versatile.


Jack Braun, aka "Golden Boy"

Braun became one of the most recognisable and famous Aces after the virus was released. His powers grant him immortality (he looks the same now that he did in 1946), super-strength and virtual invulnerability. He is not completely indestructible (a large enough explosion could kill him and he is vulnerable to poison) but he is pretty close. Braun fought as part of a superhero team known as the Four Aces after the virus, but in 1950 betrayed his comrades during the McCarthy witch hunts. After a stint as a Hollywood actor, he felt guilty about his actions and went into seclusion, emerging rarely thereafter. In 2008 he uncharacteristically agreed to take part in a reality TV show, serving as a "boss" the contestants had to defeat. Despite his shunning of the limelight, he liked the fact that no-one cared who he was any more.


Prince Tisianne, aka "Dr. Tachyon"

Dr. Tachyon is one of the Takisian scientists who helped create the wild card virus. Later repenting his actions, he tried to stop the deployment of the virus on Earth. He failed. Riven by guilt, he decided to stay and make amends by helping with Earth's technological development, the treatment of those infected by the virus and cataloguing the powers of the Aces. As Takisians are genetically identical to humans, he can pass as human with no problem. He is quite short and enjoys dressing in eccentric clothing. He has tremendous telepathic powers.

Dr. Tachyon was a character of primary importance in the first ten books in the series. However, he was then written out when he returned to his homeworld and stayed there. It is unknown if he will appear again.



Novels or Short Stories?

Wild Cards has been described as a series of novels and as a series of short story anthologies, although neither description is entirely accurate. It is fairer to say that Wild Cards is, taken as a whole, an alternate history of the world (but predominantly the United States) from 1946 to the present day. Single-author novels, multiple-author novels (known as mosaic novels), stand-alone short stories and short stories linked by chronology, location or thematic elements all combine to fill in this history. The Wild Cards series is also not defined by a single over-arcing narrative. This is no single story with a beginning, middle and end, but a whole series of stories set in a shared world. It is perfectly possible to read and enjoy books from the middle and even more recent period of the series without having read the rest first.


In-Print or Out of Print?

The problem of catching up with the series is also exacerbated by many of the middle books in the series being long out of print. Both Tor Books (in the USA) and Gollancz (in the UK) have embarked on ambitious plans to reprint the entire series, but both are proceeding incredibly slowly: Tor, slightly ludicrously, is only releasing the books at a rate of one a year and has only reached the fifth book (the sixth is out in February). This means they should complete the reprinting of the series in 2028. Meanwhile, Gollancz seem to have stalled after the publication of the seventh volume last October, with no more releases scheduled at present.


Why Not Omnibi*?

More than once it has been suggested that reprinting the series one-by-one has been inefficient, with a better way forwards being to reprint the books as omnibuses with three or four books per omnibus. This strategy was pursued by the Black Library with great success when it reprinted most of its Warhammer 40,000 output as massive, economically-priced omnibus and saw them sell over a million books in a short period of time. This method would be even more appropriate for Wild Cards, with narrative arcs often unfolding over three or four volumes. For their ebook editions, Gollancz has experimented with this process by collecting Books 1-3 as an omnibus called The Epic Beginning and Books 4-7 as The Puppetmaster Quartet. It would be interesting to see this expanded to the print editions as well (and yes, this would mean some very big books, but it worked brilliantly for the Black Library and for other publishers putting out big omnibuses), but no doubt this will depend on sales.


The Publishers

The Wild Cards series has been published by four distinct publishers to date: Bantam Spectra released Books 1-12, whilst Baen Books released Books 13-15. iBooks picked up Books 16 and 17 before spectacularly going bust. Tor Books have published Books 18-22 and will be publishing Book 23 later this year, and will remain the primary publisher of the series going forwards (three more books are under contract). The series has had several UK publishers but Gollancz are currently handling the series in Britain.


The Books

As previously mentioned, there are twenty-three books in the series. They are generally organised into "triads", arcs spanning three volumes but this name is something of a misnomer: Books 6 and 7 were supposed to be one book split into two for length, whilst Book 10 is something of a side-story  to the events of 8-9 and 11 (which form the triad proper and can be read in that order). There aren't really official titles for each triad, so they are more descriptive than formal:


The Beginning Triad
1. Wild Cards (1987)
2. Aces High (1987)
3. Jokers Wild (1987)

These first three volumes in the series introduce the wild card virus and chronicle the way it reshapes the history of the 20th Century. By the end of the second volume the series has already caught up with the then-present day (1987) and events in the series then unfold in real time (more or less). Book 1 introduces the premise and the original cast of characters, whilst Books 2 and 3 see the Aces learning of a potential alien invasion.


The Puppermaster Triad
4. Aces Abroad (1988)
5. Down and Dirty (1988)
6. Ace in the Hole (1990)
7. Dead Man's Hand (1990)

These four novels chronicle the machinations of the mysterious "Puppetmaster" and his eventual downfall, whilst numerous other events take place. Most notably, Book 4 explores the impact the wild card virus has had in other parts of the world beyond the United States.


