Monday, 15 April 2019

RIP Gene Wolfe

Gene Wolfe, one of the authors with the claim to being possibly the greatest writer of science fiction and fantasy, has passed away at the age of 87. His publishers have confirmed the news via Twitter.

Image result for gene wolfe

Born in New York City in 1931, Wolfe survived polio as a child and attended Texas A&M University, where he began publishing speculative fiction in the university magazine in 1951. He was drafted to fight in the Korean War, returning home to become an industrial engineer.

His first full-length science fiction novel was Operation Ares in 1970. Wolfe had developed the concept (of a totalitarian, Luddite government being resisted) for a short story, but famed editor Damon Knight had felt the concept was under-explored in the medium and suggested Wolfe expand it to a novel. The resulting book was far too long and had to be heavily edited; Wolfe later stated that he felt the book wasn't very good, due to both it's difficult gestation period and also his own skills weren't quite up to the task.
"...we don't have to keep on doing what we've been doing. We can do something else if we don't like what we're gettin'. I think a lot of the purpose of fiction ought to be to tell people that."
His second book was The Fifth Head of Cerberus (1972), although this was actually a collection of three novellas combined together. Famed SF editor Gardner Dozois later declared the titular story "the best science fiction short story of the 1970s." It put Wolfe on the map and led to an increasing fanbase for his work, which was dense, literate and intelligent, with a focus on unreliable narrators and multiple interpretations of the text. Peace (1975) continued in this vein and Neil Gaiman later declared it one of his favourite Wolfe books, mostly for wrong-footing him so completely he didn't even know what genre the book was in until his second reading. The Devil in the Forest (1976), a short novel, was also well-received.

These books had been promising and interesting, but in no way did they ready the literary SF world for what came next. Wolfe spent the end of the 1970s writing an enormous novel that melded science fiction, fantasy and literary fiction. Published in four volumes between 1980 and 1983 (due to publisher concerns over the length), The Book of the New Sun was immediately and lavishly acclaimed on release, and in the near-forty years since publication its cachet has only increased. It was once described by The Guaridan as "science fiction's Ulysses," but Wolfe was clever enough to make his work considerably more approachable than Joyce's daunting magnus opus.
"We think that we know a man or a woman, when so much of what we know is actually that man's or that woman's situation, his or her place on the board of life. Move the pawn to the last row and see her rise in armor, sword in hand."
The book is set in the far future, when the world has seen multiple civilisations rise and fall and technology and magic have been indistinguishable. It tells the story of Severian, an apprentice torturer in the city of Nessus. When Severian falls in love with a prisoner and helps her, he expects to be executed. Instead, he is exiled to the distant city Thrax, which is in need of a new executioner. Carrying the sword Terminus Est, Severian embarks on a long journey, during which he makes fundamental discoveries about the world and his place in it. The book has been acclaimed for taking many of the tropes of epic fantasy (the magic sword, the quest, the chosen hero) and instead using them to tell a far more subtle and complex story about human nature and unreliable narrators.

The individual volumes of the book won World Fantasy, British Fantasy and Locus Fantasy awards along with a Nebula, although they missed out on a Hugo. Wolfe returned to the setting for a sequel novel, The Urth of the New Sun (1987), and then additional series set in the same universe: The Book of the Long Sun (1993-96, four volumes) and The Book of the Short Sun (1999-2001, three volumes). He referred to the entire twelve-book series as The Solar Cycle.
"It seems to me that you can almost define civilization by saying it's people who are not willing to hurt other people because the other people are different."
Wolfe's other work has also been highly acclaimed, particularly the Soldier or Latro series (starting with Soldier of the Mist) and the Wizard-Knight duology. Wolfe's last-published novel was A Borrowed Man (2015).

