Showing posts with label gratuitous self-promotion. Show all posts
Showing posts with label gratuitous self-promotion. Show all posts

Thursday, 28 January 2021

Gratuitous Hugo Self Promotion Post 2021

It's that time of year again. Nominations are open for the 2021 Hugo Awards, to be held at WorldCon 2021 in Washington, DC*. 

I am eligible in the category of Best Fan Writer. After several years on the longlist, I made it onto the shortlist last year, which was very nice, even if I didn't have a chance of winning (as proved to be the case). The Wertzone and Atlas of Ice and Fire are both eligible for Best Fanzine, but again the majority of my work is here on The Wertzone.

To nominate, you must have been a virtually-attending or supporting member of the New Zealand WorldCon last year, and either be a supporting or attending member at this year's WorldCon in DC. The nomination form can be found here. This, of course, also allows you to nominate for all of the Hugo Awards, including Best Novel, Best Editor, Best Dramatic Presentation and so on.

You can join WorldCon 2021 here, although I don't believe you can register and nominate immediately (happy to be proven wrong there).

Please check out some of the work by other bloggers in the field: Paul Weimer, Foz Meadows and Aidan Moher are among those whose work is well worth checking out, along with last year's winner, Bogi Takács, who has recused emselves from the Hugos this year (but read eir blog anyway!).

Some of my articles last year which might be worth a look (ranging from the trivial to the long):

Good luck to everyone and hopefully there'll be an actual WorldCon to go to this year!


* Although it's not yet certain if this will be a virtual or walk-in convention, or if it will be held in August or December, due to the ongoing COVID pandemic.

Tuesday, 7 April 2020

In another sign of the End Times, I have been nominated for a Hugo Award

The 2020 Hugo Award nominations have been announced this evening and, to my surprise, I have made the shortlist for Best Fan Writer, which was unexpected.


Congratulations to my fellow nominees, a formidably talented bunch who will ensure that I have zero chance of actually winning the award.

In the "big" category, Best Novel, the nominees are The City in the Middle of the Night by Charlie Jane Anders; Gideon the Ninth by Tamsyn Muir; The Light Brigade by Kameron Hurley; A Memory Called Empire by Arkady Martine; Middlegame by Seanan McGuire; and The Ten Thousand Doors of January by Alix E. Harrow.

The Best Dramatic Presentation (Short Form) nominees are The Good Place: The Answer, The Exapanse: Cibola Burn; Watchmen: A God Walks into Abar and This Extraordinary Being; The Mandalorian: Redemption; and Doctor Who: Resolution.

The Best Dramatic Presentation (Long Form) nominees are Avengers: Endgame, Captain Marvel, Good Omens, Russian Doll: Season 1, Star Wars: The Rise of Skywalker and Us.

The Hugo Awards are normally announced at WorldCon, the annual World Science Fiction Convention which this year was going to be held in New Zealand. Unfortunately, the global coronavirus pandemic means that the convention cannot be held as planned. Instead, a virtual convention and awards ceremony will be held instead.

Thanks again to everyone who nominated me. It's very much appreciated.

Monday, 9 March 2020

Gratuitous Hugo Reminder Post

Just a signal boost as Hugo nominations are finishing up on 13 March (four days from now).

I left this way too late last year, so this year I'll mention it a bit earlier. Dragonmount has very generously nominated me for a Hugo Award this year, after George R.R. Martin did the same last year (GRRM, as toastmaster for WorldCon this year, has declined to offer any recommendations this year).


It turned out last year that I didn't make the shortlist by just 15 votes and I've been asked to make a bit more noise about it last year, which is a bit painful for me but okay.

So I'm eligible for Best Fan Writer and I believe that both The Wertzone and Atlas of Ice and Fire are eligible for Best Fanzine (which includes blogs). However, Atlas of Ice and Fire is fairly niche in its appeal and The Wertzone is what gets the bulk of the attention, so it makes the most sense to nominate that, if you feel my work last year was worthy!

