On 14 October 2008 I published a review of the second season of The Wire, HBO's masterpiece about the corrupting effects of American institutions (political, legal and criminal) and the destruction of the American labouring classes. Here's an updated re-review based on the new HD release of the series on Blu-Ray.
When The Wire started it was
easy to see it as just another cop show, until its overwhelmingly high
quality lifted it onto another level. After all, the narrative of Season
1 was simply that of cops versus drug dealers, with some murky
political dealings on the side but these were left relatively
unexplored. Season 2, however, shows creator David Simon's real plan: he
is trying to craft the definitive portrayal of the turn-of-the-century
American city. Like a Grand Theft Auto
game (only with less gunplay and more, infinitely better dialogue), progressing onto Season 2 'unlocks' another chunk of the city,
this time the docks and a new cast of characters, including Eastern
European criminals, the unions and their families, and introduces an
important new thread to the tapestry of the show.
the end of Season 1, Lt. Daniels's unit successfully cracked the
Barksdale case, but political infighting between different police
departments saw arrests made prematurely. Whilst Avon and D'Angelo were
sent down, the evidence against Avon was flimsy and his time inside was
limited, whilst back on the street the formidable Stringer Bell has been
put in charge. Meanwhile, Daniels has been booted down to work in the
evidence lock-up and McNulty has been sent over to the harbour patrol,
to his extreme annoyance, whilst Freamon and Bunt are working in
homicide. When McNulty fishes a dead girl out of the harbour and port
authority police officer Beadie Russell uncovers thirteen corpses in a
freight container, the police's attention is turned to the harbour. This
garners the interest of Commander Valchek, who is anxious to bring down
the head of the stevedores' union, Frank Sobotka, after his union
raises more cash for the local church's new stained-glass windows than
Season 2 of The Wire
sprawls slightly more than the first season, a result of the story
having to incorporate a large number of new characters and locations
whilst at the same time keeping tabs on the characters from Season 1.
The project gangs, Stringer Bell, Omar and so forth are firmly on the
back-burner for the season, with their story forming a subplot that
clears up some loose ends from the first season and sets up the events
of Season 3, where they return to prominence. Whilst characters such as
Omar and Bubs get limited screen time as a result compared to the first
year, at least they don't vanish altogether. Luckily, the new characters
are a good match for the originals. Union politics and the gradual loss
of American industry and hands-on labour are covered in a fascinating
manner. Frank Sobotka (played by Chris Bauer) is the character whom the
season's themes centre on, showing how an essentially decent man who
values loyalty and fair play is gradually morally eroded, ground down by
the city institutions and effectively destroyed, whilst the start of
the same process is shown happening to his nephew Nicky (Pablo
Schreiber). On the law-enforcement side, Amy Ryan makes a good
impression as Beadie Russell, the working beat officer who is pulled
into the detective unit formed to investigate the port situation and
finds herself out of her depth, until she steps up. On the street side
of things, the fascinating character of Brother Mouzone (Michael Potts)
is introduced very late in the season, as more pieces are set up for the
The Wire remains
dramatically intense, with several deaths (one in particular) and
shocking plot developments meaning you don't know who is safe, or who
can be trusted. The show's black sense of humour is retained (the entire
investigation starts due to a personal feud between Valchek and Sobotka
over whose union gives more money to their local church), the
fascinating investigative tactics used by the police are expanded upon
and the increasingly bleak portrayal of the modern American city is
balanced by a few decent characters and moments of hope.
The Wire: Season 2 (*****)
takes slightly longer to get going than Season 1, but remains gripping,
intelligent and adult television and the climax is much harsher. It is
available on DVD in the UK and USA, and as part of the complete series
box set (UK, USA).
If you want to start a flame war between usually reasoned, intelligent fans of The Wire, you can challenge them on what is the weaker season: the second or the fifth. The results can be quite interesting. Of course, they're both fantastic, but I think most would agree they're a tiny notch below the other three in quality. The move away from the established cast in Season 1, the introduction of a lot of new characters with time limitations on fleshing them all out and the lack of resolution to the storyline about the Greek and his gang of criminals are all issues when compared to the first season's flawless pacing, characterisation and plot construction.
At least, they are on an initial viewing. On a re-watch, the season improves from being pretty damn good with a few minor issues to being almost the equal of those around it. Knowing how the Greek and his dealings play into the bigger story of Baltimore from the later seasons helps a lot, as it introduces more of an element of tragedy into proceedings: if the cops had arrested the Greek and his gang, a lot of what happened in the seasons that followed would not have been possible. Similarly, the elimination of D'Angelo feels like a mere tying-up of a loose end from the first season, but in fact sets up a series of plot points and events in Season 3 that will have huge ramifications.
In fact, few elements are not improved by a rewatch. James Ransome's performance as Ziggy still feels a little belaboured in some scenes, but beyond that, this is a collection of highly watchable, smartly-written, brilliantly-acted and often unexpectedly hilarious episodes.
The move to HD also benefits this season immensely, with so much of the action taking place in huge industrial wastelands, on container ships and against other, large-scale backdrops which are improved by the move to widescreen.
The Wire complete series blu-ray set is available now in the UK and USA.