Wolfe's work was restless, imaginative, refusing to be pinned down or minimised. His books were densely written and could be slow, but he always made sure they were understandable to casual readers and had firm concepts that he slowly interrogated and re-interrogated throughout his books. A devout Catholic, he seemed wary of messianic figures who promised to have all the answers and The Book of the New Sun can be seen as much of a deconstructionist riff on that central premise as Frank Herbert's Dune. He was also a huge fan of Tolkien (his essay "The Best Introduction to the Mountains" can be read as an eloquent dismissal of Michael Moorcock's "Epic Pooh"), and his ability to build a believable, vivid world (albeit in a much shorter span of time) seems to have been inspired by Tolkien. He also had a strong love of language, and of the things that language could do. He was influenced in this regard by Jack Vance, another of his favourite authors; Vance's Dying Earth series itself appears in The Book of the New Sun as the enigmatic Book of Gold (at least in Wolfe's eye; he later said that the book could be whatever volume the reader wanted it to be).
"The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death."
Gene Wolfe has been called "science fiction's James Joyce" and "fantasy's Herman Melville". He wasn't either of these things, he was very much Gene Wolfe: inventive, unsettling and rewarding. He wrote fiction that inspired the soul and the mind. The genre will miss him tremendously.

The Great Marvel Rewatch: Ant-Man

Scott Lang is a petty burglar who prides himself on his skills at infiltration and stealing. Hank Pym is a genius scientist who has spent decades perfecting the technology needed to miniaturise living beings. When Pym's former business associate unlocks the secrets of Pym's researching in an attempt to create devastating weapons, he calls in Lang to take up the mantle of the Ant-Man.


Ant-Man has a very interesting history. Back when British director Edgar Wright started making a name in Hollywood, after the success of Shaun of the Dead in 2004, he was tapped by Marvel to work for them on one of their properties. He chose the relatively obscure character of Ant-Man to build a movie around, perhaps figuring that his somewhat unorthodox filming style would get more leeway with a minor Marvel character than a big-hitter like the Hulk or Thor. When the Marvel Cinematic Universe took off, Wright's plan was put into motion and he and fellow Brit Joe Cornish were brought in to write the script, with Wright (whose cachet had increased in the meantime with Hot Fuzz and the multi-Marvel-actor-starring Scott Pilgrim vs. the World) to direct.

For whatever reason, Marvel got cold feet at the last minute and decided to switch the film to a safer pair of hands, the up-and-comer Peyton Reed (why they didn't suggest Cornish, who'd become a hit director in the meantime himself with Attack the Block, remains unclear). It was a controversial decision and one that remains so, as the decision was made so late that Reed actually ended up still using Wright and Cornish's script. The result is a movie that has many of the hallmarks of an Edgar Wright movie, such as fast-moving action, kinetic dialogue and a fusion of humour and emotion, but lacks Wright's fantastic skills in editing and camera movement.

Which isn't to say that Ant-Man is a bad movie at all. It's very solid, with a charming lead performance by the ever-reliable (and near-ageless) Paul Rudd as Scott Lang and effective support from Michael Douglas as Hank Pym, playing two different incarnations of Ant-Man. Evangeline Lilly also gives a great supporting performance as Hope van Dyne, Hank's semi-estranged daughter, although long-term Marvel fans may bristle at her more prominent Marvel character (aka the Wasp), one of the Avengers, being side-lined in favour of Ant-Man. Michael Pena also provides able comic back-up. The film moves really quickly and it eschews the Marvel tendency for insane scale by dialling things down to a more relatable level (the film's climactic battle takes place on a Thomas the Tank Engine toy railway track).

The problems stem from the meta-knowledge that Wright would have probably made a crazier and more interesting film, and the actual film issue that it's villain is really poor. Corey Stoll is a very solid actor, but he is much better as the tortured protagonist or supporting good guy. As a villain he doesn't work at all, and his character has absolutely no layers. He starts off as a petty, evil, money-grabbing imbecile and remains that way through the film. There's no sense of the good guy he was once was when Pym made him his sidekick, and this hurts the film's arc.