To nominate, you must have been an attending or supporting member of Dublin WorldCon last year, and either a supporting or attending member at this year's WorldCon in New Zealand. The nomination form can be found here. If you wish to sign up as a supporting member of the New Zealand WorldCon for nomination purposes, you can do so here. This of course also allows you to nominate for all of the Hugo Awards, including Best Novel, Best Editor, Best Dramatic Presentation and so on.

My own nominations in the Best Fan Writer field would include Aidan Moher for his work principally at the Barnes and Nobel webpage (before it stopped freelance submissions last year) and Foz Meadows for her always on-point coverage of the field.

Tuesday, 7 January 2020

Gratuitous Hugo Nomination Post



I left this way too late last year, so this year I'll mention it a bit earlier. Dragonmount has very generously nominated me for a Hugo Award this year, after George R.R. Martin did the same last year (GRRM, as toastmaster for WorldCon this year, has declined to offer any recommendations this year).


It turned out last year that I didn't make the shortlist by just 15 votes and I've been asked to make a bit more noise about it last year, which is a bit painful for me but okay.

So I'm eligible for Best Fan Writer and I believe that both The Wertzone and Atlas of Ice and Fire are eligible for Best Fanzine (which includes blogs). However, Atlas of Ice and Fire is fairly niche in its appeal and The Wertzone is what gets the bulk of the attention, so it makes the most sense to nominate that, if you feel my work last year was worthy!

To nominate, you must have been an attending or supporting member of Dublin WorldCon last year, and either a supporting or attending member at this year's WorldCon in New Zealand. The nomination form can be found here. If you wish to sign up as a supporting member of the New Zealand WorldCon for nomination purposes, you can do so here. This of course also allows you to nominate for all of the Hugo Awards, including Best Novel, Best Editor, Best Dramatic Presentation and so on.

My own nominations in the Best Fan Writer field would include Aidan Moher for his work principally at the Barnes and Nobel webpage (before it stopped freelance submissions last year) and Foz Meadows for her always on-point coverage of the field.

Friday, 12 April 2019

Some recent media collaborations

I've recently collaborated with a few media outlets for some new projects.


First up, Entertainment Weekly used some of my photos from the Game of Thrones pilot shoot in 2009 for their coverage of the final season of the show. You can find that article here and in the print magazine from a couple of weeks ago.


Bloomberg also consulted with me for an article on the economy of Westeros (TV edition). You can find my original article on the economy of Westeros from the books here.

There's also a couple more outlets where my work will be showing up shortly, which should be quite interesting.

Saturday, 26 November 2016

10 Years of The Wertzone: Stats

Monday marks the 10th anniversary of The Wertzone. I know, where does the time go? Well, into the past, of course, thanks to the energy-sapping effects of universal entropy. Maybe that should have been a rhetorical question.

Anyway, the anniversary is on Monday but I probably won't get much of a chance to post on that day. So today and tomorrow I'll be throwing out some articles related to the occasion.

In the meantime, here's some pointless stats to muse over:

Number of Books Reviewed: 599
Number of TV Seasons Reviewed: 178
Number of Video Games Reviewed: 148
Number of Films Reviewed: 85


First Book Reviewed: Altered Carbon by Richard Morgan
First Review Copies Received: The Prefect by Alistair Reynolds, Black Man by Richard Morgan and Red Seas Under Red Skies by Scott Lynch
First TV Show Reviewed: Battlestar Galactica (Season 3)
First Film Reviewed: Sunshine
First Video Game Reviewed: Command & Conquer 3: Tiberium Wars


Friday, 6 May 2016

Blogging in the Age of Austerity

This week the veteran, multi-award-winning science fiction and fantasy blog SF Signal announced it was shutting down. The news sent shockwaves through SFF fandom: SF Signal was founded in 2003, in the earliest, most nascent days of the blogosphere when the world was still young. Other blogs had come and gone, but SF Signal was an eternal presence on the scene. Indeed, with three Hugo Awards to its name and a large number of guest and contributing editors providing content under the eyes of founders John DeNardo and JP Frantz, the future looked quite bright for SF Signal.



