Showing posts with label fionavar tapestry. Show all posts
Showing posts with label fionavar tapestry. Show all posts

Sunday, 17 November 2019

Where to Start? - Guy Gavriel Kay (updated)

This is an updated version of an article previously published in 2010.

All of Kay's novels - ten to date - take place in the same universe, but are divided into two broad sub-worlds. However, they are published out of chronological order and are almost entirely made up of stand-alone books. The sole exceptions are his two series, The Fionavar Tapestry trilogy and The Sarantine Mosaic duology. Everything else is stand-alone.


The Fionavar Universe


Kay's first published work was The Fionavar Tapestry, a trilogy in which a group of Canadian university students are transported to the world of Fionavar where a traditional battle between good and evil is underway. The trilogy is noted for an interesting magic system (in which sorcerers use other living beings as sources of magic) but is probably Kay's most 'standard' work.

The core trilogy consists of The Summer Tree (1984), The Wandering Fire (1986) and The Darkest Road (1986). Ysabel (2007) is a stand-alone follow-up to the trilogy set on Earth and focusing on different characters in Provence, but several trilogy characters show up in supporting roles.


Stand-alone works in the Fionavar Universe


Kay's next two novels are stand-alone titles, entitled Tigana (1990) and A Song for Arbonne (1992). They are set in the Fionavar universe but some very minor references and allusions aside such connections are purely cosmetic. Indeed, Tigana is oftern referenced as the best book to start with Kay with.


The Alternate Earth books


Kay's remaining books are all set on the same planet, a lightly fantasised version of our Earth in several different time periods and locations. Technically this alt-Earth is also located in the Fionavar universe, but again some minor references aside this is again completely irrelevant. The alt-Earth books are all independent of one another and do not require knowledge of the others to enjoy one, with the sole exception that the two books of the Sarantine Mosaic duology need to be read in order.

In publication order with a note on their historical inspirations, these books are as follows:

  • The Lions of Al-Rassan (1995) - Andalusian Spain during the time of El Cid (11th Century).
  • The Sarantine MosaicSailing to Sarantium (1998) & Lord of Emperors (2000) - Byzantium at the time of Justinian I (6th Century).
  • The Last Light of the Sun (2004) - Saxon England at the time of Alfred the Great (9th Century).
  • Under Heaven (2010) - Tang Dynasty China during the An Shi Rebellion (8th Century).
  • River of Stars (2013) - Song Dynasty China during the Jin-Song Wars (12th Century).
  • Children of Earth and Sky (2016) - Dubrovnik and the Balkans (late 15th Century).
  • A Brightness Long Ago (2019) - Renaissance Italy (mid-15th Century).


Conclusion

Kay's work can be approached from several entry points. The first book in The Fionavar TapestryThe Summer Tree is an obvious choice, although Tigana is often cited as a stronger first book. The Lions of Al-RassanThe Last Light of the SunSailing to Sarantium and Under Heaven can all be approached as other first books as well. In conclusion Kay is an author whose body of work can appear tricky to get into due to the inter-connectedness of the books, but in practice most of these connections are so slight as to be invisible, and with the obvious exception of the multi-volume works his books can be read in any order.

Note
There are some anomalous elements in Under Heaven with regards to the other books. It still appears to take place in the alternate Earth setting, and its China analogue (Khitai) is mentioned in the other alternate history books. However, at one point a character mentions how there is only one moon when he talks about having a dream of a world with three. The Alt-Earth seen in The Lions of Al-Rassan and The Last Light of the Sun is noted as having three moons. This seems to place Under Heaven in a sort of parallel universe to the Alt-Earth, whilst still retaining much of its layout. This is odd, but, that one reference aside, it can be read and enjoyed either as a complete stand-alone or as part of the Alt-Earth books with no problem.

Tuesday, 19 December 2017

Guy Gavriel Kay's FIONAVAR TAPESTRY optioned by ORPHAN BLACK production company

Canadian production company Temple Street have optioned Guy Gavriel Kay's debut fantasy trilogy The Fionavar Tapestry for the screen.