The secondary and tertiary cast also suffers from not having much to do. There's some absolutely fantastic actors here, like Judy Greer (Archer) and Wood Harris (The Wire) and they have such little material to work with they might as well be extras. I mean, why hire Avon Barksdale, even casting him against type as a cop, and then have him just standing around making surprised faces for every scene he's in?

Ant-Man (***½) is a solid, fun, breezy flick. It's enjoyable and passes the time, but it's also a little forgettable. It's certainly not the worst film in the Marvel staple, but it does verge on being the most disposable. Ultimately it is worthwhile, for Rudd's charming lead performance, some good laughs, the relatively low scale of the action and the set-up work it does for Ant-Man's later appearances.

Sunday, 14 April 2019

Seraphina's Lament by Sarah Chorn

The Sunset Lands are suffering. Political discontent seethes, as the collectivist revolution which promised liberty and freedom from the old autocracy has instead devolved in a brutal, totalitarian dictatorship. The once-verdant farmlands of the east have been devastated by drought, whilst to the west the market towns which thrived on trade other lands have grown poor and destitute. Change is coming, as a wave of terrible hunger rolls in from the east and an ancient, powerful force returns to the world after aeons asleep.


Seraphina's Lament is the debut novel by Sarah Chorn, a long-established SFF blogger (her website is Bookworm Blues), and also the first novel in a series entitled The Bloodlands. The book features some traditional fantasy tropes, such as "Chosen Ones" who gain great powers, but is also rooted in real historical events, in this case the horrific famine known as the Holodomor which wracked Ukraine from 1932 to 1933, killing at least three million people.

Seraphina's Lament is the story of a group of special people: Seraphina herself, who gains unusual powers related to warmth and fire; her brother Neryan, who likewise gains powers related to water; the (slightly) Stalin-esque Premier Eyad; the rebel leader Vadden; a young woman named Mouse; and a mysterious man from the far east, Taub, whose hunger from the famine eventually results in a startling and horrifying transformation. This is the first way that the book embraces a standard fantasy trope - a group of people gaining special powers - and then inverts it, with some of that group going insane and others behaving in an evil or self manner. The motives of even Seraphina and Neryan, the most positive members of this group, are questionable at times.

This is a modern dark fantasy, with stripped-back worldbuilding, a rattling pace (the book is a restrained 300 pages long) and a strong focus on a small core group of protagonists rather than sprawling across a huge cast. It kept reminding me of Mark Lawrence's Prince of Thorns, with its dark tone, tight focus and sparse, effective prose that occasionally erupts in moments of haunting eloquence. The difference is that Seraphina's Lament feels both more fantastical, with its depiction of humans becoming something other than human (in what feels occasionally like a much darker take on Steven Erikson's notion of Ascendancy, from his Malazan series) and also more grounded, with its Ukrainian historical inspiration being worn firmly on its sleeve.

The book winds through the rotating POV cast, depicting the world crashing around our protagonists and antagonists (whose lines blur on occasion), until it reaches a revelatory and messy ending which leaves things open for the forthcoming sequel, An Elegy for Hope.

On the negative side of things, the stripped-back worldbuilding (with no map or lengthy appendix of made-up names, as fun as that can sometimes be) is welcome but at times it gets a little too sparse, with little sense of what other countries are out there, or even how big the Sunset Lands are supposed to be, or whether the famine is a worldwide or localised phenomenon. The tone is also unrelentingly grim, with nary a ray of sunshine or hope to be found in the novel. The book's brevity prevents the darkness - and it is real darkness, of both an oppressive society and psychological, rather than brutality for the sake of it - from becoming too overwhelming, but it would be nice to see a few signs that this was a world worth fighting for or saving.

Those are relatively minor concerns. Seraphina's Lament (****) is an original, thought-provoking and unsettling novel that leaves the reader wanting more. It is available now in the UK and USA.