Their reasons for shuttering the blog are very understandable: even if others could provide content, the blog was still their baby and still consumed a lot of their free time. Both editors had reached a point where they could not justify giving up that time at the expense of spending time with their families, so decided to shut down the blog. No doubt there were options for passing SF Signal onto other writers and editors, but the site was theirs and they didn't want it to continue without them, hence the closure. This news came on the heels of Charlie Jane Anders stepping away from SFF mega-site io9 to concentrate on her fiction. That was a different case, as Gawker Media who hosted, paid for and maintained io9. Anders was the co-founder and helped establish the tone and direction of the site, but as a corporate entity io9 could keep going under new management in the form of long-time contributor and arch-snarkmaster Rob Bricken. More distinctively, as a corporate media concern, the people working on io9 get paid. The people working on SF Signal do not.


Back in the autumn of 2005, for the first time in my life, I was finally able to move into a house with broadband. Before that my web-browsing was carried out in internet cafes and libraries. As a lifelong fan of SFF, this had been rather frustrating but I wasted no time in hanging around. Within hours of getting my first broadband connection installed I had signed up on several of the major SFF forums: Westeros, Wotmania (defunct), SFX (defunct) and Dragonmount. In the following weeks and months I would join many others: SFF Chronicles, SFFWorld, Malazanempire, Paizo and SFX. Due to good timing and good fortune, I would meet George R.R. Martin for the very time within a few weeks of that time and post a detailed report of that meeting on Westeros, leading to me becoming a moderator there. I posted numerous book reviews over the following months, which led to people suggesting that I start my own blog, which I finally did in November 2006. And here we are, ten years later (well, nine and a half).

Writing the blog has been immensely satisfying, especially when I've reviewed a less well-known book and seen dozens of people go and buy a copy. For a few people, it was on the Wertzone that they first heard there was a new Star Wars movie coming out, or that A Dance with Dragons finally had a publishing date, or that Fallout 4 existed. The satisfaction of writing and working on the blog for a reading audience is tremendous, and I often feel the need that my readers deserve and need the best content I can put out. Hence how a planned mild rebuttal to a cheesy "Best Fantasy Evaaah" article on another website ended up becoming a 66,000-word series on the history of the entire genre. I like to think that this commitment to original content, long posts and a fairly prolific output is why the blog is doing so well. Since 2011, during the period when I've been repeatedly told that blogging is dead, the Wertzone has increased its hit rate to unprecedented heights. All of this is fantastic and has had significant knock-on effects: attending conventions, hosting and taking part on panels, and - very occasionally - doing paying work for publishers or magazines.

All of this requires a substantial time investment, however. It's frequently involved coming in from eight hours at the day job to jumping straight into four or five hours on the site, several times a week. Sometimes that's been fine and sometimes it hasn't, and I've scaled things back. The balance of investment and reward in any activity needs to be weighed, and for the most part I've been happy with that balance.

As I get older, though, it becomes harder to justify spending so much time blogging in favour of doing other things, such as spending more time with friends, family or a significant other or just more time relaxing after work. Right now, I don't actually have a significant other (for the last couple of months) or a day job (for the last month), hence why the Wertzone was unusually busy in April. I made a conscious decision last month to, whilst undertaking my normal jobsearching activities, to also put eight hours a day into the blog and treating it like a day job. This is why there double the normal number of posts last month, and a corresponding rise in hits, social media activity, getting new Twitter followers etc. It was fortuitous that a couple of big, attention-grabbing stories came up during that time (most notably the Wheel of Time TV series news).

This never happens.

For bloggers who do have day jobs and families, it's become clear that the lack of material reward for blogging means greater pressure to step away and spend that time instead with loved ones or doing other things. And that's why it's easy to see why the guys at SF Signal decided to step away. If I get one of the several jobs I'm currently going through the recruitment process for, the amount of blogging on the site will have to fall as I devote time to that instead.