The Fionavar Tapestry consists of three novels: The Summer Tree (1984), The Wandering Fire (1985) and The Darkest Road (1985), plus a self-contained sequel, Ysabel (2007). The full press release follows:
Boat Rocker Studio’s Temple Street secures television rights to international bestselling author Guy Gavriel Kay’s The Fionavar Tapestry 
Toronto, Canada – December 18, 2017 - Temple Street, a division of Boat Rocker Studios, has secured the television rights to international bestselling author Guy Gavriel Kay’s The Fionavar Tapestry. Published as three volumes in the mid-1980s (The Summer Tree, The Wandering Fire and The Darkest Road), the trilogy has sold more than a million copies around the world, and has been dubbed by The Guardian one of the classics of modern fantasy. New York Times bestselling writer Brandon Sanderson has called Kay “the greatest living author of fantasy literature.” 
The Tapestry tells the tale of five young men and women who are brought to Fionavar – the first of all worlds. Told they are simply to be guests for the 50th anniversary celebration of a king's ascension to the throne, each of the five discovers they have a greater, dangerous role to play as they're thrust into a war between the forces of good and evil, whose outcome will affect all worlds, including our own.
Kay draws upon a variety of creatures and mythologies, predominantly Celtic and Norse, to create the world of Fionavar, and the saga also features the legendary story of King Arthur, Lancelot, and Guinevere, heroes of medieval literature. 
“Guy’s work is exhilarating and cathartic, and we can’t wait to share this epic story with audiences around the world,” say Boat Rocker’s co-executive chairmen David Fortier and Ivan Schneeberg. “Given the current appetite for big budget, high-fantasy adaptations, the timing for Fionavar couldn’t be better. We’re excited to start assembling the creative team to help realize our vision.” 
"I'm truly happy that David and Ivan and the impressive team at Temple Street are the ones bringing my trilogy to television. I know The Tapestry has had a powerful impact on readers – and on other writers – and that's part of why I've been careful with the rights. I'm excited and anticipate this adaptation will bring new people to Fionavar, while rewarding longstanding fans," says Guy Gavriel Kay.
Fortier and Schneeberg will executive produce for Temple Street (Orphan Black, Killjoys), along with Kris Holden-Ried (Vikings, Tudors, Lost Girl). “The magic of Fionavar transcends the page. It’s a clarion call to that which is best in all of us, and it’s an honour to be bringing the emotional poetry of Guy’s books to the screen,” says Kris Holden-Ried.
Temple Street’s Senior Vice President Kerry Appleyard and Senior Development Producer Lesley Grant will oversee series adaptation for the studio, and Boat Rocker Rights will control worldwide rights.
The news is exciting but slightly unexpected: The Fionavar Tapestry is Kay's first work and as such is not quite as well-regarded as his later, more self-contained novels such as Tigana, The Lions of Al-Rassan and Under Heaven. However, it's big story (still the biggest thing Kay's ever written) and could fuel several seasons of a television series. Adapting his other books, which are mostly set in the same world but at wildly varying geographic and historical points, would be more problematic (although I have a suggestion for how you'd do that here).

This is great news, well-deserved for what may be our greatest living author of fantasy, and hopefully we'll see this project greenlit quickly.

Wednesday, 15 November 2017

Idea: why not adapt Guy Gavriel Kay's novels for the screen?

Fantasy is big right now. We've heard lots of news about Amazon's new Lord of the Rings TV project, Game of Thrones is wrapping up but will have spin-offs, Netflix is producing a Witcher TV show, Showtime are doing a Name of the Wind prequel show, Starz have American Gods and even Spike TV is still trying to make Shannara happen. There are signs that the fantasy bubble may be cresting - Sony's Wheel of Time project still hasn't found a home despite it being a slam dunk - but I think there's still room for a few different projects out there.


One author whose work has not hit the screens yet is Guy Gavriel Kay. It's easy to see why: Kay's novels tend to be too long to make for comfortable two-hour movies, but too short and too self-contained for long-running TV shows that can be exploited for years on end. His books are also based closely on real history with (relatively) little traditional magic, which used to make them a tough sell. However, it could be a point in its favour with some of the other upcoming projects having a lot more magic and the need for high budgets, whilst Kay's work could be adapted a bit more easily and could tap into the Game of Thrones fanbase looking for more work that emphasises politics and characters over flashy effects.

One interesting solution would be to do Kay's novels as a Fargo-style anthology series, where each season has its own storyline, characters and actors but take place in the same universe, with events earlier in the setting informing events set centuries later. It would be an unorthodox approach, but could be interesting.

I'd see this series unfolding as follows, with each season corresponding to a novel (or series) with the setting and time period that roughly influenced the book following:

Season 1: The Sarantine Mosaic, 6th Century Byzantium, Justinian's wars
Season 2: Under Heaven, 8th Century China, An Lushan Rebellion
Season 3: The Last Light of the Sun, 9th Century England, Alfred the Great
Season 4: The Lions of Al-Rassan, 11th Century Spain, El Cid
Season 5: River of Stars, 12 Century China, Jin-Song Wars
Season 6: Children of Earth and Sky, 15th Century Dubrovnik, after the fall of Constantinople

It might also be possible to incorporate A Song for Arbonne, which takes place in a different world but is heavily influenced by the Albigensian Crusade in 12th Century France, into this scheme.

Tigana, although influenced by Renaissance Italy, features a very different world background with much more overt magic. It would probably be better served by a separate movie adaptation. The Fionavar Tapestry trilogy and its stand-alone sequel, Ysabel, could form another, separate TV series.

To date, the only interest in Kay's work has been from director Edward Zwick (Glory, Legends of the Fall, The Last Samurai, Blood Diamond), who held the rights to The Lions of Al-Rassan for a while. Hopefully someone will pick up the rights to Kay's work and bring it to a wider audience. One of the finest living fantasists, his work deserves to be better-known.