The Jumper Triad
8. One-Eyed Jacks (1991)
9. Jokertown Shuffle (1991)
10. Double Solitaire (1992)
11. Dealer's Choice  (1992)

These four novels deal with the activities of a gang of body-swapping villains known as jumpers. Double Solitaire is notable for being a single novel written by Melinda Snodgrass rather than the usual rotating team of writers and stands apart in the continuity, being set on Dr. Tachyon's homeworld of Takis simultaneously with the events of Dealer's Choice.

As a note of trivia, George R.R. Martin started writing A Game of Thrones either whilst writing and editing work was proceeding on Jokertown Shuffle or just after it had been completed.


12. Turn of the Cards (1993)

This is a single stand-alone novel written by Victor Milan. The previous volume had finished off the jumper storyline and there was one book left on the contract with Bantam. Rather than start a new storyline, the editors decided to write a stand-alone book to fulfil the contract and retain the freedom to move to a new publisher if necessary.


The Card Sharks Triad

13. Card Sharks (1993)
14. Marked Cards (1994)
15. Black Trump (1995)

The series moved to Baen Books for this trilogy, which revolves around a protagonist who is neither an Ace nor a Joker. Although Baen offered a larger advance, they lacked the marketing muscle of Bantam. With no new books coming out, Bantam also let the older books go out of print, which effected both backlist sales and also meant that newcomers did not have an easy jumping-on point for the series.


16. Deuces Down (2002)
17. Death Draws Five (2006)

With sales for Baen being disappointing, the series moved again to iBooks for these two volumes. Deuces Down is unusual in being a true anthology, consisting of short stories from all over the Wild Cards history, unified only by the theme of focusing on Deuces, Aces with powers which are of only apparently marginal utility. Death Draws Five is a single novel written by John J. Miller with a stand-alone storyline, although it does feature the final appearance of original Wild Cards character Fortunato. Death Draws Five is the rarest Wild Cards book, as only a few hundred copies were published before iBooks went bust. These two books were recently reissued as ebooks from Brick Tower Press, who bought out the iBooks stock.





The American Heroes Triad (aka The Committee Triad)
18. Inside Straight (2008)
19. Busted Flush (2008)
20. Suicide Kings (2009)

The series moved to Tor Books for this triad, which works as a "Next Generation"-style entry point for new readers to the series and mostly focuses on new characters. The series initially focuses on a reality TV show revolving around Aces but then moves onto the formation of a new superhero organisation called the Committee.


The Jokertown Triad
21. Fort Freak (2011)
22. Lowball (2014)
23. High Stakes (2016)

This triad adopts a back-to-basics approach, focusing on the "Fort Freak" police department which has to handle cases in and around Jokertown in New York City.

The USA Triad
24. Texas Hold 'Em (tbc)
25. Mississippi Roll (tbc)
26. Low Chicago (tbc)

This forthcoming triad is under contract to Tor Books. According to George R.R. Martin, although it's unofficially called the USA Triad it's actually going to be three self-contained books linked more by location (presumably Texas, Mississippi and Chicago) than anything else. There are also potentially two more triads, which will have more traditional linking stories, under discussion.


Writers

Wild Cards evolved out of a roleplaying campaign run by George R.R. Martin using the Superworld rules from Chaosium. As the original games master, Martin is counted as the creator of the Wild Cards universe and the primary editor-in-chief, although all of the writers have a say in the future direction of stories and the series. Martin is a bit busy with his own fantasy side-project, so he no longer writes for the series (his last story was in Inside Straight almost a decade ago, and before that in Black Trump a decade earlier) but is still the main editor. Melinda Snodgrass, a respected science fiction and fantasy author and scriptwriter in her own right, has acted as co-editor on many volumes in the series and regularly contributes stories.

The other Wild Cards authors have been, or still are: Daniel Abraham, Edward Bryant, Pat Cadigan, Michael Cassutt, Chris Claremont, Paul Cornell, Arthur Byron Cover, David Anthony Durham, Ty Franck, Gail Gerstner-Miller, Leanne C. Harper, Stephen Leigh, David D. Levine, Victor Milan, John J. Miller, Laura J. Mixon, Mary Anne Mohanraj, Kevin Andrew Murphy, Cherie Priest, Lewis Shiner, Walter Simons, Caroline Spector, Ian Tregillis, Carrie Vaughn, Howard Waldrop, Sage Walker, Walter Jon Williams, William F. Wu and Roger Zelazny. The next triad will feature stories from new writers Saladin Ahmed, Max Gladstone, Marko Kloos and Diana Rowland.



Where to Start?

This is pretty straightforward. The most obvious answer is simply Wild Cards, the original 1987 book that started the whole thing rolling. It is easily available now, having been reprinted many times. However, you can also start with Book 18, Inside Straight (2008), the first novel from Tor Books which was deliberately written as a fresh entry point to the series for new readers, taking a "Next Generation" approach.
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* Technically this is incorrect usage, but what the hell. It rhymes.