Rumour: LORD OF THE RINGS TV show ditches New Zealand for Scotland

According to The One Ring, Amazon have decided against filming their Lord of the Rings TV show in New Zealand (where the six Peter Jackson movies were shot) and instead will base their production in Scotland.


This would be a surprising move. Over the last twenty years, Middle-earth has become almost synonymous with New Zealand, with the epic landscapes of the two islands being used to stand in for Tolkien's vivid geography. With New Line and Warner Brothers involved (at least tangentially) in the new project and with early talk suggesting that the TV series might seek visual continuity with the Jackson movies, it was assumed that shooting would take place in New Zealand.

If The One Ring's report is correct, production will be based at the studio complex located in Leith, just outside Edinburgh, in a new studio complex.

The One Ring is a Tolkien fansite which attracted widespread attention when it gained exclusive access to the filming of Jackson's original trilogy in 1999-2003, regularly breaking stories and featuring exclusive content. They don't seem to have the same access to Amazon, and recently claimed the series would focus on the adventures of young Aragorn. Instead, Amazon have confirmed (twice) that the series will be set in the Second Age of Middle-earth. However, local press have backed up the report by saying that Amazon is leasing the required studio space, which is difficult to keep secret.

If true, it sounds like Season 1 of the show will be shot between August 2019 and spring 2020, to debut on Amazon Prime probably in early 2021.

Saturday, 13 April 2019

Respawn and EA lift the lid on STAR WARS: FALLEN ORDER

Developers Respawn Entertainment and publishers Electronic Arts have lifted the lid on their new Star Wars game, Fallen Order, with a trailer and confirmation of a release date.


Fallen Order is set a few years after the events of Revenge of the Sith and sees the player controlling a Jedi Padawan named Cal Kestis (played by Cameron Monaghan, the Joker in Gotham), who escapes the chaos of the Republic's fall to go into hiding as a mechanic. Exposed as a Force-user when he uses his powers to save a fellow worker from certain death, he goes on the run, hunted by Imperial agents.

The game is an action title with a focus on movement, speed and combat, both with blasters and a lightsabre. Most promisingly, the game is confirmed to be a single-player-focused experience with no multiplayer element. The game was apparently strongly inspired by the classic Jedi Knight series of action games released between 1995 and 2003 (Dark Forces, Jedi Knight, Mysteries of the Sith, Jedi Outcast and Jedi Academy).

"Human stretch goal" Chris Avellone is one of the writers on the game. Avellone previously wrote for Knights of the Old Republic II: The Sith Lords (2004) and other titles including Fallout 2, Fallout: New Vegas, Neverwinter Nights II, Planescape: Torment, Pillars of Eternity, Divinity: Original Sin II and the forthcoming Dying Light 2.

The game is part of a package negotiated between EA and Lucasfilm to release a series of new Star Wars video games. However, the only releases from this deal to date have been multiplayer titles Battlefront (2015) and Battlefront II (2017) (although the latter had a brief story campaign as well). A story-focused game from Visceral Games, inspired by Uncharted, was cancelled in 2017, whilst a possible new game from BioWare, a remake or sequel to the Knights of the Old Republic series, never got off the ground. Reportedly, EA had strong issues with both projects due to their single-player focus, with them preferring "games as service" models with a heavy multiplayer focus with incremental updates and the potential for players spending more money through microtransactions.

That Fallen Order is therefore a single-player title is surprising, given that Respawn's previous single-player-focused game, Titanfall 2, sold modestly and their biggest recent success was multiplayer shooter Apex Legends. It's possible that Fallen Order survived this purge due to fast work by Respawn, superior negotiating team by the company's management (especially since Apex Legends went stratospheric) and EA's own desire for damage control to its own reputation.

Whatever the case, Star Wars Jedi: Fallen Order is the most promising Star Wars video game in many years, and it will be out on X-Box One, PlayStation 4 and PC on 15 November 2019.