Is there a way around this? Should there be? Kind of. For a lot of bloggers, blogging is a springboard into writing fiction and once they make that transition, the blogging is left behind. For me, I have no interest in writing fiction day in, day out. I may one day try my hand at writing a short story or a novel if a story demands to be told, but I'm never going to be a career fiction writer. I much prefer writing about the genre as a critic, but the paid market for that is much smaller. After over five months doing the rounds with my agent, A History of Epic Fantasy has failed to garner as much as the merest flicker of interest from a professional publisher, despite the people nominating it for awards (and in any year but this one, it might even have stood a chance of making the shortlist) and clamouring for the book version (look for an update on that soon). But even if that takes off, that's just one project. Being an SFF critic isn't much of a career path these days, especially with venues drying up (even the mighty SFX Magazine seems to be in financial trouble and may not last much longer).

This never happens. Well, not any more anyway.

Hey, don't you get paid in free books?

Nope, or at least not any longer. Back in the day, being a successful book-focused blogger meant receiving lots of ARCs (Advanced Reading Copies), pre-release editions of books sent out for free to reviewers to drum up interest in novels before they come out. Some took this to be a reward in itself, and for a year or two there was a "controversy" about conflicts of interests and these things constituting bribery and so forth. But ARCs have largely become a thing of the past: I received over 150 in 2010 and in 2016 so far I have received exactly four (Children of Earth and Sky, The Call and The Wolf in the Attic for those curious, with The Great Ordeal on its way). ARCs have been largely replaced by e-ARCs and NetGalley, and since I can't read novels from a computer screen (vision issues; sometimes even just the blogging and internet research causes me problems), the result of that is that I no longer receive, and almost never ask for, ARCs any more. So they're out, and that's not a problem. I still have the better part of 200 books on the to-read pile and that will take me years to get through if I never buy or receive another book during that time.

So to justify continuing to blog at my current rate, I really need to make the blog pay, either enough for me to work on it full-time or enough to mean that I only need to get a part-time job. And to date I've tried two ways of generating income from the blog.

The first thing I did was put up a tipjar on the blog for contributors to make donations. I did that on 30 October 2012, so three and a half years ago. In that timeframe, I've received in total about £300 (and £100 of that from one very generous donor). That is absolutely fantastic, and that money went back into the site in the form of sourcing more content, travelling to events and buying more books and other media for review on the blog. But, to put it in perspective, that's about one-quarter of one month's pay at the UK minimum wage (and rather less than the actual living wage). It's a lovely bonus, but it will never pay for me to work full-time on the site.

More recently, back in October last year, I instigated advertising on the site, at a (hopefully) low-key and unobtrusive level. This brings in approximately £60 every four months. Again, excellent and gratefully-received, but it's not going to be paying for me to run the site any time soon. I could ramp up the advertising, even do those wrap-around adverts that would bring in a bit more, but I find those insanely annoying and it really would constitute a conflict of interest if I got paid to host an advert for a book I then reviewed.

Two additional ideas have been floated to me. The first is that I try my hand at podcasting. I've always been reluctant to try this because I read information at a vastly faster rate that watching or listening to it. I once sat down and tried to listen to the A Game of Thrones audiobook and it drove me crazy because in the time that it took Roy Dotrice to read the prologue I could have easily read three or four chapters of the book with my actual head-eyes. However, I am assured that there a lot of other people don't have that issue and there are certainly time efficiencies from podcasting (being able to listen or watch them on the move, at work, on headphones, in the car etc) that text blogging can't compete with. I don't actually have any equipment to do podcasting with, but it is something I'll probably look into later this year, especially when we move closer to the History of Epic Fantasy project moving forwards, as that would be a good way of introducing the book.

The second one is a bit more straightforward: Patreon. For those unaware of it (as I was until a few months ago), this is a crowdsourcing site where you basically get people to pledge a monthly payment in return for exclusive content/rewards (either completely exclusive or time-sensitive, so you'd get an article a month before non-pledgers). This doesn't seem like such a bad idea, although I'm dubious about the support I'd get and I do have a slight location-based issue: I have the temerity to be based in the UK, with a highly unfavourable exchange rate with, well, most of the rest of the world but especially the USA, where a large number of my readers are. But it's certainly worth a look and I'll probably be pursuing that in the near future.

Like Neo, I do always have the option of making a new Bill & Ted movie to fall back on.

But what if you fail?

Er, then I'll carry on as I am now. I don't see a situation where I'll ever quit, give up or retire from blogging, but certainly I can see situations where I have to drastically reduce my output and contributions due to other commitments. Which would suck.


But hey, do we even need bloggers in the first place?

I think the genre needs as many voices in it as possible discussing books, authors, TV shows, video games and the other things that make the genre what it is. The more voices, the more chances of the good stuff rising to the top and the stronger and healthier the field. Whether the field needs me, or any individual blogger specifically, is a different question and one that's down to the readers.

Sunday, 27 December 2015

A HISTORY OF EPIC FANTASY - The Book Version!

I've had quite a few people asking me if there will be a book version of the History of Epic Fantasy articles. I am pleased to say that yes, there will be. This will also not be just the blog articles collected into a .pdf to make a quick buck, but will be a thorough rewriting and re-editing of the entire series. The book version will also be larger and feature more content on authors, themes, series and ideas.

No, this still won't be the cover.

The book version will follow the blog format of looking at the history of the genre through mainly a chronological perspective, with some asides into thematic areas. There'll also be a look at other areas of fantasy and how that relates to the epic field. There'll be more space for more authors, so writers I had to leave out of the blog version for time reasons will get coverage, such as Peter V. Brett, L.E. Modesitt Jnr., Elizabeth Moon and so on.

The book version is being shopped around by my agent (Ian Drury at Sheil Land, just in case any publishers out there are interested) but if we get no interest from that quarter, I will certainly be self-publishing. The interest from readers and even quite a few fantasy authors in this project has certainly been high, and resulted in a massive explosion of hits (tens of thousands of them over the same period last year) for the blog, not to mention the fact that epic fantasy has never been bigger than now, so I'm confident there is commercial potential in the idea.

If anyone has any ideas for the book version, they will be gratefully received. I've had a suggestion that we could look at including more and maybe iconic artwork from fantasy covers and series. Unfortunately, the licensing fees for this would likely be prohibitive, but if a professional publisher picks up the book then it might be possible to do something alone those lines.

I've also had people requesting a science fiction version (although in that case a "History of Space Opera" might be the equivalent). This would certainly be fun, but there are already quite a few good such books out there. Although older, Trillion Year Spree by Brian Aldiss and David Wingrove is worth a look, as is the 1995 SF: The Illustrated Encyclopedia by John Clute, which arranges the history of SF into handy chronological charts, thematic essays and profiles of hundreds of prominent authors in the field. In fact, one of the inspirations for the History of Epic Fantasy series was the baffling lack of any such comparative material for the epic fantasy field, despite its much greater sales and popularity. The Encyclopedia of Science Fiction is certainly a resource everyone should be using for SF, although that is not a linear, chronological look at the field.

I would also like to take this opportunity to extend my thanks to everyone who read and commented on the article series. Your feedback has been appreciated, and has inspired some of the changes that will go into the book version.

Sunday, 17 June 2012

BEYOND THE WALL now on sale

Beyond the Wall, the Song of Ice and Fire essay anthology I have contributed to, is now on sale in some bookshops (though the official release date is not until next week, I believe). Forbidden Planet in London had several copies on sale yesterday, so I imagine that other copies will be out there in the wild.


Tuesday, 10 January 2012

Something I've been working on...

I'm now officially allowed to talk about this. For the last couple of weeks I've been working on an essay for a forthcoming book about A Song of Ice and Fire. I turned in the first draft a few days ago and anticipate quite a lot of work to bring it up to standard, but I'm excited as this will be my first work published in book format (not to mention my first paid writing job ever).


The book is called Beyond the Wall and is due out in June 2012 from BenBella, as part of their Smart Pop line. The editor is novelist and former TSR fiction editor James Lowder. A full list of contributors should be available soon.