Lucasfilm confirm "long hiatus" for the STAR WARS movies after THE RISE OF SKYWALKER

Lucasfilm president Kathleen Kennedy has confirmed that there will be a "long hiatus" for the Star Wars movie series after the release of Episode IX: The Rise of Skywalker this December.


Exactly how long the hiatus will be is unclear, although Kennedy suggested it may be a "couple of years," which isn't a massive gap but it certainly seems to signify Lucasfilm retreating from their plan of producing between one and three Star Wars movies a year, echoing sister studio Marvel's approach to their superhero series.

It is known that Lucasfilm were actively considering multiple films to follow The Rise of Skywalker, including a side-trilogy to be directed by Rian Johnson (The Last Jedi), a side-series to be directed by David Benioff and D.B. Weiss (Game of Thrones), possibly one or more films focusing on individual characters from the Episode VII-IX trilogy, and further "Star Wars Stories" focusing on characters like Boba Fett and Obi-Wan Kenobi, to be directed by James Mangold (Logan) and Stephen Daldry (Billy Elliott) respectively.

However, the surprising commercial failure of Solo: A Star Wars Movie (2018) has put development of all future movies on hold. How quickly the series resumes may depend on the box office performance of The Rise of Skywalker in December.

The official status of the previously announced movies is that Benioff and Weiss's series remains in active development, and they will move over to it full-time once Game of Thrones' final season finishes airing in May and they have completed all outstanding work with HBO (including any material they still have to shoot for the DVD and Blu-Ray box sets for the final season). Disney and Lucasfilm will then consult with them on the ideas they are developing before greenlighting anything, which puts any film from that quarter likely 3-5 years away.

The official status of Rian Johnson's trilogy is that it is still being developed, but after the all-encompassing task of making The Last Jedi he chose to take a break to work on a stand-alone thriller, Knives Out. Shooting on that has been completed and the film is due out later in 2019, after which Johnson will start developing the new trilogy in full. Again, that seems to put any new film from that quarter also out by several years.

The Boba Fett movie is officially toast. The failure of Solo seems to have left Lucasfilm dubious that a stand-alone movie about a far more low-profile character had any merit to it. Rumours suggest that some of the ideas from the film may have been translated to the new Star Wars TV series, The Mandalorian, although the title character is not Boba Fett but a new character to be played by Pedro Pascal (Game of Thrones, Narcos).

The status of the Obi-Wan movie is murkier. Fans who were very derisory about both Solo and the Boba Fett project seem to be much keener to see Ewan McGregor return as Obi-Wan in a film set between Revenge of the Sith and the original Star Wars movie. However, Stephen Daldry is no longer involved. The latest rumours are that Lucasfilm are still strongly considering this project, but potentially as a mini-series for Disney+ instead.

This rumour also strengthens the idea that Lucasfilm are considering a strong pivot to television for the future of Star Wars, at least in the short term. Animated series Star Wars: Resistance is already airing on Disney XD and The Mandalorian, to debut on Disney+ in November, will be the franchise's first-ever live-action TV show. A further season of The Clone Wars, the CG animated show that was cancelled back in 2014, is also in production for Disney+. A mini-series focusing on the character of Cassian Andor and the events leading up to Rogue One is also in development.

There will be more Star Wars movies in the future, and probably not as far off as some may think, but it remains to be seen what form they will take.

Lucasfilm release STAR WARS: EPISODE IX trailer and title

Lucasfilm and Disney have released the trailer and title for the next Star Wars film, now officially called Star Wars Episode IX: The Rise of Skywalker.


The trailer confirms several early reports that the late Carrie Fisher would still be starring in the film, despite passing away shortly after the completion of the previous movie in the series, thanks to an entire secondary storyline filmed for The Force Awakens that was cut for time.

The trailer also features the return of Billy Dee Williams as Lando Calrissian, as he takes control of the Millennium Falcon in live action for the first time time since using it to destroy the second Death Star in Return of the Jedi (1983), although he has since voiced the character in animated series and video games.

Tantalisingly, the film also features the voice of Ian McDiarmid as the Emperor, despite his death in Return of the Jedi, and a shot of what appears to be a large chunk of the second Death Star lying on the surface of (presumably) Endor. This is interesting from a plot perspective since that is also where the Emperor died, suggesting that the characters may find a key to defeating the First Order and Kylo Ren in the place where the Empire was defeated the first time around. McDiarmid also joined a Rise of Skywalker panel at a Star Wars convention this weekend, suggesting that his role may be more than just a voiceover,with some fans theorising he will return as a dark Force ghost to banter with Rey.

Some may take issue (I certainly did!) with a large chunk of the Death Star II apparently surviving the end of Return of the Jedi, which may be worthy of more exploration at another time.

Star Wars Episode IX: The Rise of Skywalker, directed by J.J. Abrams, will be released on 20 December 2019.

Friday, 12 April 2019

Some recent media collaborations

I've recently collaborated with a few media outlets for some new projects.


First up, Entertainment Weekly used some of my photos from the Game of Thrones pilot shoot in 2009 for their coverage of the final season of the show. You can find that article here and in the print magazine from a couple of weeks ago.


Bloomberg also consulted with me for an article on the economy of Westeros (TV edition). You can find my original article on the economy of Westeros from the books here.

There's also a couple more outlets where my work will be showing up shortly, which should be quite interesting.

Amazon confirms Second Age setting for LORD OF THE RINGS TV show

Last month, Amazon Prime released a series of maps teasing their upcoming Lord of the Rings TV show. These maps culminated in a depiction of the island of Númenor, seemingly confirming that the series will be set in the Second Age of Middle-earth's history (as Númenor only exists in the Second Age).


However, some fans disagreed and various hot takes over the past month have suggested that the series will remain set in the Third Age, possibly still focusing on the "Adventures of Young Aragorn" idea first floated a few years ago (based on a concept developed by Peter Jackson and Guillermo Del Toro for a "bridging" film between the Hobbit and Lord of the Rings movie series), but with the Númenor backstory being important to the narrative.

Michael Benson, Amazon TV's head of marketing, has unambiguously confirmed that the show will be set in the Second Age in an interview with the Business Insider website.
"I foresee "Lord of the Rings" as being probably one of the biggest investments we'll make in marketing. It is a lot of fun to market a show like that, but it's also really challenging because you could easily do something that might be a misstep. About four weeks ago, we opened up our social handles "@LOTRonPrime" and we began to reveal what we were doing for the series. And through a reveal of a series of maps, we told the audience and the fans that were going to be going into the second age. There's a lot more to come, but everything that we're doing to market "Lord of the Rings," we want to make sure that we maintain the authenticity that the fans expect."
The Lord of the Rings TV series is expected to enter production in late 2019 to air in 2021 on Amazon Prime.

Wednesday, 10 April 2019

Marvel HAWKEYE mini-series in development

Marvel and Disney are in discussions about developing a limited mini-series focusing on the character of Clint Barton, also known as Hawkeye. Jeremy Renner is in discussions about reprising his role from five of the Marvel Cinematic Universe films (including The Avengers: Endgame, due out later this month).


According to reports, the mini-series will air on Disney's new Disney+ streaming service (currently scheduled to launch around September) and will focus on Hawkeye training another skilled archer, Kate Bishop. In the comics continuity, Bishop takes up the role of Hawkeye after Barton gives it up to pursue other goals.

If commissioned, this would be the fourth MCU mini-series. Series focusing on Loki, Vision/Scarlet Witch and Falcon/Winter Soldier are currently in development as well, all with the movie actors reprising their roles. According to reports, some of these series may follow on from the events if The Avengers: Endgame whilst others will be set earlier in the movie continuity.